Apparatus for Providing a Photochemical Reaction
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Film Grain, Resolution and Fundamental Film Particles
FFFiiilllmmm GGGrrraaaiiinnn,,, RRReeesssooollluuutttiiiooonnn aaannnddd FFFuuunnndddaaammmeennntttaaalll FFFiiilllmmm PPPaaarrrtttiiicccllleeesss Version 9 March 2006 Tim Vitale © 2006 use by permission only 1 Introduction 1 2 Fundamental Film Particles – Silver-Halide 0.2 - 2.0 um 3 Feature Size and Digital Resolution: Data Table 1 4 Dye Clouds are the Fundamental Particles Color Film 6 3 Film Grain 6 Dye Clouds are the Film Grain in Color Film 6 Film Grain in Black-and-White Film 7 Cross-Section of Film 9 Grain Size Variability 9 RMS Granularity – Film Image Noise 9 RMS Granularity of Several Films: Data Table 2 10 Film Resolution – Sharpness 10 System Resolving Power Equation 12 Lens Issues Effecting Resolution 12 Film Issues Effecting Resolution 12 Evaluation a System: Camera, Lens and Film 13 Selected Film & Lens Resolution Data: Data Table 3 13 Camera System Resolving Power: Data Table 4 14 Measuring Film Grain 14 Print Grain Index 14 Size of Perceived Film Grain: Example 15 Size Domains for Enlargement & Magnification: Data Table 5 15 Maximum Resolution of a Microscope: Data Table 6 16 4 Eliminating Film Grain from an Image 18 Drum Scan Aperture 18 Feature size vs. Digital Resolution vs. Film: Data Table 7 19 Scan Resolution in Flatbed Scanning 19 Wet Mounting for Film Scanning 20 New Generation of Flatbed Scanners 21 Future Generation of Scanners – Epson Perfection V750-M 23 Software for Diminishing Film Grain 24 1 Introduction The purpose of this complex essay is to demonstrate the following: • Fundamental film particles (silver -
Kodak Picture Making Aids
Central Library of Rochester and Monroe County - Trade Catalog Collection KO D AK PlCTURt UMUHG MOS Central Library of Rochester and Monroe County - Trade Catalog Collection m Central Library of Rochester and Monroe County - Trade Catalog Collection KODAK 0$ PICTURE-MAKING AIDS FOREWORD ... A camera and a roll of film are the basic materials with which anyone may participate in the satisfying and enjoyable hobby of pic ture taking. As skill and experience grow, however, the desire often arises for new fields to conquer, and to help satisfy this longing, dozens of novel, easily used, Kodak accessories—as described in this book — are available. INDEX Adapters, Miniature-Kodachrome . 9 Lamps, Photoflood and Photoflash . 8, 14 Albums 38, 39 Lens Attachments . 15, 16, 17, 18 Blotter Roll 27 Lens Attachments, Combination 15, 16, 17 Carrying Cases 42, 43 Lens Cleaner 44 Chemicals . 29 Lens Hood 15, 16, 17, 44 Darkroom Lamps . 36 Mask Charts 27 Darkroom Outfits 30, 31 Minifile Box for Miniature Negatives . .11 Developers 29 Neck Strap 11 Developing Supplies 22, 23 Negative Spotting Panel 37 Dry Mounting Tissue 40 Oil Colors 41 Enlargement Exposure Calculator 37 Paper 28 Enlargers 32, 33, 34, 35 Paper Board, Kodak Miniature .... 37 Enlarging Focus Finder Paper Board, Masking 37 Exposure Guides 37 . 7 Photo Chamois 27 Ferrotype Plates Photoflood Control . 14 Film and Film Packs . 4, 5, 6, Back . 27 Cover Plates, Eastman and Wratten 6 Film Clips Printer, Kodak Amateur 26 23 Film Lacquer Printing Frames and Masks .... 26, 27 Film Tanks 44 Print Rollers 40 Filters 15, 16, 20, 21 Projection Print Scale 37 Filters, Kodachrome 8, 17, 18 Publications . -
Kodak Movie News; Vol. 10, No. 4; Winter 1962-63
PUBLISHED BY EASTMAN KODAK COMPANY W I N T E R 1 9 6 2- 6 3 KODAK MOVIE NEWS Q. I have a roll of KODACHROME Film in my 8mm camera that has been exposed on the first half. I've LETTERS TO lost the carton the film came in and I forgot whether I have KODACHROME or KODACHROME II Film . And I'm not sure whether it's Daylight Type or Type A. Is THE EDITOR there any way I can tell? Mr. C. B., Nashville, Tenn. Comments: I thought you might be interested in an unusual sequence I shot recently. I observed a big snapping turtle come into my yard and, knowing that she was going to dig a hole and lay her eggs, I loaded my camera and took some wonderful shots. I watched the eggs, and 3½ months later when they started to hatch, I made shots of the baby turtles coming out of the eggs and learning to walk. Later I made appropri· ate titles, and came up with what I call a creditable color movie. Mrs. B. E. C., Moorestown, N.J. A. Yes. Take a look at the end of your film. If it's Your seasonal titles are more helpful now that you KODACHROME Fi lm, you will see the legend "KOD print them sideways. At least mine were not creased. HALF EXP " punched through the film ind icating Day- Mr. L. G. P., Philadelphia, Pa. light Type, or " KOD A HALF EXP" if it's Type A. If your roll is KODACHROME II Film, th ere will be Please continue to publish seasonal titles. -
Sample Manuscript Showing Specifications and Style
F. Cao, F. Guichard, H. Hornung, R. Teissières, An objective protocol for comparing the noise performance of silver halide film and digital sensor, Digital Photography VIII, Electronic Imaging 2012. Copyright 2012 Society of Photo-Optical Instrumentation Engineers. One print or electronic copy may be made for personal use only. Systematic reproduction and distribution, duplication of any material in this paper for a fee or for commercial purposes, or modification of the content of the paper are prohibited. http://dx.doi.org/10.1117/12.910113 An objective protocol for comparing the noise performance of silver halide film and digital sensor Frédéric Cao, Frédéric Guichard, Hervé Hornung, Régis Tessière DxO Labs, 3 Rue Nationale, 92100 Boulogne, France ABSTRACT Digital sensors have obviously invaded the photography mass market. However, some photographers with very high expectancy still use silver halide film. Are they only nostalgic reluctant to technology or is there more than meets the eye? The answer is not so easy if we remark that, at the end of the golden age, films were actually scanned before development. Nowadays film users have adopted digital technology and scan their film to take advantage from digital processing afterwards. Therefore, it is legitimate to evaluate silver halide film “with a digital eye”, with the assumption that processing can be applied as for a digital camera. The article will describe in details the operations we need to consider the film as a RAW digital sensor. In particular, we have to account for the film characteristic curve, the autocorrelation of the noise (related to film grain) and the sampling of the digital sensor (related to Bayer filter array). -
PREVIEW COPY Table of Contents Click Or Tap on the Page Numbers to Jump to That Section
PREVIEW COPY Table of Contents Click or tap on the page numbers to jump to that section Introduction ...............................................................5 Exposure compensation ..................................................73 Metering modes.................................................................74 Choosing a Film Format...............................................8 Metering for specific scenes...............................................76 35mm...................................................................................9 Reciprocity failure ............................................................101 Medium format..................................................................10 Exposure without a meter ............................................102 Large format.......................................................................12 Camera types ................................................................. 14 Filters .....................................................................103 Medium format aspect ratios.............................................15 Filter kit options .............................................................104 Polarizing filters................................................................108 Large Format Tips .....................................................18 Color correction filters .....................................................110 Lens movements explained................................................20 Black and white contrast filters ......................................112 -
Kodak 35Mm Film Stock
Kodak 35mm Film Stock Kodak 35mm Film Stock 1 / 2 Kodak Portra 400 is a classic & reliable 35mm color film stock for people who want to capture portraits. This film does a fantastic job of reproducing a natural skin .... Fuji Natura 1600 Color Negative 35mm Film Fujifilm Expired 12/2019. ... I mentioned to Aislinn Chuahiock that I'd received some 35mm Kodak Portra ... Fuji Natura 1600 35mm 135-36exp (EXP 12/2019) UK Stock *RARE* Fuji ... We are pretty sure Kodak put some kind of magic in this one. If you were to sit down for coffee and have a next-level intellectual convo with a film stock, this .... Kodak renewed its commitment to film with the Hollywood studios, while ... and Warner Bros. for longer term film stock purchase commitments. 2019 was a banner year for 35mm film releases, including four Best Picture Oscar ... kodak film stock kodak film stock, kodak film stock price, kodak film stock history, kodak film stock logo, kodak film stock comparison, kodak film stock numbers, kodak film stock codes, kodak film stock 16mm, kodak film stock 35mm, kodak film stock date codes, is kodak stock a good buy Film Stock. ... Film Of The Month | Kodak T-Max 100 (35mm) B&W Negative Film. ... 1-16 of 295 results for "35mm film for sale" Kodak Ultramax 400 Color Print ... kodak film stock history According to FFP, Kodak Ektar is probably the only film that comes close to this vibrant, true color emulsion. This film stock is also a favorite of .... 35mm Film Grain Loops, Textures, & Scribbles $ 49. -
BOD5 Five-Day Biochemical Oxygen Demand & COD
5-41 Five- Day Biochemical Oxygen Demand COD Chemical Oxygen Demand of Photographic Chemicals This printing replaces the 12 73 edition COD values have been added, some BOD5 values revised, new chemicals added, and discontinued chemicals deleted The infor- mation contained in this publication has been carefully prepared and IS believed to be accurate Any particular use of such information must, however, be the respon- sibility solely of the user and must be without obligation or liability on the part of Eastman Kodak Company 0 Eastman Kodak Company 1981 Table of Contents Page No Purpose of BOD and COD Measurements . * . 3 Testing and Reliability . 3 BOD ......................... ........... 3 COD .............................. .................. 3 Sample Calculations . ............ 4- Table I BOD5 and COD Values for Individual Chemicals .......... 5 Table II BODs and COD Values for Black-and-white Film Processing Chemicals 6 Table Ill BOD5 and COD Values for Black-and-white Paper Processing Chemicals . a Table IV BOD5 and COD Values for Color Film Processing Chemicals . a KODAK Chemicals, Process C-22 . ......................... 8 KODAK Tri-Mask Chemicals . 8 KODAK Chemicals, Process E-4 . 9 KODAK Chemicals, Process E-6 . ............ 9 KODAK Chemicals, Process E-GAR . 9 EA-5 Chemicals .............................................. 9 KODAK Chemicals for Motion Picture EKTACHROME Films ...... 9 EKTACHROME Movie Chemicals . ........................ 9 ES-8 Chemicals . ................................ 10 FLEXICOLOR@Chemicals fo ............ 10 FLEXICOLORa Chemicals for Process C-41V . 10 FLEXICOLORs AR Chemicals . ................... 10 Table V BODs and COD Values for Color Paper Processing Chemicals . 10 EKTAPRINT 2 Chemicals . ................................... 10 EKTAPRINT 3 Chemicals . 10 EKTAPRINT 300 Chemicals . ... 10 EKTAPRINT R-5 Chemicals . 10 EKTAPRINT R-100 Chemicals . 10 Table VI BODSand COD Values for Processing Chemicals for KODACHROME Films. -
IN the Kodak Medalist You Will Find a Combination of Features Never Before Available in a Roll Film Camera Making a Picture As Large As 2N X 3N Inches
IN the Kodak Medalist you will find a combination of features never before available in a roll film camera making a picture as large as 2n x 3n inches. These features include: • The superb Kodak Ektar Lensj/3'S' with treated inner lens surfaces to give greater clarity and brilliance to pictures. • The accurate Supermatic Shutter with 9 speeds ranging from I second to 1/400 second, plus "bulb" action and a provision for making time exposures. • The lens and shutter mounted in a helical gear focusing tube thus assuring the finest possible hairline focusing. • Prevention of accidental double exposure. • Location of diaphragm and speed controls so that they are accessible and can be read from the top of the camera. This makes it unnecessary to turn the camera over for changing lens opening or speed. • Removable back permitting the use of the Acces sory Back for Sheet Film, Film Packs, and Plates. This back with the Kodak Combination Film and Plate Holder makes possible the use of Kodachrome Professional Film. A film pack adapter makes 12 films available for exposure with a single loading. • Extension units which permit precision copying and close-up photography of small objects without the use of supplementary lenses. ~tc~-de KODAK MEDALIST 1. LOADING The Kodak may be loaded in daylight, but not in direct sunlight. Use Kodak Roll Film 6'20; for the various types of films, see pages 18 and I g. Before loading your camera with film look at the EXPOSURE COUNTER window, to see if "0" is in the forward half of the window; if it is, proceed with the loading as described below. -
KODAK PROFESSIONAL PORTRA Films — New — KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, and 400VC Films
TECHNICAL DATA / COLOR NEGATIVE FILM November 1998 • E-190 KODAK PROFESSIONAL PORTRA Films — New — KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, and 400VC Films Never before have films been able to give you such If you use this Try this KODAK confidence in delivering the results you expect. Introducing KODAK PROFESSIONAL For PROFESSIONAL a new family of color negative films that shares emulsion Film technology to offer you two levels of color saturation in two Film film speeds. KODAK PROFESSIONAL PORTRA Films Pro 400 (PPF) • vivid colors EKTACOLOR PRO allow matched prints across speeds and formats, and provide PORTRA 400VC • location GOLD 400 (GPY) the finest results—even with hard-to-reproduce colors. photography KODAK PROFESSIONAL PORTRA 160NC Film The family of KODAK PROFESSIONAL PORTRA features natural colors and medium speed. Use 160NC Film Films offers the following features. for smooth, natural flesh tones in controlled lighting situations. FEATURES BENEFITS • Unified Film Emulsion • Matched prints across speeds KODAK PROFESSIONAL PORTRA 160VC Film technology and formats features vivid colors and medium speed. Use 160VC Film – Two levels of color • Convenient analyzing and for rich, vivid colors in controlled lighting situations. saturation printing for your lab – Two film speeds KODAK PROFESSIONAL PORTRA 400NC Film • True-to-speed shooting at • Shoot at box speed in all features natural colors and high speed. Use 400NC Film for 160 and 400 lighting conditions smooth, natural flesh tones on location. • No second-guessing exposure KODAK PROFESSIONAL PORTRA 400VC Film • Wider exposure latitude • Better highlight and shadow features high speed and vivid colors. Use 400VC Film for detail vivid colors on location. -
Photo.Net Learn Photography
photo.net Learn Photography featuring 303,881 images with 199,756 comments Sign in | Search: www.photo.net : Learn Beginners Taking Pictures ● Making Photographs: ● Portraits ❍ Light ● Gardens ❍ Lens ● Architecture ❍ Film ● Interiors ❍ Exposure ● Ruins ❍ Camera ● Macro ● Good photography with a point and shoot ● Studio camera ● Nudes ● Underwater Learn from other photo.net users ● Sports and Action ● the photo.net discussion forums ● Concerts ● chat ● Astrophotography ● Star trails Technique ● Infrared and Ultraviolet ● Book Reviews ● Pinhole Photography ● Workshops, esp. ● Street Photography ● Film Recommendations ● Subsection: Nature ● Using Filters ● Using Tilt-Shift Lenses Post-Exposure Caring for Equipment ● Choosing a Computer System for ● Cleaning Cameras and Lenses Digital Imaging ● Camera Repair ● Darkroom ● Insurance ● Labs: where to get film developed, printed, or scanned to PhotoCD Buying Equipment and Camera Reviews ● Evaluating photographs: using a lightbox ● Separate section: Equipment and loupe to find the winners ● Storing slides, negs, photos Interviews ● Notes on framing ● Portrait photograher Elsa Dorfman ● Slide Projectors ● Professional photographer David Julian ● Subsection: Digital Editing (PhotoShop) Background ● History of Photography (timeline) Publishing and Sharing ● Optics ● Scanning and Publishing on the Web http://www.photo.net/learn/ (1 of 2) [5/15/2002 7:15:35 PM] photo.net Learn Photography ● the photo.net image sharing service ● Consider Contributing articles to photo.net These are examples from Nudes -
Kodakery; Vol. 25, No. 46; Nov. 16, 1967
'68 Travel Program Announced, Vol.25 No.46 Sign-Up Begins Dec. 2nd Hawaii ... Bermuda ... the Orient ... Europe ... California @ 1967 by Eastmen Kodak Company November 16, 1967 ... British Isles ... the Caribbean ... Miami Beach. These are the destinations of Kodakers under the 1968 Kodak group Travel Program. If all the trips are fully signed up, 900 Kodakers will take part. There will be four trips to Hawaii. There's something new next year-economy trips in March and November, including only air transportation and rooms at the Waikiki Grand Hotel. There are two deluxe trips in April and October, the latter featuring a San Francisco stopover en route and an optional return to California by the Matson cruise ship SS Lurline. Both the European and British Isles trips offer complete land DATES TOUR NUMBER COST tours or flight-only options. Both the European, a summer trip, and British Isles, a fall trip, are by KLM Mar. 16-31 Hawaii (H-1} 60 $534 DC-8 jets. Kodakers will be transported by bus to Niagara Falls for both trips. 15 nights (Economy) The European flight-only passengers may disembark and catch the return flight at either London or Amsterdam. The British Isles flight-only people may dis embark in either London or Amsterdam and catch the return flight from Am Apr. 13-28 Hawaii (H-2) 60 $747 sterdam or Shannon, Ireland. The Hawaiian flights go from Rochester to San 15 nights (Deluxe) Francisco by American Airlines and to Hawaii from there by Pan American. The Orient trip will fly American Airlines to the West Coast and Japan Air (B-1} Lines to Tokyo. -
Kodak Signet 40 Camera Rvill Give Excellent Results - If You Will Spend a Few Minutes Getting Acquainted with It
GONTENTS looding 2 Unlooding 5 Kodok Films 6 Setling The Shuiter And lens I Focus l0 Ronge Of Shorpness I I Toking The Picture 12 Ihe Simplest Settings 14 Flqsh Pictures 16 Portro Lenses 24, Core Of The Comero 25 PictureToking Around The Clock 26 Photo Aids 28 Deloils 32 www.orphancameras.com o You can be proud that you're now the owner of one of Kodak's finest cameras. Your new Kodak Signet 40 Camera rvill give excellent results - if you will spend a few minutes getting acquainted with it. As you're reading these instruc- tions, keep the camera handy; then practice each oper.ation as it appears in the manual. Before making any important pictures-a trip or some special event-shoot a magazine of film, including a few flash pictures. This gives you practice and provides a check on your equipment. Should you have additional questions, your Kodak dealer will be glad to give you a helping hand. T.II. Reg. U.S. Par, Of. EASY LOADTNG Never lood or unlood in bright, direct lighf. I Open tlie back by plessing the r-ercrr in the clilection of the allow,. 2 Push out the REwTNDKNoB with your thumb. Drop the film magazine in the recess ne\t to the knob. See pictule. Push in the re$/ind knob and turn it until it engages the magazine. 3 N{ove tl-re rrr-u ADvANCELEvER until the wide slot in the take-up drum is up. Note: In cose you con not move lhe film odvonce lever, turn the SPROCKETtoword fhe toke-up drum.