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RADICAL ARCHIVES Presented by the Asian/Pacific/American Institute at NYU Curated by Mariam Ghani and Chitra Ganesh
a/p/a RADICAL ARCHIVES presented by the Asian/Pacific/American Institute at NYU curated by Mariam Ghani and Chitra Ganesh Friday, April 11 – Saturday, April 12, 2014 radicalarchives.net Co-sponsored by Asia Art Archive, Hemispheric Institute, NYU History Department, NYU Moving Image Archive Program, and NYU Archives and Public History Program. Access the Internet with NYU WiFi SSID nyuguest login guest2 password erspasta RADICAL ARCHIVES is a two-day conference organized around the notion of archiving as a radical practice, including: archives of radical politics and practices; archives that are radical in form or function; moments or contexts in which archiving in itself becomes a radical act; and considerations of how archives can be active in the present, as well as documents of the past and scripts for the future. The conference is organized around four threads of radical archival practice: Archive and Affect, or the embodied archive; Archiving Around Absence, or reading for the shadows; Archives and Ethics, or stealing from and for archives; and Archive as Constellation, or archive as method, medium, and interface. Advisory Committee Diana Taylor John Kuo Wei Tchen Peter Wosh Performances curated Helaine Gawlica (Hemispheric Institute) with assistance from Marlène Ramírez-Cancio (Hemispheric Institute) RADICAL ARCHIVES SITE MAP Friday, April 11 – Saturday, April 12 KEY 1 NYU Cantor Film Center 36 E. 8th St Restaurants Coffee & Tea 2 Asian/Pacific/American Institute at NYU 8 Washington Mews Cafetasia Cafe Nadery Oren’s 3 NYU Bobst -
Calendar of Events
Calendar of Events The Archivists Round Table of Metropolitan New York, Inc. (A.R.T.), along with hundreds of organizations in the archives community across New York State, proudly presents New York Archives Week October 6-12, 2013, coordinating commemorative activities throughout the New York City Metropolitan area. New York Archives Week is an annual celebration aimed at informing the general public of the diverse array of archive materials accessible in the Metropolitan New York City region. The celebration includes open houses, lectures, workshops and behind-the-scenes tours designed to illustrate the importance of historical records. All New York Archives Week events are free and open to the public. Following is a calendar overview of the New York Archives Week events. Please see the “Event Descriptions” pages for details about each event, including RSVP instructions. For the latest news about New York Archives Week visit: www.nycarchivists.org. The Archivists Round Table of Metropolitan New York, Inc. (A.R.T.) thanks MetLife for being a major sponsor of New York Archives Week. A.R.T. also thanks the Lucius N. Littauer Foundation for their generous support of New York Archives Week. SATURDAY, OCTOBER 5 (BONUS DAY!) Mount Sinai Archives; “Reaching Out to the Inside: Internal Publications Over the Years,” Exhibit, 7:00 a.m.- 11:00 p.m., all week, exhibit closes December 31, 2013. The New York Society Library; “Extraordinary Gifts: Rare Books Presented to the New York Society Library 1754-2012,” Saturday 9:00 a.m.-5:00 p.m, open daily through December 31, 2013, see ongoing exhibits and programs below for times for each day. -
Maggie Schreiner
Maggie Schreiner Professional Experience Manager of Archives and Special Collections, August 2019 – Present Archivist, February 2018 – August 2019 Brooklyn Historical Society, Brooklyn, NY • Collection Development: Build and maintain relationships with collections donors, conduct site visits to assess and survey potential donations, prepare proposed donations for assessment by the Collections Committee; draft and finalize deeds of gifts, accession new material in consultation with donors. • Arrangement and Description: Oversee archival description program through supervision of processing, maintaining and revising policies and procedures, determining processing priorities, and implementation of iterative processing. Prioritize materials for conservation or digitization. • Digital Projects: Manage digital projects, including collections digitization, development of digital access platforms, and the digital preservation program. Responsible for liaising with vendor IT and digitization services, and consultants. • Collections Management: Overall stacks maintenance and location control for all archival collections across multiple facilities; monitoring of environmental conditions in collections storage spaces. • Records Retention: Manage business records of Brooklyn Historical Society, update records retention schedule, and support staff in implementing retention schedule. • Supervision: Supervision of 1 FTE Archivist, as well as FT and PT project staff, graduate interns, and volunteers. • Administration: Budget development and tracking for -
A History of African American Theatre Errol G
Cambridge University Press 978-0-521-62472-5 - A History of African American Theatre Errol G. Hill and James V. Hatch Frontmatter More information AHistory of African American Theatre This is the first definitive history of African American theatre. The text embraces awidegeographyinvestigating companies from coast to coast as well as the anglo- phoneCaribbean and African American companies touring Europe, Australia, and Africa. This history represents a catholicity of styles – from African ritual born out of slavery to European forms, from amateur to professional. It covers nearly two and ahalf centuries of black performance and production with issues of gender, class, and race ever in attendance. The volume encompasses aspects of performance such as minstrel, vaudeville, cabaret acts, musicals, and opera. Shows by white playwrights that used black casts, particularly in music and dance, are included, as are produc- tions of western classics and a host of Shakespeare plays. The breadth and vitality of black theatre history, from the individual performance to large-scale company productions, from political nationalism to integration, are conveyed in this volume. errol g. hill was Professor Emeritus at Dartmouth College, Hanover, New Hampshire before his death in September 2003.Hetaughtat the University of the West Indies and Ibadan University, Nigeria, before taking up a post at Dartmouth in 1968.His publications include The Trinidad Carnival (1972), The Theatre of Black Americans (1980), Shakespeare in Sable (1984), The Jamaican Stage, 1655–1900 (1992), and The Cambridge Guide to African and Caribbean Theatre (with Martin Banham and George Woodyard, 1994); and he was contributing editor of several collections of Caribbean plays. -
Btn 33 Program Print Copy
BLACK THEATRE: UNAPOLOGETICALLY BLACK Black Theatre Network | 33rd Annual Conference | Winston-Salem, NC Welcome to #BTN33 at our bi-annual home at the A quick guide to Brookstown Inn in Winston-Salem, NC! We’re thrilled to studentquest(SQ) have you with us for an unapologetically inspirational, spirited, programming: feisty, fun, and BLACK Theatre Network conference! StudentQuest is a series of classes, activities, and career- building sessions particularly selected for the students attending BTN conferences. They provide the opportunity for BTN members to invest in the future of Black Theatre through discussions, sharings, and new skills. Student participants are encouraged to BTN Executive Board Members attend these sessions as well as to participate in any of the other BTN’s MEETING SPACES AT THE BROOKSTOWN: sessions that interest or inspire them. Likewise, these sessions are open to all Marvin Sims conference participants. Hospitality Charles Weldon Ballroom Suite StudentQuest sessions are all (when rooms are combined) indicated within the pages of Felix Cochren Shirley Prendergast Paul Jackson Meeting Room this program with (SQ) next to Meeting Room Meeting Room the session’s title. Brookstown inn address: please use this address for all deliveries, Camille Billops ntozake shange Lobby ride services, etc. Board Room 200 Brookstown Ave Winston-Salem, NC 27101 Phone: (336) 725-1120 John House Courtyard Unapologetically black Table of Contents 4-5 Messages from the President and Vice President Andre Harrington, BTN President, and Chris Berry, BTN Vice President, share their thoughts about Unapologetically Back Theatre. 6-7 BTN’s Mission, Purpose, & History Historical facts & details, including BTN Executive Board Members, previous conference sites, and a retelling of the BTN origin story as curated by Past Presidents Dr. -
Subject Files -- File List Updated September 7, 2019 These Files Contain Small Pieces of Ephemera -- Postcards, Handbills, Flyers, and Other Single-Sheet Papers
Subject Files -- file list Updated September 7, 2019 These files contain small pieces of ephemera -- postcards, handbills, flyers, and other single-sheet papers. Bold -- “Parent” Categories Italics -- Files that share the name with their “parent” categories. The folders do not actually say “General” Strikethrough -- File is Missing DO YOU NEED TO CREATE A NEW SUBJECT FILE? It’s possible that there’s no subject file for the material you’re putting away. In that case, please find a file folder and write the subject on that. File it in correct alphabetical order, and then write your new subject on this sheet in pen or pencil. Thanks! Note on Mini Liu subject files: these files were donated in their current form by a donor who had maintained her own subject files. They have been maintained in their original condition, but have been inter filed with our existing subject file collection for ease of access. 15-M Movement AANCO AAUPA meeting minutes (Asian American Union for Political Action) (Mini Liu subject file) AAUPA -- Jazz for Jackson (Mini Liu subject file) ABC No Rio Abu Jamal, Mumia Active Resistance Abu-Jamal, Mumia Act Up Activism Ad Busting / Billboard Reclamation Africa Afro Europes Conference Agitarte / Papel Machete / When We Fight We Win (Puerto Rico / Boston / NOLA) Agriculture AIDS/HIV Activism AIDS - Spain Alliance for Labor and Community Allied Media Conference- AMC Alternate Media Amnesty International Amsterdam Anarchism ● flyers ● Academic articles and papers ● Catalunya ● Japan ● Tactics ● Oregon ● Mexico Anarchist ● -
CAMILLE BILLOPS B. 1933 Los Angeles, CA D. 2019 New York, NY
CAMILLE BILLOPS b. 1933 Los Angeles, CA d. 2019 New York, NY Education 1973 MFA, City College of New York 1960 BA, California State College Solo Exhibitions 2016 Still Raising Hell: The Art, Activism, and Archives of Camille Billops and James V. Hatch, Atlanta, GA 2012 Camille Billops: Prints & Posters, Leeway Foundation, Philadelphia, PA 2011 Films by Camille Billops, Hammer Museum at the University of California at Los Angeles 1997 Inside the Minstrel Mask, Noel Fine Art Acquisitions, Charlotte, North Carolina 1993 University of North Carolina at Charlotte 1990 Clark College, Atlanta University 1986 Calkins Gallery, Hofstra University, Hempsted, N.Y. Gallery at Quaker Corner, Plainfield, NJ 1984 Southeast Arkansas Arts & Science Center, Pine, Bluff 1993 University of North Carolina at Charlotte 1990 Clark College, Atlanta University 1986 Calkins Gallery, Hofstra University, Hempstead, N.Y. Gallery at Quaker Corner, Plainfield, NJ 1984 Southeast Arkansas Arts & Science Center, Pine, Bluff 1983 Pescadores Hsien Library, Making, Taiwan Chau Yea Gallery, Kaohsiung, Taiwan American Cultural Center, Taipei, Taiwan American Center, Karachi, Pakistan Otto Rene Castillo Center, New York 1981 The Bronx Museum of Art, Bronx, NY 1980 Harlem Book of the Dead Performance Piece, Buchhandlung Welt, Hamburg, West Germany 1977 Faculty Exhibition, Rutgers University, Newark, NJ 1976 Foto-Falle Gallery, Hamburg, West Germany 1974 Winston Salem North Carolina State University 1973 Ornette Coleman’s Artist House, SOHO, New York 1965 Galerie Akhenaton, Cairo, -
April 18, 2018 – 8:30AM to 4:30PM Michael C
April 18, 2018 – 8:30AM to 4:30PM Michael C. Carlos Museum, Atlanta, GA Session Description 8:30-9:30 AM Julie Rhoad, President & CEO, The AIDS Memorial Quilt / The Leadership Profile NAMES Foundation discusses what leadership in the Atlanta Region means and her personal vision and style of leadership. Julie Rhoad, The AIDS Memorial Quilt 9:45-11:00 AM Creativity & Arts at Emory Healthcare strives to enhance patient Arts & Health experiences through the arts by deepening our partnerships with the Winship Cancer Institute and Emory’s Alzheimer’s Disease Research Candy Tate, Emory Center for Center. Creativity & Arts Lillian Russo, Winship Cancer Institute Whitney Wharton, Emory University School of Medicine 11:15-Noon A chance for the class to reflect on the day and the class so far. Class Discussion Noon-1:00 PM Lunch 1:00-2:15 PM Tour of the Rose Library with a discussion of how artists use literary Tour of Rose Library collections and the role of academia in the arts and in the region. Pellom McDaniels III, Rose Library 2:30-3:00PM Our last session will go right until the closing bell for the day. We’ll do Class Discussion our wrap up beforehand! Evaluation 3:00-4:30 PM Brandon Jones will break down a case study of a creative Public Art & Creative Placemaking placemaking project, discussing how it was planned, executed and evaluated. Brandon Jones, WonderRoot Katherine Dirga, MARTA Katherine Dirga will discuss MARTA’s Artbound program and public art in public transit. Also: 5pm: Post-class gathering at Double Zero at in the Emory Village – 1577 North Decatur Road Julie Rhoad President & CEO – The AIDS Memorial Quilt / The NAMES Project Foundation President and CEO of The NAMES Project Foundation since 2001, Julie Rhoad has focused her time on keeping the issue of HIV/AIDS prevention front and center with thoughtleaders and the public alike. -
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EDITOR'S LETTER Stepping Into History By Rachel Riederer Brooklyn, NY June 8, 2016 In this month’s Editor’s Letter, Rachel Riederer talks with artist Alicia Grullón about reenacting crucial political moments, from labor actions in the Bronx to famous Texas filibusters. I remember crowding around a laptop with friends to watch Wendy Davis’s filibuster in the Texas State Senate. Her eleven-hour speech was an attempt to block a bill imposing restrictions that would cause many abortion clinics to close. Even on a tiny computer screen and halfway across the country, you could feel the energy and tension in the statehouse, all the way up until she completed the filibuster, to the raucous chanting of supporters that filled the statehouse hallways. So when I heard about Alicia Grullón’s reenactment of the filibuster at BRIC House as part of the exhibition “Whisper or Shout: Artists in the Social Sphere,” I wondered what it would be like to see a a reenactment of a moment that had already been so well documented. Grullón’s performance piece was urgent and moving. Hearing the text of the filibuster spoken aloud by someone who is not a lawyer or a politician gave the words new weight, and it was striking to see Grullón in person, dealing with fatigue as well as the often openly hostile environment. After her performance, we talked about how she came to incorporate reenactments into her artistic practice, what it means to change the identity of one of the actors in a political moment, and the radical empathy of putting yourself into someone else’s shoes. -
In New York City
Labor Archives Labor Library and Robert F. Wagner Wagner F. Robert and Library on Organizations, Tamiment Organizations, on Brooklyn, rent strikes in Harlem and and Harlem in strikes rent Brooklyn, Printed Ephemera Collection Ephemera Printed integration struggles at Stuyvesant Town and in in and Town Stuyvesant at struggles integration first citywide federation of tenant tenant of federation citywide first associations in NYC (1938). (1938). NYC in associations resistance to urban renewal in the South Bronx, Bronx, South the in renewal urban to resistance history of tenant struggle, including: neighborhood neighborhood including: struggle, tenant of history Wide Tenants Council was the the was Council Tenants Wide Knickerbocker Village, the City City the Village, Knickerbocker rent regulation system forms the backdrop to a rich rich a to backdrop the forms system regulation rent Formed in 1936 by residents of of residents by 1936 in Formed The creation and subsequent dismantling of the the of dismantling subsequent and creation The affordable housing from the 1940s to the present. present. the to 1940s the from housing affordable of collective action by NYC tenants for decent and and decent for tenants NYC by action collective of Tenants Organize in New York City York New in Organize Tenants , an exploration exploration an , We Won’t Move: Move: Won’t We Interference Archive presents presents Archive Interference Metropolitan Council on Housing on Council Metropolitan Private collection of the of collection Private decontrol (circa 1975). 1975). (circa decontrol apartments affected by vacancy vacancy by affected apartments rent stabilization to most of the the of most to stabilization rent Protection Act, which extended extended which Act, Protection support of the Emergency Tenant Tenant Emergency the of support action for housing justice. -
Digital Review Copy May Not Be Copied Or Reproduced Without Permission from the Museum of Contemporary Art Chicago
DIGITAL REVIEW COPY MAY NOT BE COPIED OR REPRODUCED WITHOUT PERMISSION FROM THE MUSEUM OF CONTEMPORARY ART CHICAGO. HOWARDENA PINDELL WHAT REMAINS TO BE SEEN Published by the Museum of Contemporary Art Chicago and DelMonico Books•Prestel NAOMI BECKWITH is Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago. VALERIE CASSEL OLIVER is Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the Virginia Museum of Fine Arts. ON THE JACKET Front: Untitled #4D (detail), 2009. Mixed media on paper collage; 7 × 10 in. Back: Timothy Greenfield-Sanders, Howardena Pindell from the series Art World, 1980. Gelatin silver print, edition 2/2; 13 3/4 × 10 3/8 in. The Museum of Fine Arts, Houston, Gift of Mr. and Mrs. Neil E. Kelley, 2006.867. © Timothy Greenfield-Sanders, All Rights Reserved. Courtesy of Hiram Butler Gallery. Printed in China HOWARDENA PINDELL WHAT REMAINS TO BE SEEN Edited by Naomi Beckwith and Valerie Cassel Oliver Museum of Contemporary Art Chicago DelMonico Books • Prestel Munich London New York CONTENTS 15 DIRECTOR’S FOREWORD Madeleine Grynsztejn 17 ACKNOWLEDGMENTS Naomi Beckwith Valerie Cassel Oliver 21 OPENING THOUGHTS Naomi Beckwith Valerie Cassel Oliver 31 CLEARLY SEEN: A CHRONOLOGY Sarah Cowan 53 SYNTHESIS AND INTEGRATION IN THE WORK Lowery Stokes Sims OF HOWARDENA PINDELL, 1972–1992: A (RE) CONSIDERATION 87 BODY OPTICS, OR HOWARDENA PINDELL’S Naomi Beckwith WAYS OF SEEING 109 THE TAO OF ABSTRACTION: Valerie Cassel Oliver PINDELL’S MEDITATIONS ON DRAWING 137 HOWARDENA PINDELL: Charles -
2018 Or Tax Year Beginning , 2018, and Endina Name of Foundation a Employer Ldentlf1catlon Number the PFJEER FOUNDATION, INC
Form 990-PF Return of Private Foundation or Section 4947(a)(1) Trust Treated as Private Foundation Department o,,t the Treasury ... Do not enter social security numbers on this form as it may be made public. Internal Revenue Service .,. Go to www.irs.gov/Fonn990PF for instructions and the latest information For ca endar vear 2018 or tax year beginning , 2018, and endina Name of foundation A Employer ldentlf1catlon number THE PFJEER FOUNDATION, INC. 13-6083839 Number and street (or PO box number 11 ma1l 1s not delivered to street address) Room/suite B Telephone number (see 1nstruct1ons) 235 EAST 42ND STREET ( 212) 733 -4250 City or town, state or province, country, and ZIP or foreign postal code C If exemption appllcat1on 1s pending, check here. • • NEW YORK, NY 10017 G Check all that apply Initial return ,___ Initial return of a former public charity D 1 Foreign organ1zat1ons. check here. ,___ Final return ~ Amended return 2 F ore1gn orgamzat1ons meeting the 85% test, check here and attach Address change Name change computat1on • • • • • • • • H Check type of organization X Section 501 (c)(3) exempt private foundation oy E If private foundation status was terminated D _.___.n __S.::.e.::.c::.:t::..:10:.:.n.:...4...:..::.94..;..7.:...'<:c:a:u..H1,_,, >...:n::..:o:..:n::..:e:::.x:.=e::..:m.:.,10:.:t....:c:.:.h:.=a::..:ri:.=ta:.:b:.:.le:;....::.tr.:::u.:::st:....__,_""._,_=O:.:t::..:h=e.:...r.:.ta=xa:;:=b:..::le;...c..:.:Pn.:.v::::ac:cte;....:.f.:::o.;:u::..:n.=d.=ac.::t1.:::o::..:n n ___ ..:__--l under section S07(b)(1)(A) check here .