Strengthening the Bridge Between Japan and Africa - Technological Choice in Development Aid
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Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Spring 2021 Volume 48(PDF)
Religions for Peace Japan First World Assembly in Kyoto, Sixth World Assembly in Rome Japan, 1970 and Riva del Garda, Italy, 1994 Religions for Peace was established in 1970 as an international nongovernmental organization. It obtained general consultative status with the United Nations Economic and Social Council in 1999. As an international network of religious communities encompassing over ninety countries, the Religions for Peace family engages in conflict resolution, humanitarian assistance, and other peace-building activities through dialogue and coop- eration across religions. Second World Assembly in Religions for Peace Japan was established in 1972 as a commit- Seventh World Assembly in Leuven, Belgium, 1974 tee for the international issues supported by Japanese Association Amman, Jordan, 1999 of Religious Organizations. Since then it has served as the national chapter of Religions for Peace. 1. Calling on religious communities to deeply reflect on their practices, address any that are exclusionary in nature, and engage in dialogue with one another in the spirit of toler- ance and understanding. Third World Assembly in 2. Facilitating multireligious collaboration in making peace Eighth World Assembly in Princeton, the United States, 1979 initiatives. Kyoto, Japan, 2006 3.Working with peace organizations in all sectors and coun- tries to address global issues. 4. Implementing religiously based peace education and aware- ness-raising activities. ! Religions for Peace Japan promotes activities under the slogan: “Caring for Our Common Future: Advancing Shared Well-Being,” which include cooperating and collaborating with Religions for Fourth World Assembly in Ninth World Assembly in Nairobi, Kenya, 1984 Peace and Religions for Peace Asia; participating in the Non- Vienna, Austria, 2013 Proliferation Treaty (NPT) review conference; cooperating and collaborating with both international and local faith-based organ- izations; and building networks with various sectors (politics, economics, academics, culture, media, and so forth). -
Zen Painting & Calligraphy
SAN FRANCISCO PUBLIC LIBRARY 1223 02649 4907 amiEDUE [ SEPT 2 1997, 1I- —g—' 1» "> f ^ ' Bk Printed in USA . /30 CT - 8 1991 'painting £*- Calligraphy An exhibition of works of art lent by temples, private collectors, and public and private museums in Japan, organized in collaboration with the Agency for Cultural Affairs of the Japanese Government. Jan Fontein & Money L. Hickman of fine Arti, Boston Distributed by New York Graphic Society, Greenwich, Connecticut Copyright © 1970 by Museum of Fine Arts, Boston, Massachusetts All rights reserved ISBN 0-87846-001-2 Library of Congress Catalogue Card No. 76-127853 Typeset in Linofilm Palatino by Wrightson Typographers, Boston Printed by The Meriden Gravure Co., Meriden, Conn. Designed by Carl F. Zahn Dates of the Exhibition: November 5-December 20,1970 709-5,F737z Fontein, Jan Zen painting et v calligraphy Cover illustration: 20. "Red-Robed" Bodhidharma, artist, unknown, ca. 1271 Title page illustration: 48. Kanzan and Jittoku, traditionally attributed to Shubun (active second quarter of 15th century) (detail) S.F. PUBLIC LIBRARY 3 1223 02649 4907 I Contents Foreword vii Preface ix Acknowledgments xi Chronology xii Introduction xiii The Beginnings of Ch'an Buddhism, xiii Chinese and Indian Thought in Ch'an Buddhism, xiv The Northern and Southern Schools, xvi The Earliest Form of Ch'an Art, xvi The Consolidation and Expansion of the Ch'an Sect, xvii Kuan-hsiu (832-912): The Birth of Ch'an Art, xix Ch'an Literature and Koan, xxi Ch'an Art during the Northern Sung Period (960-1126), XXII Ch'an -
Talismans and Amulets in the Japanese Collection1
ANNALS OF THE NÁPRSTEK MUSEUM 35/1 • 2014 • (p. 39–68) TALISMANS AND AMULETS IN THE JAPANESE COLLECTION1 Alice Kraemerová2 ABSTRACT: This article describes all types of amulets and talismans present in the Náprstek Museum Japanese collection and uncovers their symbolic meaning. These are mostly talismans from shrines and temples dating to the beginning of the 20th century, traditional hand-crafted items from famous places of pilgrimage and toys used as talismans. KEY WORDS: Japan – Buddhist temple – Shintǀ shrine – shamanism – talisman – amulet– ofuda – ema – omamori – collecting – Náprstek Museum of Asian, African and American Cultures (Prague) 1. Defining terminology Amulet is considered to have protective or otherwise salutary effects while talisman primarily attracts fortune. Various authors describe different classifications of amulets and talismans according to their functional principles: homeopathic principle, contact principle, the principle of the magic of the written word, principle of colour magic, the principle of magic substances, the principle of the personifies higher power and the combinatorial principle (Nuska 2012). In this article we shall not use this division as for such a detailed analysis it would be necessary to acknowledge all types of amulets and talismans, not just those collected by the Czech travellers and brought into the NpM collections. Most of the available literature deals with the European view on amulets and talismans; the furthest it gets is the Near East. The Far East is usually not that well mapped due to the geographical distance and the language barrier. For the Japanese talismans, there are several often used terms: mayoke (㨱 㝖ࡅ) or yakuyoke (གྷ㝖ࡅ), omamori (࠾Ᏺࡾ) and ofuda (ᚚᮐ) or gofu (ㆤ➢). -
Folklore Around the World: an Annotated Bibliography of Folk Literature
DOCUMENT RESUME ED 371 391 CS 214 395 AUTHOR Eastman, Kristen Paletti, Ed.; Omura, Grace Inokuchi, Ed. TITLE Folklore around the World: An Annotated Bibliography of Folk Literature. INSTITUTION Hawaii Univ., Manoa. School of Library and Information Studies. PUB DATE 94 NOTE 222p.; For earlier related bibliographies, see ED 354 532, ED 309 779, and ED 286 531. PUB TYPE Reference Materials Bibliographies (131) Collected Works - General (020) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS American Indian Culture; Annotated Bibliographies; Cultural Enrichment; Elementary Secondary Education; *Folk Culture; Foreign Countries; Global Approach; Oral Tradition IDENTIFIERS *Folktales; Japanese Culture; Jewish Culture; Multicultural Materials; Native Americans; Pacific Islands Literature; *Traditional Oral Literature ABSTRACT Fourth in a series, the annotated bibliographies in this collection were compiled by students in the Traditional Literature and Oral Narration class at the School of Library and Information Studies, University of Hawaii at Manoa. These bibliographies are designed to make information about specific topics in traditional literature easily accessible to teachers and librarians. Each of the 11 annotated bibliographies in the collection contains an introduction to the particular topic and an annotated bibliography of both scholarly works .:nd tales retold for young people. Annotated bibliographies in the collection are: (1) "Christmas Gift Givers" (Kristen Paletti Eastman); (2) "Iktomi, the Sioux Trickster" (Grace Omura); (3) "The Roles of Coyote in Selected Native American Cultures" (Catherine Thomas); (4) "Hi'iaka the Hero" (Noenoe Moan); (5) "Kahalaopuna, the Rainbow Maiden of Manoa Valley" (Lei Tan);(6) "Urban Legends of Hawaii" (Sandy Pak);(7) "Elijah the Prophet in Jewish Folk Literature" (Karen Zinn Heau);(8) "The Kappa" (Judi R. -
EARLY MODERN JAPAN FALL-WINTER, 2004 Naritasan
EARLY MODERN JAPAN FALL-WINTER, 2004 Naritasan Shinshōji and Common- ment of numerous branch temples throughout Ja- pan, where worshippers offer their prayers to Fudō er Patronage During the Edo Pe- Myōō's empowered replicas.3 Today, getting to riod Naritasan is an easy train ride of an hour or so ©Patricia J. Graham from the city, but during the Edo period, the forty- three mile (seventy kilometer) distance took two University of Kansas 4 days and one night of travel by foot and boat. The Shingon temple of Naritasan Shinshōji 成 Nevertheless, even then it attracted large numbers of visitors, mostly commoners from the city of 田山新勝寺 (popularly known as "Naritasan") is Edo, who sought practical benefits from the tem- a sprawling religious complex located close to ple's illustrious main deity and an opportunity for Narita Airport outside Tokyo. Along with the a short vacation in the countryside away from the Meiji Shrine 明治神宮 and Kawasaki Daishi congested urban environs. 川崎大師, it is one of Japan's three most visited My focus here is to illuminate the strength of religious sites during the New Year's season. Not motivations for, and manifestations of Buddhist coincidentally, all three are located in and around patronage at Naritasan by commoners from the Tokyo, Japan's most populous urban center. Nari- nearby metropolis of Edo, throughout the Edo pe- tasan's main object of worship is Fudō Myōō (Skt: riod. The tangible results of commoner devotion Acalanātha) 不動明王, one of the five Buddhist primarily take the form of a fine group of well Wisdom Kings (Godai Myōō 五大明王).1 In re- preserved buildings and numerous artifacts do- cent decades, this statue of Fudō has become so nated to the temple, both by Edo luminaries and associated with its ability to ensure devotees' anonymous Edo era townspeople. -
Kakuban's Incorporation of Pure Land Practices
KAKUBAN’S INCORPORATION OF PURE LAND PRACTICES: THE CATALYST FOR THE RESTORATION OF SHINGON DURING THE LATE HEIAN PERIOD A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʽI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN RELIGION (ASIAN) APRIL 2013 By Camille Mori Thesis Committee: Michel Mohr, Chairperson Helen Baroni Arthur Thornhill ii Table of Contents List of Figures ................................................................................................................................. v Acknowledgements ....................................................................................................................... vii Chapter 1: Introduction ........................................................................................................ 1 Existing Research on Kakuban ....................................................................................................... 2 Heian Buddhism .............................................................................................................................. 4 The Life of Kakuban ....................................................................................................................... 7 Shingon Visualization Practices ................................................................................................... 10 Outline of the Chapters ................................................................................................................. 11 Chapter 2: The Relationship -
April 2017 Ajet
AJET News & Events, Arts & Culture, Lifestyle, Community APRIL 2017 Hakama: The Art of Graduation — what better way to leave than with a bang? (and a splash of colors?) Fan Clubs — to join or not to join? Better question: how to join? Block 8 Photo Contest — think you’ve got the pics to win? Find out how to enter the Shikoku Photo Contest! Battle with Mold — how to battle the dark menace Ikura Circus — come one, come all! To this spectacular new workout! The Japanese Lifestyle & Culture Magazine Written by the International Community in Japan1 CREDITS & CONTENT HEAD EDITOR HEAD OF DESIGN & SOCIAL MEDIA Timothy Saar LAYOUT Abbie Philpott Ashley Hirasuna Farrah Hasnain ASSITANT EDITOR Lilian Diep ASSISTANT DESIGNER COPYEDITING Leia Atkinson Korellia Schneider SECTION EDITORS Amy Brown Kelsey Lechner Lauren Hill COVER PHOTO Sarah Pragnell CONTRIBUTORS Annamarie Carlson Maggie Thorpe Michael Sosnick Ollie Weeden Sabrina Zirakzadeh TABLE OF CONTENTS Andrew Rails Erica Grainger PHOTO Verity Townsend Roxanne Ghezzi Sarah Pragnell Punima Baba Pameline Kang Sydney Owen Jessica Williams ART & PHOTOGRAPHY Shaina Somers Lara Bigotti Giovanni Perez Brad Breiten Dawn Wyruchowski Mark Lamb Karl Warsop Subane Abdi Illaura Rossiter Emma Riley Sarah Pragnell Joshua Francis Maggie Thorpe Marissa Beale Andrew Rails Verity Townsend Punima Baba Sydney Owen Jennifer Blakely Angelica Hunter Hailey Maeda Iba Jun Ikuko Tanigawa Leia Atkinson Ashley Hirasuna This magazine contains original photos used with permission, as well as free-use images. All included photos are property of the author unless otherwise specified. If you are the owner of an image featured in this publication believed to be used without permission, please contact the Head of Graphic Design and Layout, Ashley Hirasuna, at ashley. -
Religion in Japan
RELIGION OF JAPAN SHINTOISM AND BUDDHISM Shinto Shrine Buddhist Temple Gate Buildings Object of worship Worship Two bows, two claps, pray and one bow A bow, pray with juzu (Buddhist rosary) and method chant Buddhist sutra Two religions in Japan Buddhism Shintoism History Introduced Mahayana Buddhism in 6th century Relation of the Sun Goddess and the (538 or 552) through China from North India. Emperor was described in the oldest myth Prince Shotoku became the first Buddhist "Kojiki“ (712) create Jingi worship and statesman to reorder Japan with a 17-article combined with other nature worship constitution (604) (mountain worship, etc.) Object of Along with Buddha, Bodhisattva, Wisdom kings Mythical god, Member of Imperial family, worship and Deities in heaven are also worshiped Historical hero, Sacred mountain, tree, rock and any other natural and artificial matters Schools Pure Land, Zen, Nichiren, Shingon, Tendai like mirror or sward Syncretism The fusion of Buddhism with the local kami worship started as soon as the first arrived in Japan. The first efforts to reconcile Shinto and Buddhism was made in the 8th century founding so- called "jingū-ji“(shrine-temples) comprising both a shrine and a temple. Then buildings of temples at open-air shrine produced shrine-temple complexes. After the great buddha at Tōdai-ji in Nara built with Hachiman shrine, temples in the entire country adopted tutelary kami. Manifestation theory, or honji suijaku, states that some kami are local manifestations "trace" of Buddhist deities "original ground". Mahayana Buddhism (The Great Vehicle), making compassion and wisdom its central doctrines, split from Theravada Buddhism (The School of the Elders) which was self-centered. -
Kawasaki Daishi Area
Daishi ekimae 1 Kawasaki Daishi Heikenji Temple Police Box Kawasaki Daishi Area Map The head temple of Shingonshu-Chisan Buddhism, famous for the miraculous and protective saint that Kawasaki Daishi eliminates and prevents all troubles and accidents. It is also well known for souvenirs, such as Kuzu Daishi-dori Ave. Mochi, rock sweets, and Daruma dolls that are sold in front of the gate. Miyagawa Hospital Station Daishi-Honcho Myocho-ji 4 Temple Daishi-Ekimae 2 Omotesando Access An eight-minute walk from Keikyu Kawasaki Daishi Station Hours open April to September 05:30 - 18:00 Daishi-Ekimae 1 Address 4-48 Daishi-machi, Kawasaki-ku, Kawasaki-shi October to March 06:00 - 17:30 2 Tel 044-266-3420 Kawasaki Daishi Wakamiya Hachimangu Post Office Shrine 1 Daisan-mon Gate 4 2 Wakamiya Hachimangu Shrine Kawasaki Daishi Nakamise-Dori Ise-machi Heikenji Temple Dedicated to Emperor Nintoku, the god of reclamation, in the hope of controlling the waters of the Tama River. Kanamara Matsuri Festival is held at Kanayama Shrine, which is situated on the premises, Fudo-mon in April, attracting many tourists from abroad. During the festival, participants carry a mikoshi (portable Gate shrine), which is shaped like a priapus. Daishi-machi Access An three-minute walk from Keikyu Kawasaki Daishi Station Address 2-13-16 Daishi-ekimae, Kawasaki-ku, Kawasaki-shi Tel 044-222-3206 Nishigedatsu-mon Gate 3 Shinshu-en Kawanakajima 1 This authentic Chinese garden was opened to commemorate the fifth anniversary of the friendship town relation with Shenyang, China. It is a reproduction of a Chinese representative garden and the architecture style that typified the Ming and Qing eras. -
Tourist Attraction Sheets Can Be Downloaded Here
Tourist Attraction Sheets can be downloaded here http://www.pref.kanagawa.jp/ Tourist Attraction Sheets docs/b6m/conference/index.html NO Theme Area City Main Content Sub Content① Sub Content② 1 History Yokohama・Kawasaki Yokohama Sail Training Ship NIPPONMARU Yokohama Port Museum Minato Mirai Deck Cleaning 2 Landscape Yokohama・Kawasaki Yokohama Yokohama Sky Cruise Yokohama Port Cruising Marine Rouge Minato Mirai 3 Landscape Yokosuka・Miura Area Miura Riviera Seabonia Marina Forest of Koajiro Yacht gramping 4 Landscape Yokosuka・Miura Area Yokosuka Yokosuka Naval Port Cruise Dobuita Street Jogashima 5 Landscape Yokosuka・Miura Area Yokosuka Sarushima Soleil no Oka Strawberry picking Chigasaki Southern C / 6 Landscape Shonan Area Chigasaki Eboshi Rock Cruise Hamaori Festival Headland Boardwalk 7 History Yokohama・Kawasaki Yokohama Shomyoji Temple Yokohama Hakkejima Sea Paradise Ito Hirobumi Old Villa in Kanazawa 8 History Yokohama・Kawasaki Yokohama Sotoshu Daihonzan Sojiji Temple Kirin Yokohama Beer Village Namamugi Fish Market 9 History Yokohama・Kawasaki Yokohama Sankeien Garden Try Matcha Green Tea Unique Venue 10 History Yokohama・Kawasaki Yokohama Tour of Yamatenishi Western-style Buildings Motomachi Shopping Street Yamashita Park 11 History Yokosuka・Miura Area Kamakura Flower Tour of Kamakura Kamakura Museum of Literature Hasedera Temple Zuisenji Temple 12 History Western Area Minamiashigara Daiyuzan Saijoji Temple Modern Bathing - Only You Odawara Castle 13 Shopping Arcade Yokohama・Kawasaki Yokohama Yokohama Kofuku-ji Matsubara Shopping -
Calendar Events to Be Enjoyed in January 2012
Notes: 1. Published by Tourist Information Center of Japan National Tourism Organization and all rights reserved. Reproduction in whole or in part without written permission is prohibited. (c) 2012 Japan National Tourism Organization 2. Dates and functions are subject to change without notice. Be sure to check the latest information in advance. 3. Events marked with ◎ are the major events. 4. Dates of events marked with ◇ are the same every year. 5. Japanese explanations appearing at the bottom of each entry give the names of the event and the nearest railway station in Japanese. Point to this Japanese when you need help from a Japanese passerby. 6. Please refer toURL(basically in Japanese) for each event. 7. The subway Line and Station Number are indicated in parentheses( ). Note: The Internet Website of the Japan National Tourism Organization is available at<http://www.jnto.go.jp>. Calendar Events to be enjoyed in January 2012 ◇◎Jan.2 A. Tokyo 東京 Kokyo Ippan Sanga, New Year's Congratulatory Visit to the Imperial Palace, Chiyoda-ku, by people who are ◎Jan.1 allowed to cross Nijubashi Bridge on this special New Year's Day (national holiday), the "festival of occasion. The Imperial Family are scheduled to appear festivals" in Japan, is celebrated with solemnity and yet on the balcony to respond to the homage of people. in a joyous mood. The streets are adorned with New <http://www.kunaicho.go.jp/e-event/sanga01.html> Year's decorations of pine and plum branches, bamboo Access : (1)The Chiyoda Subway Line to Nijubashi-mae Sta.