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TH 38 PORTLAND INTERNATIONAL FILM FESTIVAL FEBRUARY 5-21, 2015 WELCOME Welcome to the 38th Portland International Film and of course, filmmakers who continue to Festival, the Northwest Film Center’s annual surprise, delight, inform, and energize with their showcase of new world cinema. With this year’s vision of our world. They bring the Festival to life, 97 features and 60 shorts, we celebrate the and we thank them all. world’s filmmakers—and those who love their work—no matter the language spoken. As with For the Film Center, the Festival is not an end, November’s annual Northwest Filmmakers’ but a means. We want this annual sampling of the Festival, which surveys the perspectives of our vitality of international cinema to be more than region’s makers, we hope you set aside some a special event, but rather to be the impetus for a time for a bit of armchair travel, discovery, and deeper dive into the art of film—whether it is on inspiration. the big screen or in the palm of your hand. Between Opening and Closing night the choices The programmatic centerpiece of this year’s are many, and we hope you find among them the Festival is a showcase of Hispanic language gems that will keep you searching for more. films from ten countries, and the accompanying Cine-Lit Conference on Hispanic Film and Enjoy! Literature co-produced by the foreign language departments at Oregon State University, Portland State University and the University of Oregon. This is the eighth such Festival and Conference collaboration, a sharing of films, visiting directors, scholars, and students that Bill Foster, Director enriches one another and the community. Our Northwest Film Center warm welcome extends to the many guests traveling from throughout the world to Portland for both events. The Festival continues to flourish for countless reasons—enthusiastic audiences, Silver Screen Club members, generous sponsors, volunteers and staff, film industry and media supporters, PIFF 38 3 PROGRAMPROGRAM HIGHLIGHTSHIGHLIGHTS THE FESTIVAL PROGRAM The Festival program is arranged alphabetically by title, with showtimes and locations listed at the end of each film description. Programs of short films follow the feature listings. The master schedule on page 47 lists each day’s films, showtimes, and locations. Please note that a few films have only one showing. Sometimes, for reasons beyond our control, screenings may be changed, rescheduled, or canceled. For the most up-to-date information, WILD TALES call the Advance Ticket Outlet at OPENING NIGHT CELEBRATION 503-276-4310, check the Festival DAMIÁN SZIFRÓN The Northwest Film Center and The Oregonian invite you to schedule board at the Advance Ticket ARGENTINA/SPAIN join us after the screening of Wild Tales at the Fox Tower to Outlet or the Whitsell Auditorium, Living up to the expectations of the title, Damián Szifrón’s celebrate the opening of this year’s Festival with co-hosts or log on to the Festival’s website at outrageously entertaining anthology of six blackly-comic King Estate Winery, Sierra Nevada Brewing, Swank & Swine, festivals.nwfilm.org/piff38. short stories packs a buzz-inducing wallop. Though each is and Pearl Catering. unconnected from the other, they share thematic unity in their tales of frustration, bestial revenge, and the past com- THE FESTIVAL SCENE ing back to haunt in escalating fashion. There is a betrayed Stay connected through PIFF’s social bride, a road rage incident gone to hell, a meltdown with media outlets. Schedule updates, visit- the Buenos Aires parking patrol, two passengers on a plane ing artist information, party details, making a very uncomfortable discovery, and a waitress and discussion threads can all be meeting someone from her past she would rather not see. found here: Produced by Pedro AlmodÓvar and possessed with over- the-top flair, this portrait of Argentinians on the verge has newsroom.nwfilm.org the laughter of universal recognition. This year’s OPENING NIGHT TICKETS Argentinian submission for the Best Foreign Language Film $25 general; $20 Silver Screen Club Friends and Portland Art facebook.com/nwfilmcenter Oscar. (122 mins.) Museum members. Admission is free for Silver Screen Club Director, Producer, Benefactor, and Sustainer members. @nwfilmcenter 2/5 7:00PM | FOX TOWER Sign up for the Silver Screen Club, which in addition to PIFF, @nwfilmcenter offers access to more than 400 screenings annually. Share your posts with 4 PIFF 38 Human Capital (Italy), The Light Shines HISPANIC FILM NEW DIRECTORS Only There (Japan), Rocks in My Pocket ANIMATED WORLDS SHOWCASE As always, the Festival has its share (Latvia), The Gambler (Lithuania), Eyes In addition to the two-dozen award- of new works by established directors of a Thief (Palestine), The Japanese Dog winning animated shorts in the Short & CINE-LIT VIII already familiar to those who love (Romania), Living Is Easy With Eyes Cuts programs, this year’s Festival Closed (Spain), Mr. Kaplan (Uruguay), This year’s Festival offers a broad international cinema. This year, such includes three animated features that and The Liberator (Venezuela). spectrum of new films from Argentina, renowned masters as Albert Maysles, have charmed audiences and critics Bolivia, Colombia, Cuba, Mexico, Peru, Susanne Bier, Yoji Yamada, Peter Ho-Sun world-wide. They include international Spain, Uruguay, and Venezuela show- Chan, Ann Hui, Olivier Assayas, Mohsen prizewinners The Boy and the World casing new work from both established Makhmalbaf, Rolf de Heer, and Sergei SHORT CUTS (Brazil), Giovanni’s Island (Japan), and and emerging filmmakers. Accompanying Loznitsa bring us new films. We are also This year’s Festival features eight shorts Rocks in My Pockets (Latvia/US). the films is Cine-Lit 2015, the eighth proud to present several new makers programs featuring 60 memorable snap- International Conference on Hispanic whose first feature films hold promise for shots from across the world. Among the Film & Fiction, co-produced by Oregon great films to come. Among the 14 eligi- special programs are showcases of new PIFF AFTER DARK ble for this year’s New Director Audience State University, Portland State University, French and Spanish shorts, animated Our late-night series—for the nocturnally Award are: Fernando Armando Coimbra, and University of Oregon, in partnership gems plucked from top international inclined whose cinematic tastes are A Wolf at the Door; Miroslav Slaboshpitsky, with the Northwest Film Center and festivals by LAIKA’s Mark Shapiro, adventurous—offers special treats for The Tribe; Gabriel Mascaro, August Portland International Film Festival. experimental work curated by Cinema devotees of genre films that push bound- Winds; Teodorah Mihai, Waiting for Project, and a baker’s dozen of new aries. All of the screenings take place The Conference (February 19–21) will August; Tomislav Mršic´, Cowboys; Kiah shorts by Oregon filmmakers. at the Hollywood Theatre and start at offer a wide range of panels, papers, and Roache-Turner, Wyrmwood; July Jung, 10:30 pm. The selections include: discussions by academics, writers, and A Girl at My Door; Kristina Grozeva, The Backcountry (Canada), Electric Boogaloo: directors from the United States and Lesson; Geethu Mohandas, Liar’s Dice; The Wild, Untold Story of Cannon Films participating countries. Presenting their Jonas Ohman, Vincas Sruoginis, Invisible DOCUMENTARY VIEWS (Australia), Darkness by Day (Argentina), films at the Festival and as part of the Front; Alonso Ruiz Palacios, Güeros; This year’s Festival boasts 18 fresh R100 (Japan), and Wyrmwood (Australia). Conference are Peruvian filmmaker Ronnie Sandhal, Underdog; and Marah perspectives on the world we live in and Our thanks to Yelp! Portland for support- Javier Corcuera (I’m Still), Mexican Strauch, Sunshine Superman. the fascinating people and stories that filmmaker Mariana Chenillo (Paradise), surround us. The non-fiction selections ing this series. Argentine filmmaker Celina Murga (The include: I Am Big Bird (US), Hotel Nueva Third Side of the River), Bolivian film- OSCAR SUBMISSIONS Isla (Cuba/Spain), I’m Still (Peru), In a maker Juan Carlos Valdivia (Yvy Maraey), Foreign Land (Spain), Invisible Front FILMS FOR FAMILIES Spanish screenwriter Alicia Luna (In a This year’s Festival features the Portland (Lithuania), Iris (US), The Iron Ministry Film lovers from nine to 90 will be Foreign Land), and Spanish filmmaker premieres of 25 films submitted for the (US), Jalanan (Indonesia/The Netherlands/ charmed by these award-winning films Mariano Barroso (All the Women). More Best Foreign Language Film Oscar, US), The Look of Silence (Denmark/ suitable for younger viewers, depending information about Conference programs including: Charlie’s Country (Australia), Indonesia/Norway), Magician: The on subject interest and subtitle-reading and activities may be found at cinelit.org. Wild Tales (Argentina), The Dark Valley Astonishing Life and Work of Orson Welles ability. Check the film descriptions for (Austria), Mateo (Columbia), Cowboys (US), Maidan (Ukraine), On the Way to age suitability suggestions. The films (Croatia), Behavior (Cuba), Sorrow and School (France), Red Army (US), Stop include: Belle and Sebastian (France), Joy (Denmark), Factory Girl (Egypt), the Pounding Heart (France), Sunshine The Boy and the World (Brazil), Mateo Concrete Night (Finland), Corn Island Superman (US), Waiting for August (Colombia), On the Way to School (Georgia), Beloved Sisters (Germany), (Romania), and A Year in Champagne (US). (France), Secrets of War (Netherlands), Golden Era (Hong Kong), White God and Timbuktu (Mauritania). Special (Hungary), Life in a Fishbowl (Iceland), thanks to the Lamb-Baldwin Foundation Liar’s Dice (India), Today (Iran), Gett: for supporting these films. The Trial of Viviane Amsalem (Israel), PIFF 38 5 GLOBAL CLASSROOM TICKETS PAYMENT OPTIONS FESTIVAL VOUCHERS Visa, MasterCard, American Express, Please be aware that a voucher may not The Festival’s Global Classroom program GENERAL: $12 and Discover cards are accepted at the be used at a theater for admission. It serves as a point of introduction for the PORTLAND ART MUSEUM MEMBER: $11 Advance Ticket Outlet and online.