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Cata2006.Pdf
SOMMAIRE/CONTENTS S PARTENAIRES/PARTNERS & SPONSORS 005 ÉDITORIAUX/EDITORIALS 006 PRIX/PRIZES 030 JURYS/JURIES 033 jury de la compétition internationale/international competition jury 034 jury de la compétition française/french competition jury 040 jury son/soundtrack jury 046 jury GNCR, jury Marseille Espérance, jury des Médiathèques GNCR jury, Marseille Espérance jury and Public libraries jury 050 SÉLECTION OFFICIELLE/OFFICIAL SELECTION 051 éditorial/editorial 052 compétition internationale/international competition 057 film d’ouverture/opening film 058 compétition française/french competition 097 ÉCRANS PARALLÈLES/PARALLEL SCREENS 113 rétrospective harmut bitomsky / harmut bitomsky retrospective 115 rétrospective joaquin jordá / joaquin jordá retrospective 129 robert morin, fais-le toi-même ! / robert morin, do it yourself ! 141 be with me – la fiction avec le documentaire / be with me – fiction with documentary 157 toutes les nuits (en six jours) / all kinds of nights (in six days) 179 fenêtre allemande, tübingen / a glimpse of germany, tübingen 191 les sentiers / paths 195 SÉANCES SPÉCIALES/SPECIAL SCREENS 229 TABLES RONDES/ROUND TABLES 235 FIDMarseille AVEC/FIDMarseille WITH 237 VIDÉOTHÈQUE/VIDEO LIBRARY 245 ÉQUIPE ARTISTIQUE/ARTISTIC TEAM 261 REMERCIEMENTS/ACKNOWLEDGEMENTS 265 C.A. et ÉQUIPE FIDMarseille / FIDMarseille MANAGEMENT COMMITTEE and STAFF 266 INDEX/INDEX index des films / film index 267 index des réalisateurs / filmmaker index 269 index des producteurs / film producer index 270 004 PARTENAIRES/PARTNERS & SPONSORS Pa -
Perth's Built Heritage
PERTH’S BUILT HERITAGE Anderson-Foss Law Building (1856) – 10 Market Square Asbury Free Methodist Church (1884) – 144 Gore Street East Bain House (1847) – 4 South Street Band Stand (1931) – Market Square Bank of Montreal (1884) - 30 Gore Street East Bridgemaster’s House (1889) – Beckwith Street & Riverside Drive Carnegie Library / McMillan Building (1907) – 77 Gore Street East Code’s Mill (1842-1902) & Kininvie House (1907) – 50/53 Herriott Street Courthouse (1843) - 41 Drummond Street East Craig Street Cemetery / Old Burying Ground (1818) – 21 Brock Street South Daly-Reid Building (1880) - 13 Gore Street West Doctor’s House (1840s) – 22 Wilson Street West Firehall (1855 & 1883) – 34 Herriott Street Grant Building (1860s) – 89-91 Gore Street East Haggart House (1837), Haggart Mill and Dam (1840) - 41 Mill Street Inge-Va (1824) - 66 Craig Street Hart / O’Donnell House (1842) – 37 Herriott Street Hope Building (1886) – 69-71 Foster Street Jail / Gaol (1863) – 62 Beckwith Street Kellock Block (1848) - 39-43 Gore Street East Lillie House (1863) – 43-45 North Street Maple Drop Building / Butler Building (1884) – 2-6 Wilson Street East Matheson House (1840) – 11 Gore Street East Matthews Building (1846) – 55 Gore Street East McKay House (c1820) - 9 Mill Street McLaren Building (1874) – 85-87 Gore Street East McMartin House (1830) – 125 Gore Street East Methodist Robinson Street Cemetery (1841) – 1 Robinson Street Nevis Estate (1842) – 61 Drummond Street West Perkins Building (1947) – 2 Wilson Street West Red House (1816) - 55 Craig Street Registry -
To Download the PDF File
Paraxial Architecture + Hypodigital Space : Exploring the relationship between the Physical and the Digital in Architecture by Andre L. Ottley, B.A.S. A thesis submitted to, The Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of MASTER OF ARCHITECTURE (M. Arch Professional) Carleton University, Azrieli School of Architecture and Urbanism Ottawa, Ontario August, 2011 © Copyright 2011 Andre L. Ottley i Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON MAOISM OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-83204-2 Our file Notre r6f4rence ISBN: 978-0-494-83204-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
By Stanislaw Mucha
BY HOPE STANISLAW MUCHA HOPE SYNOPSIS HOPE BY STANISLAW MUCHA When a deeply moral and well-respected art historian steals an invaluable painting from a church, righteous and fanatic Francis records the crime on video to blackmail the perpetrator. Much to the thief’s bafflement, the young man is not interested in money but demands that the piece of art be returned to its original place. The borders between idealism and madness blur when it is revealed that Francis’ brother is in jail and his girlfriend has to tolerate Francis’ bizarre self-afflicted tests of courage … STANISLAW MUCHA DIRECTOR Born in 1970 in Nowy Targ, Poland, Stanislaw Mucha studied acting at the Federal Theater Academy “Ludwik Solski” in Krakow´ . After initial successes as an actor, Mucha left Poland to study directing at the The Film & Television Academy (HFF) “Konrad Wolf” in Potsdam-Babelsberg. He became well-known for his quirky documentary ABSOLUT WARHOLA (2001) tracing the origins of the US pop artist Andy Warhol to Poland, Slovakia and the Ukraine. HOPE is Mucha’s first feature film. DIRECTOR’S COMMENTS CAST DIRECTOR’S HOPE Franciszek/Francis HOPE is the story of extortion. An acclaimed art historian and moral authority steals a RAFAL FUDALEJ precious painting from a church… and is caught by a young fanatical do-gooder. Klara/Clare KAMILLA BAAR Hope. You know: “the mother of the stupid”, “hope springs eternal”, etc. I think that Benedykt/Benedict hope is an indispensable element of life. In every life; in my life too. While observing WOJCIECH PSZONIAK reality I feel as if there is no hope, as if it should be invented as fast as you can. -
The Year in Review the Proposed CHUM Tower
Established in 1967 Winter 1999 Celebrating our 30th year Volume 25, No. 4 Dedicated to Preserving Our Built Heritage CHUM now has City support to The President’s Report — erect its enormous tower in the Bytown Market. Visually offensive, The Year in Review monstrously out of scale, destruc- tive of the heritage integrity of this By Carolyn Quinn designated Heritage District, and, we now know, unnecessary for its This past year has been a busy one for sector company Eau Vive, who provided stated broadcast purposes. both canoe and boatman. Six other Heritage Ottawa. The organization has Byward Market resident John informative and unique tours kept partici- successfully fulfilled its mandate to edu- Edwards has been following the pants returning for more! cate and inform residents and visitors of curious twisted story and submits A special thank you goes out to all the city’s valuable heritage buildings and this probe of the strange goings-on. districts. The armchair and walking tours the intrepid volunteer guides who con- exposed many to the benefits of heritage tribute so much to the success of these conservation practice, however, our valuable tours: John Leaning, Terry advocacy work has been arguably less deMarsh, Fern Graham, Judy Deegan, The Proposed successful in meeting our preservation Glenn Lockwood, Louisa Coates and goals. Mark Brandt. Thank you one and all!! February and March saw the pre- Heritage Ottawa was also an active CHUM Tower participant in several events celebrating sentation of five instructive and entertain- If Moses Znaimer and CHUM, his the city’s history and heritage including ing slide-shows where topics ranged Toronto-based radio and television con- Heritage Day ceremonies hosted at All from the fascinating landscape history of glomerate, have their way, a 127-foot Saints’ Church in Sandy Hill, Colonel By the Central Experimental Farm by histori- tower, equivalent in height to a 10-storey Day activities and more recently Bytown an Edwinna von Baeyer, to a highly infor- building, will be erected on a squat 2- Days in the Byward Market. -
Oregon Humanities Center | Spring 2005 Calendar : Page C1
Oregon Humanities Center | spring 2005 Calendar : page C1 Spring 2005 Calendar /OHC (co-sponsored by the Oregon Humanities Center) Ongoing Events The Jordan Schnitzer Museum of Art: MusEvenings! Wednesday evenings from 5 to 8 p.m. Donations accepted. For more infor- mation, call 346-3027. The Jordan Schnitzer Museum of Art presents free admission to everyone the first Friday of each month. March 3 Judaic Studies presents the Singer Family Lecture with Jonathan Sarna, Joseph H. and Belle R. Braun 29 Art History presents Art History 206 Film Series: Professor of American Jewish History, Brandeis The Thomas Crown Affair (1999) at 7:30 p.m. in 177 University, and author of American Judaism, speak- Lawrence Hall. For information, call 346-3675. ing on “350 Years of American Jewish History” at 7:30 29 The School of Music presents a Guest Artist p.m. in 182 Lillis Hall. Sponsored by the Georgianne Recital with Park Stickney, jazz harp, and Rüdiger and Dr. Kenneth Singer and Ms. Roberta Singer Oppermann, jazz harp, playing music by Miles Family Fund in Judaic Studies with the support of Davis, Duke Ellington, Sting, Stickney & Oppermann the Department of History. Free. For information, call at 8 p.m. in Beall Hall. $9, $5. For information, call 346-5288. /OHC 346-5678. 5 The Residential Academy presents a Community 30 The School of Music presents a master class with Conversations panel on “Abortion” at 7:30 p.m. in Matthias Ziegler, flute, at 7 p.m. in Beall Hall. $5. For the Ramey Room, Carson Hall. Airs on Channel 23 information, call 346-5678. -
Hierlihy CU-HC Symposium 2013
Heritage & Technology Heritage Conservation Symposium 2013 School of Canadian Studies, Carleton University, Ottawa, March 16th 2013 The Strutt House Brian Hierlihy and Titania Truesdale, PTAH Consulting Associates Background and Project Team overall shape of the house results from the intersection of eight rhombic volumes, each based on This paper is based on a presentation delivered a grid generated from the same geometry. This, and March 16th, 2013 at the Carleton Heritage the minimal use of structural material, reflect the Conservation Symposium. It provides a very brief growing interest Strutt had regarding Fuller’s work in overview of the life and work of the architect James geometry and weight efficiencies. W. Strutt, and describes the design and detailing of the Strutt House, in Aylmer, Quebec, just north of The building was built by a carpenter and helper in Ottawa, complete with an electronic simulation of its about six weeks in 1955. For the most part, it is not construction. attached to its footings. It did not comply with applicable building codes when constructed, and does In 2011, the National Capital Commission purchased not do so today.! The house is one of the first in the Strutt House from the architect’s daughter. In the Canada to utilize a 'curtain wall' as the building fall of 2011, PTAH was asked by the Commission to envelope. The wooden hyperbolic paraboloid roof undertake a comprehensive investigation of the was not only the first in Canada, but also the first of structure. PTAH Consultants Inc., Architects is an its particular construction anywhere. The building is architectural practice with a focus on heritage a deceptively simple integration of structure, building conservation and stewardship issues. -
Royal Architectural Institute of Canada
Serial No 364, Vol. 32, No 12 EDITORIAL Earle c. Morgan 450 ARTICLES Massey Medals for Architecture, 1955 Address of His Excellency the Governor-General 451 Report of the Jury 452 Thirty-five Years of Practice, A. S. Mathers 462 Cutting Construction Costs with New Techniques, W. Sefton 470 ILLUSTRATIONS Kiwanis Village, Victoria, B.C., Architects, Sharp & Thompson, Berwick, Pratt and Charles E. Craig 455 House .of Mr Gordon Smith, West Vancouver, B.C. , Architects, Erickson & Massey 456 Hamilton House, Peterborough, Ont., Architects, Blackwell, Craig and Zeidler 456 Seaway Hotel, Toronto, Ont., Associated Architects, A . Elken & R. W. Becksted 457 Simpsons-Sears Industrial Development, Etobicoke, On!. Architects, John B. Parkin Associates 458 Convenience Centre, Don Mills, Ont., Architects, John B. Parkin Associates 458 St. Anthony's Church, Agassiz, B.C. Architects, Gardiner, Thornton, Gathe & Associates 459 Tor.onto Teachers' College, Toronto, Ont., Architects, Page & Steele 460 B.C. Sugar Refinery, Limited, Vancouver, B.C., Architects, Semmens and Simpson 461 Ontario Association .of Architects, Toronto, Ont. Architects, John B. Parkin Associates 461 Canadian Construction Association, Ottawa, Ont. Architects and Engineers, Abra and Balharrie; Associate Architects, Burgess and McLean, Haze/grove & Lithwick 465 VIEWPOINT 476 NEWS FROM THE INSTITUTE 477 CONTRIBUTOR TO THIS ISSUE 479 INDEX TO VOLUME 32 480 COVER Canadian Construction Association, Ottawa, Ont. Architects and Engineers, Abra and Balharrie; Associate Architects, Burgess and McLean, Haze/grove & Lithwick Photograph by Malak The Institute does not hold itself responsible for the opinions expressed by contributors ROYAL ARCHITECTURAL INSTITUTE OF CANADA EDITORIAL BOARD EARLE C. MORGAN, CHAIRMAN ERIC R. ARTHUR (F), EDITOR F. -
2019-December-January
December 2019 - January 2020 IMAGE decembre 2019 - janvier 2020 1 S A N D Y CCÔTE-DE-ÔTE-DE- H I L L SSABLEABLE DECEMBER 2019 - JANUARY 2020 DÉCEMBRE 2019 - JANVIER 2020 I MPhoto David Elden A G E Winds of change Crumbs whistle through Laurier Avenue from the shops City re Larry Newman rental ucas Nault is moving but he housing doesn’t know where. His hair salon has been in Sandy Hill at 232L Laurier East for 15 years, but will be Susan Young gone in 13 months. That wasn’t his plan. Lucas was a Sandy Hill resident in the t appeared promising, but in the end Versailles, on Henderson, when it was still Sandy Hill has little to celebrate. a family business. He just redecorated his Last fall, having engaged with shop and wasn’t planning on moving . stakeholdersI including Action Sandy Hill, ever. That was before the representative and having conducted an extensive study of Arnon Corp called and told him that of rental accommodation issues across they were not renewing his lease. town, Maclaren Municipal Consulting, Quel choc! Lucas said there was no room hired by the City, released an encouraging for negotiation: Arnon had another lessee. set of recommendations. I called Arnon at the number on the sign They endorsed taking a big step in on the second floor of the building next to the direction of a landlord licensing Lucas, and spoke to Michael Casey who is pilot program, something ASH in charge of leasing. He said that the new believes could be a comprehensive and tenant will likely be another franchise, proactive approach to improve quality probably controlled by MTY Food Group. -
German Films Quarterly 2 · 2004
German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS. -
Conserving the Modern in Canada Buildings, Ensembles, and Sites: 1945-2005
Conserving the Modern in Canada Buildings, ensembles, and sites: 1945-2005 Conference Proceedings Trent University, Peterborough, May 6-8, 2005 Editors: Susan Algie, Winnipeg Architecture Foundation James Ashby, Docomomo Canada-Ontario Library and Archives Canada Cataloguing in Publication Conserving the Modern in Canada (2005: Trent University) Conserving the Modern in Canada: buildings, ensembles, and sites, 1945-2005: conference proceedings, Trent University, Peterborough, May 6-8, 2005 / editors: Susan Algie and James Ashby. Papers presented at the Conserving the Modern in Canada conference held at Trent University, Peterborough, Ont., May 6-8, 2005. Includes bibliographical references. ISBN 978-0-9683100-5-2 1. Architecture--Conservation and restoration--Canada. 2. Historic sites--Conservation and restoration--Canada. 3. Architecture--Canada--20th century. 4. Historic preservation--Canada. I. Algie, Susan, 1951 II. Ashby, James, 1962 III. Winnipeg Architecture Foundation. NA109.C3C66 2007 363.6'90971 C2007-902448-3 Also available in French. / Aussi disponible en francais. Conserving the Modern in Canada Conference Proceedings Table of Contents 1.0 Foreword . 1 2.0 Acknowledgements . 3 3.0 Conference Programme . 9 4.0 Introduction Session Papers . 15 5.0 Documentation Session Papers . 29 6.0 Evaluation Session Papers . 53 7.0 Legacy of Ronald J. Thom Session Papers . 87 8.0 Stewardship Session Papers . 113 9.0 Conservation Session Papers . 173 10.0 Education Session Papers . 203 11.0 Tours . 239 i Conserving the Modern in Canada Conference Proceedings ii Conserving the Modern in Canada Conference Proceedings FOREWORD The “Conserving the Modern in Canada” conference, held at Trent University in Peterborough from May 6 to 8, 2005, was Canada’s first national conference on the subject of the built heritage of the 1950s, ‘60s, and ‘70s. -
Framedokumentárny Film
2/2007 kritický obcasníkˇ študentov filmovej vedy frame FTF VŠMU Dokumentárny film Obsah DOKUMENTÁRNY FILM Katarína Martincová: 100 % pure reality 219 Robert Horňanský: Leni Riefenstahl: z norimbergských tribún do podmorského sveta 221 Tomáš Hudák: Rané dokumenty Michelangela Antonioniho 224 Peter Závadský: Z UFA do ruín Pompejí 226 Ivana Šlosárová: Do Medzilaboriec je cesta dlhá, alebo Borod – Miková – Medzilaborce 230 Žofia Bosáková: Obrazové inosvety 232 Michala Burcáková: Stalo sa to v Rakúsku 234 Matej Lauko: Jeden pohľad na Stoku 235 Nina Nováková: Sedem hriechov sedem dní 237 Pavel Smejkal: Konvencie sú ako prášky na spanie 240 11. čeSkoSlovenSká filmologická konferencia našimi očami Roman Jurčák: krpáčovo 242 Dokumentárny film Eva Perďochová: na aljašku! 244 Juraj Hoppan, Robert Horňanský, Katarína Martincová, Peter Závadský: Spoločná reportáž 246 keď dvaJa robia to iSté, nie Je to to iSté... Eva Perďochová: fantóm vo fialových šatách 249 Roman Jurčák: Morgiana 250 Katarína Martincová: Juraj Herz: morgiana. vizuálna lahôdka alebo psychoanalytický podvod? 252 218 frame 2/2007 100 % pure reality Katarína Martincová Nevšedný dokument Miroslava Janeka blbosť a odmietnutý hneď v prvých minútach, Portréty neznámych detí – Chačipe sleduje alebo dôjde k strate koncentrácie divákov očami detí z detských domovov ich súkrom- niekde v polovici filmu. opäť chybná hypo né radosti i traumy. Je smutno-smiešnym téza! téma filmu tak zarezonovala, že napriek pohľadom na ich osud a na svet okolo nich. mojej výzve, aby dej komentovali, urobili tak Vnútorný svet detí, citové strádanie aj len dvaja chlapci. Prvý tým našiel spôsob ako veľký emocionálny potenciál odkrýva film sa odosobniť od námetu filmu a nenechať prostredníctvom rozhovorov, švankmaje- sa vtiahnuť do hry so svojím súkromným rovských animácií, inscenovaných scénok prežívaním; v prípade druhého chlapca jeho o alkoholizme, bezdomovectve a veciach, poznámky súviseli s reálne nižším iQ (dieťa ktoré tieto deti vnímajú odlišne ako deti alkoholikov, narodené rodičom vyššieho vyrastajúce v rodine.