2014 Financial Statements for Bertelsmann SE & Co. Kgaa
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bibliography of Frank Cook's Early Library
Bibliography of Frank Cook’s Early Library Frank was a pack rat. He saved every book he ever owned. The following list represents Frank’s early readings, for the most part before his love of plants emerged. Frank gathered these books in a small library kept in his brother Ken’s basement shortly before his death. PHI provides this bibliography to friends interested in seeing some of Frank’s early influences. ALLEN, E. B. D. M. (1960). THE NEW AMERICAN POETRY (Reprint. Twelfth Printing.). GROVE PRESS. Amend, V. E. (1965). Ten Contemporary Thinkers. The Free Press. Anonymous. (1965). The Upanishads. Penguin Classics. Armstrong, G. (1969). Protest: Man against Society (2nd ed.). Bantam Books. Asimov, I. (1969). Words of Science. Signet. Atkinson, E. (1965). Johnny Appleseed. Harper & Row. Bach, R. (1989). A Gift of Wings. Dell. Baker, S. W. (1985). The Essayist (5th ed.). HarperCollins Publishers. Baricco, A. (2007). Silk. Vintage. Beavers, T. L. (1972). Feast: A Tribal Cookbook (First Edition.). Doubleday. Beck, W. F. (1976). The Holy Bible. Leader Publishing Company. Berger, T. (1982). Little Big Man. Fawcett. Bettelheim, B. (2001). The Children of the Dream. Simon & Schuster. Bolt, R. (1990). A Man for All Seasons (First Vintage International Edition.). Vintage. brautigan, R. (1981). Hawkline Monster. Pocket. Brautigan, R. (1973). A Confederate General from Big Sur (First Thus.). Ballantine. Brautigan, R. (1975). Willard and His Bowling Trophies (1st ed.). Simon & Schuster. Brautigan, R. (1976). Loading Mercury With a Pitchfork: [Poems] (First Edition.). Simon & Schuster. Brautigan, R. (1978). Dreaming of Babylon. Dell Publishing Co. Brautigan, R. (1979). Rommel Drives on Deep into Egypt. -
The Global Publishing Industry in 2017
The Global Publishing Industry in 2017 The Global Publishing Industry in 2017 The user is allowed to reproduce, distribute, adapt, translate and publicly perform this publication, including for commer- cial purposes, without explicit permission, provided that the content is accompanied by an acknowledgement that WIPO is the source and that it is clearly indicated if changes were made to the original content. Suggested citation: WIPO (2019). The Global Publishing Industry in 2017. Geneva: World Intellectual Property Organization. Adaptation/translation/derivatives should not carry any offi- cial emblem or logo, unless they have been approved and validated by WIPO. Please contact us via the WIPO website to obtain permission. For any derivative work, please include the following dis- claimer: “The Secretariat of WIPO assumes no liability or responsibility with regard to the transformation or translation of the original content.” When content published by WIPO, such as images, graphics, trademarks or logos, is attributed to a third-party, the user of such content is solely responsible for clearing the rights with the right holder(s). To view a copy of this license, please visit © WIPO, 2019 https://creativecommons.org/licenses/by/3.0/igo/ World Intellectual Property Organization The designations employed and the presentation of material 34, chemin des Colombettes, throughout this publication do not imply the expression of any P.O. Box 18 opinion whatsoever on the part of WIPO concerning the legal CH-1211 Geneva 20, status of any country, territory or area or of its authorities, Switzerland or concerning the delimitation of its frontiers or boundaries. ISBN: 978-92-805-3041-4 This publication is not intended to reflect the views of the Member States or the WIPO Secretariat. -
Big Tip Book for the Commodore
, THE BIG TIP BOOK FOR THE COMMODORE THE BIG TIP BOOK FOR THE COMMODORE John Annalaro and Bert Kersey BANTAM BOOKS TORONTO· !\"EW YORK· LONDON· SYDNEY· AUCKLAND Dedicated to R.A., B.A., ?A., and me. THE BIG TIP BOOK FOR THE COMMODORE A Bantam Book / June 1987 All rights reserved. Copyright © 1987 by John Annaloro and Bert Kersey. Cover design copyright © 1987 by Bantam Books. Inc. This book may not be reproduced in whole or in part, by mimeograph or any other means, without permission. For information address: Bantam Books, Inc. ISBN 0-553-34411-0 Published simultaneously in the United States and Canada Bantam Books are published by Bantam Books, Inc. Its trademark, consisting of the words "Bantam Books" and the portrayal of a rooster, is Registered in U.S. Patent and Trademark Office and in other countries. Marca Registrada. Bantam Books, Inc., 666 Fifth Avenue, New York, New York 10103. PRINTED IN THE UNITED STATES OF AMERICA B098765432 CONTENTS Preface VI 1. Getting Started 1 2. For Beginners Only: Inside Tips 11 3. Pointers for Beginners 27 4. Converting Programs to the 128 37 5. Basic Tricks 43 6. Screen and Text Graphics 53 7. Memory and Speed 61 8. Useful Applications 71 9. Protection 77 10. Advanced Programming Tricks 87 11. Machine Language 97 12. Disks and Drives 107 13. Audio and Video Communications 123 14. Printers and Printing Tips 131 Appendix A 64 and 128 Basic Commands 141 Appendix B Abbreviations for Basic Keywords 157 Appendix C Commodore Character Codes 163 Appendix D Escape Codes for the 128 169 Index 171 PREFACE 1 like programming. -
Programme 5 Overview 6 Schedule First Word 12 Greeting Andreas
Index Programme Expo 5 Overview 44 Umbrella Stands A – Z 6 Schedule 47 Exhibitor Presentation/Expo Map 84 Exhibitors A – Z First Word 12 Greeting Andreas Mailath-Pokorny, Conference Executive City Councillor for Cultural Affairs 90 Conference Sessions and Science, City of Vienna 100 Mentoring 13 Greeting Rainer Kahleyss and Werner 102 Network Meetings and Presentations Dabringhaus, CLASS Association of Classical 104 Biographies A – Z Independents in Germany 14 Greeting Mario Rossori, Heinrich Schläfer, Film Screenings Frank Stahmer, Classical Partners Vienna 1 11 Film Screenings 15 Greeting Jennifer Dautermann, Director Classical:NEXT Showcases 115 Opening and Closing Network 116 Live Showcases A – Z 18 Advisory Board 130 Video Showcases A – Z 20 The Jury 136 off C:N Showcases A – Z 22 Partners 26 Photographer Delegates 27 Advertisers A – Z 142 Companies A – Z 177 Individuals A – Z Classical:NEXT A – Z 30 From ”Badges" to ”Who is Coming“ Credits 190 Imprint Destination Vienna 191 Team 37 Getting Around 37 Places to Eat 39 Shopping: Food, Music and Instruments Front Flap Inside Plant Layout MAK 41 Things to See Back Flap Inside Directions to Venues 42 Service NEW YEAR. NEW STORIES. PROGRAMME NEW CLASSICAL MUSIC. First Word Network C:N A – Z Destination Vienna Expo FROM Conference £4.95 A Film Screenings MONTH Showcases Delegates Credits The all-new Classical Music: Register online » Comprehensive website with news, features, reviews and opinion for FREE access » Daily e-mail bulletin with news from national and international press to classical -
Ed Carpenter, Artist [email protected] Commissions
ED CARPENT ER 1 Ed Carpenter, Artist [email protected] Revision 2/1/21 Born: Los Angeles, California. 1946 Education: University of California, Santa Barbara 1965-6, Berkeley 1968-71 Ed Carpenter is an artist specializing in large-scale public installations ranging from architectural sculpture to infrastructure design. Since 1973 he has completed scores of projects for public, corporate, and ecclesiastical clients. Working internationally from his studio in Portland, Oregon, USA, Carpenter collaborates with a variety of expert consultants, sub-contractors, and studio assistants. He personally oversees every step of each commission, and installs them himself with a crew of long-time helpers, except in the case of the largest objects, such as bridges. While an interest in light has been fundamental to virtually all of Carpenter’s work, he also embraces commissions that require new approaches and skills. This openness has led to increasing variety in his commissions and a wide range of sites and materials. Recent projects include interior and exterior sculptures, bridges, towers, and gateways. His use of glass in new configurations, programmed artificial lighting, and unusual tension structures have broken new ground in architectural art. He is known as an eager and open-minded collaborator as well as technical innovator. Carpenter is grandson of a painter/sculptor, and step-son of an architect, in whose office he worked summers as a teenager. He studied architectural glass art under artists in England and Germany during the early 1970’s. Information on his projects and a video about his methods can be found at: http://www.edcarpenter.net/ Commissions Bridge And Exterior Public Commissions 2019: Barbara Walker Pedestrian Bridge, Wildwood Trail, Portland, OR, 180’ x 12’ x 8’. -
Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’S Fractured Europe Quartet
humanities Article Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’s Fractured Europe Quartet Hadas Elber-Aviram Department of English, The University of Notre Dame (USA) in England, London SW1Y 4HG, UK; [email protected] Abstract: Recent years have witnessed the emergence of a new strand of British fiction that grapples with the causes and consequences of the United Kingdom’s vote to leave the European Union. Building on Kristian Shaw’s pioneering work in this new literary field, this article shifts the focus from literary fiction to science fiction. It analyzes Dave Hutchinson’s Fractured Europe quartet— comprised of Europe in Autumn (pub. 2014), Europe at Midnight (pub. 2015), Europe in Winter (pub. 2016) and Europe at Dawn (pub. 2018)—as a case study in British science fiction’s response to the recent nationalistic turn in the UK. This article draws on a bespoke interview with Hutchinson and frames its discussion within a range of theories and studies, especially the European hermeneutics of Hans-Georg Gadamer. It argues that the Fractured Europe quartet deploys science fiction topoi to interrogate and criticize the recent rise of English nationalism. It further contends that the Fractured Europe books respond to this nationalistic turn by setting forth an estranged vision of Europe and offering alternative modalities of European identity through the mediation of photography and the redemptive possibilities of cooking. Keywords: speculative fiction; science fiction; utopia; post-utopia; dystopia; Brexit; England; Europe; Dave Hutchinson; Fractured Europe quartet Citation: Elber-Aviram, Hadas. 2021. Rewriting Universes: Post-Brexit 1. Introduction Futures in Dave Hutchinson’s Fractured Europe Quartet. -
The Bertelsmann Divisions
The Bertelsmann Divisions RTL Group is a leader across broadcast, content and digital, With more than 250 imprints and brands on five continents, with interests in 60 television channels and 31 radio stations, more than 15,000 new titles and close to 800 million print, content production throughout the world and rapidly growing audio and e-books sold annually, Penguin Random House digital video businesses. RTL Group’s television portfolio is the world’s leading trade book publisher. Penguin Random includes RTL Television in Germany; M6 in France; the RTL House is committed to publishing adult and children’s fiction and channels in the Netherlands, Belgium, Luxembourg, Croatia nonfiction print editions and is a pioneer in digital publishing. Its and Hungary; and Antena 3 in Spain. The Group also operates book brands include storied imprints such as Doubleday, Viking the channels RTL CBS Entertainment and RTL CBS Extreme in and Alfred A. Knopf (United States); Ebury, Hamish Hamilton and Southeast Asia. Fremantle Media is one of the largest international Jonathan Cape (United Kingdom); Plaza & Janés and Alfaguara creators, producers and distributors of multigenre content (Spain); Sudamericana (Argentina); and the international imprint outside the United States. Combining the catch-up TV services DK. Its publishing lists include more than 60 Nobel Prize laureates of its broadcasters, the multichannel networks BroadbandTV, and hundreds of the world’s most widely read authors. Penguin StyleHaul and Divimove as well as Fremantle Media’s 260 Random House is dedicated to the mission of nourishing a YouTube channels, RTL Group has become the leading European universal passion for reading by connecting its authors and their media company in online video. -
Los Grupos Editoriales Españoles Y Su Influencia En La Creación De Los Cánones Literarios Actuales
Grupos editoriales e influencia en los cánones literarios actuales Luis Pablo Núñez Los grupos editoriales españoles y su influencia en la creación de los cánones literarios actuales Luis PABLO NÚÑEZ CSIC, CCHS Grupos editoriales e influencia en los cánones literarios actuales Luis Pablo Núñez Debemos evocar con claridad la distinción entre el texto literario y el producto editorial. Ambos son necesarios para el buen funcionamiento de la industria del libro, pero, con creciente intensidad, el primero es arrinconado por el segundo hasta ser suplantado por él. JUAN GOYTISOLO En EE. UU. hay dos categorías en las librerías: literatura y bestsellers. Mi libro, El ocho, no era una cosa ni otra. [...] Entre la gran literatura y la literatura más popular, [...] mis libros no encajan ni en una categoría ni en la otra. KATHERINE NEVILLE Escribir historias de detectives es escribir literatura ligera, puro entretenimiento. No es como escribir propaganda política o literatura clásica. El género negro, ya se sabe, es una de las formas más populares de entretenimiento que existen. Si además intentas decir algo con ello... Bueno, yo lo he intentado, por supuesto. STIEG LARSSON Grupos editoriales e influencia en los cánones literarios actuales Luis Pablo Núñez FACTORES PARA LA HOMOGENEIZACIÓN FACTORES PARA LA HOMOGENEIZACIÓN DE LA INDUSTRIA DEL LIBRO DE LOS HÁBITOS DE LECTURA - Concentración editorial - Estrategias comerciales de difusión - Expansión (filiales) (acceso al lector a través de más medios) - Ventajas para la compra de derechos / - Librerías dependientes de grupos títulos comunes - Listados de libros más vendidos Grupos editoriales e influencia en los cánones literarios actuales Luis Pablo Núñez RANKING MUNDIAL DE EDITORES (2009) [<http://publishingperspectives.com/?p=981>] [20/02/2010] (RANKING DE 2008: Delibros 224 (2008), pp. -
Das Ende Der Anarchie Die Allianz Zwischen Bertelsmann Und Der Internet-Tauschbörse Napster Könnte Den Elektronischen Handel Revolutionieren
Wirtschaft MUSIKINDUSTRIE Das Ende der Anarchie Die Allianz zwischen Bertelsmann und der Internet-Tauschbörse Napster könnte den elektronischen Handel revolutionieren. Künftig wollen die Anbieter für Musik – und später auch für Texte, Bilder und Filme – Geld verlangen. Aber werden die Nutzer auch zahlen? n den Bars seiner Heimatstadt Brock- Die Dynamik, mit der sich Napster ver- Dazu wird es wohl nicht kommen. Am ton bekommt Shawn Fanning noch nicht breitet hat, ist beispiellos, die Probleme Dienstag vergangener Woche gab der Ber- Ieinmal ein Budweiser. Mit seinen 19 Jah- sind es allerdings auch: Die großen Musik- telsmann-Konzern in New York überra- ren ist der Studienabbrecher nach den Ge- konzerne fühlen sich durch Fannings Ak- schend eine Allianz mit Napster bekannt. setzen des US-Bundesstaates Massachusetts tivitäten in ihrer Existenz bedroht – und Der Medienriese will sich an dem Tausch- zu jung, um ein Bier bestellen zu dürfen. überzogen ihn mit Urheberrechtsklagen. ring beteiligen und bekommt so auf einen Doch er ist alt genug, um weltweit die Für kurze Zeit musste der Dienst sogar Schlag Zugriff auf Millionen potenzieller Musikindustrie zu erschüttern. eingestellt werden, denn was Napster Kunden. Bertelsmann will den Charakter Vor anderthalb Jahren hat Fanning harmlos „file sharing“ (Daten miteinander von Napster als Tauschbörse bewahren, Napster erfunden, einen Musikbasar, auf teilen) nennt, ist für die meisten Enter- mit dem kleinen, aber feinen Unterschied, dem Internet-Nutzer kostenlos Songs ih- tainment-Konzerne nichts anderes als kri- dass künftig für den Erhalt von Musik ge- rer Lieblingsbands tauschen können. Mit minelles Raubkopieren. zahlt werden soll. seinem Projekt hat der junge Hobby- Dabei hat Napster bisher keinen Weg Das aber kann nur funktionieren, wenn Programmierer eine Entwicklung in Gang gefunden, mit dem eigenen Angebot Geld neben der Bertelsmann-Musiktochter gesetzt, die selbst nach den Maßstäben des zu verdienen. -
Annual Report 2009
Annual Report 2009 Digitization INNOVATION CultureFREEDOM CommitmentChange Bertelsmann Annual Report 2009 CreativityEntertainment High-quality journalism Performance Services Independence ResponsibilityFlexibility BESTSELLERS ENTREPRENEURSHIP InternationalityValues Inspiration Sales expertise Continuity Media PartnershipQUALITY PublishingCitizenship companies Tradition Future Strong roots are essential for a company to prosper and grow. Bertelsmann’s roots go back to 1835, when Carl Bertelsmann, a printer and bookbinder, founded C. Bertelsmann Verlag. Over the past 175 years, what began as a small Protestant Christian publishing house has grown into a leading global media and services group. As media and communication channels, technology and customer needs have changed over the years, Bertelsmann has modifi ed its products, brands and services, without losing its corporate identity. In 2010, Bertelsmann is celebrating its 175-year history of entrepreneurship, creativity, corporate responsibility and partnership, values that shape our identity and equip us well to meet the challenges of the future. This anniver- sary, accordingly, is being celebrated under the heading “175 Years of Bertelsmann – The Legacy for Our Future.” Bertelsmann at a Glance Key Figures (IFRS) in € millions 2009 2008 2007 2006 2005 Business Development Consolidated revenues 15,364 16,249 16,191 19,297 17,890 Operating EBIT 1,424 1,575 1,717 1,867 1,610 Operating EBITDA 2,003 2,138 2,292 2,548 2,274 Return on sales in percent1) 9.3 9.7 10.6 9.7 9.0 Bertelsmann Value -
DISTRIBUTING PRODUCTIVE PLAY: a MATERIALIST ANALYSIS of STEAM Daniel Joseph Doctor of Philosophy Ryerson University, 2017
DISTRIBUTING PRODUCTIVE PLAY: A MATERIALIST ANALYSIS OF STEAM by Daniel Joseph Master of Arts, Ryerson University and York University, Toronto, Ontario 2011 Bachelor of Arts, Wilfrid Laurier University, Waterloo, Ontario, 2009 A dissertation presented to Ryerson University and York University in partial fulfillment for the degree of Doctor of Philosophy in the program of Communication and Culture Toronto, Ontario, Canada, 2017 © Daniel Joseph, 2017 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Abstract DISTRIBUTING PRODUCTIVE PLAY: A MATERIALIST ANALYSIS OF STEAM Daniel Joseph Doctor of Philosophy Ryerson University, 2017 Valve Corporation’s digital game distribution platform, Steam, is the largest distributor of games on personal computers, analyzed here as a site where control over the production, design and use of digital games is established. Steam creates and exercises processes and techniques such as monopolization and enclosure over creative products, online labour, and exchange among game designers. Stuart Hall’s encoding/decoding framework places communication at the centre of the political economy, here of digital commodities distributed and produced by online platforms like Steam. -
Piatkus Non-Fiction Backlist Translation Rights
PIATKUS NON-FICTION BACKLIST TRANSLATION RIGHTS Contents: Non-fiction p.2 Mind, Body & Spirit p.11 Health p.30 Patrick Holford p.42 Self-help/Popular Psychology p.54 Sex p.76 Memoir p.78 Humour p.87 Business p.89 ANDY HINE Rights Director (for Brazil, Germany, Italy, Poland, Scandinavia, Latin America) [email protected] KATE HIBBERT Rights Director (for the USA, Spain, Portugal, Far East and the Netherlands) [email protected] HELENA DOREE Senior Rights Manager (for France, Turkey, Arab States, Israel, Greece, Bulgaria, Czech Republic, Slovak Republic, Hungary, Romania, Russia, Serbia, Macedonia and the Baltic States) [email protected] JONATHAN HAINES Rights Assistant [email protected] Carmelite House 50 Victoria Embankment London EC4Y 0DZ Tel: +44 (0) 20 3122 6209 1 NON-FICTION CONNED by James Morton A racy, highly entertaining history of cons and conmen. To the many people who've been the subject of a con, this book will be of personal interest: even if you haven't, there's still a fascination in how it has happened to other. The great, the god and the bad, from Oscar Wilde to Al Capone, have fallen victim to the wiles of the trickster. In Capone's case, he purchased a machine from 'Count' Victor Lustig, guaranteed to produce dollar bills. Other great cons described in this alarming yet funny book are: Royal Cons, Psychic Swindlers, Fairground Cons, Sexual Swindles, and Gambling Swindles. James Morton’s previous books include the bestselling GANGLAND and EAST END GANGLAND. THE BEASTLY BATTLES OF OLD ENGLAND by Nigel Cawthorne Throughout history the English have been a warlike lot.