Masarykova Univerzita Filozofická Fakulta Ústav Klasických Studií

Total Page:16

File Type:pdf, Size:1020Kb

Masarykova Univerzita Filozofická Fakulta Ústav Klasických Studií Masarykova univerzita Filozofická fakulta Ústav klasických studií Magisterská diplomová práce 2019 Bc. Michaela Tsima Masarykova univerzita Filozofická fakulta Ústav klasických studií Novořecký jazyk a literatura Bc. Michaela Tsima Realistické prvky v romantickém románu (P. Soutsos, A. Soutsos, G. Paleologos) Magisterská diplomová práce Vedoucí práce: Mgr. Nicole Votavová Sumelidisová, Ph.D. 2019 1 Prohlašuji, že jsem diplomovou práci vypracovala samostatně s využitím uvedených pramenů a literatury. ………………………………………………… 2 Svůj dík bych chtěla vyjádřit svému manželovi a především svým třem milovaným dcerám, které mě podporovaly, jak jen to nejlépe šlo až do poslední chvíle. Dále děkuji všem svým kolegům a kamarádům, kteří mi neskonale pomohli svými vědeckými i nevědeckými radami. Můj dík patří také Dr. Doře Solti z Budapešti za rady přes internet a Dr. Marku Meškovi za konzultaci historického kontextu mojí práce. Nejvíc bych však chtěla poděkovat Dr. Nicole Votavové Sumelidisové za její trpělivost, cenné poznámky a především duševní podporu často nad rámec vedoucího práce, bez níž bych tuto práci nebyla schopna dokončit. Děkuji vám všem z celého srdce! 3 4 Obsah 1. Úvod ..................................................................................................................... 8 2. Romantismus v řeckém prostředí ....................................................................... 11 2.1 Základní charakteristika romantického díla ................................................... 11 2.2 Romantický román v prvních dvou desetiletích po založení řeckého státu ... 12 3. Nesprávný pohled literární kritiky na prózu 19. století ...................................... 15 3.1 Tradiční postoj literární kritiky k romantickým románům ............................. 16 3.2 Stopy realismu před rokem 1855 .................................................................... 19 3.3 Jazyková forma jako kritérium realistického románu .................................... 20 4. Historický kontext .............................................................................................. 22 4.1 Vznik řeckého státu ........................................................................................ 22 4.2 Ioannis Kapodistrias ....................................................................................... 22 4.3 Situace po Kapodistriasově smrti ................................................................... 25 4.4 Vláda cizinců (xenokratia).............................................................................. 26 4.5 Povstání 3. září 1843 ...................................................................................... 28 4.6 Vztah Řeků k západní Evropě ........................................................................ 29 5. Bratři Soutsosové – průkopníci utopického socialismu v Řecku ....................... 30 5.1 Utopický socialismus ...................................................................................... 31 5.1.1 Osobnost Henri de Saint-Simona .............................................................. 31 5.1.2 Fáze saint-simonismu ............................................................................... 32 5.2 Vliv saint-simonovského učení na bratry Soutsose ........................................ 32 6. Panagiotis Soutsos – politik, básník a prozaik ................................................... 35 7. Leandros ............................................................................................................. 37 7.1 Epistolární románová forma ........................................................................... 37 7.2 Romantická linie příběhu ................................................................................ 39 7.3 Romantické prvky románu ............................................................................. 40 5 7.4 Realistické prvky ............................................................................................ 41 7.4.1 Politické přesvědčení autora ..................................................................... 43 7.4.2 Nafplio ...................................................................................................... 45 7.4.3 Postavení ženy ve společnosti................................................................... 46 8. Αlexandros Soutsos jako celoživotní psanec ..................................................... 50 8.1 Životní peripetie ............................................................................................. 50 9. Psanec z roku 1831 ............................................................................................. 53 9.1 Děj příběhu ..................................................................................................... 54 9.2 Realistické prvky románu ............................................................................... 57 9.2.1 Politické ideály Alexandra Soutsose......................................................... 57 9.2.2 Nafplio ...................................................................................................... 58 9.2.3 Skutečné historické události ..................................................................... 58 9.2.4 Atentát na Kapodistriase ........................................................................... 60 9.3 První překlad novořeckého románu do cizího jazyka .................................... 61 10. Grigorios Paleologos – agronom a romanopisec ................................................ 65 10.1 Stručný životopis ........................................................................................ 65 11. Malíř ................................................................................................................... 67 11.1 Romantický milostný rámec příběhu .......................................................... 68 11.2 Název románu a jména postav .................................................................... 69 11.3 Romantické prvky ....................................................................................... 71 11.4 Realistické obrazy ....................................................................................... 73 11.4.1 Athény – nové hlavní město Řeckého království ................................... 74 11.4.2 Kritika athénské společnosti ................................................................... 75 11.5 Paleologosovo vnímání dobové literární kritiky ......................................... 78 Závěr ............................................................................................................................ 81 Resumé ......................................................................................................................... 85 6 Použitá literatura ........................................................................................................... 87 Primární literatura ..................................................................................................... 87 Sekundární literatura ................................................................................................ 87 7 1. Úvod Význam prózy v novořecké literatuře byl dlouhá léta velmi opomíjeným tématem. Především zahraniční literární vědci a také překladatelé věnovali ve 2. polovině 20. století svoji pozornost převážně novořecké poezii. Kromě Nikose Kazantzakise existuje jen velmi málo spisovatelů známých mimo území Řecka.1 Zhruba od konce osmdesátých let minulého století však můžeme v Řecku pozorovat pozvolný obrat v tomto trendu díky opětovnému zájmu o publikaci raných prozaických děl. Dochází také k přehodnocení dřívější literární prózy, která vede ke znovuobjevení často přehlížených a podceňovaných děl 19. století. Jedním z důvodů takového přehodnocování je dozajista oproštění se od dimotikistických vášní, které nedovolovaly nezaujatě na tato raná prozaická díla pohlížet. 2 V předkládané práci se předně věnuji revizi významu romantických románů vydaných v prvních desetiletích po vzniku řeckého státu, na něž ještě donedávna literární kritici pohlíželi s pochybami ohledně jejich umělecké kvality. Základní otázkou, na kterou se pokouším odpovědět, je, zda romány odpovídají požadavkům na romantická díla, nebo zda je možné u nich sledovat určité tendence směrem k, v Evropě již nastupujícímu, realismu. Konkrétně se zde zabývám rozborem románů Panagiotise Soutsose Leandros (Λέανδρος, 1834), Alexandra Soutsose Psanec z roku 1831 (Ὁ ἐξόριστος τοῦ 1831, κωμικοτραγικόν ἱστόρημα., 1835)3 a Grigoriose Paleologose Malíř (Ζωγράφος, 1842). Důvod proč jsem zvolila z raného období romantismu pro účely této diplomové práce právě tyto tři tituly je, že každý z nich se může pyšnit určitým prvenstvím. Leandros je považován díky svému vydání v roce 1834 za první román po vzniku řeckého státu. Psanec z roku 1831 se stal prvním novořeckým románem přeloženým do cizího jazyka.4 A konečně Malíř je považován za průkopníka realistického literárního směru před rokem 1855. Nejdříve stručně připomenu obecnou charakteristiku romantismu vzhledem k dobovým historickým událostem, s důrazem na rané období romantické prózy v Řecku, tzn. první dvě 1 TZIOVAS (2007): s. 11 2 VAGENAS (1996): s.10 3 Pod tímto názvem vydal roku 1835 tento svůj román. V této diplomové práci používám vydání z roku 1996, které nese název zkrácený Ὁ ἐξόριστος τοῦ 1831, jak je uvedeno v použité literatuře. 4 Jde o překlad do němčiny, jehož významu se věnuji v samostatné kapitole této práce. 8 desetiletí po založení novodobého řeckého státu. Soustředím se přitom jen na základní romantické
Recommended publications
  • TANZIMAT in the PROVINCE: NATIONALIST SEDITION (FESAT), BANDITRY (EŞKİYA) and LOCAL COUNCILS in the OTTOMAN SOUTHERN BALKANS (1840S to 1860S)
    TANZIMAT IN THE PROVINCE: NATIONALIST SEDITION (FESAT), BANDITRY (EŞKİYA) AND LOCAL COUNCILS IN THE OTTOMAN SOUTHERN BALKANS (1840s TO 1860s) Dissertation zur Erlangung der Würde einer Doktorin der Philosophie vorgelegt der Philosophisch-Historischen Fakultät der Universität Basel von ANNA VAKALIS aus Thessaloniki, Griechenland Basel, 2019 Buchbinderei Bommer GmbH, Basel Originaldokument gespeichert auf dem Dokumentenserver der Universität Basel edoc.unibas.ch ANNA VAKALIS, ‘TANZIMAT IN THE PROVINCE: NATIONALIST SEDITION (FESAT), BANDITRY (EŞKİYA) AND LOCAL COUNCILS IN THE OTTOMAN SOUTHERN BALKANS (1840s TO 1860s)’ Genehmigt von der Philosophisch-Historischen Fakultät der Universität Basel, auf Antrag von Prof. Dr. Maurus Reinkowski und Assoc. Prof. Dr. Yonca Köksal (Koç University, Istanbul). Basel, den 05/05/2017 Der Dekan Prof. Dr. Thomas Grob 2 ANNA VAKALIS, ‘TANZIMAT IN THE PROVINCE: NATIONALIST SEDITION (FESAT), BANDITRY (EŞKİYA) AND LOCAL COUNCILS IN THE OTTOMAN SOUTHERN BALKANS (1840s TO 1860s)’ TABLE OF CONTENTS ABSTRACT……………………………………………………………..…….…….….7 ACKNOWLEDGEMENTS………………………………………...………..………8-9 NOTES ON PLACES……………………………………………………….……..….10 INTRODUCTION -Rethinking the Tanzimat........................................................................................................11-19 -Ottoman Province(s) in the Balkans………………………………..…….………...19-25 -Agency in Ottoman Society................…..............................................................................25-35 CHAPTER 1: THE STATE SETTING THE STAGE: Local Councils
    [Show full text]
  • Ancient Olympic Games
    Dreamreader.net Sports – Higher Intermediate Level Ancient Olympic Games In ancient history, the Olympic Games were a series of competitions between different cities in Greece. There were athletic games as well as combat and chariot racing. According to legend, the Olympic Games were created by Zeus and his son, Heracles, both of whom were Greek gods. Heracles declared the Olympic Games would be held every four years and built a stadium to honor his father. At the earliest recorded Olympics in 776 B.C., racing was the only event. However, later Olympic Games held gradually longer races such as the marathon. In the year 393 A.D., Roman emperor Theodosius banned the Olympic Games. He was a Christian who believed that the games were a form of worshipping of a false religion. For almost 1500 years, the Olympics ceased to exist as an event. In the late 19th century, two things sparked the restoration of the Olympic Games. Writers and artists at the time were rebelling against scientific progress and politics of the 1800s. Many of them believed that humanity and nature were under threat as society became increasingly dominated by rules and rational scientific thought. To fight against these changes, these artists used their words and paintings to celebrate the beauty of nature and human emotion. Many of them were inspired by the similar themes found in ancient Greek art, such as operas and poetry. They identified heavily with the spirit of the ancient Games, which celebrated the human spirit through struggle and competition. The independence of Greece in the 1830s also helped to bring back the Olympics.
    [Show full text]
  • 93323765-Mack-Ridge-Language-And
    Language and National Identity in Greece 1766–1976 This page intentionally left blank Language and National Identity in Greece 1766–1976 PETER MACKRIDGE 1 3 Great Clarendon Street, Oxford ox2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Peter Mackridge 2009 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging-in-Publication Data Mackridge, Peter.
    [Show full text]
  • The Ideologies of Lived Space in Literary Texts, Ancient and Modern
    The Ideologies of Lived Space in Literary Texts, Ancient and Modern Jo Heirman & Jacqueline Klooster (eds.) ideologies.lived.spaces-00a.fm Page 1 Monday, August 19, 2013 9:03 AM THE IDEOLOGIES OF LIVED SPACE IN LITERARY TEXTS, ANCIENT AND MODERN ideologies.lived.spaces-00a.fm Page 2 Monday, August 19, 2013 9:03 AM ideologies.lived.spaces-00a.fm Page 3 Monday, August 19, 2013 9:03 AM THE IDEOLOGIES OF LIVED SPACE IN LITERARY TEXTS, ANCIENT AND MODERN Jacqueline Klooster and Jo Heirman (eds.) ideologies.lived.spaces-00a.fm Page 4 Monday, August 19, 2013 9:03 AM © Academia Press Eekhout 2 9000 Gent T. (+32) (0)9 233 80 88 F. (+32) (0)9 233 14 09 info@academiapress.be www.academiapress.be The publications of Academia Press are distributed by: UPNE, Lebanon, New Hampshire, USA (www.upne.com) Jacqueline Klooster and Jo Heirman (eds.) The Ideologies of Lived Space in Literary Texts, Ancient and Modern Gent, Academia Press, 2013, 256 pp. Lay-out: proxessmaes.be Cover: Studio Eyal & Myrthe ISBN 978 90 382 2102 1 D/2013/4804/169 U 2068 No part of this publication may be reproduced in print, by photocopy, microfilm or any other means, without the prior written permission of the publisher. ideologies.lived.spaces.book Page 1 Saturday, August 17, 2013 11:47 AM 1 Contents INTRODUCTION . 3 The Ideologies of ‘Lived Space’, Ancient and Modern Part 1 LIVED SPACE AND SOCIETY CAVE AND COSMOS . 15 Sacred Caves in Greek Epic Poetry from Homer (eighth century BCE) to Nonnus (fifth century CE) Emilie van Opstall SPACE AND MYTH .
    [Show full text]
  • Een Politiek Avontuur. De Aithiopika Als Model Voor Soutsos' De
    29 Een politiek avontuur. De Aithiopika als model voor Soutsos’ De Banneling van 1831 Steven VAN RENTERGHEM Abstract Several recent publications in the field ofModern Greekliterature have suggested thatthe novels written during the two decadesfollowing Greece’s independence in 1830 were in fact inspired by their Hellenistic and Byzantine predecessors, andtherefore generically are ‘adventure novels of ordeal”. In this paper 1 put these insights into practice by compar- ing Heliodoros’ Aithiopika (ca. 350 A.D.) with Alexandros Soutsos’ The Exile of 1831 (1835) and argue that the connections between these two novels are so close that the Aithiopikia can be considered as the direct model for Soutsos’novel. The main resemblances between the two works can be foundin their narrative organisation and in the presenceof similarnarrative themes. But Soutsos’ innovations vis-à-vis his modelare also noteworthy. Firstly, The Exile of1831 has a pessimistic ending whereas in the Aithio- pika contains the stereotypical happy end. Secondly, actions performed in the Aithiopika bythe heroine, are in Soutsos’ novel reversed and experienced by the hero. Taking into account these “good-bad’ and “hero-heroine’ inversions, 1 furthermore arguethat Soutsos did this consciously in orderto add an allegorical layer to his novel. This allowed him to express an ideological-political message at a time when Greece was developping its identity as a modern nation-state. ek Kort na de onafhankelijkheid van Griekenlandin 1828, verscheen ook het genre van de roman opnieuw in de Griekseliteratuurgeschiedenis. In kortetijd produ- ceerden drie schrijvers elk een roman: de broers Panagiotis en Alexandros Soutsos met respectievelijk Leandros (1834) en De Banneling van 1831 (1835) en lakovosPitzipios met Het Weesmeisje van Chios (1839).
    [Show full text]
  • Problems, Possibilities, Promising Practices: Critical Dialogues on the Olympic and Paralympic Games
    Problems, Possibilities, Promising Practices: Critical Dialogues on the Olympic and Paralympic Games Eleventh International Symposium for Olympic Research Editors Janice Forsyth Michael K. Heine Western University Canada London, Ontario October 19-20, 2012 The International Centre for Olympic Studies The International Centre for Olympic Studies, established at The University of Western Ontario in 1989, was the first of its kind in the world. It remains the only such Centre in the Americas. It has as its primary mission the generation and dissemination of academic scholarship focused specifically upon the socio- cultural study of the Olympic Games and the Olympic Movement. In order to bring this endeavor to frui- tion, the Centre pursues the following four initiatives: 1. The Centre produces Olympika: The International Journal of Olympic Studies. This refereed schol- arly journal, which has an internationally recognized editorial review board, is currently published annually, and is available for subscription throughout the world. 2. The Centre hosts an important International Symposium for Olympic Research in every Olympic year. The Centre publishes the Proceedings of these symposia. 3. The Centre organizes and sponsors regular guest lectures presented by recognized Olympic schol- ars and officials, including three annual honor addresses entitled the Ion P. Ioannides, the J. How- ard Crocker, and the Earle F. Zeigler Lectures. 4. The Centre maintains a resource unit in its home in the Arthur and Sonia Labatt Health Sciences Building (Room 317) for the use of visiting scholars worldwide, as well as for faculty members, graduate and undergraduate students at The University of Western Ontario. The Centre welcomes and invites correspondence concerning any or all of these matters, and encourages scholars to consider participating in the Twelfth International Symposium for Olympic Research, sched- uled for the second half of 2014.
    [Show full text]
  • Hellenism and the Making of Modern Greece: Time, Language, Space
    8. Hellenism and the Making of Modern Greece: Time, Language, Space Antonis Liakos Ξύπνησα με το μαρμάρινο τούτο κεφάλι στα χέρια που μου εξαντλεί τους αγκώνες και δεν ξέρω που να τ᾿ακουμπήσω. Έπεφτε στο όνειρο καθώς έβγαινα από το όνειρο έτσι ενώθηκε η ζωή μας και θα είναι δυσκολο να ξαναχωρίσει. I awoke with this marble head in my hands it exhausts my elbows and I do not know where to put it down. It was falling into the dream as I was coming out of the dream. So our life became one and it will be very difficult for it to separate again. George Seferis, Mythistórima 1. Modern Greek History 1.1. The Construction of National Time Just as the writing of modern history developed within the context of national historiography since the nineteenth century, so the concept of “nation” has become one of the essential categories through which the imagination of space and the notion of time are constructed.1 This is the tradition and the institutional environment within which contemporary historians conduct their research and write their texts, reconstructing and reinforcing the structures of power that they experience. Historically, the concept of the nation has been approached from two basically different perspectives, despite internal variations. The first is that of the nation builders and the advocates of nationalism. Despite the huge differences among the multifarious cases of nation formation, a common denominatorCopyright can be recognized: the nation Material exists and the issue is how it is to be represented in the modern world. But representation means performance, and through it the nation learns how to conceive itself and 1 Sheeham 1981.
    [Show full text]
  • A Brief History of the Olympic
    A Brief History of the Olympic Games BHOA01 1 16/4/04, 4:42 PM Brief Histories of the Ancient World This new series offers concise, accessible, and lively accounts of central aspects of the ancient world. Each book is written by an acknowledged expert in the field and provides a compelling over- view, for readers new to the subject and specialists alike. Published A Brief History of the Olympic Games David C. Young In Preparation A Brief History of Astrology Roger Beck A Brief History of Oracles, Divination, and Prophecy Sarah Iles Johnston BHOA01 2 16/4/04, 4:42 PM A Brief History of the Olympic Games David C. Young BHOA01 3 16/4/04, 4:42 PM © 2004 by David C. Young BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148–5020, USA 108 Cowley Road, Oxford OX4 1JF, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of David C. Young to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. First published 2004 by Blackwell Publishing Ltd Library of Congress Cataloging-in-Publication Data Young, David C. A brief history of the Olympic games / David C. Young. p. cm. — (Brief histories of the ancient world) Includes bibliographical references and index.
    [Show full text]
  • When Epic Juan Meets Donna Joan: Byron, Roidis and the 'Latin'
    1 WHEN EPIC JUAN MEETS DONNA JOAN : BYRON , ROIDIS AND THE ‘LATIN ’ ENCOUNTER IN NINETEENTH -CENTURY GREEK FICTION FOTEINI LIKA , UNIVERSITY OF CAMBRIDGE Byron’s affinity with the epic tradition has been much studied. The same cannot be said, though, about the reception of Byron’s work in Greece. 1 One modern Greek writer however, Emmanouil Roidis, was thoroughly conversant with both Byron and the tradition of epic and Italian mock-epic. Roidis was not only a big fan of Casti’s poems (especially his La Papessa ) but also was a keen follower of Byron’s work. Don Juan , in particular, was one of the most enjoyable readings of all time for him and one of the main reasons behind his decision to write his Pope Joan , a historical novel under the guise of a medieval study. Published in 1866, it describes the adventures of the legendary woman who disguises herself as a monk, has various amorous liaisons, and, in defiance of probability, ascends the Chair of St Peter, gets overconfident, and dies after bearing a child during a papal procession. Pope Joan was translated and adapted by Lawrence Durrell in 1954. 2 It is extremely funny, erotically suggestive in places, and satirical at the expense of the ‘weaker sex’, the Greeks and the Eastern Orthodox Church: [Joan] was approaching her thirtieth year when women, not having enough of their own special defects, begin to take on ours also; by adding ambition, pedantry, drunkenness and other male vices which may tend to make their heart a model of feminine perfection, in the same manner as, owning to its politicians, Greece has become today a model kingdom in the East.
    [Show full text]
  • A Brief History of the Olympic Games
    A Brief History of the Olympic Games David C. Young H A Brief History of the Olympic Games Brief Histories of the Ancient World This new series offers concise, accessible, and lively accounts of central aspects of the ancient world. Each book is written by an acknowledged expert in the field and provides a compelling over- view, for readers new to the subject and specialists alike. Published A Brief History of the Olympic Games David C. Young In Preparation A Brief History of Astrology Roger Beck A Brief History of Oracles, Divination, and Prophecy Sarah Iles Johnston A Brief History of the Olympic Games David C. Young © 2004 by David C. Young BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148–5020, USA 108 Cowley Road, Oxford OX4 1JF, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of David C. Young to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. First published 2004 by Blackwell Publishing Ltd Library of Congress Cataloging-in-Publication Data Young, David C. A brief history of the Olympic games / David C. Young. p. cm. — (Brief histories of the ancient world) Includes bibliographical references and index. ISBN 1–4051–1129–1 (alk.
    [Show full text]
  • Tesis Doctoral Y Limitaciones Del Trabajo
    ESCUELA INTERNACIONAL DE DOCTORADO Programa de Doctorado Ciencias del Deporte España y los Juegos Olímpicos. Análisis de participación de los deportistas españoles en los JJOO de la Era Moderna e historia del movimiento olímpico español Autor: Fernando Arrechea Rivas Directores: Dr. D. Antonio Sánchez Pato Dr. D. Juan Manuel Molina Morote Dr. D. Francisco Javier Torrebadella Flix Murcia, mayo de 2017 ESCUELA INTERNACIONAL DE DOCTORADO Programa de Doctorado Ciencias del Deporte España y los Juegos Olímpicos. Análisis de participación de los deportistas españoles en los JJOO de la Era Moderna e historia del movimiento olímpico español Autor: Fernando Arrechea Rivas Directores: Dr. D. Antonio Sánchez Pato Dr. D. Juan Manuel Molina Morote Dr. D. Francisco Javier Torrebadella Flix Murcia, mayo de 2017 TÍTULO España y los Juegos Olímpicos. Análisis de participación de los deportistas españoles en los JJOO de la Era Moderna e historia del movimiento olímpico español. RESUMEN Determinar el nivel del deporte de alto rendimiento en un país resulta altamente complejo por la diversidad de deportes, la dificultad se multiplica si se intenta hacer desde una perspectiva histórica. Se han realizado estudios de este tipo de ámbito autonómico, provincial y local. A nivel nacional se ha realizado alguno, pero sin contar con una base de datos definitiva de olímpicos españoles con lugares de nacimiento, lo que da unas estadísticas finales de carácter no definitivo o concluyente. El análisis de la participación en los Juegos Olímpicos (como máximo exponente del deporte competitivo) puede cumplir con un carácter descriptivo y un diagnóstico del nivel del deporte de alto rendimiento en un país.
    [Show full text]
  • The Munich October Festival an Origin of the Olympic Games
    THE MUNICH OCTOBER FESTIVAL AN ORIGIN OF THE OLYMPIC GAMES by Karl Lennartz There were fifty thousand visitors to the race course when the Royal Family took their seats in the stands. The event started with homage, poems and songs presented by 16 pairs of children and a breakfast for the Royal Family and all attending. After this the starting signal was given for the race in which 30 race boys (so Horse racing called "Rennbuben") took part with their horses. at the First "The racecourse was 11656 Bavarian feet long. Munich October The three laps of the course were completed in Festival 1810, 18 minutes, 14 seconds." The winner was Franz Peter Heß, oil BAUMGARTNER, a corporal in the National Guard, on canvas Preface won. After the race the Royal Family returned their palace. It was only then that the winner's Each year after the Munich October Festival, also ceremony began. The owners of 13 horses each called the Munich Beer Festival, the press received a flag and monetary prizes from 1 to proudly - and perhaps with a touch of irony - 250 Dukates. Additionally every race boy reports how many million visitors came, how received a newly minted golden medal in many million litres of beer were drunk, how many recognition of the Crown-Prince's wedding. million knuckles of pork, Brathendl, stockfish, After this successful event it seemed obvious to pretzel and Radis were eaten, how many repeat it. But more was required to promote drunken bodies had to be sobered up, and how Bavarian national spirit.
    [Show full text]