DOCSLIB.ORG

VANESSA RENWICK Film / Video / Installation Artist

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
VANESSA RENWICK Film / Video / Installation Artist ! VANESSA RENWICK Film / Video / Installation artist BORN 1961 in Chicago, Illinois. Lives in Portland, Oregon. INSTALLATIONS & EXHIBITIONS 2017 Dislocation, PDX CONTEMPORARY ART, Portland, OR Koerner Canvas Series: Vanessa Renwick, Koerner Camera, Portland, OR Assembly: A Group Exhibition, Helzer Gallery, PCC Rock Creek Campus, Portland, OR The Eclipse Show, Blue Sky Gallery, Portland, OR 2016 A Stand of Pine in a Tilled Field: 21 Years at PDX, PDX CONTEMPORARY ART, Portland, OR APEX: Next Level Fucked Up, Portland Art Museum, Portland, OR What's New at TAM? Recent Gifts to the Collection,Tacoma Art Museum, Tacoma, WA EMMA BOUND, Saskatchewan Craft Council Gallery, Saskatoon SK CANADA 2015 University Art Gallery, Sewanee, TN 2014 layover, The Art Gym, Marylhurst, OR Hunting Requires Optimism, Jordan Schnitzer Museum, Eugene, OR Medusa Smack, Jordan Schnitzer Museum, Eugene, OR 2013 Hellenic Art of the Lovejoy Columns, Hellenic-American Cultural Center & Museum, Portland, OR WOODSWOMAN, Onafhankelijk Cultureel Centrum In It, Amsterdam, NETHERLANDS Medusa Smack, MIX Festival, New York, NY 2012 Centre Pompidou, Gaite Lyrique, le lieu unique, Centre Pompidou-Metz, Paris and Metz, FRANCE Portland 2012 Portland Biennial, The White Box, Portland, OR 2011 The New American Landscape, Kahnaway Art & Ecology, Washougal, WA Cherry Street Produce, Portland, OR Mighty Tacoma: Photographic Portrait 2010, Tacoma Art Museum, Tacoma, WA Pacific Northwest Art Annual, University of Oregon, Eugene, OR 2011, PDX CONTEMPORARY ART, Portland, OR 2010 as easy as falling off a log, PDX CONTEMPORARY ART, Portland, OR Object Focus: The Book, Museum of Contemporary Craft, Portland, OR Longhorn, Tacoma Art Museum, Tacoma, WA Red Stallions Revenge, Tacoma Art Museum, Tacoma, WA Britton South Dakota, East/West Project, Dam, Stuhltrager & Gallery Homeland, Berlin, GERMANY Flaherty NY, Anthology Film Archives, New York, NY Light Industry, Brooklyn, NY 2010 Race and Pedagogy National Conference, Kittredge Art Gallery, University of Puget Sound, Tacoma, WA Resplendency, The EAST/WEST Project, Berlin, GERMANY 2009 The Secret Language of Animals, Tacoma Art Museum, Tacoma, WA The People’s Bike Library of Portland, Portland, OR Blue Sky Gallery, Portland, OR Signal Fire, Igloo Gallery, Portland, OR The House of Sound, New American Art Union, Portland, OR 2007 Mixed Company, PDX CONTEMPORARY ART, Portland, OR Retinal Reverb, PDX Film Festival, Portland, OR Snap Trap, Half & Half, Portland, OR 2006 Melancholy for Five Rooms, Buda Arts Center, Kortrijk, BELGIUM Mix Festival, New York, NY PDX CONTEMPORARY ART 925 NW FLANDERS STREET PORTLAND OREGON 97209 tel 503 222 0063 fax 503 222 3068 [email protected] Museum Boijmans von Beuningen Rotterdam, NETHERLANDS 2004 Hunting, Ritual and Narrative, Sun Valley Center for the Arts, Ketchum, ID Lovejoy Lost, PDX Window Project, Portland, OR Rising Up, Tollbooth Project, Tacoma, WA The Absent Album, Department of Safety, Anacortes, WA Case Studies, Reed College, Portland, OR In The Streets, Luggage Store, San Francisco, CA Tollbooth Project, Tacoma, WA Drawing Resistance, Liberty Hall, Portland, OR 2003 Coresample, Portland, OR 2002 Beamsplitters, PDX Festival Portland, OR 2001 Northwest Narrative, PICA, Portland OR 2000 Lovejoy, PNCA Feldman Gallery, Portland, OR Taking Space, Making Place, American Institute of Architecture, Portland, OR Open Walls, PICA, Portland, OR Disintegration: Contemporary Landscape, Elizabeth Leach Gallery, Portland, OR Rerun, Manual Izquierdo Gallery, Portland, OR 1999 Yawn, Reading Frenzy, Portland, OR 1998 Eye Candy Show, Mark Wooley Gallery, Portland, OR Multi-Mini, 333 Studios, Portland, OR electriCity, Tidbit Gallery, Portland, OR AWARDS 2017 LightPress Grant 2016 RACC Media Fellowship RACC Project Grant TRUE/FALSE FILM FEST Second Take Pushcart Prize Nominee 2015 RACC Professional Development Grant Career Opportunity Grant, Oregon Arts Commission 2014 Regional Arts & Culture Council Project Grant, Portland, OR Bonnie Bronson Fellowship, Portland, OR Career Opportunity Grant, Oregon Arts Commission, Salem, OR Ford Family Foundation Grant The Delicious Medicine Award, 41st NW Filmmakers' Festival 2013 Flaherty Professional Development Fellowship DIY of All-Time Award from Judge Mike Plante, NW Filmmakers' Festival 2012 Ford Family Foundation Golden Spot Award, Roseburg, OR 2011 Regional Arts & Culture Council Project Grant, Portland, OR RACC Professional Development Grant, Portland, OR 2010 Food Gatherers Feeding the Soul Award, Ann Arbor Film Festival, Ann Arbor, MI Portland Stock Grant, Portland, OR 2009 Anonymous Was A Woman nominee Oregon Media Arts Fellowship, NW Film Center, Portland, OR 2008 Rockefeller Fellowship Nominee, New York, NY Zoobomb Pyle Commission, with Brian Borello, Portland, OR NAAU Couture stipend recipient, Portland, OR Regional Arts & Culture Council Project Grant, Portland, OR Career Opportunity Grant Award, Oregon Arts Commission, Salem, OR 2007 Poncho Special Recognition Award, Seattle Art Museum, Seattle, WA, Bike Commute Challenge Winner, Bicycle Transportation Alliance, Portland, OR Jim Demulling Speak Out Award for Best Social Awareness Documentary, Humboldt Film Festival, Humboldt, CA Betty Bowen Memorial Award Finalist, Seattle Art Museum, Seattle, WA Creative Capital Finalist, Caldera Artist Residency, Sisters, OR The Gearhead Portland Filmmaker Award, Portland, OR 2006 The Sarah Jacobson Film Grant, The Free History Project, Berkeley, CA Wolf Recovery Foundation Field Research & Education Grant, Pocatello, ID 2005 Judges Award, Northwest Film and Video Festival, Portland, OR Gus Van Sant Award for Best Experimental Film, Ann Arbor Film Fest, Ann Arbor, MI Carol Davis Scholarship, Montana Artists Refuge, Basin, MT Rockefeller Fellowship Nominee, New York, NY 2004 Mayor's Creative Initiative Grant, Portland OR 2003 NW Festival Award from James Benning, Portland, OR Lilla Jewel Award, MRG Foundation, Portland, OR Rockefeller Fellowship Nominee, New York, NY 2002 Rockefeller Fellowship Nominee, New York, NY Best Documentary Video, Microcinefest, Baltimore, MD 2nd Place Black Maria Film Fest, Jersey City, NJ 2001 1st Place Peripheral Produce Invitational World Championship, Portland, OR 1999 Regional Arts & Culture Council, Portland, OR 1998 1st Place F Word Film Festival, Portland, OR Regional Arts & Culture Council, Portland, OR 1983 Weisman Grant, Chicago, IL FILM AND VIDEO SCREENINGS Pompidou, Paris, FRANCE 2018 Outliers and American Vanguard Artists, National Gallery of The Death Film, L.A. Film Forum, Los Angeles CA Art, Washington, DC Light Field, The Lab, S.F.,CA The Laboratory for Environmental Narrative Strategies at Orchestra Becomes Radicalized, Holocene, Portland, OR UCLA. Los Angeles, CA Circuit Riders, OTHER CINEMA, San Francisco, CA Holy Fluids & Absent Wounds, Union Docs, Brooklyn, NY Joanie4Jackie4Ever, Interference Archive, Brooklyn, NY Koerner Camera, Portland, OR Grand Illusion Cinema, Seattle,WA Broadcast II ,Killjoy Collective, Portland,OR Orchestra Becomes Radicalized, Holocene, Portland, OR Mothership Music, Portland, OR Detroit Film Theater, Detroit, MI UNM ArtsLab & Basement Films, Albuquerque, NM What's New at TAM, Tacoma Art Museum, Tacoma, WA Zephyr, Santa Fe, NM Do You See What I See?, Hollywood Theatre, Portland, OR The Center for Documentary Arts & Research, UCSC, CA Pitzer College, Claremont, CA CALARTS Tuesday Nights, Santa Clarita, CA UW-M Union Cinema, Milwaukee, WI Echo Park Film Center, Los Angeles, CA Edge Hill University, Lancashire, ENGLAND A-Z West with Tara Jane ONeil and Lucio Menegon, University of Rochester, Rochester, NY Joshua Tree, CA Cinematheque Quebecoise, Montreal, CANADA Exploded View, Tucson, AZ Ann Arbor District Library, Ann Arbor, MI First Person Cinema, UC Boulder, CO Here, There, Then, GAZE, ATA, San Francisco, CA Collective Misnomer, Alamo Draft House, Denver, CO Speed Art Museum, Louisville, KY Boathouse Microcinema, Portland, OR Crossroads 2016, San Francisco, CA 2017 SFO Museum, San Francisco International Airport, S.F. CA Exploratorium, San Francisco, CA Green-Door Festival, Leitrim, IRELAND NW Tracking, Northwest Film Center, Portland, Or Canyon Cinema Salon, San Francisco, CA 2015 Wexner Center for the Arts, Columbus, OH OUT OF SIGHT, Seattle, WA Center for PostNatural History, Pittsburgh, PA Art & Ecology, Ecological Society of America, Indivisible Art & Environment artist talk, Wexner, Columbus, OH Gallery, Portland, Oregon Adelaide Film Festival, Glenside, South Australia Unwalking The West/ Signal Fire, Hollywood Theatre, Light Industry, Brooklyn, NY Portland, OR Space 1026, Philadelphia, PA Northwest Filmmakers' Festival, Portland Art Museum Dirt Palace, Providence, RI Raucous Cinema NOW!, Ypsi Experimental Space, University of Chicago, Chicago,IL Ypsilanti, MI Rhode Island School of Design, Providence, RI Sisters' Pictures, OTHER CINEMA, SF, CA The Nickelodeon, Columbia, SC Ashland International Film Festival, Ashland, OR Pittsburgh Filmmakers, Pittsburgh, PA Scritti Politti: Dakota Pipeline, OTHER CINEMA, SF, CA The Garden Theater, Frankfort, MI Boathouse Microcinema, Portland, OR Quotidian Hypnosis, Great Wall of Oakland, Oakland, CA Blue Sky Gallery, Portland, OR Antioch College, Yellow Springs, OH Black Dog Art Ensemble, Portland, OR University of Iowa/ Film Scene, Iowa City, IA Resistance Isn’t Futile: Films on the Occasion of a Syracuse University, Syracuse, NY Presidential Inauguration, L.A. Film Forum, L.A., CA Temple Live Stream, Temple, ME 2016 Festival des Cinémas Différents
Load more

Recommended publications
  • RADICAL ARCHIVES Presented by the Asian/Pacific/American Institute at NYU Curated by Mariam Ghani and Chitra Ganesh
    a/p/a RADICAL ARCHIVES presented by the Asian/Pacific/American Institute at NYU curated by Mariam Ghani and Chitra Ganesh Friday, April 11 – Saturday, April 12, 2014 radicalarchives.net Co-sponsored by Asia Art Archive, Hemispheric Institute, NYU History Department, NYU Moving Image Archive Program, and NYU Archives and Public History Program. Access the Internet with NYU WiFi SSID nyuguest login guest2 password erspasta RADICAL ARCHIVES is a two-day conference organized around the notion of archiving as a radical practice, including: archives of radical politics and practices; archives that are radical in form or function; moments or contexts in which archiving in itself becomes a radical act; and considerations of how archives can be active in the present, as well as documents of the past and scripts for the future. The conference is organized around four threads of radical archival practice: Archive and Affect, or the embodied archive; Archiving Around Absence, or reading for the shadows; Archives and Ethics, or stealing from and for archives; and Archive as Constellation, or archive as method, medium, and interface. Advisory Committee Diana Taylor John Kuo Wei Tchen Peter Wosh Performances curated Helaine Gawlica (Hemispheric Institute) with assistance from Marlène Ramírez-Cancio (Hemispheric Institute) RADICAL ARCHIVES SITE MAP Friday, April 11 – Saturday, April 12 KEY 1 NYU Cantor Film Center 36 E. 8th St Restaurants Coffee & Tea 2 Asian/Pacific/American Institute at NYU 8 Washington Mews Cafetasia Cafe Nadery Oren’s 3 NYU Bobst
    [Show full text]
  • Calendar of Events
    Calendar of Events The Archivists Round Table of Metropolitan New York, Inc. (A.R.T.), along with hundreds of organizations in the archives community across New York State, proudly presents New York Archives Week October 6-12, 2013, coordinating commemorative activities throughout the New York City Metropolitan area. New York Archives Week is an annual celebration aimed at informing the general public of the diverse array of archive materials accessible in the Metropolitan New York City region. The celebration includes open houses, lectures, workshops and behind-the-scenes tours designed to illustrate the importance of historical records. All New York Archives Week events are free and open to the public. Following is a calendar overview of the New York Archives Week events. Please see the “Event Descriptions” pages for details about each event, including RSVP instructions. For the latest news about New York Archives Week visit: www.nycarchivists.org. The Archivists Round Table of Metropolitan New York, Inc. (A.R.T.) thanks MetLife for being a major sponsor of New York Archives Week. A.R.T. also thanks the Lucius N. Littauer Foundation for their generous support of New York Archives Week. SATURDAY, OCTOBER 5 (BONUS DAY!) Mount Sinai Archives; “Reaching Out to the Inside: Internal Publications Over the Years,” Exhibit, 7:00 a.m.- 11:00 p.m., all week, exhibit closes December 31, 2013. The New York Society Library; “Extraordinary Gifts: Rare Books Presented to the New York Society Library 1754-2012,” Saturday 9:00 a.m.-5:00 p.m, open daily through December 31, 2013, see ongoing exhibits and programs below for times for each day.
    [Show full text]
  • Maggie Schreiner
    Maggie Schreiner Professional Experience Manager of Archives and Special Collections, August 2019 – Present Archivist, February 2018 – August 2019 Brooklyn Historical Society, Brooklyn, NY • Collection Development: Build and maintain relationships with collections donors, conduct site visits to assess and survey potential donations, prepare proposed donations for assessment by the Collections Committee; draft and finalize deeds of gifts, accession new material in consultation with donors. • Arrangement and Description: Oversee archival description program through supervision of processing, maintaining and revising policies and procedures, determining processing priorities, and implementation of iterative processing. Prioritize materials for conservation or digitization. • Digital Projects: Manage digital projects, including collections digitization, development of digital access platforms, and the digital preservation program. Responsible for liaising with vendor IT and digitization services, and consultants. • Collections Management: Overall stacks maintenance and location control for all archival collections across multiple facilities; monitoring of environmental conditions in collections storage spaces. • Records Retention: Manage business records of Brooklyn Historical Society, update records retention schedule, and support staff in implementing retention schedule. • Supervision: Supervision of 1 FTE Archivist, as well as FT and PT project staff, graduate interns, and volunteers. • Administration: Budget development and tracking for
    [Show full text]
  • Ethnic Studies Review
    esr37-38_cv_esr37-38_cv 7/28/2017 1:37 PM Page 2 COLOR IS FOR APPROXIMATION ONLY – DO NOT USE FOR COLOR APPROVAL Volumes 37 and 38 Volumes National Association For Ethnic Studies Ethnic Studies Review Ethnic Studies Review Pages 1–154 Pages 2014-2015 2014-2015 Volumes 37 and 38 ISSN: 1555-1881 esr37-38_cv_esr37-38_cv 7/28/2017 1:37 PM Page 3 The National Association For Ethnic Studies Ethnic Studies Review (ESR) is the journal of the National Association For Ethnic Studies (NAES). ESR is a multi-disciplinary international journal devoted to the study of ethnicity, ethnic groups and their cultures, and inter-group relations. NAES has as its basic purpose the promotion of activities and scholarship in the field of Ethnic Studies. The Association is open to any person or institution and serves as a forum for its members in promoting research, study, and curriculum as well as producing publications of interest in the field. NAES sponsors an annual spring Ethnic Studies Review conference. Journal Information Editorial Board Editor Associate Editors Ron Scapp, College of Mount Saint Vincent David Aliano, College of Mount Saint Vincent Guidelines for Submitting Manuscripts Ravi Perry, Virginia Commonwealth University ESR uses a policy of blind peer review. All papers are read by at least two Book Review Editor reviewers who are experts in the area. Manuscripts must not have been Emily M. Drew, Willamette University published previously or be under consideration by other publications. ESR seeks manuscripts of 7500 words or less, inclusive of notes and works cited. Editorial Advisory Board Endnotes rather than footnotes should be utilized, although these should be Edna Acosta-Belen Rosanne Kanhai kept to a minimum.
    [Show full text]
  • Subject Files -- File List Updated September 7, 2019 These Files Contain Small Pieces of Ephemera -- Postcards, Handbills, Flyers, and Other Single-Sheet Papers
    Subject Files -- file list Updated September 7, 2019 These files contain small pieces of ephemera -- postcards, handbills, flyers, and other single-sheet papers. Bold -- “Parent” Categories Italics -- Files that share the name with their “parent” categories. The folders do not actually say “General” Strikethrough -- File is Missing DO YOU NEED TO CREATE A NEW SUBJECT FILE? It’s possible that there’s no subject file ​ for the material you’re putting away. In that case, please find a file folder and write the subject on that. File it in correct alphabetical order, and then write your new subject on this sheet in pen or pencil. Thanks! Note on Mini Liu subject files: these files were donated in their current form by a donor who had maintained her own subject files. They have been maintained in their original condition, but have been inter filed with our existing subject file collection for ease of access. 15-M Movement AANCO AAUPA meeting minutes (Asian American Union for Political Action) (Mini Liu subject file) AAUPA -- Jazz for Jackson (Mini Liu subject file) ABC No Rio Abu Jamal, Mumia Active Resistance Abu-Jamal, Mumia Act Up Activism Ad Busting / Billboard Reclamation Africa Afro Europes Conference Agitarte / Papel Machete / When We Fight We Win (Puerto Rico / Boston / NOLA) Agriculture AIDS/HIV Activism AIDS - Spain Alliance for Labor and Community Allied Media Conference- AMC Alternate Media Amnesty International Amsterdam Anarchism ● flyers ● Academic articles and papers ● Catalunya ● Japan ● Tactics ● Oregon ● Mexico Anarchist ●
    [Show full text]
  • Festival Schedule
    T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen.
    [Show full text]
  • Download a PDF the PIFF 38 Guide
    TH 38 PORTLAND INTERNATIONAL FILM FESTIVAL FEBRUARY 5-21, 2015 WELCOME Welcome to the 38th Portland International Film and of course, filmmakers who continue to Festival, the Northwest Film Center’s annual surprise, delight, inform, and energize with their showcase of new world cinema. With this year’s vision of our world. They bring the Festival to life, 97 features and 60 shorts, we celebrate the and we thank them all. world’s filmmakers—and those who love their work—no matter the language spoken. As with For the Film Center, the Festival is not an end, November’s annual Northwest Filmmakers’ but a means. We want this annual sampling of the Festival, which surveys the perspectives of our vitality of international cinema to be more than region’s makers, we hope you set aside some a special event, but rather to be the impetus for a time for a bit of armchair travel, discovery, and deeper dive into the art of film—whether it is on inspiration. the big screen or in the palm of your hand. Between Opening and Closing night the choices The programmatic centerpiece of this year’s are many, and we hope you find among them the Festival is a showcase of Hispanic language gems that will keep you searching for more. films from ten countries, and the accompanying Cine-Lit Conference on Hispanic Film and Enjoy! Literature co-produced by the foreign language departments at Oregon State University, Portland State University and the University of Oregon. This is the eighth such Festival and Conference collaboration, a sharing of films, visiting directors, scholars, and students that Bill Foster, Director enriches one another and the community.
    [Show full text]
  • Qe7ybugnpjvupq3u.Pdf
    EDITOR'S LETTER Stepping Into History By Rachel Riederer Brooklyn, NY June 8, 2016 In this month’s Editor’s Letter, Rachel Riederer talks with artist Alicia Grullón about reenacting crucial political moments, from labor actions in the Bronx to famous Texas filibusters. I remember crowding around a laptop with friends to watch Wendy Davis’s filibuster in the Texas State Senate. Her eleven-hour speech was an attempt to block a bill imposing restrictions that would cause many abortion clinics to close. Even on a tiny computer screen and halfway across the country, you could feel the energy and tension in the statehouse, all the way up until she completed the filibuster, to the raucous chanting of supporters that filled the statehouse hallways. So when I heard about Alicia Grullón’s reenactment of the filibuster at BRIC House as part of the exhibition “Whisper or Shout: Artists in the Social Sphere,” I wondered what it would be like to see a a reenactment of a moment that had already been so well documented. Grullón’s performance piece was urgent and moving. Hearing the text of the filibuster spoken aloud by someone who is not a lawyer or a politician gave the words new weight, and it was striking to see Grullón in person, dealing with fatigue as well as the often openly hostile environment. After her performance, we talked about how she came to incorporate reenactments into her artistic practice, what it means to change the identity of one of the actors in a political moment, and the radical empathy of putting yourself into someone else’s shoes.
    [Show full text]
  • In New York City
    Labor Archives Labor Library and Robert F. Wagner Wagner F. Robert and Library on Organizations, Tamiment Organizations, on Brooklyn, rent strikes in Harlem and and Harlem in strikes rent Brooklyn, Printed Ephemera Collection Ephemera Printed integration struggles at Stuyvesant Town and in in and Town Stuyvesant at struggles integration first citywide federation of tenant tenant of federation citywide first associations in NYC (1938). (1938). NYC in associations resistance to urban renewal in the South Bronx, Bronx, South the in renewal urban to resistance history of tenant struggle, including: neighborhood neighborhood including: struggle, tenant of history Wide Tenants Council was the the was Council Tenants Wide Knickerbocker Village, the City City the Village, Knickerbocker rent regulation system forms the backdrop to a rich rich a to backdrop the forms system regulation rent Formed in 1936 by residents of of residents by 1936 in Formed The creation and subsequent dismantling of the the of dismantling subsequent and creation The affordable housing from the 1940s to the present. present. the to 1940s the from housing affordable of collective action by NYC tenants for decent and and decent for tenants NYC by action collective of Tenants Organize in New York City York New in Organize Tenants , an exploration exploration an , We Won’t Move: Move: Won’t We Interference Archive presents presents Archive Interference Metropolitan Council on Housing on Council Metropolitan Private collection of the of collection Private decontrol (circa 1975). 1975). (circa decontrol apartments affected by vacancy vacancy by affected apartments rent stabilization to most of the the of most to stabilization rent Protection Act, which extended extended which Act, Protection support of the Emergency Tenant Tenant Emergency the of support action for housing justice.
    [Show full text]
  • Exotic Plant Management Team Program 2010 Annual Report
    National Park Service U.S. Department of the Interior Natural Resource Stewardship and Science Exotic Plant Management Team Program 2010 Annual Report Natural Resource Report NPS/NRSS/NRR—2011/459 ON THE COVER Top center – Olympic National Park, North Coast/Cascades Network EPMT; Center left –Badlands National Park, Northern Great Plains EPMT; Center center – Wrangell-St.Elias National Park and Preserve, Alaska EPMT; Center right – Point Reyes National Seashore, California EPMT; Bottom left – Black Canyon of the Gunnison, Lake Mead EPMT; Bottom center – Bighorn Canyon National Recreation Area, Northern Rocky Mountain EPMT; Bottom right – Rock Creek Park, National Capital Region EPMT. Exotic Plant Management Team Program 2010 Annual Report Natural Resource Report NPS/NRSS/NRR—2011/459 Rita Beard National Park Service Invasive Plant Program Coordinator 1201 Oakridge Dr., Suite 200 Fort Collins, CO 80525 Louisa Gibson National Park Service Program Assistant 1201 Oakridge Dr., Suite 200 Fort Collins, CO 80525 October 2011 U.S. Department of the Interior National Park Service Natural Resource Stewardship and Science Fort Collins, Colorado The National Park Service, Natural Resource Stewardship and Science office in Fort Collins, Colorado publishes a range of reports that address natural resource topics of interest and applicability to a broad audience in the National Park Service and others in natural resource management, including scientists, conservation and environmental constituencies, and the public. The Natural Resource Report Series is used to disseminate high-priority, current natural resource management information with managerial application. The series targets a general, diverse audience, and may contain NPS policy considerations or address sensitive issues of management applicability.
    [Show full text]
  • February 11, 2021 Contact for Cinema Unbound Awards: Aimee Morris
    February 11, 2021 Contact for Cinema Unbound Awards: Aimee Morris [email protected] (917) 670-5517 Contact: December Carson Head of External Affairs, NW Film Center 503-276-4276 Steve McQueen, Garrett Bradley, Gus Van Sant, Mollye Asher and Alex Bulkley to be honored at the 2021 Cinema Unbound Awards presented by the Portland Art Museum & Northwest Film Center (PORTLAND, OR) – The annual Cinema Unbound Awards 2021 honorees were announced today by the Portland Art Museum & Northwest Film Center (NWFC). This year’s honorees include Steve McQueen, Garrett Bradley, Gus Van Sant, Mollye Asher, and Alex Bulkley: boundary-breaking multimedia storytellers working at the intersection of art and cinema. The awards will be presented on March 4, 2021, kicking off the 44th Annual Portland International Film Festival running from March 5 to March 14, 2021. Steve McQueen, the Academy Award–winning British filmmaker and artist whose anthology film series Small Axe recently won Best Picture at the Los Angeles Film ​ ​ Critics Association Awards, says he is grateful for the support of artists’ creative exploration. “I feel particularly honored to receive this Cinema Unbound Award from Northwest Film Center and Portland Art Museum at a time in my own creative journey when I have gone back to my true source and inspiration with Small Axe ​ and felt more unbound creatively than I ever have,” says McQueen. “The work NWFC and PAM do in supporting creatives across different mediums in discovering their own artistic identity is vitally important.” The event will be available free to the public virtually throughout the US and internationally by registering at cinemaunbound.org/awards.
    [Show full text]
  • Laura Ross-Paul
    FROELICK GALLERY Laura Ross-Paul Born 1950 Portland, Oregon Education 1978 B.S. Arts—Portland State University, Portland, Oregon 1976 M.F.A. Painting—Portland State University, Portland, Oregon 1974 B.F.A. Painting—Fort Wright College, Spokane, Washington 1972-74 Oregon State University, Corvallis, OR 1968-70 Oregon State University, Corvallis, OR Solo Exhibitions 2015 Waterfalls, Froelick Gallery, Portland, OR 2014 Urban Forest, Froelick Gallery, Portland, OR 2012 Connect, Froelick Gallery, Portland, OR History Lessons, Helzer Gallery, Portland Community College, Portland, OR 2010 Seasons, Froelick Gallery, Portland, OR 2009 Still Lives, Joanne Artman, Laguna Beach, CA 2008 Northwestopia, Froelick Gallery, Portland, OR Patterns of Light, Pacini Lubel Gallery, Seattle, WA 2007 Laura Ross-Paul: The Allusive Self, curated by Jessica Hunter Larsen, Coburn Gallery, Colorado College, Colorado Springs, CO (catalogue) 2006 Naked, Froelick Gallery, Portland, OR (catalogue) 2005 Pattern and Illusion, Froelick Gallery, Portland, OR 2004 Connect, Pacini Lubel Gallery, Seattle, WA 2003 Juggling, Jenkins-Johnson Gallery, San Francisco, CA 2002 Simple Geometry, Froelick Gallery, Portland, OR 2000 Markers, Froelick Gallery, Portland, OR (catalogue) 1999 Dances and Exorcisms, Froelick Gallery, Portland, OR Realism Into Abstraction, Jenkins Johnson Gallery, San Francisco, CA 1997 Defying Gravity, Froelick Adelhart Gallery, Portland, OR (brochure) 1996 The Emotion of Light, Grover/Thurston Gallery, Seattle, WA History Lessons, Froelick Adelhart Gallery,
    [Show full text]