October 17 Online
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Issyk-Kul 2020 International Exhibition of Photography
ISSYK-KUL 2020 INTERNATIONAL EXHIBITION OF PHOTOGRAPHY FIAP 2020/316 PSA 2020-151 FPC W2020/P06 2020 FIAP 2020/316 PSA 2020-151 FPC W2020/P06 ARE YOU GOING TO ORGANIZE AN INTERNATIONAL EXHIBITION? You make the policies and branding, Salon.Photo Platform will do the rest, automatically and errorlessly! Website, Gathering of Photos, Judging Software & etc. www.Salon.Photo [email protected] Salon.Photo Platform and Judgment® Software are made by Focus Team Software Group, it include a website for announcing the rules, news, status list and result and sing up entrants. Entrants can upload their art works(single or collection), edit their profile and entries, fill out the titles and pay their fee. The administrator also has access too several reports such as full information about entrants, entries, payments, statistic of country etc. All entries get uniquely renamed by the software. The entry later will be downloaded using FTP and will be import to Judgment Software for judging. Later on, all results will be exported from the software and will be imported to the website. As all the process is automated there will be no mistake. Judgment® Software has all the requirements for judging such as: high speed, network judging, several stages of judging based on acceptance/rejection or scores, selection based on percentage or numbers, ability to return to the previews stage and selecting between special groups of works etc. Every jury member can select works by his keyboard. All the requested information for FIAP/PSA catalogs such as list of acceptances and table of statistics can be exported from the software. -
Iranian Coins & Mints: Achaemenid Dynasty
IRANIAN COINS & MINTS: ACHAEMENID DYNASTY DARIC The Achaemenid Currency By: Michael Alram DARIC (Gk. dareiko‚s statê´r), Achaemenid gold coin of ca. 8.4 gr, which was introduced by Darius I the Great (q.v.; 522-486 B.C.E.) toward the end of the 6th century B.C.E. The daric and the similar silver coin, the siglos (Gk. síglos mediko‚s), represented the bimetallic monetary standard that the Achaemenids developed from that of the Lydians (Herodotus, 1.94). Although it was the only gold coin of its period that was struck continuously, the daric was eventually displaced from its central economic position first by the biga stater of Philip II of Macedonia (359-36 B.C.E.) and then, conclusively, by the Nike stater of Alexander II of Macedonia (336-23 B.C.E.). The ancient Greeks believed that the term dareiko‚s was derived from the name of Darius the Great (Pollux, Onomastikon 3.87, 7.98; cf. Caccamo Caltabiano and Radici Colace), who was believed to have introduced these coins. For example, Herodotus reported that Darius had struck coins of pure gold (4.166, 7.28: chrysíou statê´rôn Dareikôn). On the other hand, modern scholars have generally supposed that the Greek term dareiko‚s can be traced back to Old Persian *dari- "golden" and that it was first associated with the name of Darius only in later folk etymology (Herzfeld, p. 146; for the contrary view, see Bivar, p. 621; DARIUS iii). During the 5th century B.C.E. the term dareiko‚s was generally and exclusively used to designate Persian coins, which were circulating so widely among the Greeks that in popular speech they were dubbed toxo‚tai "archers" after the image of the figure with a bow that appeared on them (Plutarch, Artoxerxes 20.4; idem, Agesilaus 15.6). -
Iran Case File (April 2019)
IRAN CASE FILE March 2020 RASANAH International Institute for Iranian Studies, Al-Takhassusi St. Sahafah, Riyadh Kingdom of Saudi Arabia. P.O. Box: 12275 | Zip code: 11473 Contact us [email protected] +966112166696 The Executive Summary .............................................................4 Internal Affairs .........................................................................7 The Ideological File ......................................................................... 8 I. Closing Shrines and Tombs ................................................................ 8 II. Opposition to the Decision Taken by Some People ............................. 8 III. Reaction of Clerics ........................................................................... 9 IV. Affiliations of Protesters .................................................................. 11 The Political File ............................................................................12 I. Khamenei Politicizes the Epidemic and Accuses Enemies of Creating the Virus to Target the Iranian Genome ..............................12 II. President Hassan Rouhani’s Slow Response in Taking Precautions to Face the Crisis ..................................................................................13 The Economic File ..........................................................................16 I. Forcible Passage of the Budget ...........................................................16 II. Exceptional Financial Measures to Combat the Coronavirus ............. 17 III. The -
A Program of the Stanford Alumni Association March 17 to April 1, 2019
STANFORD TRAVEL/STUDY JUDITH KEYANI, IRAN, 2016 MOSQUES AND MONUMENTS OF PERSIA March 17 to April 1, 2019 a program of the stanford alumni association Few countries in the world spark the imagination—or create misconceptions—in the minds of Americans as does Iran. In the past 10 years, Stanford has led scores of educational travelers to this cultural and historical gem, and time and again, they return with stories of the country’s amazing sights and of the Iranian people’s incredible warmth and hospitality. “Eye-opening,” “extraordinary,” “humbling” and “not to be missed” are just some of the glowing terms Stanford travelers have used to describe this exceptional destination. Join us and faculty leader Ali Yaycioğlu as we delve deep into a country that is at once full of—and ever on the verge of making—history. BRETT S. THOMPSON, ’83, DIRECTOR, STANFORD TRAVEL/STUDY Highlights VIEW priceless archaeo- STROLL through PONDER the past logical treasures, including peaceful gardens where amid the ruins of legend- the Iranian crown jewels Sufi poets meditated in ary Persepolis, Darius I’s and a collection of rare medieval times, and marvel ceremonial capital and one miniatures, in the museums at the tiled mosques and of the best-preserved sites of Tehran. squares of Isfahan. remaining from the ancient world. COVER: ISFAHAN SHEIKH LOTFOLLAH MOSQUE, ISFAHAN Faculty Leader ALI YAYCIOG˘ LU was born and raised in Ankara, Turkey. His fields of interest include the transformation of the Ottoman Empire in the 18th and 19th centuries. His books and articles focus on the restructuring of economic, political and legal institutions and practices as well as ideas about social order, life and death in this transformative period. -
A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh
World Academy of Science, Engineering and Technology International Journal of Architectural and Environmental Engineering Vol:12, No:3, 2018 A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh as strength, comfort and expansion. Throughout history, Abstract—Architecture in Iran has a continuous history from at Iranian architecture had its own originality and simplicity. All least 5000 BC to the present, and numerous Iranian pre-Islamic parts of Iran, especially villages and ancient monuments are elements have contributed significantly to the formation of Islamic like a live but old book of art and architecture, history, which art. At first, decoration was limited to small objects and containers in a brief moment, each page of that opens the gates of several and then progressed in the art of plaster and brickwork. They later applied in architecture as well. The art of gypsum and brickwork, thousand years of history to the visitors [7]. which was prevalent in the form of motifs (animals and plants) in Repeat motifs, symbolic role and decorations are one of the pre-Islam, was used in the aftermath of Islam with the art of main subjects in Iranian art. In Iranian architecture, the calligraphy in decorations. The splendor and beauty of Iranian symbolic elements generally embossed with carving and architecture, especially during the Islamic era, are related to painting integrated with elements of construction and decoration and design. After the invasion of Iran by the Arabs and the environmental, which makes it a new and inseparable introduction of Islam to Iran, the arrival of the Iranian classical architecture significantly changed, and we saw the Arabic calligraphy combination. -
Interview with Bahman Jalali1
11 Interview with Bahman Jalali1 By Catherine David2 Catherine David: Among all the Muslim countries, it seems that it was in Iran where photography was first developed immediately after its invention – and was most inventive. Bahman Jalali: Yes, it arrived in Iran just eight years after its invention. Invention is one thing, what about collecting? When did collecting photographs beyond family albums begin in Iran? When did gathering, studying and curating for archives and museum exhibitions begin? When did these images gain value? And when do the first photography collections date back to? The problem in Iran is that every time a new regime is established after any political change or revolution – and it has been this way since the emperor Cyrus – it has always tried to destroy any evidence of previous rulers. The paintings in Esfahan at Chehel Sotoon3 (Forty Pillars) have five or six layers on top of each other, each person painting their own version on top of the last. In Iran, there is outrage at the previous system. Photography grew during the Qajar era until Ahmad Shah Qajar,4 and then Reza Shah5 of the Pahlavi dynasty. Reza Shah held a grudge against the Qajars and so during the Pahlavi reign anything from the Qajar era was forbidden. It is said that Reza Shah trampled over fifteen thousand glass [photographic] plates in one day at the Golestan Palace,6 shattering them all. Before the 1979 revolution, there was only one book in print by Badri Atabai, with a few photographs from the Qajar era. Every other photography book has been printed since the revolution, including the late Dr Zoka’s7 book, the Afshar book, and Semsar’s book, all printed after the revolution8. -
Treasures of Iran
Treasures of Iran 15 Days Treasures of Iran Home to some of the world's most renowned and best-preserved archaeological sites, Iran is a mecca for art, history, and culture. This 15-day itinerary explores the fascinating cities of Tehran, Shiraz, Yazd, and Isfahan, and showcases Iran's rich, textured past while visiting ancient ruins, palaces, and world-class museums. Wander vibrant bazaars, behold Iran's crown jewels, and visit dazzling mosques adorned with blue and aqua tile mosaics. With your local guide who has led trips here for over 23 years, be one of the few lucky travelers to discover this unique destination! Details Testimonials Arrive: Tehran, Iran “I have taken 12 trips with MT Sobek. Each has left a positive imprint on me Depart: Tehran, Iran —widening my view of the world and its peoples.” Duration: 15 Days Jane B. Group Size: 6-16 Guests "Our trip to Iran was an outstanding Minimum Age: 16 Years Old success! Both of our guides were knowledgeable and well prepared, and Activity Level: Level 2 played off of each other, incorporating . lectures, poetry, literature, music, and historical sights. They were generous with their time and answered questions non-stop. Iran is an important country, strategically situated, with 3,000+ years of culture and history." Joseph V. REASON #01 REASON #02 REASON #03 MT Sobek is an expert in Iran Our team of local guides are true This journey exposes travelers travel, with over five years' experts, including Saeid Haji- to the hospitality of Iranian experience taking small Hadi (aka Hadi), who has been people, while offering groups into the country. -
Early Islamic Architecture in Iran
EARLY ISLAMIC ARCHITECTURE IN IRAN (637-1059) ALIREZA ANISI Ph.D. THESIS THE UNIVERSITY OF EDINBURGH 2007 To My wife, and in memory of my parents Contents Preface...........................................................................................................iv List of Abbreviations.................................................................................vii List of Plates ................................................................................................ix List of Figures .............................................................................................xix Introduction .................................................................................................1 I Historical and Cultural Overview ..............................................5 II Legacy of Sasanian Architecture ...............................................49 III Major Feature of Architecture and Construction ................72 IV Decoration and Inscriptions .....................................................114 Conclusion .................................................................................................137 Catalogue of Monuments ......................................................................143 Bibliography .............................................................................................353 iii PREFACE It is a pleasure to mention the help that I have received in writing this thesis. Undoubtedly, it was my great fortune that I benefited from the supervision of Robert Hillenbrand, whose comments, -
Tribes and Empire on the Margins of Nineteenth-Century Iran
publications on the near east publications on the near east Poetry’s Voice, Society’s Song: Ottoman Lyric The Transformation of Islamic Art during Poetry by Walter G. Andrews the Sunni Revival by Yasser Tabbaa The Remaking of Istanbul: Portrait of an Shiraz in the Age of Hafez: The Glory of Ottoman City in the Nineteenth Century a Medieval Persian City by John Limbert by Zeynep Çelik The Martyrs of Karbala: Shi‘i Symbols The Tragedy of Sohráb and Rostám from and Rituals in Modern Iran the Persian National Epic, the Shahname by Kamran Scot Aghaie of Abol-Qasem Ferdowsi, translated by Ottoman Lyric Poetry: An Anthology, Jerome W. Clinton Expanded Edition, edited and translated The Jews in Modern Egypt, 1914–1952 by Walter G. Andrews, Najaat Black, and by Gudrun Krämer Mehmet Kalpaklı Izmir and the Levantine World, 1550–1650 Party Building in the Modern Middle East: by Daniel Goffman The Origins of Competitive and Coercive Rule by Michele Penner Angrist Medieval Agriculture and Islamic Science: The Almanac of a Yemeni Sultan Everyday Life and Consumer Culture by Daniel Martin Varisco in Eighteenth-Century Damascus by James Grehan Rethinking Modernity and National Identity in Turkey, edited by Sibel Bozdog˘an and The City’s Pleasures: Istanbul in the Eigh- Res¸at Kasaba teenth Century by Shirine Hamadeh Slavery and Abolition in the Ottoman Middle Reading Orientalism: Said and the Unsaid East by Ehud R. Toledano by Daniel Martin Varisco Britons in the Ottoman Empire, 1642–1660 The Merchant Houses of Mocha: Trade by Daniel Goffman and Architecture in an Indian Ocean Port by Nancy Um Popular Preaching and Religious Authority in the Medieval Islamic Near East Tribes and Empire on the Margins of Nine- by Jonathan P. -
Iran Eco Adventure Tours
Iran Eco Adventure TOURS “My mother was one of the first professional female rock climbers in Iran and she was the memberof first Iranian student team to climb Mount Everest.She introduced my uncle to mountaineering then my uncle in turn converted other members of the family.” SahandAghdaie recalls as he explains the backstory of Iran Eco Adventure. For Sahand, the founder and CEO of Iran Eco Adventure Tours Co., mountaineering and nature are like family heirlooms. Thus, he joined his uncle in 2006 to bring into being one of the pioneer Iranian companies in Eco adventures. Iran Eco Adventure is the brand name of incoming tours and a division of Spilet Eco Adventures Co. It’s an Iran based company and for over 10 years we’ve been made memories and trips for people who love outdoor activities and hiking, have a passion for travel and a bucket list of exciting adventures. Iran Eco Adventure Our travel experience runs deep, from years mountaineering and traveling in nature of Iran to research trips and just bouncing around every corner of the country. This deep experience is the reason behind our pioneering approach to winning itineraries. Whether you’ve taken many trips, or you’re tying up for the first time, we design and offer everything in the tour program according to your needs. Our tours offer variety of adventure activities ranging from hiking, trekking and biking to alpine skiing and desert safari. Giving you the joy of adventure in numerous locations of our beautiful country under our proficiency steam is what our company mission is all about and we pride ourselves on our knowledge of destinations and our dedication to nature. -
Shirak Guidebook
Wuthering Heights of Shirak -the Land of Steppe and Sky YYerevanerevan 22013013 1 Facts About Shirak FOREWORD Mix up the vast open spaces of the Shirak steppe, the wuthering wind that sweeps through its heights, the snowcapped tops of Mt. Aragats and the dramatic gorges and sparkling lakes of Akhurian River. Sprinkle in the white sheep fl ocks and the cry of an eagle. Add churches, mysterious Urartian ruins, abundant wildlife and unique architecture. Th en top it all off with a turbulent history, Gyumri’s joi de vivre and Gurdjieff ’s mystical teaching, revealing a truly magnifi cent region fi lled with experi- ences to last you a lifetime. However, don’t be deceived that merely seeing all these highlights will give you a complete picture of what Shirak really is. Dig deeper and you’ll be surprised to fi nd that your fondest memories will most likely lie with the locals themselves. You’ll eas- ily be touched by these proud, witt y, and legendarily hospitable people, even if you cannot speak their language. Only when you meet its remarkable people will you understand this land and its powerful energy which emanates from their sculptures, paintings, music and poetry. Visiting the province takes creativity and imagination, as the tourist industry is at best ‘nascent’. A great deal of the current tourist fl ow consists of Diasporan Armenians seeking the opportunity to make personal contributions to their historic homeland, along with a few scatt ered independent travelers. Although there are some rural “rest- places” and picnic areas, they cater mainly to locals who want to unwind with hearty feasts and family chats, thus rarely providing any activities. -
Muslim Women's Pilgrimage to Mecca and Beyond
Muslim Women’s Pilgrimage to Mecca and Beyond This book investigates female Muslims pilgrimage practices and how these relate to women’s mobility, social relations, identities, and the power struc- tures that shape women’s lives. Bringing together scholars from different disciplines and regional expertise, it offers in-depth investigation of the gendered dimensions of Muslim pilgrimage and the life-worlds of female pilgrims. With a variety of case studies, the contributors explore the expe- riences of female pilgrims to Mecca and other pilgrimage sites, and how these are embedded in historical and current contexts of globalisation and transnational mobility. This volume will be relevant to a broad audience of researchers across pilgrimage, gender, religious, and Islamic studies. Marjo Buitelaar is an anthropologist and Professor of Contemporary Islam at the University of Groningen, The Netherlands. She is programme-leader of the research project ‘Modern Articulations of Pilgrimage to Mecca’, funded by the Netherlands Organisation for Scientific Research (NWO). Manja Stephan-Emmrich is Professor of Transregional Central Asian Stud- ies, with a special focus on Islam and migration, at the Institute for Asian and African Studies at Humboldt-Universität zu Berlin, Germany, and a socio-cultural anthropologist. She is a Principal Investigator at the Berlin Graduate School Muslim Cultures and Societies (BGSMCS) and co-leader of the research project ‘Women’s Pathways to Professionalization in Mus- lim Asia. Reconfiguring religious knowledge, gender, and connectivity’, which is part of the Shaping Asia network initiative (2020–2023, funded by the German Research Foundation, DFG). Viola Thimm is Professorial Candidate (Habilitandin) at the Institute of Anthropology, University of Heidelberg, Germany.