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Percorsi Etruschi "In Verità È Impressionante Constatare Che Per Due Volte, Nel VII Secolo A
2 Prefazione "L’uomo che non è mai stato in Italia, è sempre cosciente di un’inferiorità." Samuel Johnson Perché possiamo parlare dell’Italia come Opera Unica? Certo è che in essa sono concentrati la maggior parte dei beni artistici esistenti sul pianeta Terra, questo senza tener conto delle enormi ricchezze che ci rappresentano in alcuni tra i musei più importanti del mondo come il Louvre a Parigi, l’Heritage a San Pietroburgo o la National Gallery a Londra, visto e considerato che, insieme all’Egitto e alla Grecia, siamo tra i paesi più depauperati da un punto di vista patrimoniale, oltre che, da sempre, l’Arte Italiana fa scuola a studenti e artisti provenienti da ogni dove, talvolta diventati celeberrimi come Balthus, Picas- so e Turner, e che hanno affrontato i viaggi più avventurosi per studiare i no- stri capolavori i quali hanno influenzato visibilmente le loro opere. La famosa "Sindrome di Stendhal" prende nome proprio dalla reazione emo- tiva ansiogena che colse il famoso scrittore Francese e che egli racconta nel suo libro "Roma, Napoli e Firenze" descrivendola come una sintomatologia paralizzante dovuta all’improvvisa bellezza di un monumento e che lo colse uscendo dalla chiesa di Santa Croce, nel capoluogo toscano. Nel solo territorio Italiano contiamo cinquantacinque siti UNESCO a cui va aggiunto il Vaticano e senza tener conto che luoghi come Ercolano e Pompei sono considerati un unico sito. Trattasi di un numero pari a quello che può vantare la Cina, ma l’estensione dell’Italia, come si sa, è ben più ridotta. In sostanza, ovunque ci si trovi, nel nostro bel paese, si rischia di essere colpiti dalla stessa Sindrome che colse Stendhal. -
Ennio Morricone
ENNIO MORRICONE AWARDS & NOMINATIONS *selected ACADEMY AWARD NOMINATION (2015) THE HATEFUL EIGHT Best Original Score GOLDEN GLOBE AWARD (2016) THE HATEFUL EIGHT Best Original Score BAFTA AWARD (2016) THE HATEFUL EIGHT Original Music CRITICS’ CHOICE AWARD (2016) THE HATEFUL EIGHT Best Score ACADEMY AWARD (2007) For magnificent and multifaceted contributions to the HONORARY AWARD art of film music ACADEMY AWARD NOMINATION (2000) MALENA Best Original Score GOLDEN GLOBE NOMINATION (2000) MALENA Best O riginal Score GOLDEN GLOBE AWARD (1999) THE LEGEND OF 1900 Best Original Score GRAMMY AWARD NOMINATION (1998) BULWORTH Best Instrumental Composition Written for a Motion Picture or Television GRAMMY AWARD NOMINATION (1996) THE STAR MAKER Best Instrumental Composition Written for a Motion Picture or Television GRAMMY AWARD NOMINATION (1994) WOLF Best Instrumental Composition Written for a Motion Picture or Television ACADEMY AWARD NOMINATION (1991) BUGSY Best Original Score GOLDEN GLOBE NOMINATION (1991) BUGSY Best Original Score BAFTA AWARD (1991) CINEMA PARADISO Best Original Score GOLDEN GLOBE NOMINATION (1990) CASUALTIES OF WAR Best Original Score 1 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 ENNIO MORRICONE ACADEMY AWARD NOMINATION (1987) THE UNTOUCHABLES Best Original Score BAFTA AWARD (1988) THE UNTOUCHABLES Best Original Score GOLDEN GLOBE NOMINATION (1988) THE UNTOUCHABLES Best Original Score BAFTA AWARD (1987) THE MISSION Best Original Score ACADEMY AWARD NOMINATION (1986) THE MISSION Best Original Score GOLDEN GLOBE AWARD (1986) THE MISSION Best Original Score BAFTA AWARD (1985) ONCE UPON A TIME IN AMERICA Best Original Score GOLDEN GLOBE NOMINATION (1985) ONCE UPON A TIME IN AMERICA Best Original Score BAFTA AWARD (1980) DAYS OF HEAVEN Anthony Asquith Award fo r Film Music ACADEMY AWARD NOMINATION (1979) DAYS OF HEAVEN Best Original Score MOTION PICTURES THE HATEFUL EIGHT Richard N. -
Hliebing Dissertation Revised 05092012 3
Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee. -
A Corpus-Based Critical Discourse Analysis
“The Wreckognition”: Discourse of the British and the US Press on Germany's Recognition of Croatia and Slovenia: A Corpus-based Critical Discourse Analysis Masterarbeit zur Erlangung des akademischen Grades MASTER OF ARTS an der Geisteswissenschaftlichen Fakultät der Karl-Franzens-Universität Graz vorgelegt von Morana Lukač am Institut für Anglistik Begutachter: Univ.-Prof. Mag. Dr. Bernhard Kettemann Graz, im Juni 2012 ACKNOWLEDGMENTS First of all, I would like to thank my supervisor Professor Bernhard Kettemann not only for his guidance in writing this thesis, but also for his constant encouragement and support of my academic work. Furthermore, I would like to thank Nancy Campbell, PhD who advanced my writing skills and provided her assistance in occasions too numerous to recall them all. Thanks also go to Professor Georg Marko for his technical support, and introducing me to the field of corpus linguistics. I would like to thank my colleagues at the Zadar Linguistics Department and Professor Hans Bickes with his students at the Department of German Studies at the University of Hannover for the fruitful discussions which stirred me in the right direction in my research. Additional thanks to Professor Ruth Wodak in the course of whose seminar the idea for this thesis was conceived and developed. I thank my former lecturers at my Croatian alma mater, Dr Marija Omazić, Dr Višnja Pavičić- Takač and Dr Mario Brdar, among others, who continuously take care of their students. Finally, this thesis would not be possible without the loving support of Zdenka, Slavica and Robert. 2 Contents 1. Introduction ......................................................................................................................................................... 4 2. Independence and Recognition of Croatia and Slovenia ....................................................................................... -
English and Russian, but Collects Legislation in Specific And, Often, Complex Legislative Issues
Office for Democratic Institutions and Human Rights ANNUAL REPORT 2011 ODIHR ANNUAL REPORT 2011 Published by the OSCE Office for Democratic Institutions and Human Rights (ODIHR) Ul. Miodowa 10 00-251 Warsaw Poland www.osce.org/odihr © OSCE/ODIHR 2012 All rights reserved. The contents of this publication may be freely used and copied for educational and other non-commercial purposes, provided that any such reproduction is accompanied by an acknowledgement of the OSCE/ODIHR as the source. ISBN 978-92-9234-832-8 Designed by Nona Reuter Printed in Poland by Poligrafus Jacek Adamiak 2 ODIHR Annual Report 2011 Contents 4 | Overview by the ODIHR Director 6 | Elections 18 | Democratization 38 | Human Rights 50 | Tolerance and Non-discrimination 60 | Contact Point for Roma and Sinti Issues 68 | Programmes and Projects 73 | Legislative Reviews 75 | Selected 2011 Conferences and Meetings 79 | 2011 Publications 80 | Election Reports and Statements Released in 2011 82 | ODIHR Structure and Budget ODIHR Annual Report 2011 3 N E BUDD S OSCE/CURTI Overview by the ODIHR Director Perhaps the most significant developments in 2011 In her address, Chérif stressed that the events in for the OSCE and its comprehensive concept of secu- Tunisia and Egypt were the natural consequence of the rity did not even take place within the OSCE region. systematic suppression of human rights and the mar- The events that have come to be known as the “Arab ginalization and harassment of civil society. Spring” reaffirmed, in their own way, the importance of In doing so, Chérif highlighted the third reason why one dimension of this concept of security — the human the Arab Spring was of vital importance to the OSCE, dimension. -
Foreign Language Films
Languages Title Production Information Year Albanian Before the Rain 2008 Algerian The Battle of Algiers 2004 Arabic Paradise now [DVD] / Warner Independent Pictures ; c2006. produced with the support of Nederlands Fonds voor de Film, ... [et al.] ; produced by Augustus Film, ... [et al.] ; written by Hany Abu-Assad, Bero Beyer ; producers, Hengameh Panahi, Amir Harel, Gerhard Meixner, Roman Paul ; producer, Bero Beyer ; Arabic Meeting resistance [DVD] Nine Lives Documentary Productions c2007. / presents a film by Steve Connors & Molly Bingham; produced by Daniel J. Chalfen; reported and produced by Molly Bingham & Steve Connors; directed by Steve Connors & Molly Bingham. Arabic Of gods and men [DVD] / Director: Xavier Beauvois, Sony c2011. Picture Classics. Arabic {02BB}Ajam{012B} Inosan Productions Ltd. and Twenty c2010. {02BB}Ag'ami [DVD] / Twenty Vision Filmproduktion present; written, directed by Scandar Copti and Yaron Shani; producers, Mosh Danon and Thanassis Karathanos. Arabic Iraq in fragments [DVD] / Typecast Pictures presents a c2007. Daylight Factory production; director, James Longley; producers, John Sinno, James Longley. Bengali The Apu Trilogy 2008 Cheyenne Windwalker 2003 Chinese Yin shi nan nü [DVD] = Eat the Samuel Goldwyn Company c2002. drink man woman / presents a Central Motion Pictures Corporation production in association with Ang Lee Productions and Good Machine ; screenplay by Hui-Ling Wang & Ang Lee and James Schamus ; produced by Li-Kong Hsu ; directed by Ang Lee. Chinese Iron monkey [DVD] = Miramax Films ; Media Asia Group ; [2002]. Siunin wong fei-hung tsi Golden Harvest and Quentin titmalau / Tarantino present an LS Pictures Ltd. Film Work Shop production ; written by Tsui Hark ; producer, Tsui Hark ; director, Yuen Wo Ping. -
Biblioteca Manfrediana-Faenza Film
BIBLIOTECA MANFREDIANA-FAENZA FILM (DVD e VHS) N.b.: alcuni dei DVD non sono ancora ammessi al prestito per il rispetto della normativa sul diritto d’autore aggiornato al 16.10.2007 *007 mai dire mai / un film di Irvin Kershner ; musiche di Michael Legrand ; Eagle Home Video, [1995]. - 1 videocassetta (VHS) (129 min.) : col., son. N.Inv.: M 6356 VIDEO 791.43 ZER *11 settembre 2001 : 11 registi raccontano l'attentato alle Torri Gemelle di entertainment [distributore], [2003]. - 1 DVD (DVD 9) (134 min.) : sonoro N.Inv.: M 5183 VIDEO 791.43 11S *1492 : la conquista del paradiso / un film di Ridley Scott ; scritto da videocassetta (VHS) (ca. 149 min.) : col., son. ((Interpreti: Gerard Depardieu, N.Inv.: M 6145 VIDEO 791.43 MIL *15 minuti : follia omicida a New York / scritto e diretto da Jonh Herzfeld ; l'Espresso, c2002. - 1 videocassetta (VHS) (ca. 120 min.) : color., son. ((Tit. N.Inv.: M 8825 VIDEO 791.43 15 *1997: fuga da New York / diretto da John Carpenter ; director of photography Pictures [distributore], c2004. - 1 DVD (ca. 99 min.) : sonoro (Dolby digital N.Inv.: M 7908 VIDEO 791.43 MIL *2001 : odissea nello spazio / produced and directed by Stanley Kubrick ; videocassetta (VHS) (143 min.) : color., son. (Stereo Hi-Fi Dolby Surround). N.Inv.: M 4626 VIDEO 791.43 DUE *21 grammi / un film di Alejandro Gonzales Inarritu ; scritto da Guillermo century fox enterteinment [distributore!, [2004!. - 1 DVD (DVD9) : sonoro (DTS, N.Inv.: M 7946 VIDEO 791.43 VEN *3 giorni per la verità / un film scritto e diretto da Sean Penn ; musiche di VHS (118 min.) : color., son. -
Euro Crisis...Identity Crisis?
EURO CRISIS…IDENTITY CRISIS? THE SINGLE CURRENCY AND EUROPEAN IDENTITIES IN GERMANY, IRELAND AND POLAND by CHARLOTTE AMY GALPIN A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Political Science and International Studies School of Government and Society College of Social Sciences University of Birmingham October 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines the effect of the Euro crisis on the construction of European identities in three case study countries – Germany, Ireland and Poland. Combining a social constructivist approach to European identities with the constructivist and discursive institutionalist literature on ideational change and crisis, it investigates the extent to which the crisis constituted a ‘critical juncture’ for European identity discourses. Through extensive qualitative frame analysis of political and media discourse at key moments of the crisis, it examines how European identities are constructed through the debates about the crisis. The central argument is that the Euro crisis has had little effect on European identities because actors construct the crisis in their respective national contexts. -
Tätigkeitsbericht
INHALT 1 15 Jahre Medienboard 10 2 Das Medienboard Berlin-Brandenburg 18 Struktur des Medienboard 20 Bilanz 21 3 Filmförderung 23 BERLIN-BRANDENBURG: The Best Place to B(B) and Make Movies 25 Haupstadtregion im Drehtage-High 26 Filme und Serien sind das beste Standortmarketing 27 Ausgezeichnete Filmkunst 28 Publikums-Hits 32 Regionaleffekt 34 Hoher Antragsdruck 35 Dreharbeiten in der Hauptstadtregion 36 Filmland Brandenburg 39 Made In Berlin-Brandenburg – Weltkino der Spitzenklasse 42 Internationale Kooperationen 44 Nachwuchsförderung 48 Kinoförderung 49 Digitalisierung des Filmerbes 50 4 Berlin Brandenburg Film Commission (bbfc) 51 5 Die Senderpartner des Medienboard 53 6 Gleichstellung 55 7 New-Media-Förderung 60 Innovative Audiovisuelle Inhalte 63 Award Time 64 Gamesstandort Nr. 1 65 Serielle Formate 67 Nachwuchsförderung 68 Standortmarketing-Maßnahmen 69 Canada Germany Digital Media Incentive 70 Standortförderung: Ausbau von Zukunftstechnologien 71 medien.barometer berlinbrandenburg 73 Wegweisender Kongress: MEDIA CONVENTION Berlin 74 Übersicht New-Media-Förderung 76 Innovative Audiovisuelle Inhalte 77 DIGI.TALE 82 Canada Germany Digital Media Incentive 83 Serielle Formate 84 8 Events für Filme- und Medienmacher*innen 87 9 Förderbilanz 2018 100 10 Kommunikation und Presse 102 11 Creative Europe Desk Berlin-Brandenburg 106 12 Bericht des Aufsichtsrates 109 13 Alle Förderungen 2018 110 25 km/h 4 Tätigkeitsbericht Medienboard Berlin-Brandenburg 2018 5 "Berlin hat sich zum führenden Gamesstandort in Deutschland entwickelt: Die Berliner -
Multiversity “Resisting Hegemony” August 2-4, 2010, Penang, Malaysia a Substantive Report of the Meeting Day One (Aug.2)
Multiversity “Resisting Hegemony” August 2-4, 2010, Penang, Malaysia A substantive report of the meeting Day one (Aug.2) Multiversity had invited a Minister of the Malaysian Government to inaugurate the meeting. Since he called in to say he would be arriving only at 11.00 am, we decided – as a stop gap – to screen the recent Howard Zinn film, “The People Speak.” The film is based on the well known Howard Zinn book, “A People’s History of USA”. Zinn observes in the film that when he asked around whether there was a history book written from the perspective of the people in the streets – and was told there was none – he decided to write one himself even if his background looked sceptical enough: a former bombardier with the US forces. “Democracy,” notes Zinn in the film, “does not flow from the top; it comes from the bottom.” Nicely put. For people brought up on official and academic histories of the United States, with almost all historians from the elite upper strata of American society, “The People Speak” provides a radically different view – from below – of what actually happened in that continent over the past three hundred years. Vinay Lal, however, criticised the choice of the film for the commencement of a Multiversity meeting and circulated his comments (which are worthy of reproduction). He wrote: “Lest the intent of my remarks be mistaken, I should state at the outset that I have long been an admirer of Zinn's work, and his People’s History has been the best antidote to the received version of American history. -
08Giugno2019 INDICE RASSEGNA STAMPA 08Giugno2019
08giugno2019 INDICE RASSEGNA STAMPA 08giugno2019 Festival Cinematografici Tirreno 08/06/2019 p. 22 PREMIO FIESOLE ASSEGNATO A PAOLO SORRENTINO 1 UN'ESTATE CON I SUOI FILM Segnalazioni Stampa 08/06/2019 p. CECCHI GORI, UNA VITA IN SORPASSO CAPRARA FULVIA 2 24/25 Si parla di noi Nazione Firenze 08/06/2019 p. 29 PREMIO "MAESTRI DEL CINEMA" PAOLO SORRENTINO 4 ELETTO IL MIGLIORE Indice Rassegna Stampa Pagina I Pagina 22 IL TIRRENO Foglio i CINEMA Premio Fiesole assegnato a Paolo Sorrentino Un'estate con i suoi film FIESOLE. Succede a Robert cietà, la sua storia più recen- Guédiguian sul podio del te e il suo immaginario, at- Premio Fiesole ai Maestri traverso uno stile denso, vi- del Cinema, Paolo Sorrenti- sionario e personalissimo». no. Che sabato 20 luglio, La serata fiesolana sarà nel tradizionale scenario aperta alle 18 dal consueto del teatro romano, riceverà incontro-dibattito con l'au- il prestigioso riconoscimen- tore, aperto al pubblico, du- to dalle mani di Elena Sofia rante il quale verrà presen- Ricci, la Veronica Lario di tata la monografia dedica- "Loro", ruolo che le è valso ta a Sorrentino a cura del il secondo David di Donatel- gruppo toscano del Sinda- lo come miglior attrice pro- cato, edita dalla pisana Ets, tagonista. «Siamo orgoglio- mentre al termine della ceri- si di premiare quest'anno monia di premiazione, pas- un regista come Sorrentino serà sul grande schermo che ha saputo riportare il ci- del teatro romano "La gran- nema italiano alla grande ri- de bellezza", premio Oscar balta internazionale - dice 2013. L'omaggio -
DANTE FERRETTI Production Designer
(10/26/16) DANTE FERRETTI Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “SILENCE” Martin Scorsese Paramount Pictures Barbara De Fina (Production & Costumes) Sikelia Productions Randall Emmett “CINDERELLA” Kenneth Branagh Walt Disney Pictures Simon Kinberg Nomination: Art Directors Guild Award Allison Shearmur “SEVENTH SON” Sergey Bodrov Legendary Pictures Basil Iwanyk Warner Bros. Pictures Thomas Tull “HUGO” Martin Scorsese Paramount Pictures Johnny Depp Winner: Academy Award for Best Achievement in Art Direction GK Films Tim Headington Winner: BAFTA Film Award for Best Production Design Graham King “SHUTTER ISLAND” Martin Scorsese Paramount Pictures Mike Medavoy Winner: National Board of Review Phoenix Pictures Arnold Messer Nomination: Art Directors Guild Award Martin Scorsese “SWEENEY TODD” Tim Burton DreamWorks SKG Laurie MacDonald Winner: Academy Award for Best Achievement in Art Direction Walter F. Parkes Nomination: Art Directors Guild Award Richard D. Zanuck “BLACK DAHLIA” Brian De Palma Millenium Films Rudy Cohen Signature Pictures Art Linson “THE FINE ART OF LOVE: John Irvin Titania Productions Jan Blazer MINE HA-HA” Tiziana Fedel Ida Di Benedetto “THE AVIATOR” Martin Scorsese Miramax Films Leonardo Di Caprio Winner: Academy Award for Best Achievement in Art Direction Warner Brothers Graham King Winner: LA Film Critics Award for Best Production Design Michael Mann Winner: BAFTA Film Award for Best Production Design Nomination: Art Directors Guild Award “COLD MOUNTAIN” Anthony Minghella Miramax Films Sydney