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South Africa and the African Renaissance

South Africa and the African Renaissance PETER VALE* AND SIPHO MASEKO On May , immediately prior to the adoption of South Africa’s new con- stitution,Thabo Mbeki, Nelson Mandela’s chosen successor, opened his address to the country’s Constitutional Assembly with the words ‘I am an African!’. In an inclusionary speech, symptomatic of post-apartheid South Africa, Mbeki drew strands of the country’s many histories together. His words evoked great emotion within the assembly chamber, and later throughout the country: across the political spectrum, South Africans strongly associated themselves with the spirit of reconciliation and outreach caught in his words. South Africa’s reunification with the rest of the continent had been a significant sub-narrative within the processes which led to negotiation over the ending of apartheid. That South Africa would become part of the African community was, of course, beyond doubt; what was at issue was both the sequence of events by which this would happen and the conditionalities attached to its happening.The continent’s enthusiasm for the peace process in South Africa was initially uneven: the Organization of African Unity (OAU) summit in June decided to retain sanctions against South Africa although the Nigerian leader, General Ibrahim Babingida, expressed an interest in meet- ing South Africa’s then President, F.W.de Klerk, if such an occasion ‘would help bring about majority rule.’ The political prize attached to uniting South Africa with the rest of the continent explains why South Africa’s outgoing minority government, despite energetic and expensive diplomatic effort, was unable to deliver its own version of South Africa in Africa.
I Am an African

I Am An African Favourite Africa Poems By Wayne Visser Fifth Edition Fifth paperback edition published in 2016 by Kaleidoscope Futures, Cambridge, UK. First and second paperback editions published in 2008 and 2010 by Your P.O.D. Ltd. Third and fourth paperback edition published in 2012 and 2014 by Wayne Visser. First and second electronic editions published in 2011 by Wayne Visser and in 2016 by Kaleidoscope Futures. Copyright © 2016 Wayne Visser. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher. Cover photography and design by Wayne Visser. Cover photograph of the author by Indira Kartallozi. Printing and distribution by Lulu.com. ISBN 978-1-908875-22-8 Dedication Dedicated to the people of Africa, who never cease to amaze and inspire with their colourful diversity, their warm humanity, their unquenchable hope, their tireless resilience and their indomitable spirit. Fiction Books by Wayne Visser I Am An African: Favourite Africa Poems Wishing Leaves: Favourite Nature Poems Seize the Day: Favourite Inspirational Poems String, Donuts, Bubbles and Me: Favourite Philosophical Poems African Dream: Inspiring Words & Images from the Luminous Continent Icarus: Favourite Love Poems Life in Transit: Favourite Travel & Tribute Poems Non-fiction Books by Wayne Visser Beyond Reasonable
The Power of Heritage to the People

How history Make the ARTS your BUSINESS becomes heritage Milestones in the national heritage programme The power of heritage to the people New poetry by Keorapetse Kgositsile, Interview with Sonwabile Mancotywa Barbara Schreiner and Frank Meintjies The Work of Art in a Changing Light: focus on Pitika Ntuli Exclusive book excerpt from Robert Sobukwe, in a class of his own ARTivist Magazine by Thami ka Plaatjie Issue 1 Vol. 1 2013 ISSN 2307-6577 01 heritage edition 9 772307 657003 Vusithemba Ndima He lectured at UNISA and joined DACST in 1997. He soon rose to Chief Director of Heritage. He was appointed DDG of Heritage and Archives in 2013 at DAC (Department of editorial Arts and Culture). Adv. Sonwabile Mancotywa He studied Law at the University of Transkei elcome to the Artivist. An artivist according to and was a student activist, became the Wikipedia is a portmanteau word combining youngest MEC in Arts and Culture. He was “art” and “activist”. appointed the first CEO of the National W Heritage Council. In It’s Bigger Than Hip Hop by M.K. Asante. Jr Asante writes that the artivist “merges commitment to freedom and Thami Ka Plaatjie justice with the pen, the lens, the brush, the voice, the body He is a political activist and leader, an and the imagination. The artivist knows that to make an academic, a historian and a writer. He is a observation is to have an obligation.” former history lecturer and registrar at Vista University. He was deputy chairperson of the SABC Board. He heads the Pan African In the South African context this also means that we cannot Foundation.
Stakeholder Magazine 3Rd Term 2017 18

ARK NEWS P FREEDOM October - December 2017 TABLE OF CONTENTS Editor’s Comment Chairperson’s remarks CEO’s Foreword Biography HoD Public Participation Ms M Makoela Dialogue with the nation We look back upon a year that has been so significant in terms of the many events that took place. Fulfilling our National Mandate Our mandate is to make Freedom Park visible, thereby growing its number of visitors. Team work, focus and accountability are the hallmark of how we do things. There is greater visibility of Freedom Park and the Park is on demand from other museums in South Africa Corporate Calendar/ Events and foreign governments to share its experience dedicated to peace and freedom. We have implemented a number of key partnerships with like-minded institutions. Freedom Park is Good to know one of the few institutions which deal with sensitive issues of politics and history but which enjoy legitimacy across the wide spectrum of society. The whole concept of Freedom Park and its content is unique in this country and on the continent. It integrates history, culture and spirituality in a special way and the storyline is infused in the design, architecture and landscape. That is why no person who enters Freedom Park can stay unaffected by the experience. This is a place of pilgrimage for all South Africans – every South African must visit Freedom Park once in their life-time. It is open for tourists, domestic and international, and is a treasure of knowledge for school-children and all who want to learn about our history, culture and spirituality as Africans.
Zuma's Middle Finger

By Mwangi Githahu Cape Town, South Africa – APATHETIC MIDDLE CLASS TAKES TO THE STREETS President Jacob Zuma is not going anywhere in a hurry. However, a number of South Africans are battling to understand why not. As far as they are concerned, factions are rife in the ruling party, there are whispers and dark mutterings about private armies being recruited to defend party headquarters and to infiltrate opposition protests. There have been high-profile sackings from the Cabinet and resignations from parliament. As a result, a normally apathetic middle class has taken to the streets to demonstrate with opposition parties, trade unionists, senior members of the clergy and civil society. These South Africans are also concerned about what they perceive as the securitisation of the state. The recently appointed police minister is talking about fighting fire with fire in his threats to those who dare protest against the state. The acting police commissioner is dismissive of court rulings allowing protests. There is open lawfare in the courts. Parliament is once more discussing a motion of no-confidence even though the ruling party’s numbers in the House mean it is at best a waste of effort. Unhappy South Africans can see signs that that their economy is under attack, with international ratings agency after agency giving the country the thumbs down. This middle class coalition of black and white South Africans is hurting and are upset by the stories they read in their newspapers, magazines, see on TV and hear on their favourite talk radio stations about the perceived influence of the shadowy Gupta family in affairs of state.
Historical Memories of Apartheid-Era Swaziland

University of New Hampshire University of New Hampshire Scholars' Repository Anthropology Scholarship Anthropology 2-2015 Border-situations: Historical Memories of Apartheid-era Swaziland Casey Golomski University of New Hampshire, Durham, [email protected] Follow this and additional works at: https://scholars.unh.edu/anth_facpub Part of the African History Commons, African Languages and Societies Commons, Continental Philosophy Commons, Cultural History Commons, Oral History Commons, Social and Cultural Anthropology Commons, and the Social History Commons Recommended Citation Casey Golomski. 2015. “Border-situations: Historical Memories of Apartheid-era Swaziland." Johannesburg Salon, “Archives of the Non-Racial” issue, 8: 13-22. This Article is brought to you for free and open access by the Anthropology at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Anthropology Scholarship by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. BORDER-SITUATIONS: HISTORICAL MEMORIES “This essay briefly considers how transnational we feel a sense of ambivalence. It is a limit we recognize OF APARTHEID-ERA SWAZILAND and historical processes of race with regards to that defines and curtails us when it becomes apparent South African apartheid have played out in the that a particular situation in which we find ourselves is Casey Golomski memory of a few contemporary Swazi, and how one for which we are unprepared (or “unconditioned” University of the Witwatersrand // University of for the majority of ordinary Swazi these memories in his terms) to work through. However, this recogni- Massachusetts Boston are made opaque in the culture of their own ethno- tion of limit is one where new forms of self-conscious- national history.” ness and self–realization become possible.
Biko Met I Must Say, He Nontsikelelo (Ntsiki) Mashalaba

LOVE AND MARRIAGE In Durban in early 1970, Biko met I must say, he Nontsikelelo (Ntsiki) Mashalaba Steve Biko Foundation was very politically who came from Umthatha in the Transkei. She was pursuing involved then as her nursing training at King Edward Hospital while Biko was president of SASO. a medical student at the I remember we University of Natal. used to make appointments and if he does come he says, “Take me to the station – I’ve Daily Dispatch got a meeting in Johannesburg tomorrow”. So I happened to know him that way, and somehow I fell for him. Ntsiki Biko Daily Dispatch During his years at Ntsiki and Steve university in Natal, Steve had two sons together, became very close to his eldest Nkosinathi (left) and sister, Bukelwa, who was a student Samora (right) pictured nurse at King Edward Hospital. here with Bandi. Though Bukelwa was homesick In all Biko had four and wanted to return to the Eastern children — Nkosinathi, Cape, she expresses concern Samora, Hlumelo about leaving Steve in Natal and Motlatsi. in this letter to her mother in1967: He used to say to his friends, “Meet my lady ... she is the actual embodiment of blackness - black is beautiful”. Ntsiki Biko Daily Dispatch AN ATTITUDE OF MIND, A WAY OF LIFE SASO spread like wildfire through the black campuses. It was not long before the organisation became the most formidable political force on black campuses across the country and beyond. SASO encouraged black students to see themselves as black before they saw themselves as students. SASO saw itself Harry Nengwekhulu was the SRC president at as part of the black the University of the North liberation movement (Turfloop) during the late before it saw itself as a Bailey’s African History Archive 1960s.
Africa and the Glittering Prize 1 Africa Must Change 9 Négritude, Africa and Black History 17

ISSUE 6: JULY 2013 CONTENTS Introduction: Africa and the Glittering Prize 1 Africa Must Change 9 Négritude, Africa and Black History 17 Africa Must Unite or Perish 2 Black Woman 12 The African Revolution 18 The Rebirth of Africa 8 Our Ultimate Goal 13 Africa Unite 20 Africa and the Glittering Prize 013 marks the 50th anniversary of the towards Pan Africanism. As such, Biko’s formation of the Organisation of African name was among those read out on a roll call 2Unity (OAU), now known as the African at a ceremony held in Addis Ababa on the Union (AU), an organisation established to 25th of May, 2013. In light of this, we as the promote sovereignty, unity and development Steve Biko Foundation (SBF) are using this, NKOSINATHI BIKO in the continent. the sixth edition of the FrankTalk Journal, to On the occasion of celebrating the 50th commemorate the history of African liberation Mr. Biko is the Chief Executive anniversary, the AU honoured Steve Biko under the title “Africa and The Glittering Prize.” Officer of the Steve Biko Foun- in recognition of the contribution he made This Journal celebrates an aggregation of dation. He is a founder member the historical, cultural, artistic, scientific and of the board of trustees and philosophical legacies of Africans from past chaired the Steve Biko Foun- times. In doing this, we bring you writings dation for the first five years. “The great powers of the from individuals who laid the foundations of Mr. Biko graduated from the world may have done what became contemporary Pan-Africanism, wonders in giving the world Aime Cesaire, Leopold Senghor, Malcolm University of Cape Town where an industrial and military X, Kwame Nkrumah, Robert Sobukwe and he pursued a Bachelor of So- cial Science (Economics) and a look, but the great gift still Bob Marley to help us reflect on the dream for a united Africa.
Race, History and the Internet: the Use of the Internet in White Supremacist Propaganda in the Late 1990’S, with Particular Reference to South Africa

Race, History and the Internet: The use of the Internet in White Supremacist Propaganda in the late 1990’s, with particular reference to South Africa Inez Mary Stephney A dissertation submitted to the Faculty of Humanities, Social Sciences and Wits School of Arts, University of the Witwatersrand, Johannesburg in fulfilment of the requirements for the Masters Degree. Abstract This dissertation aims to investigate the use of History by white supremacist groups in South Africa particularly, to rework their identity on the Internet. The disserta- tion argues that white supremacist groups use older traditions of history, particu- larly, in the South African case, the ‘sacred saga’, as explained by Dunbar Moodie to create a sense of historical continuity with the past and to forge an unbroken link to the present. The South African white supremacists have been influenced by the His- tory written by Van Jaarsveld for example, as will be shown in the chapters analysing the three chosen South African white supremacist groups. The white supremacists in the international arena also use history, mixed with 1930s Nazi propaganda to promote their ideas. i Acknowledgements There are a few people who must be acknowledged for their assistance during the research and preparation of this dissertation. First and foremost, my supervisor Dr Cynthia Kros for her invaluable advice and assistance- thank you. I also wish to thank Nina Lewin and Nicole Ulrich for all the encouragement, reading of drafts and all round unconditional love and friendship that has helped me keep it together, when this project seemed to flounder. Katie Mooney for saying I should just realised I am a historian and keep on going.
HIST 1722-Modern South African History

HIST 1722-Modern South African History John Stoner Office: 3704 WWPH (but that won’t help you find me!) Phone: +16076219612 or 0611717830 (or Room #81 at the Protea Cape Castle) Email: [email protected] (best method of communication) Office Hours: NEVER!!! (ok really by appointment) GENERAL EDUCATION REQUREMENTS SATISFIED: (A&S) International and Foreign Culture (Regional), Historical Change, Non-Western Foreign Culture, (Pitt Business) Social Science COURSE DESCRIPTION: Apartheid South Africa captured the international imagination during the second half of the twentieth century as a so-called “pariah” state. This course connects events from earlier South African history (economic development, military conquest, popular protest, and state formation) with how things played out during and after the apartheid years. DOThe course will be organizedNOT chronologically (but in reverse!) COPY and use specific conflicts (strikes, political demonstrations, repression, etc.) to focus on key moments in South African history. It will utilize a large number of primary materials (ranging from manifestos to novels to film) as well as secondary readings from books and articles to generate discussion. This will further an understanding of the roots of conflict and the creation of identity in modern South Africa. No familiarity with African history is required. COURSE GOALS: The course seeks to give students a general background in modern South African history. In addition to becoming more familiar with the chronological narrative, students will be exposed to the parallel processes of industrial development, identity formation, and political change and resistance. COURSE OBJECTIVES: By the end of the semester, students should: • Exhibit familiarity with the general trajectory of South African history since the 1870s.
African Identity and an African Renaissance

AFRICAN IDENTITY AND AN AFRICAN RENAISSANCE By Philani Jili Submitted in partial fulfilment of the academic requirements for the degree of Masters in Political Science in the discipline of Political Studies School of Human and Social Studies University of Natal, Pietennaritzburg December 2000 Declaration I declare this thesis to be entirely my own work except where otherwise stated in the text. .Sl!!t..t= ....= ....~~ ........ ~. Philani Jili Acknowledgements I would like to thank my supervisor, Alison Jones, and my co-supervisor, Jabulani Sithole for their guidance and encouragement. I am also grateful to the School of Human and Social Studies Manager, Dawn Fowle, for her assistance with computer skills during the preparation of a research proposal. I am also grateful to Laurence Piper whose suggestions and comments were very helpful. My thanks are also due to the Director of Political Studies, Dr. Ufo Okeke Uzodike and Tahir Fuzile Sitoto for lending me some material on African philosophy and for their comments, motivation and support. Lastly, my thanks goes to Nsizwa Dlamini and Zwelihle Memela whose insights were very helpful. Table of Contents Page Introduction a) Hypothesis and objectives of the dissertation, and brief chapter summaries 1 b) Research methodologies and sources 4 Chapter One : Issues of African Identity: Cultural and Philosophical Debate 7 1.1 Introduction: General Themes and Questions 7 1.2 Ethnophilosophy and its Critics 8 1.2.1 An example of ethnophilosophy 14 1.2.2 Hountondji's critique 16 1.2.3 Wiredu's critique
Who Is a South African? Interrogating Africanness and Afro-Phobia Written by Vineet Thakur

Who is a South African? Interrogating Africanness and Afro-phobia Written by Vineet Thakur This PDF is auto-generated for reference only. As such, it may contain some conversion errors and/or missing information. For all formal use please refer to the official version on the website, as linked below. Who is a South African? Interrogating Africanness and Afro-phobia https://www.e-ir.info/2011/07/18/who-is-a-south-african-interrogating-africanness-and-afro-phobia/ VINEET THAKUR, JUL 18 2011 The need for identity, David Campbell (1992) writes, is an ‘inescapable part of being’. The identity need of a State is reflected in its assertion of its nation-ness. The State therefore is always in the quest for a nation. The State in South Africa, in its Apartheid and Post-Apartheid variants, has sought allegiance to different identity markers in its ‘quest for nation’. Even though spatially located in Africa, the Apartheid regime had consciously situated itself ideologically, temporally and dispositionally in the western, white world. Against this, post-Apartheid South Africa could only come into being through a negation of what Apartheid South Africa stood for. Its new identity had a clearly defined ‘other’ in this case. The presence of a well-defined ‘other’ however does not guarantee a singular narrative of ‘self’. The ‘self’ if only defined against the ‘other’ remains only a negative identity category. However, as movements like Negritude, African Humanism, Black Consciousness would attest, the ‘self’ always becomes more than just a reaction to the ‘other’. It takes up positive forms. So negritude is just not about a negro, but about a new attitude.