Background Information to Support the Images That I Sent
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Strategic Plan 2020-2024
Strategic Plan 2020-2024 ACE OPEN Lion Arts Centre North Terrace (West End) rt Kaurna Yarta a n. Adelaide SA 5000 aceope ACE Open Strategic Plan 2020-2024 1 ACE Open respectfully acknowledges the traditional Contents country of the Kaurna people of the Pg 3. Vision, Mission & Values Adelaide Plains and pays respect Pg 4. Executive Summary to Elders past and present. We recognise and respect their cultural Pg 5. Strategic Context heritage, beliefs and relationship with the land. We acknowledge that Planning Context they are of continuing importance to History the Kaurna people living today. Key Issues Artist Vibrancy SWOT Analysis Markets Pg 17. Goals Pg 23. Strategic Priorities Pg 24. Organisational Support Planning Management Financial Pg 33. Risk Management ACE Open Strategic Plan 2020-2024 2 Vision Our vision is to understand, expand and transform our world through contemporary art. Mission To be South Australia’s leading contemporary art space, nationally renowned for supporting artists, promoting artistic excellence and enriching audience experience. We will achieve this by: • Presenting and premiering new works from local, national and international artists • Nurturing the careers of artists to elevate their practice • Fostering conditions for critical engagement and explorations • Making art and spaces that are accessible, respectful and reflect Australia’s diversity Vision • Securing a sustainable future through strong management practices and strategic partnerships Mission Values Values Openness: We believe in making contemporary art accessible to everyone, inviting artists and audiences to experience contemporary art in an environment that is as engaging and challenging as it is welcoming. Artistic Freedom: We respect and nurture creative and cultural processes. -
Adelaide Fringe and the Adelaide Festival
Australian Services Union SA + NT Branch The ASU campaigns for fairness and equality in our workplaces, communities + globally Join the union for social justice activists 08 8363 1322 Foreword Together with our sponsors, the Don Dunstan Foundation is proud to present the 2019 Social Change Guide to the Adelaide Fringe and the Adelaide Festival. This Guide is our biggest yet with 181 shows featuring a diverse display of culture of which Don Dunstan would have been proud. Don was not only Premier of South Australia during the 1970s, but was also a trained actor. A strong supporter of the Arts throughout his lifetime, he was a patron of the Fringe and narrated Carnival of the Animals in the 1974 Festival of Arts. The Dunstan Decade saw South Australia lead the nation in progressive social reforms, and laid the foundation for Adelaide’s transformation into ‘the Festival State’. The Adelaide Festival was at the forefront of this transformation; since its launch in 1960 they have been showcasing diverse shows from all around the world. In 1974 the Fringe released its first Souvenir Programme, beginning its evolution into what is now the largest arts festival in the Southern Hemisphere. Each year, both go from strength to strength. The Arts bring us together, and help to create and celebrate our diversity. When we offer access to art in all its forms, we improve the quality of life for everyone in our community. Through the Arts we have a chance to see the world from a new perspective, and at its best, art can inspire us to take action for a fairer world. -
Download the Creative Industries Strategy
Creative Industries Strategy An industry-led Strategy produced by the Department for Innovation and Skills, in collaboration with Department for Trade and Investment and various industry representatives. 2020 GROWTH STATE Spider-Man: Far From Home - Visual effects by Rising Sun Pictures. © & TM 2019 MARVEL. © 2019 CTMG. All Rights Reserved. Credit: Rising Sun Pictures. The Department for Innovation and Skills acknowledges Aboriginal people as the state’s first peoples and Nations of South Australia. We recognise and respect their cultural connections as the traditional owners and occupants of the land and waters of South Australia, and that they have and continue to maintain a unique and irreplaceable contribution to the state. Ngarrindjeri designer Jordan Lovegrove at Ochre Dawn. Credit: Ochre Dawn Creative Industries. CREATIVE INDUSTRIES Strategy Table of Contents Message from the Minister 4 Message from the Creative Industries Ministerial Advisory Group 5 Section 1: Background 6 Executive summary 6 Growth State 6 The Creative Industries Strategy 7 What are the creative industries? 9 Advertising and Communication Design 11 Broadcasting: TV, Radio and Podcasts 11 Design 12 Design – Urban, Architecture, Interior and Landscape 12 Design – Industrial and Product 13 Fashion 14 Festivals (Creative and Cultural) 15 Music 18 Performing Arts 21 Visual Arts and Craft 21 Screen 22 Screen – TV and Film Production 23 Screen – Post Production, Digital and Visual Effects (PDV) 24 Screen - Game Development 25 Writing and Publishing 26 Technology and -
2.4 the VOYAGE and CONDITIONS on ARRIVAL1 the Navarino Was A
2.4 THE VOYAGE AND CONDITIONS ON ARRIVAL1 The Navarino was a three masted barque, of 463 tons, that had been built in 1808 and rebuilt in 1835 so it was a relatively new ship. It sailed from Blackwall on 24 August via Gravesend, London on 26 August 1837 and it arrived in South Australia in December, initially at Nepean Bay, Kangaroo Island, on 30 November 1837 to drop off a few passengers and then finally to Adelaide on 6 December 1837. The ship was under the command of Captain Christopher Abel Warming and the voyage took 102 days indicating that it did not call into another port along the way. The ship carried 217 passengers of which 151 were adults and 66 were children. The Navarino would have travelled the usual route for migrant ships to South Australia. This took the ship heading across the Atlantic Ocean from the “bulge” of North Africa to the region off Rio de Janeiro before making for a point well south of the Cape of Good Hope where the ship was turned towards Australia. All captains sought the Roaring Forties of latitude that could be found in that vicinity. These constantly blowing winds materially shortened the trip but produced uncomfortable conditions aboard. However, a shortening of the trip was welcomed by even the migrants.2 By the time the ship had reached these latitudes about three quarters of the voyage had elapsed and the migrants had become accustomed to ship life and could withstand the rigours of the last part of the journey. -
Reclaiming the Kaurna Language: a Long and Lasting Collaboration in an Urban Setting
Vol. 8 (2014), pp. 409-429 http://nflrc.hawaii.edu/ldc/ http://hdl.handle.net/10125/4613 Series: The Role of Linguists in Indigenous Community Language Programs in Australia1 Reclaiming the Kaurna language: a long and lasting collaboration in an urban setting Rob Amery University of Adelaide A long-running collaboration between Kaurna people and linguists in South Australia be- gan in 1989 with a songbook. Following annual community workshops and the estab- lishment of teaching programs, the author embarked on a PhD to research historical sources and an emerging modern language based on these sources. In response to numer- ous requests for names, translations and information, together with Kaurna Elders Lewis O’Brien and Alitya Rigney, the author and others formed Kaurna Warra Pintyandi (KWP) in 2002. It is a monthly forum where researchers, and others interested in Kaurna lan- guage, can meet with Kaurna people to discuss their concerns. KWP, based at the Univer- sity of Adelaide, is not incorporated and attendance of meetings is voluntary. The com- mittee has gained a measure of credibility and respect from the Kaurna community, gov- ernment departments and the public and has recently signed a Memorandum of Under- standing with the University of Adelaide. However, KWP and the author sit, uneasily at times, at the intersection between the University and the community. This paper explores the nature of collaboration between Kaurna people and researchers through KWP in the context of reliance on historical documentation, much of which is open to interpretation. Linguistics provides some of the skills needed for interpretation of source materials. -
Encounter Marine Park
CITY OF PORT ADELAIDE ENFIELD 137°45'0"E 138°0'0"E 138°15'0"E 138°3T0'0H"EE CITY OF PROSPECT 138°45'A0"EDELAIDE HILLS COUNCI1L39°0'0"E Figure 20: CITY OF CHARLES STURT ADELAIDE HILLS Adelaide Encounter THE DC OF YORKE PENINSULA CITY OF WEST TORRENS Marine Park S S " " 0 0 ' ' 0 0 ° ° LGA Boundaries 5 5 3 CITY OF HOLDFAST BAY 3 Marino CP THE RURAL CITY Coobowie Bay AR THE CITY OF MARION Hallett Cove CP OF MURRAY Edithburgh Troubridge BRIDGE Island CP THE DC OF MOUNT BARKER Marine Parks Gulf View Road Lake - Perennial Port Lake - Intermittent Noarlunga Land Subject to Flooding (STF) Reef AR CITY OF ONKAPARINGA Troubridge Land Subject to Inundation (STI) Hill AR Parks and Reserves S Aldinga S " " Aquatic Reserves 0 0 ' Lower Yorke ' 5 Reef AR 5 1 1 ° Peninsula ° LGA Boundaries 5 5 3 3 Marine Park Coastline (median high water) Aldinga Scrub CP Coastal Waters of the State SELLICKS Major Road BEACH Minor Road ALEXANDRINA COUNCIL Normanville CITY OF S VICTOR HARBOR S " " 0 0 ' ' 0 YANKALILLA BAY 0 3 3 ° Wirrina Middleton ° 5 5 3 Second Valley 3 Victor Harbor COORONG DC POINT MARSDEN THE DC OF YANKALILLA ENCOUNTER BAY Coorong NP Newland BAY OF SHOALS Cape Jervis West Island - Deep Creek CP Head CP Encounter Bay AR Beatrice Islet CP NEWLAND Kingscote NEPEAN BAY HEAD CAVE BA 0 20 CK ST AIR S P KANGAROO HEAD AS Kms WESTERN COVE SA GE S S " " 0 0 ' Penneshaw ' 5 EASTERN 5 4 4 ° ° 5 COVE 5 3 The Pages CP 3 Lashmar CP ANTECHAMBER BAY KANGAROO ISLAND Pelican American Lagoon CP COUNCIL River AR CAPE WILLOUGHBY Lesueur CP Adelaide S S " " 0 0 ' ' 0 0 ° ° 6 6 3 3 Southern Produced by Coast and Marine Conservation Kangaroo Island Department for Environment and Heritage GPO BOX 1047 Adelaide SA 5001 Marine Park www.marineparks.sa.gov.au Data Source Marine Parks, Parks and Reserves, Topographic Data - DEH Aquatic Reserves - PIRSA LGA Boundaries - DTEI Coastal Waters of the State - Geoscience Australia Compiled 16 August 2010 Projection Geographic Datum Geocentric Datum of Australia, 1994 © Copyright Department for Environment and Heritage 2010. -
ACCESS GUIDE Contents
26 FEB – 14 MAR 2021 ACCESS GUIDE Contents Access Information ................................................................. 1 Website Information ................................................................. 2 Booking Tickets ........................................................................... 3 Venue Facilities ........................................................................... 4 Access Ticket Prices ................................................................. 5 Auslan Interpreted Events ....................................................... 6 Audio Described Events ......................................................... 8 Sensory/Tactile Tour Events ............................................... 9 Events With Highly Visual Content ................................... 10 Events With Assistive Listening ............................................. 13 Venues With Wheelchair Access ............................................. 15 Open House ..................................................................................... 19 Adelaide Writers’ Week Access ............................................. 21 Calendar of Events ................................................................. 22 Map ............................................................................................... 25 Sponsor Thanks ........................................................................... 27 Access Information We make every effort to ensure Adelaide Festival events are accessible to our whole audience. Please check -
Abdul Abdullah
ABDUL ABDULLAH 1986 Born in Perth, Australia 2008 BA Art, Curtin University of Technology, Australia 2017 MFA, UNSW Art and Design SELECTED SOLO EXHIBITIONS 2020 Custodians, presented by Yavuz Gallery at The Armory Show, Presents Section, New York City, USA 2019 Contested Territories, Yavuz Gallery, Sydney, Australia The waiting room, presented by Yavuz Gallery at Art Basel Hong Kong, Kabinett sector, Hong Kong 2018 Jangan Sakiti Hatiku - Don't Break My Heart, Yavuz Gallery, Singapore 2017 Terms of Engagement: Examining the Rhetoric of Radicalisation, UNSW Galleries, Australia 2016 Burden, Fehily Contemporary, Australia Coming to Terms, Fehily Contemporary, Australia 2015 Coming to Terms, Chasm Gallery, New York, USA 2014 I See A Darkness, Future Perfect, Singapore Siege, Fehily Contemporary, Australia 2013 Homeland, Fehily Contemporary, Australia 2012 Mongrel, Fehily Contemporary, Australia 2011 Them and Us, KINGS Artist-Run, Australia SELECTED GROUP EXHIBITIONS 2020 Monster Theatres, Adelaide Biennial of Australian Art, Art Gallery of South Australia 2019-2020 Violent Salt, touring exhibition, Art Space Mackay, Australia; Noosa Regional Gallery, Australia; Toowoomba Regional Art Gallery, Australia STOLEN/WEALTH, Wyndham Art Gallery, Melbourne, Australia Body Politics, Bendigo Art Gallery, Bendigo, Australia Lupercalia, Adelaide Central Gallery, Adelaide, Australia Marriage: Love + Law, Penrith Regional Gallery, Penrith, Australia Weapons for a soldier, Araluen Arts Centre, Alice Springs, Australia National Anthem, Buxton Contemporary, -
Adelaide Coastal Waters Study, Final Report Volume
The Adelaide Coastal Waters Study Final Report, Volume 1 Summary of Study Findings November 2007 Prepared for : South Australian Environment Protection Authority Authors Fox, D.R., Batley, G.E., Blackburn, D., Bone, Y., Bryars, S., Cheshire, A., Collings, G., Ellis, D., Fairweather, P., Fallowfield, H., Harris, G., Henderson, B., Kämpf, J., Nayar, S., Pattiaratchi, C., Petrusevics, P., Townsend, M., Westphalen, G., Wilkinson, J. Enquires should be addressed to: PMB 2, Glen Osmond SA 5064 http://www.clw.csiro.au/acws © CSIRO, 2007 ISBN 1 921125 20 9 Limitations and Disclaimer The sole purpose of this report and the associated services performed by CSIRO and its subcontractors is to provide scientific knowledge about Adelaide’s coastal marine environment in support of on-going and future management. Research work was carried out in accordance with the scope of services identified in the head agreement dated 14th October 2002, between the South Australian Minister for Environment and Conservation (‘the Client’) and the Commonwealth Scientific and Industrial Research Organisation (CSIRO). Under this agreement, CSIRO’s role was to devise and oversee a program of research to be undertaken by a number of individuals and organisations. The findings and recommendations presented in this report are derived primarily from information and data supplied to CSIRO by the Client and from the field investigations and research conducted by sub consultants. The passage of time, manifestation of latent conditions, or impacts of future events may require further exploration and subsequent data analysis, or re-evaluation of the findings, observations, conclusions, and recommendations expressed in this report. This report has been prepared on behalf of and for the exclusive use of the Client, and is subject to and issued in connection with the provisions of the agreement between CSIRO and the Client. -
The COROMANDEL and Others
THE STORY OF THE 'COROMANDEL' IN PARTICULAR, 1834 3 MASTED SAILING SHIP. The COROMANDEL and others. In particular I have searched information regarding the 'Coromandel' ship, which, in 1836 was commissioned by the South Australian Company to transport emigrants to the new colony of South Australia and its soon to be established capital city of Adelaide. I have listed in these pages all details found, including a number of passengers. I have ascertained most who sailed in her, (but I certainly may have missed and/or misspelled some names). The ship sailed from St. Katherine's dock, London in 1836 arriving and disembarking the majority of her passengers at Holdfast Bay, Glenelg on January 17th 1837. Her journey was longer than planned as Captain William Chesser, her Master called in at Cape Town, Cape of Good Hope, South Africa and rested his many sick passengers back to good health with fresh fruit, vegetables and good water. Upon his return to Britain later in the year, he was called to task for the extended journey & brought before the Colonial office & the South Australian Company for interrogation. I have not, with any positive proof satisfied myself as to our "Coromandel's " final resting place, because the name was in popular use as a ship's name, and others so named have confused many people of her true journeys & destiny. She was definitely 662 tons, she was definitely built in 1834 in Quebec by George Black & Sons and she was a barque with sails set as 'ship' meaning all were squaremasted. There was a Coromandel ship that foundered in New Zealand, but I have not seen the description nor sketches of that ship. -
Social Change Guide to the Adelaide Fringe and Adelaide Festival 2018
The Graham F Smith Peace Foundation The Graham F Smith Peace Foundation works for peace by educating the community about human rights, social justice and environmental sustainability through the arts. Winner of the Governor’s Multicultural Award 2017 Since 2011 The Graham F Smith Peace Foundation has awarded the Peace Foundation Award at the Adelaide Fringe Festival. The purpose of the award is: Ÿ To recognise artworks that align with the objectives of the Peace Foundation (human rights, social justice and environmental sustainability) and are excellent, innovative and experimental. The winner will receive $1000 and a Statuette Previous Award Recipients: in[nate]ture Labels We Live by the Sea by Cayleigh Davies by Patch of Blue by and Human Arts Theatre Company Joe Sellman-Leava Movement 2017 2016 2017 Be Our 2018 Award Recipient! Get award application form and additional information from the website http://artspeacefoundation.org/fringe-peace-award/ Foreword Together with our sponsors, the Don Dunstan Foundation is proud to present the 2018 Social Change Guide to the Adelaide Fringe and the Adelaide Festival. This Guide features a wealth of shows in a diverse display of culture of which Don Dunstan would have been proud. Don was not only Premier of South Australia during the 1970s, but was also a trained actor. A strong supporter of the Arts throughout his lifetime, he was a patron of the Fringe and narrated Ogden Nash's for Carnival of the Animals in the 1974 Festival of Arts. The Dunstan Decade saw South Australia lead the nation in progressive social reforms, and laid the foundation for Adelaide’s transformation into ‘the Festival State’. -
A Precious Asset
Gulf St Vincent A PRECIOUS ASSET Gulf St Vincent A PRECIOUS AssET Introduction It is more than 70 years since Since that time, the Gulf has We need these people, and other William Light sailed up the eastern provided safe, reliable transport for members of the Gulf community, side of Gulf St Vincent, looking for most of our produce and material to share their knowledge, to the entrance to a harbour which needs, as well as fresh fish, coastal make all users of the Gulf aware had been reported by the explorer, living, recreation and inspiration. of its value, its benefits and its Captain Collet Barker, and the In return we have muddied its vulnerability. It is time for us all to whaling captain, John Jones. waters with stormwater, effluent learn more about Gulf St Vincent, He found waters calm and clear and industrial wastes, bulldozed to recognise the priceless asset enough to avoid shoals and to its dunes, locked up sand under we have, and to do our utmost to safely anchor through the spring houses and greedily exploited its reverse the trail of destruction we gales blowing from the south-west. marine life. Just reflect a moment have left in the last 00 years. Perhaps even he saw sea eagles on what Adelaide in particular, and The more we know of the Gulf, fishing or nesting in the low trees South Australia as a whole, would its physical nature and marine life, and bushes on the dunes, which be like without Gulf St Vincent, to the more readily we recognise extended along the coast from realise the importance of the Gulf the threats posed by increasing Brighton to the Port River.