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(73) History & Political Science
MT Seat No. 2018 .... .... 1100 MT - SOCIAL SCIENCE (73) History & Political Science - Semi Prelim I - PAPER VI (E) Time : 2 hrs. 30 min MODEL ANSWER PAPER Max. Marks : 60 A.1. (A) Choose the correct option and rewrite the complete answers : (i) Vishnubhat Godase wrote down the accounts of his journey from 1 Maharashtra to Ayodhya and back to Maharashtra. (ii) Harishchandra Sakharam Bhavadekar was also known as Savedada. 1 (iii) Louvre Museum has in its collection the much acclaimed painting of 1 Mona Lisa by Leonardo da Vinci. (iv) Indian Hockey team won a gold medal in 1936 at Berlin Olympics 1 under the captaincy of Major Dhyanchand. A.1. (B) Find the incorrect pair in every set and write the correct one. (i) Atyapatya - International running race 1 Atyapatya is Indian outdoor game. (ii) Ekach Pyala - Annasaheb Kirloskar 1 Ekach Pyala is written by Ram Ganesh Gadkari. (iii) Bharatiya Prachin Eitihasik Kosh - Mahadev Shastri Joshi 1 Bharatiya Prachin Eitihasik Kosh - Raghunath Bhaskar Godbole (iv) Gopal Neelkanth Dandekar - Maza Pravas 1 Gopal Neelkanth Dandekar - Hiking tours A.2. (A) Complete the following concept maps. (Any Two) (i) 2 Pune Vadodara Kolhapur Shri Shiv Chhatrapati Kreeda Sankul Vyayam Kashbag Shala Talim Training centres for wrestling Swarnim Kreeda Gujarat Vidyapeeth Sports Hanuman Vyayam Prasarak Mandal Gandhinagar Patiyala Amaravati 2/MT PAPER - VI (ii) 2 (4) Name of the Place Period Contributor/ Artefacts Museum Hanagers (1) The Louvre Paris 18th C Members of the Royal MonaLisa, Museum family and antiquities 3 lakh and eighty brought by Napolean thousand artefacts Bonaparte (2) British London 18th C Sir Hans Sloan and 71 thousand Museum British people from objects British Colonies Total 80 lakh objects (3) National USA 1846CE Smithsonian 12 crore Museum Institution (120 millions) of Natural History (iii) Cultural Tourism 2 Visiting Educational Institutions Get a glimpse of local culture history and traditions Visiting historical monuments at a place Appreciate achievements of local people Participating in local festivals of dance A.2. -
Modern India 1857-1972 [Rai Foundation Final]
Subject: MODERN INDIA (1857 – 1969) Credits: 4 SYLLABUS Historical background – British rule and its legacies, National movement, Partition and Independence Origins and goals of the Indian National Congress, Formation of the Muslim League Roles played by Gandhi, Nehru, Jinnah and the British in the development of the Movement for independence Challenges faced by the Government of India, Making the Constitution, Political, Economic and Social developments from 1950-1990, The Nehru Years – challenges of modernization and diversity, Brief on Indira Gandhi Developments post-1990, Economic liberalization, Rise of sectarianism and caste based politics, Challenges to internal security Foreign Policy: post – Nehru years, Pakistan and Kashmir, Nuclear policy, China and the U. S. Suggested Readings: 1. Ramachandra Guha, Makers of Modern India, Belknap Press 2. Akash Kapur, India Becoming: A Portrait of Life in Modern India, Riverhead Hardcover 3. Bipin Chandra, History Of Modern India, Orient Blackswan 4. Barbara D. Metcalf, Thomas R. Metcalf, A Concise History of Modern India, Cambridge University Press CHAPTER 1 IMPERIALISM, COLONIALISM AND NATIONALISM STRUCTURE Learning objectives Imperialism and colonialism: A theoretical perspective Imperialism: Its effects The rise of national consciousness The revolt of 1857 Colonialism: The new administrative system - pre and post 1857 Consolidation of the Raj: Frontier and foreign policy Review questions LEARNING OBJECTIVES After going through this Unit you will be able to learn: What is colonialism, its -
Russian Drama in Marath I Polysystem 255
RUSSIAN DRAMA IN MARATH I POLYSYSTEM 255 Chapter VI: RUSSIAN DRAMA IN MARATHI POLYSYSTEM I A brief discussion o,n the theoretical aspect of translation of drama: Before examining the specific trends in drama translation, it is essential to place the main streams in the area of theatre translation within the framework of broader main streams in literary translation theory. It is observed that drama translation generally follows these trends. As we have already discussed in Chapter II, in the last twenty-five years there have been two major conflicting developments in the translation theory. The linguistically-oriented trend considers literary translation as a process of textual transfer. This is an ST oriented approach. In this approach translation scholars draw on recent work in descriptive linguistics. They attempt to grasp systematically the syntactic, stylistic and pragmatic properties of the texts in question. Moving away from comparative textual analysis, attempts are also made to set translations and their reception within the context of the receiving culture. This involves the study of the translations in the TL culture. The focus is not on mere textual transfer, but on cultural mediation and interchange. With regard to the first trend, Bogatyrev in discussing the function of the linguistic system in theatre in relation to the total experience states: Linguistic expression in theatre is a structure of signs constituted not only as discourse signs, but also as other signs. (Bogatyrev 1971:517-30) In a study of the specific problems of literary translation, with particular reference to the translation of dramatic texts, Susan Bassnet states that: In trying to formulate any theory of theatre translation, Bogatyrev's description of linguistic expression must be taken into account, and the 256 linguistic element must be translated bearing in mind its function in theatre discourse as a whole. -
International Journal of English and Studies (IJOES) an International Peer-Reviewed English Journal Vol-1, Issue-2, 2019 ISSN: 2581-8333
SP Publications International Journal Of English and Studies (IJOES) An International Peer-Reviewed English Journal www.ijoes.in Vol-1, Issue-2, 2019 ISSN: 2581-8333 ______________________________________________________ ORIGIN OF INDIAN DRAMA: A SHORT INTRODUCTION ______________________________________________________________________________ Mr. Jitendrasinh Parmar1 Dr. Ishita Sharma2 Bhagwan Mahavir College of Science & Technology, Surat Gujarat, India ______________________________________________________________________________ Abstract: Any study of Indian drama begins with Sanskrit drama, which is purely of Indian origin. The word “Natya” often been translated as “Drama”. The Sanskrit word for play (Nataka) and actor (Nata) are from the root “Nat” which is the prakrit form of Sanskrit “Nrutya” meaning to dance. A Sanskrit drama always opens with a namely or benediction, usually addressed to Ganesh or Shiva for the prosperity of the audience by “Sutradhar” or director. Bharata is historically thought-about to be the daddy within the history of Indian drama. The history of Indian drama is deeply unmoving in classical Indic theatre, which is the earliest existing form of drama and theatre. Key Words: Drama, Indian, Sanskrit, Theatre, History, Natak. Introduction: Drama is that the branch of humanities within which stories square measure acted mistreatment combos of speech, gesture, music, dance and sound. Indian drama and theatre has a vivid history. The history of Indian drama is charming, enigmatic and unbelievable. India has AN autochthonous dramatic tradition, and remains stay unaffected from any foreign influence. Hindu drama was not borrowed or an imitation of any other, but it is the product of native genius. Origin of Indian Drama: History of Indian drama is made with Vedas and Indian epics and has step by step modified with time and remains unaffected by any foreign influence. -
EPIC to POLEMIC Social Change in Marathi Drama 1843-79
EPIC TO POLEMIC Social Change in Marathi Drama 1843-79 Pramod Kale With a unanimity, which is somewhat rare, scholars of Marathi theatre and literature have pinpointed the year 1843 as the most important year in the history of Marathi theatre when Vishnu Amrit Bhave, a Brahmin young man, employed in the personal service of the Raja of Sangli, at his patron's behest staged the performance of Sita Svayambar, a composition written by himself based, as the name indicates, on an episode from the Ramavana. The traditionalists- view this event as a revitalisation of a dramatic and theatrical tradition, which Gondhal, Bharud, and Lalit) and secular cultural performances, (such as the Tamasha) goes-back ultimately to the main-spring-the classical Sanskrit drama of the great poets and the theatre described in such great detail and with such a thoroughness in the Natyasastra by the legendary Bharata. The modemists.' on the other hand, emphasising the absence of dramatic texts in pre-19th century Marathi literature and defining theatre in a more specific way so as to exclude the various related cultural performances mentioned above, look upon this year as marking the very birth of Marathi theatre and drama. The immediate impetus to Bhave's venture had been provided by a visit to Sangli in 1842 by a company of Bhagvat Mela players from the North Kanara district. According to Bhave's own account, the Raja of Sangli, who patronised a couple of their performances thought them to be crude (Obadhobad) and loud or vulgar (Bibhatsa) and asked Bhave to perform "a new Marathi composition with goodly improvements'<. -
Thane Municipal Corporation Thane
1 TENDER NOTICE NO.15 WORK NO.1 THANE MUNICIPAL CORPORATION THANE ELECTRICAL DEPARTMENT TENDER PAPERS FOR NAME OF WORK: Annual Maintenance of Central Ac Plant at Ram Ganesh Gadkari rangyatan of Thane Municipal Corporation Contractor Dy City Engineer (Elect) Thane Municipal Corporation, Thane 2 THANE MUNICIPAL CORPORATION, THANE ELECTRICAL DEPARTMENT Annual Maintenance of Central Ac Plant at Ram NAME OF WORK Ganesh Gadkari rangyatan of Thane Municipal Corporation. DOCUMENT FEE Rs . 2096.00 + 105.00 (5% Vat) = 2201 Online tender On or before 26/9/2014 TO BE RECEIVED ON up to 1 5 . 0 0 Hrs . , at T.M .C . website www.thanecity.gov.in On 26/9/2014 at 15.30 Hrs . if possible, TO BE OPENED ON in the office of the E Tender Cell. Thane Municipal Corporation, Almeda Road, Panchpakhadi, Thane . Contractor Dy City Engineer (Elect) Thane Municipal Corporation, Thane 3 INDEX NAME OF WORK : Annual Maintenance of Central Ac Plant at Ram Ganesh Gadkari rangyatan of Thane Municipal Corporation. Section Page No. Description No. From To Notice Inviting Tender 1 4 6 Detail tender notice 2 7 17 Declaration of contractor 3 18 19 4 Printed B-1 form 20 54 Additional General Conditions & Specification 55 82 5 Index Detail Item Wise Specification 83 86 6 7 Proforma of Agreement & bank Guarantee 87 94 8 Scope of work 95 97 9 List of Approved Material 98 100 Schedule 'B' 101 110 10 Contractor Dy City Engineer (Elect) Thane Municipal Corporation, Thane 4 Chapter - I Notice Inviting Tender Contractor Dy City Engineer (Elect) Thane Municipal Corporation, Thane 5 “¸µ¸½ Ÿ¸−¸›¸Š¸£œ¸¸¹¥¸ˆÅ¸, “¸µ¸½. -
Toshniwal Arts, Commerce & Science College, Sengaon, Tq. Sengaon, Dist. Sub Subject Wise Report
Toshniwal Arts, Commerce & Science College, Sengaon, Tq. Sengaon, Dist. Sub Subject Wise Report Date : 16/07/2016 Page No. : 1 Sub Subject : MARATHI ( All ) Main Subject Book Name Author Name Acc. No. Ref/Cir Status MARATHI Adiwasi Muslim Khrchin Shripal Sabnes 1 C P GEN MARATHI Adiwasi Muslim Khrchin Shripal Sabnes 2 C P GEN MARATHI Sawdrayanubhav Parbhakar Padhya 3 C P GEN MARATHI Sahitya adhyapan prakar Bhagwat 4 C P GEN MARATHI Sahyadri Che Vare: Yek Abhas Keshav vasekar 6 C P SR MARATHI Sahyadri Che Vare: Yek Abhas Keshav vasekar 7 C P SR MARATHI Sahyadri Che Vare: Yek Abhas Keshav vasekar 8 C P SR MARATHI Sahyadri Che Vare: Yek Abhas Keshav vasekar 9 C P SR MARATHI Sahyadri Che Vare: Yek Abhas Keshav vasekar 10 C P SR MARATHI Stri Purush: Tulana Tarabai Shinde 19 C P SR MARATHI Stri Purush: Tulana Tarabai Shinde 20 C P SR MARATHI Stri Purush: Tulana Tarabai Shinde 21 C P SR MARATHI Stri Purush: Tulana Tarabai Shinde 22 C P SR MARATHI Stri Purush: Tulana Tarabai Shinde 23 C P SR MARATHI Jina amucha aani vata palwata Narendra moon 24 C P yak aklan SR MARATHI Jina amucha aani vata palwata Narendra moon 25 C P yak aklan SR MARATHI Jina amucha aani vata palwata Narendra moon 26 C P yak aklan SR MARATHI Jina amucha aani vata palwata Narendra moon 27 C P yak aklan SR ** Note : -, B-BINDING, D-DISPLAY, I-ISSUE, L-LOST, M-MISSING, N-BOOK BANK ISSUED, P-PRESENT, T-TRANSFERRED, W-WRITE OFF, X-NOT TO ISSUE, Toshniwal Arts, Commerce & Science College, Sengaon, Tq. -
History & Political Science
MT Seat No. 2018 .... .... 1100 MT - SOCIAL SCIENCE (73) History & Political Science - Semi Prelim I - PAPER II (E) Time : 2 hrs. 30 min MODEL ANSWER PAPER Max. Marks : 60 A.1. (A) Choose the correct option and rewrite the complete answers : (i) Sant Tukaram film was shown in the International Film Festival at 1 Paris. (ii) Shridhar Vyankatesh Ketkar edited 23 volumes of Maharashtriya 1 Dnyankosh. (iii) Natural potholes of Rajan Khalage are located at Nighoj in Maharashtra. 1 (iv) The wooden dolls made in Maharashtra are known as Thaki. 1 A.1. (B) Find the incorrect pair in every set and write the correct one. (i) Kusumagraj - movie on saint Tukaram 1 Kusumagraj play on Shakespeare's 'King Lear' - Natsamrat. (ii) Balambhat Deodhar - Gold medalist in wrestling 1 Balambhat Deodhar was physical trainer of Bajirao Peshwa. (iii) Chhatrapati Shivaji Maharaj Vastusangrahalay - Nashik 1 Chhatrapati Shivaji Maharaj Vastusangrahalay - Mumbai (iv) Kachkavadya - Marbles 1 Kachkavadya is the name of Indian Ludo. A.2. (A) Complete the following concept maps. (Any Two) (i) 2 Volume of knowledge Help in accessible to satisfying their readers curiosity Benefits of Encyclopaedia Make existing knowledge easily Provide accessible to fundamental Highlight the research scholarship information on areas, which have not and researchers any topic yet received enough attention 2/MT PAPER - II (ii) 2 Pune Vadodara Kolhapur Shri Shiv Chhatrapati Kreeda Sankul Vyayam Kashbag Shala Talim Training centres for wrestling Swarnim Kreeda Gujarat Vidyapeeth Sports Hanuman Vyayam Prasarak Mandal Gandhinagar Patiyala Amaravati (iii) Ganpatrao Joshi 2 Marathi Ganpatrao Bodas Stage artists of the Chintamanrao Kolhatkar By-gone Era Narayanrao Rajhamsa (Bal - gandharva) Keshvrao Bhosale A.2. -
Rep Iii a List Occupier Details1
Sheet1 Sr. No. Code Name No Of Beds Address 1 PVDC0074 DR. CHANDE'S DENTAL SPA CLINIC NA SHOP NO 01, MORYA CHS,OLD MUMBAI-PUNE ROAD ,NEAR MANISHA NAGAR, ,KLAWA , 400605 2 GVGP0001 ROSA GARDENIA HEALTH CENTRE NA OPP. TMC GARDEN ,,KASARVADAVLI ,,, 400607 3 14002 SSBMCT SHRIRAM HOSPITAL 20 Owala,,Ghodbunder Road,,Thane - west.,Thane - west., 400604 4 PVPL0009 USHA PATHOLOGY LABORATORY NA BETH SHALLOM APT.,,OPP. CIVIL HOSPITAL,NEAR SHRI KRISHNA MEDICAL,,THANE (W), 400601 SHOP I OPPOSITE TO VEDANT COMPLEX SOCEITY MAINGATE, ,BESIDE SASHA CHINESE, ,KORES 5 PVDC0066 32 GEMS MULTISPECIALITY DENTAL CLINIC NA ROAD, ,VARTAK NAGAR THANE (W), 400604 6 1849554 32 PEARLS DENTAL CLINIC OF DR. HOLE NA Shop No. 4 , Jagat Enclaue,Near Lokmanya Nagar Bus Stop,Thane (W),Thane (W), 400606 BlockNo 5, Ishan Residency Bldg No 03,,Ground Floor, Opp Hanuman Mandir,,Gokhale Road, Thane (W),Gokhale 7 551453 32 SPARKLEZ DENTAL HEALTH CENTRE NA Road, Thane (W), 401106 8 1199501 AADHAR HOSPITAL 20 Sanskar Tower Pachpakhadi,1st Floor Thane (West),,, 401106 C/34,GURUNANAK SOCIETY,,OPP.DAULAT NAGAR,NEAR FIRE BRIGADE OFFICE,,KOPRI, THANE 9 1418524 AADITYA DIAGNOSTICS NA (E),KOPRI, THANE (E), 400603 10 164011 AAKANKSHA MATERNITY & NURSING HOME 7 Labhesh, Opp. Nitin Company,,Ramchandra Nagar,,THANE (W),,THANE (W),, 400604 SHOP NO 2, VASUDEV SADAN, GROUND FLOOR,,OPP DATTA MANDIR, RAM WADI,,VISHNU NAGAR, 11 1431554 Aarav Dental Clinic Of Dr Namarata Patil NA NAUPADA THANE (W),VISHNU NAGAR, NAUPADA THANE (W), 400602 Shop No.1, Room No.2,,Yashawant Patil Chawl, Patil Wadi,,Near Krishnadham CHS, Savarkar Nagar, Thane 12 2226534 AAROGYA CLINIC DR. -
Religion, Film, and Performance
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Melodrama, Mythology, and Moral Reform: Parsi Drama and Agha Hashra Kashmiri (1879- 1935) Permalink https://escholarship.org/uc/item/64q9k23d Author Acharya, Sonal Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Melodrama, Mythology, and Moral Reform: Parsi Drama and Agha Hashra Kashmiri (1879-1935) By Sonal Acharya A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in South and Southeast Asian Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Vasudha Dalmia, Chair Professor Linda Williams Professor Lawrence Cohen Professor Vasudha Paramsivan Fall 2015 Abstract Melodrama, Mythology, and Moral Reform: Parsi Drama and Agha Hashra Kashmiri (1879-1935) By Sonal Acharya Doctor of Philosophy in South and Southeast Asian Studies and the Designated Emphasis in Film Studies University of California, Berkeley Professor Vasudha Dalmia, Chair Parsi theatre was the first institutionalized attempt in colonial India to consolidate a pan-Indian theatrical public, and doing this necessitated the emergence of particular narrative, performance, and genre codes of melodrama. These productive intersections between the development of colonial national theatre, and the development of melodrama also coincided with the rise of cultural nationalism in early twentieth century colonial India. Parsi theatre therefore became the generative site for imagining, producing and circulating the ideas of a nation and national belongingness through a shared idiom of narrative and performance culture, and the shared experience of a consolidated theatrical public. -
6. Entertainment and History
6. Entertainment and History Things that help refresh our minds and give a feeling of happiness are the sources of entertainment. Various hobbies, games, drama-film, writing-reading, etc. are the sources of entertainment. Why do we need Entertainment ? Healthy entertainment of excellent quality is essential for the healthy growth of one’s personality. Entertainment keeps our minds lively and fresh. It may also make us feel physically more energetic. So eventually our efficiency at work improves. Pursuing hobbies and games helps in personality development. In India many festivals, sports, dance-music, etc. were developed as forms of entertainment since ancient times. There are varied forms of entertainment available in the modern period as well. Things to do Make a list of various types of entertainment and classify them into different categories. Entertainment can be classified into two categories, active and passive. Active entertainment anticipates an individual’s mental-physical participation. Practicing of handicrafts and participating in sport activities are examples of active entertainment. Watching a sports match or listening to music or watching a movie are examples of passive entertainment. In this type of entertainment we are not actual participants but only viewers. Things to do Create a chart of active and passive types of entertainment, which are related to history. Folk Theatre Puppetry - Wooden Puppets (Kathputali) : Puppetry – Wooden Puppets Remains of clay dolls have been found in the excavations of archaeological sites of Harappan civilisation as well as sites in Egypt and Greece. It is possible that they were used as puppets. In ancient India materials like wood, wool, leather, horns and ivory were used to make puppets. -
Great Indians 36 E-Mail: [email protected] 17 [email protected]
MORPARIA’S PAGE E-mail: [email protected] Contents OCTOBER 2017 VOL.21/3 THEME: Morparia’s page 2 Senior Citizens No country for the old 4 HelpAge India Managing Editor Mrs. Sucharita R. Hegde The gender of ageing 7 Shoma A. Chatterji Editor A dignifi ed end 9 Anuradha Dhareshwar Dr. Rajam Iyer The new age homes! 11 Assistant Editor Dr. Sheilu Sreenivasan E.Vijayalakshmi Rajan Begin again 13 Shyamsundar Savkur Design 4 H. V. Shiv Shankar Face to Face Andrew T. Mackay 15 A. Radhakrishnan OIOP Clubs Co-ordinator Vaibhav Palkar Know India Better The Andamans: A paradise of solitude 17 Subscription In-Charge Ishma Raina Nagesh Bangera Features Advisory Board Only in name 26 Sucharita Hegde Jashwant B. Mehta Justice S. Radhakrishnan Andrew T. Mackay 15 Venkat R. Chary An Indian’s Berlin diary 28 Nikhil Katara Of Bos, Sus, Capra, Gallus and more 30 Printed & Published by G. Venkatesh Mrs. Sucharita R. Hegde for One India One People Foundation, Just dream on! 32 Mahalaxmi Chambers, 4th floor, A. Radhakrishnan 22, Bhulabhai Desai Road, Young India 34 Mumbai - 400 026 Tel: 022-2353 4400 Fax: 022-2351 7544 Great Indians 36 e-mail: [email protected] 17 [email protected] Printed at: Graphtone (India) Pvt. Ltd. A1 /319, Shah & Nahar Industrial Estate. S. J. Marg, Lower Parel (W) Mumbai – 400 013 visit us at: Air Marshal Syed Jafar Prabhakar Panshikar Gauri Lankesh Zaheer, PVSM AVSM www.oneindiaonepeople.com www.facebook.com/oneindiaonepeoplefoundation SENIOR CITIZENS NoNo countrcountryy fforor thethe oldold The statistics on the elderly in India is startling.