168. Nakamaki Hirochika
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Shinto Ritual Building Practices
Shinto Ritual Building Practices Philip E. Harding History of Art 681 The Ohio State University Shinto, the native religion of Japan, is a very diverse tradition yet one unified by certain ritual practices. Roughly speaking, Shinto can be divided into “folk Shinto” and “shrine Shinto,” but even within these divisions can be found considerable diversity. Every village has its own local traditions that operate independently from, yet related to the shrine tradition. (The folk activities take place on land owned by the shrine.) Within the shrine system there is also diversity, and today we can readily identify at least eighteen separate cults, each with its own style of shrine building1. Within Japan’s own official histories the shrine tradition, particularly the Imperial shrine tradition, has been given the most attention. This tradition experienced continental influences from China and was the one with which the Japanese upper class identified itself. Japan’s folk traditions, practiced in the locale where they first evolved, have largely gone without reference in Japan’s history of art and architecture. Both traditions, however, embrace many related themes and practices. One can find formal dualities expressed in the design of the folk forms and layouts of shrine buildings, as well as some shared motifs such as a “heart pillar.” Most significantly, both traditions periodically build and re-build sacred structures so that the particular built forms are simultaneously ephemeral and enduring – sharing in a kind of temporal immortality. These periodic rebuilding practices serve to reinforce cultural memory and place individuals into the larger stream of sacred time which transcends the temporal, constantly changing world of mortal time. -
By \O-Icniro Hakomori,Hiroyuki Nagahara,Herbert Plutschow. UCLA Fowler Museum of Cultural History,Textile Series, No. 6. L
BOOK REVIEWS 331 ing and accompaniment (“Hagoromo”),and two pieces from the classical shakuhachi reper tory (“Kokd” and “Tsuru no sugomori”)perhaps played by Higuchi Taizan. Recordings such as the ones reissued on this CD are perhaps not of sufficiently high quality to allow one to lie back in the easy chair and partake in sheer aesthetic delight, but for the scholars or other listeners who wish to make good use of their facility of imagination these wax cylinders are real treasures. The explanatory notes by Ingrid Fritsch, well known for her outstanding work on Japanese shakuhachi music and the various groups of Japanese blind musicians, are a model of what such work can be. The engineers, too, have done more than one might expect, providing faithful reproductions of antiquated sources that now stand a good chance of survival.A further publication of the Japan collection of Lachmann (1924—1925) and Schiinemann (1924) has been announced. An additional ten years of tech nological development no doubt meant far more then than it does now and I look forward to hearing what has so long remained tantalizing but out of reach. REFERENCES CITED G roemer, Gerald 1999 The Arts of the Gannin. Asian Folklore Studies, 53: 275-320. Yomigaeru Opp吹epee: 1900-nen Pari-banpal^u no Kawahami ichiza, CD, Toshiba EMI, TOCG 5432 (1997). Gerald GROEMER Yamanashi University Kofu, Japan Gonick, G loria Ganz. Matsuri! Japanese Festival Arts. With contributions by \o-icniro Hakomori,Hiroyuki Nagahara,Herbert Plutschow. UCLA Fowler Museum of Cultural History,Textile Series, No. 6. Los Angeles: UCLA Fowler Museum of Cultural History,2003. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
The Japanese House
THE JAPANESE HOUSE Or, why the Western architect has difficulties to understand it. Harmonious space and the Archetype of polar space The traditional Japanese dwelling and the Western concept of 'general human needs' - a comparative view in the framework of cultural anthropology By Nold Egenter Introduction Any western architect who intends to design a house or an apartment basically will start from assumption of 'the primary human needs' of the future inhabitants. Essentially three components define our western concept of primary needs. First there are physical parameters, the measurements of the human body. Neufert has presented these aspects in great detail. Further there are physiological conditions, e.g. the need for protection of various kinds: sufficient light and air, hygiene etc. Finally, a standardised behaviour is assumed, requiring sufficient space for moving, working, eating, ablutions, leisure etc. In this context space is considered as a three dimensional, basically homogeneous and neutral condition. Depending on the given conditions, the program of walls and openings, installations and surfaces for movement, fittings and functional places designed by the architect, will be set relatively freely into this homogeneously conceived space. Several years ago a study of the European Community concluded that the Japanese live in "rabbit cages". The study was based essentially on statistical research which showed that the average dwelling space for a family in urban agglomerations hardly amounts to 40 square meters. Great astonishment! -
Conservation of Living Religious Heritage ICCROM Conservation Studies 3
ICCROM COnseRvatIOn studIes 3 Conservation of Living Religious Heritage ICCROM COnseRvatIOn studIes 3 Conservation of Living Religious Heritage Papers from the ICCRoM 2003 forum on Living Religious Heritage: conserving the sacred Editors Herb Stovel, Nicholas Stanley-Price, Robert Killick ISBN 92-9077-189-5 © 2005 ICCROM International Centre for the Study of the Preservation and Restoration of Cultural Property Via di San Michele, 13 00153 Rome, Italy www.iccrom.org Designed by Maxtudio, Rome Printed by Ugo Quintily S.p.A. Contents Preface v NICHOLAS STANLEY-PRICE introduction 1 HERB STOVEL Conserving built heritage in Maori communities 12 1 DEAN WHITING Christiansfeld: a religious heritage alive and well. TwenTy-firsT cenTury influences on a laTe eighTeenTh- 2 early nineTeenTh cenTury Moravian seTTleMenT in DenMark 19 JØRGEN BØYTLER the past is in the present 3 perspecTives in caring for BuDDhisT heriTage siTes in sri lanka 31 GAMINI WIJESURIYA the ise shrine and the Gion Festival case sTuDies on The values anD auThenTiciTy of Japanese 4 inTangiBle living religious heriTage 44 NOBUKO INABA A living religious shrine under siege The nJelele shrine/king Mzilikazi’s grave anD conflicTing 5 DeManDs on The MaTopo hills area of ziMBaBwe 58 PATHISA NYATHI AND CHIEF BIDI NDIWENI ISBN 92-9077-189-5 the challenges in reconciling the requirements of faith and © 2005 ICCROM 6 conservation in Mount Athos 67 International Centre for the Study of the Preservation and Restoration of Cultural Property JANIS CHATZIGOGAS Via di San Michele, 13 00153 Popular worship of the Most Holy trinity of Vallepietra, Rome, Italy 7 central italy The TransforMaTion of TraDiTion anD The safeguarDing www.iccrom.org of iMMaTerial culTural heriTage 74 PAOLA ELISABETTA SIMEONI Designed by Maxtudio, Rome Printed by Ugo Quintily S.p.A. -
Glimpses of Unfamiliar Japan Second Series by Lafcadio Hearn
Glimpses of Unfamiliar Japan Second Series by Lafcadio Hearn CONTENTS 1 IN A JAPANESE GARDEN …........................................P3 2 THE HOUSEHOLD SHRINE ….....................................P23 3 OF WOMEN'S HAIR …................................................P36 4 FROM THE DIARY OF AN ENGLISH TEACHER …..........P43 5 TWO STRANGE FESTIVALS …....................................P73 6 BY THE JAPANESE SEA …..........................................P79 7 OF A DANCING-GIRL …..............................................P89 8 FROM HOKI TO OKI …................................................P102 9 OF SOULS ….............................................................P137 10 OF GHOSTS AND GOBLINS …...................................P142 11 THE JAPANESE SMILE …..........................................P152 12 SAYONARA! …........................................................P165 NOTES …....................................................................P170 CHAPTERONE In a Japanese Garden Sec. 1 MY little two-story house by the Ohashigawa, although dainty as a bird- cage, proved much too small for comfort at the approach of the hot season—the rooms being scarcely higher than steamship cabins, and so narrow that an ordinary mosquito-net could not be suspended in them. I was sorry to lose the beautiful lake view, but I found it necessary to remove to the northern quarter of the city, into a very quiet Street behind the mouldering castle. My new home is a katchiu-yashiki, the ancient residence of some samurai of high rank. It is shut off from the street, or rather roadway, skirting the castle moat by a long, high wall coped with tiles. One ascends to the gateway, which is almost as large as that of a temple court, by a low broad flight of stone steps; and projecting from the wall, to the right of the gate, is a look-out window, heavily barred, like a big wooden cage. Thence, in feudal days, armed retainers kept keen watch on all who passed by—invisible watch, for the bars are set so closely that a face behind them cannot be seen from the roadway. -
Biblio:Basho-27S-Haiku.Pdf
Published by State University of New York Press, Albany © 2004 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Kelli Williams Marketing by Michael Campochiaro Library of Congress Cataloging in Publication Data Matsuo Basho¯, 1644–1694. [Poems. English. Selections] Basho¯’s haiku : selected poems by Matsuo Basho¯ / translated by David Landis Barnhill. p. cm. Includes bibliographical references and index. ISBN 0-7914-6165-3 — 0-7914-6166-1 1. Haiku—Translations into English. 2. Japanese poetry—Edo period, 1600–1868—Translations into English. I. Barnhill, David Landis. II. Title. PL794.4.A227 2004 891.6’132—dc22 2004005954 10 9 8 7 6 5 4 3 2 1 Basho¯’s Haiku Selected Poems by Matsuo Basho¯ Matsuo Basho¯ Translated by, annotated, and with an Introduction by David Landis Barnhill STATE UNIVERSITY OF NEW YORK PRESS for Phyllis Jean Schuit spruce fir trail up through endless mist into White Pass sky Contents Preface ix Selected Chronology of the Life of Matsuo Basho¯ xi Introduction: The Haiku Poetry of Matsuo Basho¯ 1 Translation of the Hokku 19 Notes 155 Major Nature Images in Basho¯’s Hokku 269 Glossary 279 Bibliography 283 Index to Basho¯’s Hokku in Translation 287 Index to Basho¯’s Hokku in Japanese 311 Index of Names 329 vii Preface “You know, Basho¯ is almost too appealing.” I remember this remark, made quietly, offhand, during a graduate seminar on haiku poetry. -
Back Roads to Far Towns, 15
■ ■— M •• ■ . *:T /- :A A- BACK ROADS gflTif;::,: TO FAR TOWNS i Basko’s 0 K U-NO-HOS 0 MICHI - i ■ \ ’ 1 ■v j> - iS§ : i1 if £i mf■ - •V ■;;! $SjK A . ; *4. I - ■- ■ ■■ -i ■ :: Y& 0 ■ 1A with a translation and. notes by - '■-'A--- $8? CID CORMAN and KAMAIKE SUSUMU $ 1 ;vr-: m \ I mm5 is f i f BACK ROADS TO FAR TOWNS Bashd’s 0 K U-NO -HO SO MICHI with a translation and notes by CID CORMAN and KAMAIKE SUSUMU • • • • A Mushinsha Limited Book Published by Grossman Publishers : Distributed in Japan by Charles E. Tuttle Co., Inc. Suido 1-chome, 2-6, Bunkyo-ku, > Tokyo, Japan i First published in The United States of America in 1968 by Grossman Publishers Inc. 125 A East 19th Street New York, New York 10003 ; Designed and produced by Mushinsha Limited, IRM/Rosei Bldg., 4, Higashi Azabu 1-chome, Minato-ku, Tokyo, Japan. Copyright, 1968, by Cid ! Corman. All rights reserved. Printed in Japan. First edition, 1968 Library of Congress Catalog Card No. 67-26108 TABLE OF CONTENTS Introduction, 7 Translators’ Preface, 11 Pronunciation Guide, 12 Back Roads to Far Towns, 15 Notes, 157 Map, 174 : m im mi t INTRODUCTION early one spring morning in 1689 basho Ac companied by his friend and disciple Sora set forth from Edo (old Tokyo) on the long nine-month journey which was to take them through the backlands and highlands north of the capital and then west to the Japan Sea coast and along it until they turned inland again towards Lake Biwa (near Kyoto). -
Myths of Hakkō Ichiu: Nationalism, Liminality, and Gender
Myths of Hakko Ichiu: Nationalism, Liminality, and Gender in Official Ceremonies of Modern Japan Item Type text; Electronic Dissertation Authors Teshima, Taeko Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 21:55:25 Link to Item http://hdl.handle.net/10150/194943 MYTHS OF HAKKŌ ICHIU: NATIONALISM, LIMINALITY, AND GENDER IN OFFICIAL CEREMONIES OF MODERN JAPAN by Taeko Teshima ______________________ Copyright © Taeko Teshima 2006 A Dissertation Submitted to the Faculty of the GRADUATE PROGRAM IN COMPARATIVE CULTURAL AND LITERARY STUDIES In Partial Fulfillment of the Requirements For a Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 6 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Taeko Teshima entitled Myths of Hakkō Ichiu: Nationalism, Liminality, and Gender in Official Ceremonies of Modern Japan and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy _________________________________________________Date: 6/06/06 Barbara A. Babcock _________________________________________________Date: 6/06/06 Philip Gabriel _________________________________________________Date: 6/06/06 Susan Hardy Aiken Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
Rental Bicycle
Gourmet HowtoUse Komatsu1 Midoen 2 Gyozasaikan Katchan ①Fill up form ②Provide personal ID ③Set off!! RENTAL A yakiniku specialist, long loved by A Chinese restaurant serving up Get the registration Hand some form of Be sure to find out the locals. No compromise on taste Komatsu's specialty dishes of Shio form from the rental personal ID (driver's number combination here! Yakisoba and gyoza. shop counter, and fill in license, health insurance for the lock, and check From the top-grade wagyu gyutan Long well-loved for the delicate all required details. card, student ID etc.) to that the bike is in good (beef tongue) to the "power kalbi", tastes and homely atmosphere. The the staff. condition. And you're BICYCLE you'll be hooked after just a taste. well-crisped yet springy gyozas filled all set to go!! Points to Note We recommend the weekday-only generously with soup are the go-to ※Bikes must be returned by 6PM (5PM for Ataka Sea Station). "yakiniku teishoku" value lunch set. for those looking for a hearty meal! ※No new bike rentals after 5PM. 0761-24-5555 050-3466-8852 ※A late return fee will be charged if you exceed the time limit. 3 Higashicho 1 395 Doiharamachi 2 ※If the bike is stolen or lost, you will be charged the costs involved accordingly. ※All injuries and costs resulting from road accidents are the sole liability of the user. Mon-Fri 11:30~14:00/17:00~24:00 11:30~14:00(L.O.13:30) Sat・Sun11:30~24:00 17:00~21:00(L.O.20:30) RentalFee ※No lunch menu on Sun/PH Wed Varies by month (usually Wed) 1min. -
Encyclopedia of Shinto Chronological Supplement
Encyclopedia of Shinto Chronological Supplement 『神道事典』巻末年表、英語版 Institute for Japanese Culture and Classics Kokugakuin University 2016 Preface This book is a translation of the chronology that appended Shinto jiten, which was compiled and edited by the Institute for Japanese Culture and Classics, Kokugakuin University. That volume was first published in 1994, with a revised compact edition published in 1999. The main text of Shinto jiten is translated into English and publicly available in its entirety at the Kokugakuin University website as "The Encyclopedia of Shinto" (EOS). This English edition of the chronology is based on the one that appeared in the revised version of the Jiten. It is already available online, but it is also being published in book form in hopes of facilitating its use. The original Japanese-language chronology was produced by Inoue Nobutaka and Namiki Kazuko. The English translation was prepared by Carl Freire, with assistance from Kobori Keiko. Translation and publication of the chronology was carried out as part of the "Digital Museum Operation and Development for Educational Purposes" project of the Institute for Japanese Culture and Classics, Organization for the Advancement of Research and Development, Kokugakuin University. I hope it helps to advance the pursuit of Shinto research throughout the world. Inoue Nobutaka Project Director January 2016 ***** Translated from the Japanese original Shinto jiten, shukusatsuban. (General Editor: Inoue Nobutaka; Tokyo: Kōbundō, 1999) English Version Copyright (c) 2016 Institute for Japanese Culture and Classics, Kokugakuin University. All rights reserved. Published by the Institute for Japanese Culture and Classics, Kokugakuin University, 4-10-28 Higashi, Shibuya-ku, Tokyo, Japan. -
Volume XI Number 2 CONTENTS Fall 2003
Volume XI Number 2 CONTENTS Fall 2003 From the Editors' Desk 編纂者から 1 EMJ Renewals, Call for Proposals, EMJNet at the AAS 2004 (with abstracts of presentations) Articles 論文 Collaboration In Haikai: Chōmu, Buson, Issa Collaboration In Haikai: Chōmu, Buson, Issa: An Introduction Cheryl Crowley 3 Collaboration in the "Back to Bashō" Movement: The Susuki Mitsu Sequence of Buson's Yahantei School Cheryl Crowley 5 Collaboration of Buson and Kitō in Their Cultural Production Toshiko Yokota 15 The Evening Banter of Two Tanu-ki: Reading the Tobi Hiyoro Sequence Scot Hislop 22 Collaborating with the Ancients: Issues of Collaboration and Canonization in the Illustrated Biography of Master Bashō Scott A. Lineberger 32 Editors Philip C. Brown Ohio State University Lawrence Marceau University of Delaware Editorial Board Sumie Jones Indiana University Ronald Toby University of Illinois For subscription information, please see end page. The editors welcome preliminary inquiries about manuscripts for publication in Early Modern Japan. Please send queries to Philip Brown, Early Modern Japan, Department of History, 230 West 17th Avenue, Colmbus, OH 43210 USA or, via e-mail to [email protected]. All scholarly articles are sent to referees for review. Books for review and inquiries regarding book reviews should be sent to Law- rence Marceau, Review Editor, Early Modern Japan, Foreign Languages & Lit- eratures, Smith Hall 326, University of Deleware, Newark, DE 19716-2550. E-mail correspondence may be sent to [email protected]. Subscribers wishing to review books are encouraged to specify their interests on the subscriber information form at the end of this volume. The Early Modern Japan Network maintains a web site at http://emjnet.history.ohio-state.edu/.