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Media Control: a Case for Privatization in Transitional Economies
Journal of Media Economics ISSN: 0899-7764 (Print) 1532-7736 (Online) Journal homepage: http://www.tandfonline.com/loi/hmec20 Media Control: A Case for Privatization in Transitional Economies Fran Galetić, Marina Dabić & Timothy Kiessling To cite this article: Fran Galetić, Marina Dabić & Timothy Kiessling (2016) Media Control: A Case for Privatization in Transitional Economies, Journal of Media Economics, 29:3, 111-124, DOI: 10.1080/08997764.2016.1206907 To link to this article: https://doi.org/10.1080/08997764.2016.1206907 Published online: 25 Aug 2016. Submit your article to this journal Article views: 255 View related articles View Crossmark data Citing articles: 2 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=hmec20 JOURNAL OF MEDIA ECONOMICS 2016, VOL. 29, NO. 3, 111–124 http://dx.doi.org/10.1080/08997764.2016.1206907 Media Control: A Case for Privatization in Transitional Economies Fran Galetića, Marina Dabić a, and Timothy Kiesslingb aFaculty of Economics and Business, University of Zagreb, Zagreb, Croatia; bFaculty of Business Administration, Bilkent University, Ankara, Turkey ABSTRACT The television market can be one of the most dynamic industries if country-specific regulations allow for private competitors to enter the market. The entry of competition changes the market from monopolistic to oligopolistic, which has positive performance implications for the industry. Our research analyzes the development of the Croatian TV market from the monopolistic stage to the current oligopolistic stage. Econometric models in this article aim to estimate the current trend of market concentration and its future potential. -
August 2017 Index
LAST UPDATE: AUGUST 2017 INDEX The twenties p.3 The thirties p.4 The forties p.6 The fiftiesp.7 The sixties p.8 The seventies p.9 The eighties p.10 The nineties p.11 The new century p.13 RTL GROUP – THE HISTORY 2/19 The twenties The world discovers a new method of immediate and far-reaching communication: the radio. 1924 1928 FIRST STEPS INCREASING POWER Enthralled by radio broadcasting, François and The transmitter’s power is boosted to 250W. Marcel Anen install a radiotelephone transmitter in the attic of their house, 28, Rue Beaumont in The same year, François Anen accepts the Luxembourg, in autumn 1923 and start their first outgoing 3kW transmitter from Radio Toulouse to experiments. use in Luxembourg. APRIL 1924 A French–Luxembourgish study syndicate is FROM AMATEUR RADIO created, with the aim of installing a powerful radio station in Luxembourg. Named Blue Star TO BROADCASTING Radio, it is represented by the Luxembourgish In April 1924, the Anen brothers take the step from sports journalist, Alphonse Steinès, and has amateur radio to broadcasting, sending out a regular the financial support of the Banque française et programme from Luxembourg, playing mainly music hollando-américaine. records. 1929 JULY 1925 BECOMING PROFESSIONAL TWO MORE COMPANIES The Anen brothers create the Association Radio The same aim is pursued by two more companies Luxembourg to run the station. created in 1929: On 27 May, the Société Luxembourgeoise d’Études 1926 Radiophoniques (SLER), led by the French ENTERTAINING Compagnie des Compteurs, is officialised. The station broadcasts records, sports results 29 July, sees the officialisation of the Compagnie on Saturdays, and live concerts performed by an Nationale de Radiodiffusion Luxembourgeoise orchestra from their attic studio, as well as from (CNRL), led by Jacques Trémoulet, Head of Radio outside. -
Spisak Kanala
PAKETI DIGITALNE TELEVIZIJE DTV STANDARD 18,00 KM . 1 RTRS 47 TV CG SAT 107 EUROSPORT 329 DOX TV 623 K::CN MUSIC 2 2 BHT 48 SLO 1 108 EUROSPORT 2 330 PINK SOAP 624 K::CN SVET PLUS 3 3 BN TV 49 AGRO TV 109 ZVEZDA TV 332 PRVA WORLD 625 DUGA TV 4 ATV 50 PINK PLUS 110 PARTIZAN TV 333 SUPERSTAR 2 626 HAYAT MUSIC 627 HAYAT FOLK 5 FTV 51 PINK EXTRA 111 LIVERPOOL FC TV 334 DIVA 404 VIASAT EXPLORER 628 PINK KONCERT 6 SUPERSTAR TV 52 HAYAT TV 112 ARENA FIGHT 114 FIGHT NETWORK 405 VIASAT HISTORY 629 PINK HITS 7 PRVA TV 53 NOVA BH 116 KUVO TV 407 VIASAT NATURE 8 KURIR TV 54 K3 630 PINK HITS 2 9 OBN 55 ELTA TV 118 SOS 411 PINK PEDIA 631 BRAVO MUSIC 10 PINK BH 56 BN 2 200 MINIMAX 413 RT DOC 632 MELOS TV 11 EURONEWS SERBIA 57 FACE TV 201 TROPIK TV 416 DR 634 AMARI TV 12 TANJUG 58 O KANAL 202 RTL KOCKICA 502 FASHION TV 635 HITS MELODY 19 RTRS PLUS 59 HAYAT PLUS 203 BOOMERANG 504 PINK FASHION 636 POP MELODY HD 20 RTS 1 60 OSM 204 CARTOON NETWORK 505 PINK STYLE 637 EX YU MELODY 21 RTS 2 61 RTV HIT 205 DEXY TV 506 PINK KUVAR 638 EG MELODY 22 RTS 3 62 HERCEG TV 206 KAZBUKA 507 PINK ZABAVA 639 FOLK MELODY 23 RTS SVET 63 VIKOM 207 PINK KIDS 508 PINK WORLD 701 HAPPY REALITY 1 24 RTS DRAMA 65 SLOBOMIR 209 RTS POLETARAC 509 PINK SHOW 702 HAPPY REALITY 2 800 FOX NEWS 25 RTS ŽIVOT 67 ARENA TV 214 DEČIJA TV 510 PINK HA HA 511 PINK LOL 801 RUSSIA 24 26 RTS TREZOR 68 SIMIĆ TV 306 EPIC DRAMA 308 KLASIK TV 512 RAI 1 802 CNN 27 PINK 69 RTV PRIJEDOR 28 HAPPY TV 70 TV 101 309 PINK FILM 513 RTL DE 803 RUSSIA TODAY 29 B92 72 RTV USK 310 PINK ACTION 514 RTL II 804 RTR PLANETA -
Must-Carry Rules, and Access to Free-DTT
Access to TV platforms: must-carry rules, and access to free-DTT European Audiovisual Observatory for the European Commission - DG COMM Deirdre Kevin and Agnes Schneeberger European Audiovisual Observatory December 2015 1 | Page Table of Contents Introduction and context of study 7 Executive Summary 9 1 Must-carry 14 1.1 Universal Services Directive 14 1.2 Platforms referred to in must-carry rules 16 1.3 Must-carry channels and services 19 1.4 Other content access rules 28 1.5 Issues of cost in relation to must-carry 30 2 Digital Terrestrial Television 34 2.1 DTT licensing and obstacles to access 34 2.2 Public service broadcasters MUXs 37 2.3 Must-carry rules and digital terrestrial television 37 2.4 DTT across Europe 38 2.5 Channels on Free DTT services 45 Recent legal developments 50 Country Reports 52 3 AL - ALBANIA 53 3.1 Must-carry rules 53 3.2 Other access rules 54 3.3 DTT networks and platform operators 54 3.4 Summary and conclusion 54 4 AT – AUSTRIA 55 4.1 Must-carry rules 55 4.2 Other access rules 58 4.3 Access to free DTT 59 4.4 Conclusion and summary 60 5 BA – BOSNIA AND HERZEGOVINA 61 5.1 Must-carry rules 61 5.2 Other access rules 62 5.3 DTT development 62 5.4 Summary and conclusion 62 6 BE – BELGIUM 63 6.1 Must-carry rules 63 6.2 Other access rules 70 6.3 Access to free DTT 72 6.4 Conclusion and summary 73 7 BG – BULGARIA 75 2 | Page 7.1 Must-carry rules 75 7.2 Must offer 75 7.3 Access to free DTT 76 7.4 Summary and conclusion 76 8 CH – SWITZERLAND 77 8.1 Must-carry rules 77 8.2 Other access rules 79 8.3 Access to free DTT -
Full-Year Results 2020
FULL-YEAR RESULTS 2020 ENTERTAIN. INFORM. ENGAGE. KEY FIGURES +18.01 % SDAX +8.77 % MDAX SHARE PERFORMANCE 1 January 2020 to 31 December 2020 in per cent INDEX = 100 -7.65 % SXMP -9.37 % RTL GROUP -1.11 % PROSIEBENSAT1 RTL Group share price development for January to December 2020 based on the Frankfurt Stock Exchange (Xetra) against MDAX/SDAX, Euro Stoxx 600 Media and ProSiebenSat1 RTL GROUP REVENUE SPLIT 8.5 % OTHER 17.5 % DIGITAL 43.8 % TV ADVERTISING 20.0 % CONTENT 6.7 % 3.5 % PLATFORM REVENUE RADIO ADVERTISING RTL Group’s revenue is well diversified, with 43.8 per cent from TV advertising, 20.0 per cent from content, 17.5 per cent from digital activities, 6.7 per cent from platform revenue, 3.5 per cent from radio advertising, and 8.5 per cent from other revenue. 2 RTL Group Full-year results 2020 REVENUE 2016 – 2020 (€ million) ADJUSTED EBITA 2016 – 2020 (€ million) 20 6,017 20 853 19 6,651 19 1,156 18 6,505 18 1,171 17 6,373 17 1,248 16 6,237 16 1,205 PROFIT FOR THE YEAR 2016 – 2020 (€ million) EQUITY 2016 – 2020 (€ million) 20 625 20 4,353 19 864 19 3,825 18 785 18 3,553 17 837 17 3,432 16 816 16 3,552 MARKET CAPITALISATION* 2016 – 2020 (€ billion) TOTAL DIVIDEND/DIVIDEND YIELD PER SHARE 2016 – 2020 (€ ) (%) 20 6.2 20 3.00 8.9 19 6.8 19 NIL* – 18 7.2 18 4.00** 6.3 17 10.4 17 4.00*** 5.9 16 10.7 16 4.00**** 5.4 *As of 31 December *On 2 April 2020, RTL Group’s Board of Directors decided to withdraw its earlier proposal of a € 4.00 per share dividend in respect of the fiscal year 2019, due to the coronavirus outbreak ** Including -
Analiza Ženskih Likova U Animiranim Filmovima
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of Josip Juraj Strossmayer University of Osijek SVEUČILIŠTE JOSIPA JURJA STROSSMAYERA U OSIJEKU FAKULTET ZA ODGOJNE I OBRAZOVNE ZNANOSTI Preddiplomski studij ranoga i predškolskog odgoja i obrazovanja ANALIZA ŽENSKIH LIKOVA U ANIMIRANIM FILMOVIMA ZAVRŠNI RAD Predmet: Dječja književnost s medijskom kulturom Mentorica: doc. dr.sc. Valentina Majdenić Sumentorica: Andrea Vučetić, asistentica Studentica: Katarina Vratislavski Matični broj: 2967 Osijek, Srpanj, 2018. SAŽETAK Animirani film dio je televizije, koja kao sekundarni socijalizacijski čimbenik u procesu socijalizacije, ima utjecaj na razvoj djeteta. U procesu socijalizacije djeca, između ostalog, usvajaju ponašanja tipična za svoj spol – stereotipe o spolnoj ulozi. Činjenica da mala djeca vole animirane filmove zbog svoje jednostavne i zanimljive radnje te privlačnih likova i humora je općepoznata. Animirani filmovi prepuni su stereotipnog ponašanja i kao takvi mogu prenijeti krive poruke djeci, koja zbog ograničenja u mišljenju, imaju poteškoća s razumijevanjem fiktivnog svijeta prikazanog u animiranim filmovima i realnosti. Ovim radom, uz pomoć analize četiriju animiranih filmova prikazivanih na dječjoj televiziji „RTL Kockica“, htjelo se utvrditi kako su i u kojoj mjeri prikazani ženski likovi, odnosno jesu li prikazani stereotipno. Ključne riječi: televizija, animirani film, socijalizacija, stereotipi, analiza, ženski lik SUMMARY Animated films are part of television which as a secondary socialization factor in process of socialization, have an impact on child development. In the process of socialization children, among other things, adopt the behaviour typical for their gender – stereotyped behaviour. The fact that children love animated films because of theirsimple and interesting actions and attractive characters and humour, is well known. -
Emotional and Descriptive Meaning- Making in Online Non-Professional Discussions About Science
` “Nah, musing is fine. You don't have to be 'doing science'” Emotional and Descriptive Meaning- Making in Online Non-Professional Discussions about Science Oliver Martin Marsh UCL Department of Science and Technology Studies Submitted for the degree of Doctor of Philosophy August 2017 1 ` Declaration I, Oliver Martin Marsh, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 ` Abstract In this thesis I use online settings to explore how descriptive and emotional forms of meaning-making interact in non-professional discussions around ‘science’. Data was collected from four participatory online fora, from March 2015 to February 2016. Posts and comments from these fora were examined through discourse analysis, supplemented by interviews with participants and computer-aided text analysis, over the period August 2015 to August 2017. Theoretical background drew on Science and Technology Studies (STS) and Fan Studies (FS), to examine how science was presented in both descriptive and emotional terms. There were two main findings. Firstly, discussions were shaped by an expectation that members should respect mainstream scientific consensus. In a manner familiar from STS, participants treated claims which went against scientific consensus as incorrect or non- credible. Responses also showed emotional aspects which shaped participation. Respect for scientific consensus facilitated social bonding and expression of community values, while disrespect was met with anger and/or ridicule. Through normalisation of such behaviour, scientific authority was maintained by communal sanctions rather than accredited expertise. The second main finding was a distinction between two forms of discourse, which I refer to as musing and identifying. -
SVEUČILIŠTE U RIJECI UČITELJSKI FAKULTET U RIJECI Marina
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of the University of Rijeka, Faculty of Teacher Education SVEUČILIŠTE U RIJECI UČITELJSKI FAKULTET U RIJECI Marina Vučemilo Uvjeti za razvoj rane pismenosti djece rane i predškolske dobi ZAVRŠNI RAD Rijeka, 2018. II SVEUČILIŠTE U RIJECI UČITELJSKI FAKULTET U RIJECI Preddiplomski sveučilišni studij Rani i predškolski odgoj i obrazovanje Uvjeti za razvoj rane pismenosti djece rane i predškolske dobi ZAVRŠNI RAD Predmet: Jezično-komunikacijski integrirani kurikulum II Mentor: v. pred. Vesna Katić Student: Marina Vučemilo Matični broj: 0299010020 U Rijeci, rujan, 2018. III IZJAVA O AKADEMSKOJ ČESTITOSTI „Izjavljujem i svojim potpisom potvrđujem da sam završni rad izradila samostalno, uz preporuke i savjetovanje s mentorom. U izradi rada pridržavala sam se Uputa za izradu završnog rada i poštivala odredbe Etičkog kodeksa za studente/studentice Sveučilišta u Rijeci o akademskom poštenju.“ Potpis studentice: ____________________ IV ZAHVALE Zahvalnost želim iskazati svojoj mentorici, v. pred. Vesni Katić, na velikoj pomoći, potpori, otvorenosti i susretljivosti koje mi je pružala tijekom pisanja ovog završnog rada, kao i na mnogobrojnim savjetima, pruženom strpljenju i razumijevanju. Posebnu zahvalnost dugujem svojoj obitelji, posebice roditeljima te najbližim osobama, ponajviše svojoj kumi, Marku i prijateljicama, kao onima bez kojih sada ne bih bila tu gdje jesam i koji su bili tu kada mi je bilo najvažnije, pružajući mi potrebnu pomoć, podršku i sigurnost tijekom cjelokupnog studiranja. Za kraj, želim zahvaliti svojim kolegicama sa studijske godine, ak. 2015./2016., uz koje je studiranje bilo veselije, ljepše i lakše. Zajedno smo dijelile mnoštvo lijepih i onih manje lijepih trenutaka, iskustava i osjećaja, a unutar naše studijske grupe vladala je pozitivna obiteljska atmosfera koja je zasigurno doprinijela ostvarivanju naših ciljeva. -
An Analysis of Science Blogging Practices Paige Brown Jarreau Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2015 All the Science That Is Fit to Blog: An Analysis of Science Blogging Practices Paige Brown Jarreau Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Mass Communication Commons Recommended Citation Jarreau, Paige Brown, "All the Science That Is Fit to Blog: An Analysis of Science Blogging Practices" (2015). LSU Doctoral Dissertations. 1051. https://digitalcommons.lsu.edu/gradschool_dissertations/1051 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. ALL THE SCIENCE THAT IS FIT TO BLOG: AN ANALYSIS OF SCIENCE BLOGGING PRACTICES A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Manship School of Mass Communication by Paige Brown Jarreau B.S., Louisiana State University, May 2008 M.S., Louisiana State University, May 2010 May 2015 ACKNOWLEDGEMENTS This dissertation would in all seriousness not have happened if it weren’t for the love, patience, support and encouragement of my better half Chad Jarreau. He encouraged me to pursue my dreams, from helping me name my science blog From The Lab Bench to encouraging my career transition from biological engineering into mass communication, when everyone else thought I had gone nuts. -
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00001. RUGBY PASS LIVE 1 00002. RUGBY PASS LIVE 2 00003. RUGBY PASS LIVE 3 00004. RUGBY PASS LIVE 4 00005. RUGBY PASS LIVE 5 00006. RUGBY PASS LIVE 6 00007. RUGBY PASS LIVE 7 00008. RUGBY PASS LIVE 8 00009. RUGBY PASS LIVE 9 00010. RUGBY PASS LIVE 10 00011. NFL GAMEPASS 1 00012. NFL GAMEPASS 2 00013. NFL GAMEPASS 3 00014. NFL GAMEPASS 4 00015. NFL GAMEPASS 5 00016. NFL GAMEPASS 6 00017. NFL GAMEPASS 7 00018. NFL GAMEPASS 8 00019. NFL GAMEPASS 9 00020. NFL GAMEPASS 10 00021. NFL GAMEPASS 11 00022. NFL GAMEPASS 12 00023. NFL GAMEPASS 13 00024. NFL GAMEPASS 14 00025. NFL GAMEPASS 15 00026. NFL GAMEPASS 16 00027. 24 KITCHEN (PT) 00028. AFRO MUSIC (PT) 00029. AMC HD (PT) 00030. AXN HD (PT) 00031. AXN WHITE HD (PT) 00032. BBC ENTERTAINMENT (PT) 00033. BBC WORLD NEWS (PT) 00034. BLOOMBERG (PT) 00035. BTV 1 FHD (PT) 00036. BTV 1 HD (PT) 00037. CACA E PESCA (PT) 00038. CBS REALITY (PT) 00039. CINEMUNDO (PT) 00040. CM TV FHD (PT) 00041. DISCOVERY CHANNEL (PT) 00042. DISNEY JUNIOR (PT) 00043. E! ENTERTAINMENT(PT) 00044. EURONEWS (PT) 00045. EUROSPORT 1 (PT) 00046. EUROSPORT 2 (PT) 00047. FOX (PT) 00048. FOX COMEDY (PT) 00049. FOX CRIME (PT) 00050. FOX MOVIES (PT) 00051. GLOBO PORTUGAL (PT) 00052. GLOBO PREMIUM (PT) 00053. HISTORIA (PT) 00054. HOLLYWOOD (PT) 00055. MCM POP (PT) 00056. NATGEO WILD (PT) 00057. NATIONAL GEOGRAPHIC HD (PT) 00058. NICKJR (PT) 00059. ODISSEIA (PT) 00060. PFC (PT) 00061. PORTO CANAL (PT) 00062. PT-TPAINTERNACIONAL (PT) 00063. RECORD NEWS (PT) 00064. -
Content That Transcends TV Azteca: Setting Precedents Dori Media
//// EDITORIAL by Nicolás Smirnoff CEE… time for the next step in media evolution The recovery of Central & Eastern Europe, awaited for 6-7 years and missed since the 2008 global crisis —ten years ago!— it is already a fact. It is not so strong as it would be wished, but it opens a new step for media evolution facing the digital boom, as it happens in other regions. At this edition, we provide a deep report Prensario about the Hungarian market, showing that the International country global economy is 4% up this year, the same as last year, and the ad pie is 11% ahead. Last MIPTV, we talked with some Greek access and generate original content that gain broadcasters and they told that their media global markets. Latin America and Asia are ©2018 Editorial Prensario SRL market was up about 10% last year, and it is doing this, CEE now have more stability to Payments to the order of 7% up again this year. We are talking about infrastructure investments. Editorial Prensario SRL or by credit card. two of the most problematic CEE economies Of course, this doesn’t happen fast. One Registro Nacional de Derecho recently. Russia is again 12% up this year, step takes the next one. But the evolution now de Autor Nº 10878 though the political problems with U.S.A. is from survival to quality business. Right Every solid broadcaster is buying and decisions must be taken this year. Published by Editorial Prensario SRL producing again. Not only entertainment Lavalle 1569, Of. 405 formats, but also fictions, which mean C1048 AAK Buenos Aires, Argentina important bets. -
Likes Para a Ciência: Divulgação Científica E Consumo De Notícias Na Página I Fucking Love Science No Facebook
i i i i DOI: 10.20287/ec.n21.a10 Likes para a ciência: divulgação científica e consumo de notícias na página I Fucking Love Science no Facebook Talyta Singer Universidade Federal da Bahia E-mail: [email protected] Resumo Este trabalho pretende analisar a distri- com vantagem outras publicações mais buição de conteúdo científico em sites tradicionais. Os resultados apontam que de rede social usando como estudo de mesmo que seja feito uso de humor e ex- caso a página I Fucking Love Science pressões pouco convencionais, a cober- no Facebook. Criada em 2012, a página tura não se distingue de mídias mais tra- conta com 20 milhões de likes, superando dicionais. Palavras-chave: divulgação científica; Facebook; I Fucking Love Science. Resumo This work aims to analyze the distri- more traditional publications. The results bution of scientific content on social show that even if it is made use of hu- networking sites using as a case study the mor and unconventional expressions, co- page I Fucking Love Science on Face- verage does not differ from the one on book. Founded in 2012, the page has 20 more traditional media. million likes, surpassing advantageously Palavras-chave: science communication; Facebook; I Fucking Love Science. A estudante que amava ciência LISE Andrew, uma estudante de biologia britânica, então com 23 anos, E criou a página I Fucking Love Science em março de 2012. Lá ela colo- cou todo o conteúdo sobre ciência que costumava publicar em seu perfil pes- soal e no dia seguinte já acumulava mais de 1000 seguidores (Wills, 2013).