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Research on Li Bai and His Poetry Works from the Perspective of Tourism Jihong Xu Ma'anshan Teacher's College, Anhui, Ma'anshan, 243041, China Abstract
Advances in Social Science, Education and Humanities Research (ASSEHR), volume 300 2018 International Workshop on Education Reform and Social Sciences (ERSS 2018) Research on Li Bai and His Poetry Works from the Perspective of Tourism Jihong Xu Ma'anshan Teacher's College, Anhui, Ma'anshan, 243041, China Abstract. Li Bai is a great poet and traveler in China. He leaves China precious tourism resources. His tourism poetry works enrich China tourism culture, Li Bai is an outstanding tourism aesthetics master. His poetry aesthetic artistic conception is far-reaching. Li Bai and his poetry works are comprehensively arranged and deeply studied from the perspective of tourism, thereby providing an important basis for developing tourism resources and enriching cultural connotation of tourism products in various regions, and further promoting inheritance and development of China tourism culture. Keywords: Li Bai; tourism resources; tourism culture; tourism aesthetics. 1. Introduction Li Bai is a great romantic poet of China, who 'traveled many famous mountains for his life'. He 'studied immortals in his fifteenth year and never stopped immortal trips'. He 'went to far places with sword' at the age of 25. Li Bai stayed in Dangtu of Anhui at the age of 60 till his death. Li Bai traveled all year round since 15 years old. His steps were radiated to the whole China. Li Bai was repeatedly frustrated in his political career and failed to realize his political ambition especially from 44 to 55 years old. Therefore, he mainly focused on travelling during the period. Such a long and extensive travel is rare among ancient Chinese literati, which also enabled him to transcend his status as a poet. -
Tagore: (泰戈尔) a Case Study of His Visit to China in 1924
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 19, Issue 3, Ver. V (Mar. 2014), PP 28-35 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Tagore: (泰戈尔) A Case study of his visit to China in 1924 Sourabh Chatterjee (Mody University of Science and Technology, India) Abstract: In 1923, Beijing Lecture Association, Jiangxueshe (讲学社) invited Rabindranath Tagore to deliver a series of lecturers. Established in September 1920, Jiangxueshe was one of the many globally acclaimed institutions that mushroomed in China in the wake of the May Fourth Movement. The main objective of this institution was to invite foreign scholars and celebrities to arrange lectures by them for Chinese intellectuals. They thought it will help the Chinese intellects to be prospers in many aspects, which will enrich their country. Every year, they used to invite the most respected global figures, research scholars, scientists, and noble laureates to deliver their valuable speeches and sermons. Before Rabindranath, the Association invited some dignified global figures like John Dewey (1859-1952), Bertrand Russell (1872-1970) and Hans Driesch (1862- 1941). Most of them were not able to move them in a great way. Anyway, as the Chinese association felt that they were not receiving expected result after inviting so many global scholars, they finally decided to invite Rabindranath to their country. It is worthy to be mentioned here, some fervent critics and scholars like Das, Sun and Hay have averred that Tagore’s visit to China created two fold reactions among the people of China. Tagore’s visit to China received both friendly and hostile reactions from them. -
Water Quality Attribution and Simulation of Non-Point Source Pollution Load Fux in the Hulan River Basin Yan Liu1,2, Hongyan Li1,2*, Geng Cui3 & Yuqing Cao1,2
www.nature.com/scientificreports OPEN Water quality attribution and simulation of non-point source pollution load fux in the Hulan River basin Yan Liu1,2, Hongyan Li1,2*, Geng Cui3 & Yuqing Cao1,2 Surface water is the main source of irrigation and drinking water for rural communities by the Hulan River basin, an important grain-producing region in northeastern China. Understanding the spatial and temporal distribution of water quality and its driving forces is critical for sustainable development and the protection of water resources in the basin. Following sample collection and testing, the spatial distribution and driving forces of water quality were investigated using cluster analysis, hydrochemical feature partitioning, and Gibbs diagrams. The results demonstrated that the surface waters of the Hulan River Basin tend to be medium–weakly alkaline with a low degree of mineralization and water-rock interaction. Changes in topography and land use, confuence, application of pesticides and fertilizers, and the development of tourism were found to be important driving forces afecting the water quality of the basin. Non-point source pollution load fuxes of nitrogen (N) and phosphorus (P) were simulated using the Soil Water and Assessment Tool. The simulation demonstrated that the non-point source pollution loading is low upstream and increases downstream. The distributions of N and P loading varied throughout the basin. The fndings of this study provide information regarding the spatial distribution of water quality in the region and present a scientifc basis for future pollution control. Rivers are an important component of the global water cycle, connecting the two major ecosystems of land and sea and providing a critical link in the biogeochemical cycle. -
Brief Discussion on the Strategies of the Southern Bureau of the CPC Central Committee in the Work of Unifying Front
ISSN 1712-8358[Print] Cross-Cultural Communication ISSN 1923-6700[Online] Vol. 12, No. 7, 2016, pp. 45-48 www.cscanada.net DOI:10.3968/8644 www.cscanada.org Brief Discussion on the Strategies of the Southern Bureau of the CPC Central Committee in the Work of Unifying Front PENG Xinglin[a],* [a]Lecturer, Chongqing Youth Vocational & Technical College, Chongqing, of the CPC Central Committee has extremely strategic China. work on unifying front under extremely complicated * Corresponding author. circumstance. Received 16 April 2016; accepted 15 June 2016 Published online 26 July 2016 1. STRONG LEADERSHIP OF THE Abstract The work of unifying front of the Southern Bureau of PARTY the CPC Central Committee under the direct leadership Southern Bureau of the CPC Central Committee has of Zhou Enlai has been developed deeply within the been working on unifying front leaded by the CPC Kuomintang’s (KMT) territory and part of enemy’s Central Committee. Mao Zedong, leader of the Party, territory is full of strategies, mainly as the consequences has a critical conclusion on importance of unifying of the strong and effective leadership of the party, the front which is “whether China is able to be liberated clarity of the objects of united front work, the varied from this heavy national and social crisis depends on methods of united front work, focusing on combining progress of unifying front” (Mao, 1991, p.364). To the current situation as well as the personal charm of the working policy of the Southern Bureau, Mao Zedong leader of united front work. pointed out on August 24, 1939 that “(a) stabilize the Key words: Southern bureau; United front; Fighting Party, (b) goes deep into the mass, (c) develop united strategies front in the middle class. -
Introduction
Notes Introduction 1. Hobsbawm 1990, 66. 2. Diamond 1998, 322–33. 3. Fairbank 1992, 44–45. 4. Fei Xiaotong 1989, 1–2. 5. Diamond 1998, 323, original emphasis. 6. Crossley 1999; Di Cosmo 1998; Purdue 2005a; Lavely and Wong 1998, 717. 7. Richards 2003, 112–47; Lattimore 1937; Pan Chia-lin and Taeuber 1952. 8. My usage of the term “geo-body” follows Thongchai 1994. 9. B. Anderson 1991, 86. 10. Purdue 2001, 304. 11. Dreyer 2006, 279–80; Fei Xiaotong 1981, 23–25. 12. Jiang Ping 1994, 16. 13. Morris-Suzuki 1998, 4; Duara 2003; Handler 1988, 6–9. 14. Duara 1995; Duara 2003. 15. Turner 1962, 3. 16. Adelman and Aron 1999, 816. 17. M. Anderson 1996, 4, Anderson’s italics. 18. Fitzgerald 1996a: 136. 19. Ibid., 107. 20. Tsu Jing 2005. 21. R. Wong 2006, 95. 22. Chatterjee (1986) was the first to theorize colonial nationalism as a “derivative discourse” of Western Orientalism. 23. Gladney 1994, 92–95; Harrell 1995a; Schein 2000. 24. Fei Xiaotong 1989, 1. 25. Cohen 1991, 114–25; Schwarcz 1986; Tu Wei-ming 1994. 26. Harrison 2000, 240–43, 83–85; Harrison 2001. 27. Harrison 2000, 83–85; Cohen 1991, 126. 186 • Notes 28. Duara 2003, 9–40. 29. See, for example, Lattimore 1940 and 1962; Forbes 1986; Goldstein 1989; Benson 1990; Lipman 1998; Millward 1998; Purdue 2005a; Mitter 2000; Atwood 2002; Tighe 2005; Reardon-Anderson 2005; Giersch 2006; Crossley, Siu, and Sutton 2006; Gladney 1991, 1994, and 1996; Harrell 1995a and 2001; Brown 1996 and 2004; Cheung Siu-woo 1995 and 2003; Schein 2000; Kulp 2000; Bulag 2002 and 2006; Rossabi 2004. -
Networking Asia-Pacific Heritage Practitioners
First Meeting on Networking Asia-Pacific Heritage Practitioners HOST 界 遗 产 • • 世 W L O A I R D L D N O H E M R E I T N A I G O E M • P A T R I United Nations World The World Heritage Institute of Training and Educational, Scientific and Heritage Research for the Asia and the Pacific Region Cultural Organization Convention under the auspices of UNESCO SUPPORT First Meeting on Networking Asia-Pacific Heritage Practitioners 5-8 November 2018 Tongli in Jiangsu Province, China WHITRAP authorises the reproduction of this material, whole or part, provided appropriate acknowledgement is given. Editor: Gamini Wijesuriya, Coverpage photo © pixabay.com Hong Li, Yifei Liu Made in October 2018, Design: Xi Luo Shanghai, China CONTENT 1 Concept Note....................................................................... 10 2 Participants .......................................................................... 28 3 Agenda................................................................................. 56 4 Case-Study Reports 4.1 World Heritage Subak Cultural Landscape, in Bali, Indonesia.............................................................................. 62 4.2 Regional Heritage Conservation and Local Development - the Case of Southern Anhui......................... 72 4.3 Conservation and Management of the Persian Qanat: Baladeh, Old Theory, New Practice..................................... 82 4.4 The Experience and Innovation of the Master Plan of Mount Wudang Scenic and Historic Interest Area............... 94 4.5 Case study: Ballarat, Australia...................................... -
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Man In India, 97 (5) : 75-91 © Serials Publications ISSUES OF STUDYING CHINESE LITERATURE IN THE REGIONAL ASPECT (AS EXEMPLIFIED BY NORTHEAST CHINA FICTION OF THE FIRST HALF OF THE 20TH CENTURY) Natalia Lebedeva* Background/Objective: The purpose of the article is to design a theoretical basis and identify regional features of the Northeast China fiction of the first half of the 20th century. To achieve this purpose it is necessary to study geographical, ethno-cultural, historical, socio-political, economic, and linguistic factors shaping the specificity of the region and to establish their relationship with fiction development. Methods: The method of complex analysis of the historical context and literary tradition in Northeast China will be a basic tool to be used in conjunction with the descriptive, comparative, and textual methods. Findings: It is the first time in R ussian Sinology when Chinese literature is studied as a phenomenon of the regional culture. The current research proves that a regional approach to the study of the literature of the Northeast China is acceptable. This approach is defined by a complex of various factors (from natural geographic to linguistic). The research also identifies characteristics that unite the Northeast China fiction with the national literature. It is noted that regional specificity is manifested in the development of the literary process and directly in fiction texts. New genres and themes of literary works appear. The authors of fiction texts use literary devices and images borrowed from the foreign literature (Soviet and Japanese); in the meantime, their language is enriched by the dialect vocabulary. Moreover, Chinese “Native-land literature” is investigated in detail contributing to the development of Sinology taken as a whole. -
The Bolshevil{S and the Chinese Revolution 1919-1927 Chinese Worlds
The Bolshevil{s and the Chinese Revolution 1919-1927 Chinese Worlds Chinese Worlds publishes high-quality scholarship, research monographs, and source collections on Chinese history and society from 1900 into the next century. "Worlds" signals the ethnic, cultural, and political multiformity and regional diversity of China, the cycles of unity and division through which China's modern history has passed, and recent research trends toward regional studies and local issues. It also signals that Chineseness is not contained within territorial borders overseas Chinese communities in all countries and regions are also "Chinese worlds". The editors see them as part of a political, economic, social, and cultural continuum that spans the Chinese mainland, Taiwan, Hong Kong, Macau, South East Asia, and the world. The focus of Chinese Worlds is on modern politics and society and history. It includes both history in its broader sweep and specialist monographs on Chinese politics, anthropology, political economy, sociology, education, and the social science aspects of culture and religions. The Literary Field of New Fourth Artny Twentieth-Century China Communist Resistance along the Edited by Michel Hockx Yangtze and the Huai, 1938-1941 Gregor Benton Chinese Business in Malaysia Accumulation, Ascendance, A Road is Made Accommodation Communism in Shanghai 1920-1927 Edmund Terence Gomez Steve Smith Internal and International Migration The Bolsheviks and the Chinese Chinese Perspectives Revolution 1919-1927 Edited by Frank N Pieke and Hein Mallee -
Jade Huang and Chinese Culture Identity: Focus on the Myth of “Huang of Xiahoushi”
Journal of Literature and Art Studies, June 2016, Vol. 6, No. 6, 603-618 doi: 10.17265/2159-5836/2016.06.003 D DAVID PUBLISHING Jade Huang and Chinese Culture Identity: Focus on the Myth of “Huang of Xiahoushi” TANG Qi-cui, WU Yu-wei Shanghai Jiao Tong University, Shanghai, China This paper focus on the myth of “Huang of Xiahoushi” (夏后氏之璜), focusing on the distribution of Jade Huang (玉璜) since the early neolithic and its process of pluralistic integration. The paper explores the story of ethnic group, cultural identification and the significance of Jade Huang in the discourse construction of etiquette civilization behind the mythic narrative based on multi-evidence method and the local meaning of literature in ancient Chinese context. Keywords: Jade Huang, Huang of Xiahoushi, unified diversity, Chinese identity, etiquette civilization, multi-evidence method Introduction Modern archeological relics including potteries, jades and bronzes bring back the lost history; the process of how Chinese unified diversity took shape in general and the great tradition of jade culture in eight thousand in particular. The handed-down documents echo each other at a distance provide solid evidences for the origin of civilization of rite and music and the core values based on jade belief. Jade Huang is an important one of it. It is illuminated by numerous records about Jade Huang in ancient literature, as well as a large number of archaeology findings past 7,000 years. The paper seeks to focus on the following questions: what is the function of Jade Huang in historic and prehistoric period? Moreover, what is the function of “Huang of Xiahoushi”, which belonged to emperor and symbolized special power in historic documents and myths and legends in ancient china? Jade Huang: Etiquette and Literature Jade Huang (Yu Huang, Semi-circular/annular Jade Pendant) is a type of jade artifact which is seemed to be remotely related to etiquette and literature. -
The Dictionary of Chinese Deities
THE DICTIONARY OF CHINESE DEITIES HAROLD LIU For everyone who love Chinese myth A Amitabha Amitabha is is a celestial buddha described in the scriptures of the Mahayana school of Buddhism. Amitabha is the principal buddha in the Pure Land sect, a branch of Buddhism practiced mainly in East Asia. An Qisheng An immortal who had live 1.000 year at he time of Qin ShiHuang. According to the Liexian Zhuan, Qin Shi Huang spoke with him for three entire days (including nights), and offered Anqi jade and gold. He later sent an expedition under Xu Fu to find him and his highly sought elixir of life. Ao Guang The dragon king of East sea. He is the leader of four dragon king. His son Ao Bing killed by Nezha, when his other two son was also incapitated by Eight Immortals. Ao Run The dragon king of West Sea. His crown prine named Mo Ang and help Sun Wukong several times in journey to the West story.His 3th son follow monk XuanZhang as hisdragon horse during Xuan Zhang's journey to the West. Ao Qin The dragon king of South sea AoShun The dragon King of North sea. Azzure dragon (Qing Long) One of four mythical animal in China, he reincanated many times as warrior such as Shan Xiongxin and Yom Kaesomun, amighty general from Korea who foiled Chinese invasion. It eleemnt is wood B Bai He Tongzhu (white crane boy) Young deity disciple of Nanji Xianweng (god of longevity), he act as messenger in heaven Bai Mudan (White peony) Godess of temptress Famous prostitute who sucesfully tempt immortal Lu Dongbin to sleep with her and absorb his yang essence. -
The Literature of China in the Twentieth Century
BONNIE S. MCDOUGALL KA此1 LOUIE The Literature of China in the Twentieth Century 陪詞 Hong Kong University Press 挫芋臨眷戀犬,晶 lll 聶士 --「…- pb HOMAMnEPgUimmm nrRgnIWJM inαJ m1ιLOEbq HHny可 rryb的問可c3 們 unn 品 Fb 心 油 β 7 叫 J『 。 Bonnie McDougall and Kam Louie, 1997 ISBN 962 209 4449 First published in the United Kingdom in 1997 by C. Hurst & Co. (Publishers) Ltd. This soft cover edition published in 1997 by Hong Kong University Press is available in Hong Kong, China and Taiwan All righ臼 reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the Publisher. Printed in England CONTENTS Acknowledgements page v Chapters 1. Introduction 1 Part I. 1900-1937 2. Towards a New Culture 13 3. Poetry: The Transformation of the Past 31 4. Fiction: The Narrative Subject 82 5. Drama: Writing Performance 153 Part II. 1938-1965 6. Return to Tradition 189 7. Fiction: Searching for Typicality 208 8. Poetry: The Challenge of Popularisation 261 9. Drama: Performing for Politics 285 Part III. 1966-1989 10. The Reassertion of Modernity 325 11. Drama: Revolution and Reform 345 12. Fiction: Exploring Alternatives 368 13. Poe世y: The Challenge of Modernity 421 14. Conclusion 441 Further Reading 449 Glossary of Titles 463 Index 495 Vll INTRODUCTION Classical Chinese poet可 and the great traditional novels are widely admired by readers throughout the world. Chinese literature in this centu可 has not yet received similar acclaim. -
Ancient-Style Prose Anthologies in Ming Dynasty (1368-1644) China
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Timothy Robert Clifford University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Clifford, Timothy Robert, "In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China" (2017). Publicly Accessible Penn Dissertations. 2234. https://repository.upenn.edu/edissertations/2234 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2234 For more information, please contact [email protected]. In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Abstract The rapid growth of woodblock printing in sixteenth-century China not only transformed wenzhang (“literature”) as a category of knowledge, it also transformed the communities in which knowledge of wenzhang circulated. Twentieth-century scholarship described this event as an expansion of the non-elite reading public coinciding with the ascent of vernacular fiction and performance literature over stagnant classical forms. Because this narrative was designed to serve as a native genealogy for the New Literature Movement, it overlooked the crucial role of guwen (“ancient-style prose,” a term which denoted the everyday style of classical prose used in both preparing for the civil service examinations as well as the social exchange of letters, gravestone inscriptions, and other occasional prose forms among the literati) in early modern literary culture. This dissertation revises that narrative by showing how a diverse range of social actors used anthologies of ancient-style prose to build new forms of literary knowledge and shape new literary publics.