Mandolin in the U.S
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Bloomfield Buzz Ad 7.75X10-M1.Qxp 12/7/18 9:10 AM Page 1
In This Issue! Important Township 3 meeting dates January - June 2019 5 Health Services for you and your family Township of Bloomfield 6 Recycling calendar 7 Winter and Spring Launches Brand New Municipal Recreation Programs 8 More Recreation Website, Mobile App Opportunities Police News and Bloomfield residents are noticing a more accessible, social media-friendly communications system. The 10 Upcoming Library municipal website has been completely transformed, with a modern, responsive design showcasing relevant Events information and helpful tools up front. The official ‘Township of Bloomfield’ Facebook page has been synced with the website to post public information about important events, and the Township’s Information 12 New Year’s Message Technology Department, lead by Director Jean-Guy Lauture, has launched the “Bloomfield Township, NJ” from the Mayor mobile App where residents can receive push notifications about events, alerts and more. The “Bloomfield We are beyond excited for our new Township, NJ” Mobile “ App, by CivicPlus, website and mobile app to help has a red icon and is “ available to Android Bloomfield residents stay more and iPhone users. connected and informed. Mayor Michael Venezia These improvements will yield long-term benefits as more residents can stay better informed about events that matter to them. The Township held a forum for residents to have their ideas about municipal communication heard and received input from a resident survey which laid the framework for this new site. The new secure website, bloomfieldtwpnj.com, features up-to-the-minute traffic and road closure alerts, which will prove helpful during heavy Winter snowfalls. Residents can also opt-in to receive text notices about water advisories, Parks and Recreation notifications, community alerts, and more. -
The Science of String Instruments
The Science of String Instruments Thomas D. Rossing Editor The Science of String Instruments Editor Thomas D. Rossing Stanford University Center for Computer Research in Music and Acoustics (CCRMA) Stanford, CA 94302-8180, USA [email protected] ISBN 978-1-4419-7109-8 e-ISBN 978-1-4419-7110-4 DOI 10.1007/978-1-4419-7110-4 Springer New York Dordrecht Heidelberg London # Springer Science+Business Media, LLC 2010 All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer Science+Business Media, LLC, 233 Spring Street, New York, NY 10013, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to proprietary rights. Printed on acid-free paper Springer is part of Springer ScienceþBusiness Media (www.springer.com) Contents 1 Introduction............................................................... 1 Thomas D. Rossing 2 Plucked Strings ........................................................... 11 Thomas D. Rossing 3 Guitars and Lutes ........................................................ 19 Thomas D. Rossing and Graham Caldersmith 4 Portuguese Guitar ........................................................ 47 Octavio Inacio 5 Banjo ...................................................................... 59 James Rae 6 Mandolin Family Instruments........................................... 77 David J. Cohen and Thomas D. Rossing 7 Psalteries and Zithers .................................................... 99 Andres Peekna and Thomas D. -
WORKSHOP: Around the World in 30 Instruments Educator’S Guide [email protected]
WORKSHOP: Around The World In 30 Instruments Educator’s Guide www.4shillingsshort.com [email protected] AROUND THE WORLD IN 30 INSTRUMENTS A MULTI-CULTURAL EDUCATIONAL CONCERT for ALL AGES Four Shillings Short are the husband-wife duo of Aodh Og O’Tuama, from Cork, Ireland and Christy Martin, from San Diego, California. We have been touring in the United States and Ireland since 1997. We are multi-instrumentalists and vocalists who play a variety of musical styles on over 30 instruments from around the World. Around the World in 30 Instruments is a multi-cultural educational concert presenting Traditional music from Ireland, Scotland, England, Medieval & Renaissance Europe, the Americas and India on a variety of musical instruments including hammered & mountain dulcimer, mandolin, mandola, bouzouki, Medieval and Renaissance woodwinds, recorders, tinwhistles, banjo, North Indian Sitar, Medieval Psaltery, the Andean Charango, Irish Bodhran, African Doumbek, Spoons and vocals. Our program lasts 1 to 2 hours and is tailored to fit the audience and specific music educational curriculum where appropriate. We have performed for libraries, schools & museums all around the country and have presented in individual classrooms, full school assemblies, auditoriums and community rooms as well as smaller more intimate settings. During the program we introduce each instrument, talk about its history, introduce musical concepts and follow with a demonstration in the form of a song or an instrumental piece. Our main objective is to create an opportunity to expand people’s understanding of music through direct expe- rience of traditional folk and world music. ABOUT THE MUSICIANS: Aodh Og O’Tuama grew up in a family of poets, musicians and writers. -
Ron Block Hogan's House of Music Liner Notes Smartville (Ron Block
Ron Block Hogan’s House of Music Liner Notes Smartville (Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Tim Crouch - fiddle Jerry Douglas - Dobro Stuart Duncan – fiddle Clay Hess - rhythm guitar Adam Steffey – mandolin Hogan’s House of Boogie (Ron Block, Moonlight Canyon Publishing, BMI) Ron Block – banjo, rhythm and lead guitar Sam Bush - mandolin Jerry Douglas – Dobro Byron House - bass Dan Tyminski – rhythm guitar Lynn Williams – snare Wolves A-Howling (Traditional) Barry Bales - bass Ron Block - banjo Stuart Duncan - fiddle Adam Steffey - mandolin Dan Tyminski - rhythm guitar The Spotted Pony (Traditional, arr. Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Sierra Hull – octave mandolin Alison Krauss - fiddle Adam Steffey – mandolin Dan Tyminski - rhythm guitar Lynn Williams – snare Clinch Mountain Backstep (Ralph Stanley) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Clay Hess - rhythm guitar Adam Steffey – mandolin Gentle Annie (Stephen Foster) Ron Block – banjo, guitar Tim Crouch – fiddles, cello, bowed bass Mark Fain - bass Sierra Hull – octave mandolins Mooney Flat Road (Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Sierra Hull – octave mandolin Alison Krauss - fiddle Adam Steffey – mandolin Jeff Taylor - accordion Dan Tyminski - rhythm guitar Lynn Williams – snare Mollie -
Shin Akimoto Alan Bibey Sharon Gilchrist
Class list is preliminary- subject to change Shin Akimoto Monroe Style (I) Rhythm Playing (AB) Bluegrass in Japan (All) Alan Bibey No, you backup (AB-I) Playing fills and how to play behind a vocalist Classic Bluegrass Mandolin breaks (I-A) Road to improv (I-A) Classic Monroe licks (AB-I) Spice Up your playing with triplets (I-A) Sharon Gilchrist Closed Position Fingering for Playing Melodies in All 12-Keys: (AB-I) Learn a couple of easy patterns on the fretboard that allow you to play melodies in all 12 keys easily. This is what a lot of mandolin players are using all the time and it's easy! Closed Position means using no open strings. Basic Double Stop Series: (AB-I) Double stops are one of the mandolin's signature sounds. In this class, we will learn a basic double stop series that moves up and down the neck for both major and minor chords. Freeing Up the Right Hand (B-I) This class is geared towards folks who have learned a number of fiddle tunes and have gotten pretty comfortable playing those melodies but are wondering how to speed them up a bit or breathe a little more life into them now. It is also for folks who might have been playing for a while but still struggle with speed and flow in performance of their tunes. Backing Up a Singer: (I-A) Using double stops and licks to create back up that allows the lead vocal to remain front and center while enhancing the story of the song. -
Electric Octave Mandolin Conversion
Search Conversion of an electric mini-guitar to electric octave Where is it? mandolin by Randy Cordle Active Completed electric octave mandolin Expand All | Contract All A B C D E F G H I Shown is an electric octave mandolin that started its life as a $99 mini-guitar. Total cost J was approximately $200 with the additional cost of items used in the conversion. The K conversion process is fairly simple, and can be done with the information given here if L you have some basic woodworking skills and a few basic power tools. A drill press and 4" M tabletop belt sander were the primary tools that I used that may not be in everyone's shop, N but the project could be done using other methods. O P–Q Electric octave mandolin specifications R 22-7/8" scale S GG-DD-AA-EE unison pair tuning T Width of neck at nut is 36mm, 12th fret width is 47mm U–V Width between outer string pairs at bridge is 52mm String pair center distance is 3mm W–X Y–Z Additional parts and where they were obtained Inactive Schaller A-style mandolin tuners - $40, First Quality Musical Supplies, also Expand All | Contract All available from Stewart-McDonald .090" white pick guard material - $9, Stewart-McDonald A Switchcraft output jack (don't use the cheap existing jack) - $5, Stewart-McDonald B 1/8" bone nut blank - $4, Stewart-McDonald C Straplok strap hardware...not necessary, but they find their way on most of my stage D instruments - $13, Stewart-McDonald Testor's "make your own decals with your ink-jet printer" kit - $6, Wal-Mart E Tru-oil gunstock finish - $6, Wal-Mart -
A History of Mandolin Construction
1 - Mandolin History Chapter 1 - A History of Mandolin Construction here is a considerable amount written about the history of the mandolin, but littleT that looks at the way the instrument e marvellous has been built, rather than how it has been 16 string ullinger played, across the 300 years or so of its mandolin from 1925 existence. photo courtesy of ose interested in the classical mandolin ony ingham, ondon have tended to concentrate on the European bowlback mandolin with scant regard to the past century of American carved instruments. Similarly many American writers don’t pay great attention to anything that happened before Orville Gibson, so this introductory chapter is an attempt to give equal weight to developments on both sides of the Atlantic and to see the story of the mandolin as one of continuing evolution with the odd revolutionary change along the way. e history of the mandolin is not of a straightforward, lineal development, but one which intertwines with the stories of guitars, lutes and other stringed instruments over the past 1000 years. e formal, musicological definition of a (usually called the Neapolitan mandolin); mandolin is that of a chordophone of the instruments with a flat soundboard and short-necked lute family with four double back (sometimes known as a Portuguese courses of metal strings tuned g’-d’-a”-e”. style); and those with a carved soundboard ese are fixed to the end of the body using and back as developed by the Gibson a floating bridge and with a string length of company a century ago. -
DAKOTA OCTAVE MANDOLIN KIT and MANDOCELLO KIT
DAKOTA OCTAVE MANDOLIN KIT and MANDOCELLO KIT MUSICMAKER’S KITS, INC PO Box 2117 Stillwater, MN 55082 651-439-9120 harpkit.comcom WOOD PARTS: DAKOTA OCTAVE MANDOLIN KIT A - Neck B - Fretboard C - Heel Block Z R D - Tail Block E - 2 Heel Ribs F - 2 Side Ribs G - 2 Tail Ribs A P H - 4 Corner Blocks I B I - Back Panel J - 3 Cross-Braces for Back K - 2 Flat Braces for Back L L - Front (Soundboard) N M - 10 Braces for Front (Soundboard) O N - 6 Inner Kerfing Strips O - Bridge (with Saddle & 8 pegs) X V P - Bridge Clamp, w/4 machine screws, 2 washers, 2 wing nuts U Q - Bridge Plate E T R - 4 Clamping Wedges C E S - Spacer Block T - 6 Binding Strips, walnut HH U - Heel Cap Y V - Truss Rod Cover (with 3 screws) F F HARDWARE: S K J M W - 48 Inches Fretwire X - 1 White Side Marker Rod 5/64”” X 2” Y - 8 Black Geared Tuners H H w/8 sleeves, 8 washers & 8 tiny screws Z - Double Truss Rod, with allen wrench 8 - Pearl Marking Dots, 1/4” dia. Q 1 - Heavy Fretwire, 2” long, for #0 fret G G 1 - Set of 8 Strings D 1 - Black Wood Nut Fig 1 W 1 - Hex Bolt, 1/4” X 2”, with washer 2 - Tiny Nails If you have any questions about the assembly of your 1 - Drill Bit, 1/16” for tiny screws 1 - Drill Bit, 5/64” for Side Markers kit - please visit our online Builder’s Forum 1 - Drill Bit, 3/16” for bridge www.harpkit.com/forum Assembly Instructions A NOTE ABOUT GLUE We recommend assembling this kit with standard woodworker’s glue (such as Elmer’s Carpenters Glue or Titebond Wood Glue). -
The REVIEW- Television and Entertainment Mandolin Society
The REVIEW- Television and Entertainment Alliance Ohio Monday, November 1, 2004 Mandolin Society Concert took listeners back a century John G. Whitacre-Alliance Review The Montana Mandolin Society took listeners back a century to the mandolin orchestras that were the rage in the early 1900’s. Based in Bozeman, Montana, the string ensemble played at Alliance High School in the opening concert of the Alliance Area Concert Association’s 04-05 season. MMS plays a variety of popular and traditional music on mandolin family instruments and other string instruments and is a resurrection of the Bozeman Mandolin and Guitar Club in 1902. Group leader Dennis White said the mandolin orchestra era ran from 1894 to 1924 and ended when Louis Armstrong’s loud, driving jazz superseded mandolins and the gentler classical and traditional music styles. Mandolin groups were as ubiquitous then as rock groups are now and were found in just about every city. They were inspired by ‘The Spanish Students’ that toured the country playing bandoras, a large European instrument similar to a mandolin or a guitar. Those mandolin groups played a quartet of instruments patterned after the string instruments of the orchestra. The mandolin is tuned like the violin; the alto mandola matches the viola, the mandocello; the cello, and the mandobass; the double bass. The groups were supplemented sometimes with guitars and banjos and members of the violin family. The Montana Mandolin Society adds octave mandolin, an instrument developed in the 1960’s by Celtic musicians and patterned after the Greek bouzouki, its tuning lying in the tenor clef between the mandola and mandocello. -
Greek Rhapsody | Norient.Com 25 Sep 2021 01:42:32
Greek Rhapsody | norient.com 25 Sep 2021 01:42:32 Greek Rhapsody by Tony Klein The renowned Dust-To-Digital label offers rare and beautiful music from archives for many years now. Greek Rhapsody is their latest product, 42 instrumental tracks from Greece, recorded between 1905 and 1956, remastered from 78rpm recordings and collected by musician and scholar Tony Klein. For Norient Klein reflects about the «culmination of his lifetime». Greek Rhapsody is in a way a culmination of an Englishman’s lifetime with music. I’ve played musical instruments for 56 years, and have played Greek music for 40 of those. Although I sang enthusiastically in my school choir as a boy, I’ve always been an instrumentalist at heart. For me instruments are also voices, and I have always felt very sensitive to the details of sound. So although I was drawn https://norient.com/index.php/stories/greek-rhapsody Page 1 of 6 Greek Rhapsody | norient.com 25 Sep 2021 01:42:32 into Greek music as much by singers as by bouzouki and clarinet players, I’ve therefore wanted to communicate my appreciation of instrumental playing in a more specific way than has previously been done in reissues of 78rpm recordings of Greek music. Having played the music not only on bouzouki, but on guitar, laouto, oud, mandolin, mandola, baglamas, tzouras, flute, and even on my first instrument, the violin, a physical relationship to the instrumental sounds has driven me in my striving to let these often very old, and sometimes very worn recordings, sound as acoustically authentic as possible, and thus simply communicate more. -
The Newsletter of Readifolk
The Newsletter of Rea difolk Reading's folk song and music club nights inside this edition of Notes. It is heartening that so many of them are enthusiastic and positive, and it helps us to get a clear idea of what sort of guests you like, as well as letting others know why they should come along to a Readifolk evening. The programme for the next quarter is on the back page and you will see that we again have an excellent array of talent lined up for you. , Alison McNamara has set up a Readifolk Facebook page and a Twitter news stream. To see our Facebook page, you can find it via the TinyURL of – and what an www.tinyurl.com/readifolk, or just type "Readifolk" or "Reading folk eventful start to 2010 we have had. club" into the Facebook search bar. It was unfortunate that, because Reading was snowbound, we had This gives Facebook members a chance to keep up-to-date with to cancel the first guest night of the year on 10th January. David events at Readifolk, browse information about performers and Ferrard, who was due to appear, has agreed provisionally to a other folk clubs in the area, folk music resources on the web and return visit in December. Fingers crossed. anything else that interests you, exchange your own news and views and share links, photos and videos. Despite being the coldest Winter for several decades there was always a warm welcome at Readifolk and our attendances held up For those who are unfamiliar with Facebook, visit really well, so thanks to all you loyal supporters. -
Retail Prices Effective Jan. 1, 2008 Page 1 of 2
Retail Prices effective Jan. 1, 2008 page 1 of 2 ACOUSTIC GUITAR PICKUPS 6-string saddle set - 23K gold finish AGS11-6 ACOUSTIC GOLD STANDARD fits 1/8” slot 11” leads $250. AGS14-6 ACOUSTIC GOLD STANDARD fits 1/8” slot 14” leads 250. AGT11-6 ACOUSTIC GOLD TALL fits 1/8” slot 11” leads 250. AGT14-6 ACOUSTIC GOLD TALL fits 1/8” slot 14” leads 250. ELECTRIC GUITAR PICKUPS 6-string saddle set - 23K gold finish PBGS11-6 POW’R BRIDGE “G” (tune-o-matic) 11” leads 250. PBGS14-6 POW’R BRIDGE “G” (tune-o-matic) 14” leads 250. 6-string saddle sets - black bridgepiece with 23K gold sensor PBSTS11-6 POW’R BRIDGE “ST” (Strat/Tele) 11” leads 300. PBSTS14-6 POW’R BRIDGE “ST” (Strat/Tele) 14” leads 300. PBWS11-6 POW’R BRIDGE “W” (Wilkinson) 11” leads 300. PBWS14-6 POW’R BRIDGE “W” (Wilkinson) 14” leads 300. PBRS11-6 POW’R BRIDGE “RS” (PRS tremolos) 11” leads 300. PBRS14-6 POW’R BRIDGE “RS” (PRS tremolos) 14” leads 300. PBPF11-6 POW’R BRIDGE “PF” (Parker Fly) 11” leads 300. PBPF14-6 POW’R BRIDGE “PF” (Parker Fly) 14” leads 300. ACOUSTIC BASS GUITAR PICKUPS fits 3/16” slot - 23K gold finish BEX400-14 BASS EXCELLENCE 4-string 14” leads 220. BEX500-14 BASS EXCELLENCE 5-string 14” leads 270. BEX600-14 BASS EXCELLENCE 6-string 14” leads 320. ELECTRIC BASS GUITAR PICKUPS - black bridgepiece with 23K gold sensor WLK400-14 POW’R BASS “WLK” (Gotoh/Wilkinson) 4-str. 14” leads 250. WLK500-14 POW’R BASS “WLK” (Gotoh/Wilkinson) 5-str.