Obie Trice, Body Guard F/ Dr Dre & Eminem
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Eminem Interview Download
Eminem interview download LINK TO DOWNLOAD UPDATE 9/14 - PART 4 OUT NOW. Eminem sat down with Sway for an exclusive interview for his tenth studio album, Kamikaze. Stream/download Kamikaze HERE.. Part 4. Download eminem-interview mp3 – Lost In London (Hosted By DJ Exclusive) of Eminem - renuzap.podarokideal.ru Eminem X-Posed: The Interview Song Download- Listen Eminem X-Posed: The Interview MP3 song online free. Play Eminem X-Posed: The Interview album song MP3 by Eminem and download Eminem X-Posed: The Interview song on renuzap.podarokideal.ru 19 rows · Eminem Interview Title: date: source: Eminem, Back Issues (Cover Story) Interview: . 09/05/ · Lil Wayne has officially launched his own radio show on Apple’s Beats 1 channel. On Friday’s (May 8) episode of Young Money Radio, Tunechi and Eminem Author: VIBE Staff. 07/12/ · EMINEM: It was about having the right to stand up to oppression. I mean, that’s exactly what the people in the military and the people who have given their lives for this country have fought for—for everybody to have a voice and to protest injustices and speak out against shit that’s wrong. Eminem interview with BBC Radio 1 () Eminem interview with MTV () NY Rock interview with Eminem - "It's lonely at the top" () Spin Magazine interview with Eminem - "Chocolate on the inside" () Brian McCollum interview with Eminem - "Fame leaves sour aftertaste" () Eminem Interview with Music - "Oh Yes, It's Shady's Night. Eminem will host a three-hour-long special, “Music To Be Quarantined By”, Apr 28th Eminem StockX Collab To Benefit COVID Solidarity Response Fund. -
UNIVERSITY of CALIFORNIA RIVERSIDE Marine
UNIVERSITY OF CALIFORNIA RIVERSIDE Marine Biology A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Fine Arts in Creative Writing and Writing for the Performing Arts by Kyle Zaffino December 2013 Thesis Committee: Professor Mark Haskell Smith, Co-Chairperson Professor Andrew Winer, Co-Chairperson Professor Elizabeth Crane Brandt Copyright by Kyle Zaffino 2013 The Thesis of Kyle Zaffino is approved: Committee Co-Chairperson Committee Co-Chairperson University of California, Riverside Table of Contents Bull Market 2 Regicide 4 Arc of the Covenant 13 Country Fried 24 Spring Forward 31 Whitecaps 40 Sabra 45 Braille 57 Pay it Backward 62 Angel Hair 77 Marine Biology 100 DOT 119 iv while we used long fingernails to carve epitaphs into the floor you were scratching freedom from concrete living in a world of gamblers and murder victims I walk these corridors knowing of the net beneath your defiance has become legend within these walls and we sit in our cells and hope you live enough life for the rest of us who did not make it out ~Scott Hull, Alcatraz Metaphors 1 Bull Market Park Tavern is a squat gray concrete box, slightly elevated above the south side of PA State Route 5. With its short pale walls and the sloped dirt parking lot, the establishment looks like a major league pitcher's mound, although in a ballpark the Budweiser and Coors signs are on the outfield walls rather than beckoning the fielders from within the rubber. The interior of the tavern is composed of darkly-varnished lumber, dotted here with a 26” LED television and there with a vintage bicycle in the rafters. -
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005. -
Cashis, Cry Now (Shady Remix) [Tony Yayo] Shady
Cashis, Cry Now (Shady Remix) [Tony Yayo] Shady... [Obie Trice] OOOOOOOOOOOOO-MIIIIIIIIIX (Cryyyy) Back nigga (dry ya face nigga) "Second Round's on Me" (get it together) Kuniva, Ca (I ain't goin' nowhere) Stat Quo and Bobby Creekwater (O. Trice) What! [Obie Trice] Niggas didn't kill me, now a nigga's gone (yeah) Can't, peel my cap back, I'm never at home (ha!) I'm somewhere, with my shaft restin' on a hoe's tongue (word) Sippin' Dom Perignon while she sippin' up them newborns Yeah, bet ya hate the news holms (nigga!) He probably somewhere, sittin' on a stoop, huh? Sippin' on a brew, plottin' to pop me later huh? (Haha) When will a hater learn I'm too great on a song I push weight on the corner, send weight to the coroner When courage make him turn performer I transform into Uma Thurman, a dude's version Verses lettin' a 'perfluous nigga with no purpose (woo!) Continue to walk this earth's surface I was birthed in hip-hop, watch out my services (that's right) Yet, you tried to murder this nigga that's comin' from the same turf as you's (Nigga!) What nerve of you's (Nigga!) Pissed 'cause your hustles ain't worth a shit (Nigga!) I'm gettin' rich, I'm on my way to Hugh Hefner's, dig? With a bitch you in the trenches tryin' to reach it big (ah-ha!) -
Vinyl, Digital & MP3 Internet Music Pool
S.U.R.E. DJ COALITION Vinyl, Digital & MP3 Internet Music Pool “EAR 2 THA Headphone” THE BI-MONTHLY E-MAIL PUBLICATION THAT DEALS SOLELY WITH MP3 SERVICED TO S.U.R.E.’S MEMBERSHIP WITHIN THE LAST SIX WEEKS. THE VARIOUS CHARTS PROVIDE DJ’S WITH AN INSIGHT TO UNRELEASED AND CURRENT TITLES THAT ARE CIRCULATING ON THE STREETS AND AVAILABLE FOR THEM TO PROGRAM. VOLUME # 2 / ISSUE # 2 / MARCH 15 - 31 2007 NEW & HOT S.U.R.E.SHOTS! Ahmir – Right To Left - Echo Paul Wall – I’m Throwed - Asylum Slim Thug – Problem Wit Dat - Geffen Crime Mob – 2nd Look – BME / Reprise Young Chris – Coast To Coast – Def Jam TOP TUNES IN THE BIG APPLE! Musiq Soul Child – Buddy - Atlantic Mims – This Is Why I’m Hot - Capitol Wayne Wonder - Gonna Lve You - VP Consequence – Callin’ Me - Columbia Pretty Ricky – On The Hotline - Atlantic PRIME CHART MOVERS! Young Buck – Haters – G Unit Mike Jones – Mr Jones – Warner Brick & Lace – Never Never - Geffen Timbaland – Give It To Me – Interscope Kelly Rowland ft Eve – Like This - Columbia TOP TURNTABLE ADDS! Clyde Carson – 2 Step - Capitol Notch – Guaya Guaya – Machete Rich Boy – Boy Looka Here - Interscope Ms Triniti – Bongce Along – Unseen Lab Fabolous ft Young Jeezy – Diamond – Def Jam THE TOP INDIES RELEASES! Rizz – Ready 4 It – The Outfit Em J ft Beenie Man – Get Loose – Emjay Sugar Kaine – Just Another Booty Song - Kolor Drag On ft Tahmeik – Ok Daddy - B Boy Records Euricka ft Calvin Richardson – On My Own - Echo HOT PROMOTIONAL CD’S! Vi ft Glc – Hurta - Mathaus D Lee – TNA – Trump Tight Carl Henry – Encore – Cesoul K Janai – Checkin Me – Blaq Roc J Peezy – This Old School – APB B.O.B – Heavy Breather – Atlantic Papa Reu - “Cellular – R E Umuzik Mardi Gra – Freak Off – Klique City Ill Nature – U Know What’s Up – I.N. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
Mick Boogie Rock the Mic - the Mixtape Mp3, Flac, Wma
Mick Boogie Rock The Mic - The Mixtape mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Rock The Mic - The Mixtape Country: US Released: 2003 MP3 version RAR size: 1213 mb FLAC version RAR size: 1149 mb WMA version RAR size: 1863 mb Rating: 4.7 Votes: 131 Other Formats: MMF MP2 ADX MP3 RA AU TTA Tracklist Hide Credits 1 –No Artist Intro 2 –Jay-Z / 50 Cent Da Kicks 3 –Freeway / Memphis Bleek Let's Go 4 –Jay-Z / Kanye West Excuse Me Miss Part 3 5 –Jay-Z / MOP* / Beanie* Roc La Familia 2003 Hypnotiq 6 –Memphis Bleek Featuring – Beanie Sigel Flip Flop Rock 7 –Jay-Z Featuring – Outkast 8 –Lloyd Banks Show You How To Do This Son Many Men (DJ Vlad Remix) 9 –50 Cent Featuring – Brooklyn Remix – DJ Vlad P.I.M.P. (Official Remix) 10 –50 Cent Featuring – G-Unit, Snoop* The G-Unit Is Thurr 11 –50 Cent Featuring – G-Unit Put The Snake On You 12 –50 Cent Featuring – G-Unit Not Like Me 13 –Snoop Dogg Featuring – G Unit* 14 –Obie Trice / Eminem / Dr. Dre Bodyguard 15 –Busta Rhymes / Biggie* / 2Pac House Of Pain 2003 16 –Jay-Z Izzo (Live) 17 –Jay-Z Excuse Me Miss Interlude (Live) 03' Bonnie & Clyde (Live) 18 –Jay-Z Featuring – Beyoncé Crazy In Love (Live) 19 –Jay-Z Featuring – Beyoncé 20 –Jay-Z Some Like It Hot Interlude (Live) 21 –50 Cent featuring G-Unit Wanksta (Live) 22 –50 Cent featuring G-Unit (Live)In The Club 23 –50 Cent featuring G-Unit & Eminem Patiently Waiting (Live) 24 –50 Cent featuring G-Unit What Up Gangsta (Live) 25 –50 Cent featuring G-Unit P.I.M.P. -
So You've Been Musically Shamed
WILLIAM CHENG Dartmouth College Email: [email protected] So You’ve Been Musically Shamed ABSTRACT In July 2014, an anonymous source leaked the raw audio of Britney Spears’s confessional ballad “Alien.” Haters pounced on this star’s denuded voice, gleefully seizing on the viral artifact as a smoking gun for Spears’s deficits and for the pop industry’s artistic fakeries more broadly. My paper situates this flashpoint of Spears-shaming within late-capitalist archives of public humiliation, cyberleaks, and the paternalistic scrutiny of women’s bodies and voices. KEYWORDS: critical theory, media studies, popular music A marketplace has emerged where public humiliation is a commodity and shame is an industry. How is the money made? Clicks. The more shame, the more clicks. – monica lewinsky1 “Poor Britney Spears” is not the beginning of a sentence you hear often uttered in my household. – tony hoagland, “poor britney spears,” beginning of the poem2 In the summer of 2014, the internet sprang a musical leak. Suddenly circulating on YouTube was a video featuring the allegedly raw, non-Auto-Tuned sounds of Brit- 3 ney Spears singing her new album track “Alien.” Spears’s voice in this recording was noticeably off-key and off-kilter, like some abject artifact meant to be overwritten, for- gotten, abandoned on the cutting room floor. In the video’s comment threads, view- ers’ strident pronouncements of aching ears and melting brains swirled in a chorus of mockery. Haters pounced on the star’s denuded voice and offered it as airtight 1. Monica Lewinsky, “The Price of Shame,” TED Talks (2015), transcript available at http://www.ted.com/ talks/monica_lewinsky_the_price_of_shame/transcript?language=en. -
You Have +1000 CP
Welcome to the world of Deadbolt, an eerie locale of monsters, magic, and general mayhem. The atmosphere’s a bit depressing but you shouldn’t be too bored; there’s a prime 80s nightlife and the city never sleeps. Unfortunately, neither do the corpses and that’s starting to become a bit of a problem. Residual magic has a nasty habit of bringing the dead back to life. This usually wouldn’t be an issue for the local peacekeepers, but as of late they’ve noticed that the undead have been getting a bit more… organized. No less than four gangs have sprung up seemingly out of nowhere, all answering to an entity know only as “Ibzan”. Now normally, the candles would have had a reaper on standby to take care of this mess, but it seems your ‘benefactor’ thought it would be funny to have you take their place. It’s up to you if you want to do anything about it, but just keep in mind that whatever this guy’s doing involves corpses, lots and lots of corpses. Either way, this isn’t exactly the place you want to dive into blind… You have +1000 CP. Species Your age, sex, and history don’t really matter here. You’ll wake up in an old apartment with no memories of your time alive. Probably for the best. Zombie (Free) Your garden-variety flesh-eaters. Not exactly known for their intellect and cunning, but the big ones make good meatshields. The Zombie Kingz are shacked up in a web of dingy apartment buildings. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
What's Included
WHAT’S INCLUDED ENCORE (EMINEM) » Curtains Up » Just Lose It » Evil Deeds » Ass Like That » Never Enough » Spend Some Time » Yellow Brick Road » Mockingbird » Like Toy Soldiers » Crazy in Love » Mosh » One Shot 2 Shot » Puke » Final Thought [Skit] » My 1st Single » Encore » Paul [Skit] » We as Americans » Rain Man » Love You More » Big Weenie » Ricky Ticky Toc » Em Calls Paul [Skit] CURTAIN CALL (EMINEM) » Fack » Sing For The Moment » Shake That » Without Me » When I’m Gone » Like Toy Soldiers » Intro (Curtain Call) » The Real Slim Shady » The Way I Am » Mockingbird » My name Is » Guilty Conscience » Stan » Cleanin Out My Closet » Lose Yourself » Just Lose It » Shake That RELAPSE (EMINEM) » Dr. West [Skit] » Stay Wide Awake » 3 A.M. » Old Time’s Sake » My Mom » Must Be the Ganja » Insane » Mr. Mathers [Skit] » Bagpipes from Baghdad » Déjà Vu » Hello » Beautiful » Tonya [Skit] » Crack a Bottle » Same Song & Dance » Steve Berman [Skit] » We Made You » Underground » Medicine Ball » Careful What You Wish For » Paul [Skit] » My Darling Royalties Catalog | For more information on this catalog, contact us at 1-800-718-2891 | ©2017 Royalty Flow. All rights reserved. Page. 1 WHAT’S INCLUDED RELAPSE: REFILL (EMINEM) » Forever » Hell Breaks Loose » Buffalo Bill » Elevator » Taking My Ball » Music Box » Drop the Bomb On ‘Em RECOVERY (EMINEM) » Cold Wind Blows » Space Bound » Talkin’ 2 Myself » Cinderella Man » On Fire » 25 to Life » Won’t Back Down » So Bad » W.T.P. » Almost Famous » Going Through Changes » Love the Way You Lie » Not Afraid » You’re Never Over » Seduction » [Untitled Hidden Track] » No Love THE MARSHALL MATHERS LP 2 (EMINEM) » Bad Guy » Rap God » Parking Lot (Skit) » Brainless » Rhyme Or Reason » Stronger Than I Was » So Much Better » The Monster » Survival » So Far » Legacy » Love Game » Asshole » Headlights » Berzerk » Evil Twin Royalties Catalog | For more information on this catalog, contact us at 1-800-718-2891 | ©2017 Royalty Flow. -
The Black Vernacular Versus a Cracker's Knack for Verses
University of Calgary PRISM: University of Calgary's Digital Repository Arts Arts Research & Publications 2014-10-24 The black vernacular versus a cracker's knack for verses Flynn, Darin McFarland Books Flynn, D. (2014). The black vernacular versus a cracker's knack for verses. In S. F. Parker (Ed.). Eminem and Rap, Poetry, Race: Essays (pp. 65-88). Jefferson, NC: McFarland & Company, Inc. http://hdl.handle.net/1880/112323 book part "Eminem and Rap, Poetry, Race: Essays" © 2014 Edited by Scott F. Parker Downloaded from PRISM: https://prism.ucalgary.ca The Black Vernacular Versus a Cracker’s Knack for Verses Darin Flynn Who would have ever thought that one of the greatest rappers of all would be a white cat? —Ice-T, Something from Nothing: The Art of Rap1 Slim Shady’s psychopathy is worthy of a good slasher movie. The soci- olinguistics and psycholinguistics behind Marshall Mathers and his music, though, are deserving of a PBS documentary. Eminem capitalizes on his lin- guistic genie with as much savvy as he does on his alter egos. He “flips the linguistics,” as he boasts in “Fast Lane” from Bad Meets Evil’s 2011 album Hell: The Sequel. As its title suggests, this essay focuses initially on the fact that rap is deeply rooted in black English, relating this to Eminem in the context of much information on the language of (Detroit) blacks. This linguistic excur- sion may not endear me to readers who hate grammar (or to impatient fans), but it ultimately helps to understand how Eminem and hip hop managed to adopt each other.