Chronology RTL Group History (Pdf, 0.46
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Central European Media Enterprises Announces the Appointment of New Directors to the Board and John K
CENTRAL EUROPEAN MEDIA ENTERPRISES ANNOUNCES THE APPOINTMENT OF NEW DIRECTORS TO THE BOARD AND JOHN K. BILLOCK AS CHAIRMAN Hamilton, Bermuda – April 15, 2014 – Central European Media Enterprises Ltd. (“CME” or the “Company”) (NASDAQ/Prague Stock Exchange: CETV) today announced that John K. Billock has been appointed to CME’s Board of Directors and will serve as the non-executive Chairman of the Board. CME also announced the appointment of three additional Directors to its Board: Gerhard Zeiler, Iris Knobloch and Doug Shapiro. In a joint statement Michael Del Nin and Christoph Mainusch, Co-Chief Executive Officers of CME said: “We are pleased to welcome this accomplished slate of executives to our Board of Directors and are very excited to have John at the lead. The depth of operational and strategic experience they bring will be invaluable to the Company and its shareholders as we strive to maximize the value of our leading brands.” John Billock said: “CME has such a unique collection of broadcast assets with leading audience shares. I’m privileged to have this opportunity to begin working with CME’s Board of Directors and executive management team during this important period in the Company’s development.” Mr. Billock serves as a Member of the Board of Advisors at Simulmedia, Inc. He previously served as a Director of TRA Inc. and TiVo Research and Analytics, Inc. from 2007 to 2011. He also served as a Director of Juniper Content Corporation from January 2007 to December 2008. Prior to that, he was Vice Chairman and Chief Operating Officer of Time Warner Cable from October 2001 to July 2005. -
Seguimiento De Accesibilidad a La
SEGUIMIENTO DE ACCESIBILIDAD A LA TDT Informe de la CMT sobre accesibilidad de los contenidos televisivos Informe Económico Sectorial 2012 Comisión del Mercado de las Telecomunicaciones CMT Seguimiento de accesibilidad a la TDT ÍNDICE I. INTRODUCCIÓN ......................................................................................................................................................................................................................................................................... 4 Origen de los datos ....................................................................................................................................................................................................................................................................... 4 Operadores y canales incluidos en el informe ......................................................................................................................................................................................... 4 Porcentajes y valores de los servicios de accesibilidad en la programación de los canales según la LGCA 7/2010 ................................................................................................................................................... 5 Canales de programación de nueva emisión .............................................................................................................................................................................................. 6 Información solicitada a los -
Results 2017
RESULTS 2017 Results 2017 Films, television programs, production, distribution, exhibition, exports, video, new media May 2018 Results 2017 1. ELECTRONICS AND HOUSEHOLD SPENDING ON FILM, VIDEO, TV AND VIDEO GAMES .......................................................................................................................................... 4 2. CINEMA ................................................................................................................................... 12 2.1. Attendance at movie theaters ............................................................................................ 13 2.2. Distribution ........................................................................................................................ 36 2.3. Movie theater audiences .................................................................................................... 51 2.4. Exhibition ........................................................................................................................... 64 2.5. Feature film production ...................................................................................................... 74 3. TELEVISION ............................................................................................................................ 91 3.1. The television audience ..................................................................................................... 92 3.2. Films on television ............................................................................................................ -
Dispute Prevention and Resolution in the Format Industry
Dispute Prevention and Resolution in the Format Industry Tony Stern EVP Commercial & Business Affairs, Worldwide Production, Fremantle Media WIPO Seminar, 20th January 2011 at Bird and Bird Who is Fremantle Media? • Alongside Endemol the largest producer and distributor of TV formats in the World • Produce in 21 countries, license formats into the remainder • In 2010 produced or licensed 296 Entertainment series around the world o 35 x Got Talent o 22 x X‐Factor o 20 x Family Fortunes o 19 x Farmer Wants a Wife o 17 x Idols Litigation is a Lottery in the Formats Business • Very few cases have gone all the way to judgement • Still unclear whether formats are protected by copyright • Unfair Competition is a better cause of action o Defendant acted in an unfair manner o In doing so caused damage to a competitor • FM has two cases being litigated at the moment Managing Expectations of Your Clients • Very important that your commercial people understand what is and is not actionable o No point embarking on litigation with minimal prospects of success • Copyright Law does not easily cope with formats o Are they just a collection of ideas or an expression of the ideas ? o Format would have to have been worked out in detail in a ‘bible’ o Substantial similarity bar is set very high o Not just copied most of the elements, but also the look and feel • Unfair Competition can be more fruitful if available o A number of cases in Europe where successfully prosecuted a format infringement • Genre is not copying Encourage and Police Your Own People From -
RTL Group S.A. Bertelsmann SE & Co. Kgaa Super RTL RTL Television RTL Crime RTL Living RTL NITRO GEO Television RTL II
Veranstalterbeteiligungen und zuzurechnende Programme der RTL Group im bundesweiten Fernsehen Reinhard Mohn 77,6* Bertelsmann Verwaltungs- Stiftung (Z) 3,3* (Z) gesellschaft mbH ** Familie Mohn 19,1* Bertelsmann Stiftung (Z) Familie Jahr Bertelsmann Management SE 74,9 Druck- und Verlagshaus 25,1 (Komplementärin ohne Kapitalbeteiligung) Gruner + Jahr AG 100 (Z) (Komplementärin) Constanze-Verlag Bertelsmann SE & Co. KGaA 2 GmbH & Co. KG 73,4 Gruner + Jahr 24,6 100 AG & Co. KG Bertelsmann Capital 59,9 15 Dr. Hermann Holding GmbH Dietrich-Troeltsch Motor Presse Stuttgart 75,1 GmbH & Co. KG 25 ,1 P+S Verwaltungs- gesellschaft mbH 24,14 Streu- RTL Group S.A. besitz (Eigenbesitz 0,76 %) 51 auto motor und sport channel 99,72 100 Motor Presse TV Streu- 0,28 RTL Group GmbH CLT-UFA S.A. Germany S.A. besitz 49 100 Jörg Schütte RTL Group Deutschland GmbH 100 UFA Film und 100 UFA Film & TV Fernseh GmbH Produktion GmbH 50 27,3 8,6 100 49,6 RTL II Super RTL RTL Television 50,4 Passion RTL DISNEY Fernse- RTL 2 Fernsehen RTL Crime Passion GmbH hen GmbH & Co. KG GmbH & Co. KG RTL Living 50 RTL NITRO 100 99,7 VOX BVI Television KG Heinrich 31,5 GEO Television VOX Holding Investments, Inc. Bauer Verlag GmbH VOX Television RTL Television GmbH GmbH 100 (Z) 100 Tele-München 0,3 Walt Disney 50 50 (Z) 31,5 Fernseh-GmbH & Co. Company (Z) Medienbeteiligung KG n-tv DCTP Entwicklungsgesellschaft n-tv Nachrichten- 1,1 für TV-Programm mbH Burda GmbH fernsehen GmbH *: vereinfachte Darstellung mit durchgerechneter Kapitalbeteiligung, sämtliche Stimmrechte der Bertelsmann SE & Co. -
DISCOVER NEW WORLDS with SUNRISE TV TV Channel List for Printing
DISCOVER NEW WORLDS WITH SUNRISE TV TV channel list for printing Need assistance? Hotline Mon.- Fri., 10:00 a.m.–10:00 p.m. Sat. - Sun. 10:00 a.m.–10:00 p.m. 0800 707 707 Hotline from abroad (free with Sunrise Mobile) +41 58 777 01 01 Sunrise Shops Sunrise Shops Sunrise Communications AG Thurgauerstrasse 101B / PO box 8050 Zürich 03 | 2021 Last updated English Welcome to Sunrise TV This overview will help you find your favourite channels quickly and easily. The table of contents on page 4 of this PDF document shows you which pages of the document are relevant to you – depending on which of the Sunrise TV packages (TV start, TV comfort, and TV neo) and which additional premium packages you have subscribed to. You can click in the table of contents to go to the pages with the desired station lists – sorted by station name or alphabetically – or you can print off the pages that are relevant to you. 2 How to print off these instructions Key If you have opened this PDF document with Adobe Acrobat: Comeback TV lets you watch TV shows up to seven days after they were broadcast (30 hours with TV start). ComeBack TV also enables Go to Acrobat Reader’s symbol list and click on the menu you to restart, pause, fast forward, and rewind programmes. commands “File > Print”. If you have opened the PDF document through your HD is short for High Definition and denotes high-resolution TV and Internet browser (Chrome, Firefox, Edge, Safari...): video. Go to the symbol list or to the top of the window (varies by browser) and click on the print icon or the menu commands Get the new Sunrise TV app and have Sunrise TV by your side at all “File > Print” respectively. -
IRCA FOREIGN LOG 10Th Edition +Hrd Again W/Light Inst Mx at 0456 on 1/4
IRCA FOREIGN LOG 10th Edition +Hrd again w/light Inst mx at 0456 on 1/4. Poorer than before. (PM-OR) DX World Wide – West +NRK 0244 12/29 country music occasionally coming thru clearly in domestic TRANS-ATLANTIC DX ROUNDUP slop (I've logged & QSLed this one with this early Mon morning country-music show before). First time I've had audio from this one all season. [Stewart-MO] 162 FRANCE , Allouis, 0230 3/7. Male DJ hosting a program of mainly EE pop +2/15 0503 Poor to fair signals in NN talk and oldies mx. Only TA on the MW songs. Fair signal, but much weaker than Iceland. (NP-AB) band. (VAL-DX) +0406 4/18, pop song in FF. (NP-AB*) 1467 FRANCE , Romoules TRW, 12/27 2309 Fair signals peaking w/good Choraol 189 ICELAND , Guguskalar Rikisutvarpid, 2/15 0032. Fair signals with Icelandic mx and rel mx. Het on this one was huge! New station and new Country on talk and a mix of mx some in EE. Only LW station to produce audio. MW. (SA-MB) (VAL-DX) 1512 SAUDI ARABIA , Jeddah BSKSA, 12/27 2248 poor signals w/AA mx and talk. +0227 3/7. Very good signal w/EE lang R&B pop/rock songs hosted by man in New station. (SA-MB) what I presumed was Icelandic. Ranks up there as the best signal I've hrd +12/29 seemed to sign on right at 0300 with no announcements, int signal, from them. (NP-AB) anthem, or anything, just Koranic chanting. -
Download The
Press release Cannes, October 16th, 2018 A SUCCESSFUL PARTNERSHIP 909 Productions (A Lagardère Studios’ company) and RMC Découverte partnered with Discovery to adapt Naked and Afraid in France. The very first adaptation of the US format worldwide made great ratings on RMC Découverte’s prime time slot. After 6 weeks of broadcast, over 8 million people have watched the show. Over this first season, the series reached an average of 512 000 viewers and 2.4% market share. An increase of 43% compared to the average of the slot last season. Frédéric JOLY, 909 Productions’ CEO: « I am very happy about this collaboration with Discovery and RMC. NAKED AND AFRAID is an amazing and strong format and I believe we succeeded in adapting the format in respect to its basics but also RMC’s expectations ». Saevar LEMKE, Vice President International Program Sales EMEA & APAC: « This is the first international adaptation of NAKED AND AFRAID and we could not be more pleased with the outcome of our partnership with 909 Productions and RMC Découverte. The rating success is the result of the great work, expertise and care that has gone into the adaptation of this wonderful format ». Guenaëlle TROLY, RMC Découverte, RMC Story CEO: « Our excellent collaboration with 909 Productions and Discovery has contributed to the success of the French adaptation “Retour à l’Instinct Primaire”. This program has unquestionably found its public on our channel and fits perfectly with RMC Découverte’s editorial policy ». Naked and Afraid, is originally produced by Renegade 83 for Discovery Channel and distributed by Discovery International. -
RTL Group Press Release
PRESS RELEASE RTL Group reports highest-ever first-half revenue • Group revenue up 4.2 per cent to €3.2 billion in H1/2019, and up 4.6 per cent on a like-for-like basis • EBITA broadly stable at €538 million despite higher programming and video-on-demand (VOD) investments • Profit for the period up 21.0 per cent to €443 million • Paying subscribers for RTL Group’s VOD platforms in Germany and the Netherlands up 46.2 per cent • New alliances and partnerships: RTL Group shapes the future of the European TV industry • RTL Group updates and confirms full-year 2019 outlook • New dividend policy approved, targeting a pay-out ratio of at least 80 per cent of the adjusted net profit, payable after the Annual General Meeting Luxembourg, 28 August 2019 − RTL Group announces its results for the six months ended 30 June 2019. H1/2019: record first-half-year revenue, jump in net profit Group revenue was up 4.2 per cent to a record level of €3,173 million (H1/2018: €3,046 million), driven by Fremantle and the digital businesses. On a like-for-like basis, revenue rose 4.6 per cent to €3,124 million (H1/2018: €2,988 million) – the highest growth rate since 2010. RTL Group’s digital revenue grew 21.0 per cent to €513 million (H1/2018: €424 million), driven by Fremantle, BroadbandTV, SpotX and the Group’s streaming services TV Now and Videoland. Reported Group EBITA1 was broadly stable at €538 million (H1/2018: €548 million). Higher investments in programming and VOD services were largely compensated for by significantly higher profit contributions from Fremantle and Groupe M6. -
Nov12 Presentation to Investors
GRUPO ANTENA 3 www.grupoantena3.com Presentation to investors Nov 2012 Presentation to investors_Nov 2012 1 Antena 3 Group at a glance New Antena 3 Group, a leading communication group ANTENA 3 GROUP TV RADIO OTHERS (*) ADVERTISING (*) Leased and operated by Imagina Presentation to investors_Nov 2012 2 Antena 3 Group at a glance One of the largest communication groups in Spain ANTENA 3 GROUP A3 Films A3 eventos Unipublic Others LA SEXTA XPLORA 6% LA SEXTA3 TODO CINE Onda Cero GOL T* Europa FM Radio Onda Melodía TV 11% 2011 Total revenues 83% ANTENA 3 805 M€ NEOX TV NOVA NITRO 2011 Total revenues 254 M€ Planeta-De Agostini: 41.7% RTL: 19.2% Shareh. La Sexta 7.0% Treasury stock: 7.0% Free-float: 25.1% (*) Leased and operated by Imagina Presentation to investors_Nov 2012 3 Antena 3 Group at a glance Solid market position in TV and Radio Antena 3’s market position TELEVISION RADIO 43% 17% Market share Source: Infoadex Presentation to investors_Nov 2012 4 1 SPANISH TV SECTOR Presentation to investors_Nov 2012 5 Advertising market in Spain Ad market maintains downward trend Total Ad & TV market evolution In € mill CAGR ≈+10% CAGR ≈-12% 7,985 5,459 5,505 Total Ad market 3,469 2,142 2,237 TV Ad market 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012e Source: Infoadex Presentation to investors_Nov 2012 6 Advertising market in Spain TV maintains its leadership among media Ad market by media 40.1% TV 40.6% 28.3% Press 17.6% 16.3% 10.9% Magaz 9.5% Radio 9.0% 1.3% Internet 6.9% 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 Source: -
RADIO PUBLICZNE.Indb
Recenzent prof. dr hab. Michał Gajlewicz, Społeczna Akademia Nauk Redakcja Anna Goryńska Projekt okładki Studio KARANDASZ Skład i łamanie JOLAKS – Jolanta Szaniawska © Copyright by Poltext sp. z o.o. © Copyright by Akademia Leona Koźmińskiego Warszawa 2015 Wydanie publikacji zostało dofinansowane przez Akademię Leona Koźmińskiego Poltext sp. z o.o. 02-230 Warszawa, ul. Jutrzenki 118 tel.: 22 632-64-20 e-mail: [email protected] internet: www.poltext.pl ISBN 978-83-7561-517-3 SpiS treści Wprowadzenie �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 7 Wykaz skrótów �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 13 rozdział 1. Media publiczne W społeczeństWie deMokratycznyM �� � � � � � � � � � 15 1.1. oczekiwania społeczne wobec mediów � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 15 1.2. Media publiczne a rynek � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 28 1.3. Media publiczne w europie Środkowo-Wschodniej � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 35 1.4. nowe technologie -
New Management Introducing Anke Schäferkordt and Guillaume De Posch
26 April 2012 week 17 New management Introducing Anke Schäferkordt and Guillaume de Posch Luxembourg France Farewell to Nicolas de Tavernost Gerhard Zeiler on Club Liza United Kingdom Belgium / Luxembourg Cécile Frot-Coutaz Télévie ends with to lead FremantleMedia record sum week 17 the RTL Group intranet Cover: Anke Schäferkordt and Guillaume de Posch, the new Co-CEOs of RTL Group 2 week 17 the RTL Group intranet Message from the Co-CEOs On 19 April, one day after Gerhard Zeiler’s farewell (see report on page 10), the new Co-CEOs Guillaume de Posch and Anke Schäferkordt took offi ce. In this edition, Backstage portrays the two Chief Executives. Anke Schäferkordt and Guillaume de Posch Luxembourg - 19 April 2012 On their fi rst working day, Guillaume de Posch During the Annual General Meeting, both and Anke Schäferkordt addressed the of them and Elmar Heggen have also been RTL Group employees. appointed as Executive Directors to the RTL Group Board of Directors. In a joint letter they said that they consider the Group being in “great shape.” They continued: Andreas Rudas will continue developing “We can rely on highly creative, skilled and business opportunities in Central and motivated employees, both in our operations Eastern Europe, and in Asia. He will report and in the Corporate Centre.” to Guillaume de Posch. He also oversees RTL Group’s operations in Croatia, Further, they gave a brief overview of how they Hungary, Russia and the German radio intend to manage the company jointly in the business. future: Guillaume de Posch and Anke Schäferkordt Anke Schäferkordt continues to manage the emphasised that in a decentralised Group such German TV business of Mediengruppe RTL RTL Group, it’s vital that they have a fi rst-hand Deutschland, in addition to her role as Co-CEO understanding of the Group’s multi-language and of RTL Group.