Toezichtsrapport VRT - 2020
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1975 World Men List
1975 WORLD MEN LIST Developed by Pino Mappa with assistance of: Richard Hymans, Børre Lilloe, Gabriele Manfredini 100 YARDS Clifford Outlin USA 17 Oct 53 173/72 A 9.33 0.0 1 s3 NCAA Provo 06 Jun Hasley Crawford TRI 16 Aug 50 190/87 A 9.35 -1.2 1 NCAA Provo 06 Jun Don Quarrie JAM 25 Feb 51 175/70 9.37 2.0 1 WCR Fresno 10 May Houston McTear USA 12 Feb 57 170/74 9.39 1.4 1 Atlanta 07 Jun Clifford Outlin (2) A 9.35 -1.2 2 NCAA Provo 06 Jun Ralph Smith USA 28 Dec 53 188/72 9.42 1 NAIA Arkadelphia 22 May Reggie Jones USA 30 Dec 53 189/86 A 9.43 0.0 1 s2 NCAA Provo 06 Jun Ed Preston USA 12 Dec 55 186/80 A 9.44 1.2 1 h1 NCAA Provo 05 Jun Reggie Jones (2) A 9.44 -1.2 3 NCAA Provo 06 Jun Hasley Crawford (2) A 9.47 0.0 2 s3 NCAA Provo 06 Jun (10) Ed Preston (2) A 9.48 -1.2 4 NCAA Provo 06 Jun Clancy Edwards USA 09 Aug 55 175/78 9.50 2.0 2 WCR Fresno 10 May Clifford Outlin (3) A 9.50 0.2 1 h4 NCAA Provo 05 Jun Ed Preston (3) A 9.50 -0.9 1 s1 NCAA Provo 06 Jun (17 performances by 8 performers) Charlie Wells USA 10 Aug 53 168/70 A 9.52 0.0 2 s2 NCAA Provo 06 Jun Bill Collins USA 20 Nov 50 183/67 A 9.53 0.0 3 s2 NCAA Provo 06 Jun (10) Mike Farmer USA 19 Sep 56 183/73 9.54 1 h1 WCR Fresno 10 May Larry Brown USA 23 Mar 51 180/82 A 9.55 1 WAC Salt Lake City 10 May Cliff Wiley USA 21 May 55 173/61 A 9.55 0.0 1 s3 NCAA Provo 06 Jun Steven D. -
2016 International Artist Exchanges' Creative
Photo: Laura Chichisan Why Support International Exchange among Artists? A Decade of Tracking the Economic, Cultural and Social Benefits of Doing So TransCultural Exchange’s Conferences on International Opportunities in the Arts Economic Impact Analysis and Program Evaluation 1 Why Support International Exchange among Artists? A Decade of Tracking the Economic, Cultural and Social Benefits of Doing So ______________________________________________________ Evaluation Staff Submitted by Carol Van Zandt/Mary Sherman Layout Carol Van Zandt/Siyi Yang Previous Surveys’ Research and Editing Support by Marie Costello, Tanya Gruenberger, Lindsay Ladner, Fahrin Zaman Online Survey Tool and Methodology Developed for TransCultural Exchange: Center for Policy Analysis at the University of Massachusetts Dartmouth TransCultural Exchange would like to thank the Massachusetts Cultural Council, Boston Cultural Council and National Endowment for the Arts for the funding to help produce this publication. Correspondence and inquiries should be addressed to: TransCultural Exchange The Artist Building at 300 Summer Street, #36 Boston, Massachusetts, 02210 617.670.0307 [email protected] 2 TransCultural Exchange’s Conferences on International Opportunities in the Arts Economic Impact Analysis and Program Evaluation Table of Contents FORWARD p.6 1.00 INTRODUCTION p.10 1.10 SUMMARY 2.00 ECONOMIC IMPACT AND SURVEY EVALUATION p.30 2.10 Methodology 2.11 Process Evaluation 2.12 Survey Evaluation 3.00 ECONOMIC IMPACT ANALYSIS p.32 3.10 Overview 3.11 -
1 Soulsister the Way to Your Heart 1988 2 Two Man Sound Disco
1 Soulsister The Way To Your Heart 1988 2 Two Man Sound Disco Samba 1986 3 Clouseau Daar Gaat Ze 1990 4 Isabelle A He Lekker Beest 1990 5 Katrina & The Waves Walking On Sunshine 1985 6 Blof & Geike Arnaert Zoutelande 2017 7 Marianne Rosenberg Ich Bin Wie Du 1976 8 Kaoma Lambada 1989 9 George Baker Selection Paloma Blanca 1975 10 Helene Fischer Atemlos Durch Die Nacht 2014 11 Mavericks Dance The Night Away 1998 12 Elton John Nikita 1985 13 Vaya Con Dios Nah Neh Nah 1990 14 Dana Winner Westenwind 1995 15 Patrick Hernandez Born To Be Alive 1979 16 Roy Orbison You Got It 1989 17 Benny Neyman Waarom Fluister Ik Je Naam Nog 1985 18 Andre Hazes Jr. Leef 2015 19 Radio's She Goes Nana 1993 20 Will Tura Hemelsblauw 1994 21 Sandra Kim J'aime La Vie 1986 22 Linda De Suza Une Fille De Tous Les Pays 1982 23 Mixed Emotions You Want Love (Maria, Maria) 1987 24 John Spencer Een Meisje Voor Altijd 1984 25 A-Ha Take On Me 1985 26 Erik Van Neygen & Sanne Veel Te Mooi 1990 27 Al Bano & Romina Power Felicita 1982 28 Queen I Want To Break Free 1984 29 Adamo Vous Permettez Monsieur 1964 30 Frans Duijts Jij Denkt Maar Dat Je Alles Mag Van Mij 2008 31 Piet Veerman Sailin' Home 1987 32 Creedence Clearwater Revival Bad Moon Rising 1969 33 Andre Hazes Ik Meen 't 1985 34 Rob De Nijs Banger Hart 1996 35 VOF De Kunst Een Kopje Koffie 1987 36 Radio's I'm Into Folk 1989 37 Corry Konings Mooi Was Die Tijd 1990 38 Will Tura Mooi, 't Leven Is Mooi 1989 39 Nick MacKenzie Hello Good Morning 1980/1996 40 Noordkaap Ik Hou Van U 1995 41 F.R. -
L'italia E L'eurovision Song Contest Un Rinnovato
La musica unisce l'Europa… e non solo C'è chi la definisce "La Champions League" della musica e in fondo non sbaglia. L'Eurovision è una grande festa, ma soprattutto è un concorso in cui i Paesi d'Europa si sfidano a colpi di note. Tecnicamente, è un concorso fra televisioni, visto che ad organizzarlo è l'EBU (European Broadcasting Union), l'ente che riunisce le tv pubbliche d'Europa e del bacino del Mediterraneo. Noi italiani l'abbiamo a lungo chiamato Eurofestival, i francesi sciovinisti lo chiamano Concours Eurovision de la Chanson, l'abbreviazione per tutti è Eurovision. Oggi più che mai una rassegna globale, che vede protagonisti nel 2016 43 paesi: 42 aderenti all'ente organizzatore più l'Australia, che dell'EBU è solo membro associato, essendo fuori dall'area (l’anno scorso fu invitata dall’EBU per festeggiare i 60 anni del concorso per via dei grandi ascolti che la rassegna fa in quel paese e che quest’anno è stata nuovamente invitata dall’organizzazione). L'ideatore della rassegna fu un italiano: Sergio Pugliese, nel 1956 direttore della RAI, che ispirandosi a Sanremo volle creare una rassegna musicale europea. La propose a Marcel Bezençon, il franco-svizzero allora direttore generale del neonato consorzio eurovisione, che mise il sigillo sull'idea: ecco così nascere un concorso di musica con lo scopo nobile di promuovere la collaborazione e l'amicizia tra i popoli europei, la ricostituzione di un continente dilaniato dalla guerra attraverso lo spettacolo e la tv. E oltre a questo, molto più prosaicamente, anche sperimentare una diretta in simultanea in più Paesi e promuovere il mezzo televisivo nel vecchio continente. -
Kingcanfilmfest.Com FEB 26 to MAR 1
presented by FEB 26 to MAR1 2O15 kingcanfilmfest kingcanfilmfest.com TiVo Service¹ lets you record up to 6 shows at once, access Netflix² and watch your recordings on the go. Get it only from Cogeco. 1-877-449-4474 • Cogeco.ca/TiVo How can we help you? TABLE OF CONTENTS Sponsors 2 tickets and Venues 5 Schedule 6 festival greetings 8 FILMS SHORT FILM PROGRAMS Big neWS from grand roCk 10 Canadian ShortS Program 24 after the BaLL 11 LoCaL ShortS Program 25 aLL the time in the WorLd 11 Youth ShortS Program 25 BerkShire CountY 12 C iS for Canada 26 dirtY SingLeS 13 muSiC Video ShortS Program 26 the father of hoCkeY 13 fauLt 14 feLix and meira 14 Workshops 28 in her PLaCe 15 music 30 La Petite reine 15 receptions 31 LuCk’S hard 17 maPS to the StarS 17 mommY 18 monSoon 18 PorCh StorieS 19 the PriCe We PaY 19 retroSPeCtiVe: manY kingStonS 20 SoL 21 the StronghoLd 21 tu dorS niCoLe 22 VioLent 22 PRESENTING SPONSORS PRIMETIME/PROGRAM SPONSORS SUPPORTERS FEATURE FILM SPONSORS 2 MEDIA SPONSORS the Queen’s University FILM SPONSORS FESTIVAL FRIENDS HOSPITALITY FRIENDS MEDIA FRIENDS Le Centre culturel Frontenac Amadeus Fusix Kamik AquaTerra by Clark Kingstonist Kingston Community Olivea Point of View Magazine Credit Union Pan Chancho Queen’s TV Petrie Ford Tango Nuevo Rogers K-Rock Centre SGPS Tir Nan Og Snapd Staples Station 14 Wellington Foreign Exchange FESTIVAL PARTNERS Film Circuit (TIFF), George Taylor Richardson Memorial Fund, National Film Board of Canada, Original Hockey Hall of Fame, Queen’s University AMS, Ubisoft, The Screening Room COMMUNITY SPONSORS Brew Pub, Brian’s Record Option, Campus One Stop, Card’s Bakery, Classic Video, David’s Tea, Five Guys Burger and Fries, Genene Maurice RMT, LSP Designs, Novel Idea, Pasta Genova, The Pita Pit, QFLIC, Rankin Productions, Secret Garden Inn, Sima Sushi, Ta-Ke Sushi, Tommy’s, The Works 3 For 15 years KCFF has been dedicated to exhibiting Canadian ƓOPDQGLVGHHSO\FRPPLWWHGWR ensuring its continued development & growth. -
6. Pensioenfondsen Vrt 5. Vlaamse
VOORWOORD........................................................................................................................................ 3 INLEIDING............................................................................................................................................... 4 DE OPDRACHT VAN DE OPENBARE OMROEP................................................................................. 5 BIJDRAGEN AAN DE VLAAMSE SAMENLEVING .............................................................................. 5 DE ROL VAN DE OPENBARE OMROEP IN VLAANDEREN............................................................................... 5 DE INVULLING VAN DE OPENBARE OMROEPOPDRACHT.............................................................................. 6 1. Onafhankelijk nieuws en informatie ........................................................................................ 6 2. Culturele hefboom................................................................................................................... 8 3. Sporters en supporters............................................................................................................ 9 4. Van wetenschap tot kennis ................................................................................................... 10 5. De Vlaamse dimensie ........................................................................................................... 11 6. Ontspanning voor iedereen.................................................................................................. -
Download a PDF the PIFF 38 Guide
TH 38 PORTLAND INTERNATIONAL FILM FESTIVAL FEBRUARY 5-21, 2015 WELCOME Welcome to the 38th Portland International Film and of course, filmmakers who continue to Festival, the Northwest Film Center’s annual surprise, delight, inform, and energize with their showcase of new world cinema. With this year’s vision of our world. They bring the Festival to life, 97 features and 60 shorts, we celebrate the and we thank them all. world’s filmmakers—and those who love their work—no matter the language spoken. As with For the Film Center, the Festival is not an end, November’s annual Northwest Filmmakers’ but a means. We want this annual sampling of the Festival, which surveys the perspectives of our vitality of international cinema to be more than region’s makers, we hope you set aside some a special event, but rather to be the impetus for a time for a bit of armchair travel, discovery, and deeper dive into the art of film—whether it is on inspiration. the big screen or in the palm of your hand. Between Opening and Closing night the choices The programmatic centerpiece of this year’s are many, and we hope you find among them the Festival is a showcase of Hispanic language gems that will keep you searching for more. films from ten countries, and the accompanying Cine-Lit Conference on Hispanic Film and Enjoy! Literature co-produced by the foreign language departments at Oregon State University, Portland State University and the University of Oregon. This is the eighth such Festival and Conference collaboration, a sharing of films, visiting directors, scholars, and students that Bill Foster, Director enriches one another and the community. -
Ok-Fr-Belgian-Delegations-Summer
Délégations belges aux Jeux Olympiques d’été 34ème Olympiade d’été – Los Angeles, USA – 2028 33ème Olympiade d’été – Paris, France – 2024 32ème Olympiade d’été – Tokyo, Japon – 2020 31ème Olympiade d’été – Rio de Janeiro, Brésil – 2016 30ème Olympiade d’été – Londres, Angleterre – 2012 29ème Olympiade d’été – Pékin, Chine – 2008 28ème Olympiade d’été – Athènes, Grèce – 2004 27ème Olympiade d’été – Sydney, Australie – 2000 26ème Olympiade d’été – Atlanta, USA – 1996 25ème Olympiade d’été – Barcelone, Espagne – 1992 24ème Olympiade d’été – Séoul, Corée du Sud – 1988 23ème Olympiade d’été – Los Angeles, USA – 1984 22ème Olympiade d’été – Moscou, Russie – 1980 21ème Olympiade d’été – Montréal, Canada – 1976 20ème Olympiade d’été – Munich, Allemagne – 1972 19ème Olympiade d’été – Mexico, Mexique – 1968 18ème Olympiade d’été – Tokyo, Japon – 1964 17ème Olympiade d’été – Rome, Italie – 1960 16ème Olympiade d’été : Jeux équestres – Stockholm, Suède - 1956 16ème Olympiade d’été – Melbourne, Australie – 1956 15ème Olympiade d’été – Helsinki, Finlande – 1952 14ème Olympiade d’été – Londres, Angleterre – 1948 13ème Olympiade d’été – Londres, Angleterre – 1944 12ème Olympiade d’été – Tokyo, Japon – 1940 11ème Olympiade d’été – Berlin, Allemagne – 1936 10ème Olympiade d’été – Los Angeles, USA – 1932 9ème Olympiade d’été – Amsterdam, Pays-Bas – 1928 8ème Olympiade d’été – Paris, France – 1924 7ème Olympiade d’été – Anvers, Belgique – 1920 6ème Olympiade d’été – Berlin, Allemagne – 1916 5ème Olympiade d’été – Stockholm, Suède – 1912 4ème Olympiade d’été -
Winnipeg International Jewish Film Festival Program
WINNIPEG INTERNATIONAL JEWISH FILM FESTIVAL May 24 - June 7 2016 SON OF SAUL • HOW TO WIN ENEMIES • ONCE IN A LIFETIME • BABA JOON • THEODORE BIKEL: IN THE FOOTSTEPS OF SHOLOM ALEICHEM • WEDDING DOLL • FELIX & MEIRA • RABIN IN HIS OWN WORDS • LABYRINTH OF LIES • MIDNIGHT ORCHESTRA • THE LAST MENTSCH • DOUGH • FEVER AT DAWN APPLES FROM THE DESERT • ORCHESTRA OF EXILES Tickets/Info: (204) 477-7510 | www.radyjcc.com Berney Theatre, Rady Jewish Community Centre Tuesday, May 24 | 7:30 pm Awards: •Best Supporting Actor, Tuesday, June 7 | 3:00 pm Best Supporting Actress, Best Costume Design, Awards of the Israeli Film Apples from the Desert Academy, 2014 •Best Feature Film, Audience Award, Palm Tapoukhim min ha’midbar Beach Jewish Film Israel 2014. Hebrew with English subtitles Festival, 2016 DRAMA. Directors: Matti Harari and Arik Lubetzki 96 minutes | Menemsha Films •Best Narrative Film, Atlanta Jewish Film The rebellious teenage daughter of ultra-Orthodox Jewish Festival, 2015 parents journeys into the secular world in Apples from the •Special Jury Award Desert an adaptation of the award-winning Israeli play that Winner, San Diego Jewish poignantly explores themes of love and reconciliation. Rebecca Film Festival, 2015 Abravanel is an only child, living a cloistered existence with her •Best Feature Film, BEVIE strictly religious Sephardic parents in Jerusalem. Unhappy with Award, Chicago Festival the restrictive traditions of home and community, she secretly of Israeli Cinema, 2015 breaks taboos, attending dance classes where she forms a relationship with secular kibbutznik Dooby. Suspicious and •Best Feature Film, Audience Choice Award, angry in the face of Rebecca’s growing acts of rebellion, her Haifa International Film strict father reacts by setting in motion a prearranged marriage Festival, Israel, 2015 to an older widower with children of his own. -
Conceptualism – Intersectional Readings, Inter National Framings
Conceptualism – Intersectional Readings, Inter national Framings Situating ‘Black Artists & Modernism’ in Europe CONTENTS • Nick Aikens, susan pui san lok, Sophie Orlando Introduction 4 KEYNOTE • Valerie Cassel Oliver Through the Conceptual Lens: The Rise, Fall and Resurrection of Blackness 218 KEYNOTE • Iris Dressler Subversive Practices: Art Under Conditions of Political Repression in 1960s and 1980s South America and Europe 14 IV DAVID MEDALLA 244 I CONCEPTUALISM AND INTERSECTIONAL READINGS 30 • Nick Aikens Introduction 246 • Nick Aikens, Annie Fletcher Introduction 32 • David Dibosa Ambivalent Thresholds: David Medalla’s Conceptualism and ‘Queer British Art’ 250 • Alexandra Kokoli Read My QR: Quilla Constance and the Conceptualist Promise of Intelligibility 36 • Eva Bentcheva Conceptualism-Scepticism and Creative Cross-pollinations in the Work of David Medalla, 1969–72 262 • Elisabeth Lebovici The Death of the Author in the Age of the Death of the Authors 54 • Sonia Boyce Dearly Beloved: Transitory Relations and the Queering of ‘Women’s Work’ in David Medalla’s A Stitch in Time (1967–72) 282 • susan pui san lok Found and Lost: A Genealogy of Waste? 68 • Wei Yu David Medalla and Li Yuan-chia: Conceptual Projects from the 1960s to 1970s 300 II NIL YALTER 96 • Sarah Wilson Introduction 98 V CONCEPTUALISM AND INTERNATIONAL FRAMINGS 312 • Fabienne Dumont Is Nil Yalter’s Work Compatible with Black • susan pui san lok Introduction 314 Conceptualism? An Analysis Based on the FRAC Lorraine Collection 104 • Alice Correia Allan deSouza and Mohini -
FROM the PANORAMA to the DETAIL Symposium 21.–22.02.17 TBA21–Augarten Allan Sekula: from the Panorama to the Detail
Allan Sekula FROM THE PANORAMA TO THE DETAIL Symposium 21.–22.02.17 TBA21–Augarten Allan Sekula: From the Panorama to the Detail Allan Sekula: From the Panorama to the Detail brings together various thinkers, historians, artists, and curators to discursively unpack the oceanic themes addressed in the exhibition Allan Sekula: OKEANOS and to expand and update some of the sociopolitical and environmental topics engaged by Sekula’s work. Marking the twentieth anniversary of the Camera Austria Symposium on Photography, staged in 1996 and cocurated by Sekula, which focused on his seminal work Fish Story, this gathering, held in 2017, again foregrounds the urgency of the artist’s work and in particular the way it can still be used as a lens through which to form a pertinent critique shedding light on the most pressing issues at hand today. “Fish Story follows two interwoven strands,” Sekula wrote in 1997, “both of which turn around questions of liminality and flux. First, it is a ‘docu- mentary’ reading of contemporary maritime space. As both sea and land are progressively ‘rationalized’ by increasingly sophisticated industrial methods, does the ‘classic’ relation between terrestrial space and maritime space undergo a reversal? Does the sea become fixed and the land fluid? Second, Fish Story is an ‘art historical’ allegory of the sea as an object of representation. How does the sea ‘disappear’ from the cognitive and imaginative horizon of late modernity? Are there broader lessons to be drawn from this disappearance?” (Camera Austria, no. 59/60, p. 53) Thinking and debating through three thematically linked panels, each of which includes and diverges from aspects of Sekula’s multifaceted output, and through a series of case studies tied to the investigation of the oceanic space, the symposium analyzes Sekula’s legacy from a variety of positions and seeks to contribute to its ongoing epistemological trajectory. -
20170629 073 026
73ste jaargang • nummer 26 • donderdag 29 juni 2017 Weekblad P608721 Afgiftekantoor 2099 Antwerpen X € 2,20 Voor mensen met een goed hart en een slecht karakter... De confederale eenzaamheid van de N-VA Met de ineenstorting van de PS dreigt de N-VA een laatste bondgenoot te verliezen in de tocht naar het confederalisme, stellen sommige politieke waarnemers. De PS is tenslotte de enige Franstalige partij die nog regionalisten in haar rangen telt. MR, cdH en Ecolo zijn belgicistischer dan ooit. Raakt de N-VA met haar confederale credo straks niet verder dan studiedagen en seminaries? Zo pessimistisch mogen we nu ook niet zijn. De politieke crisis in Franstalig België zal De PS zit dan weer in een existentiële crisis. En wellicht een tijd aanhouden, maar ondertus- vooral: er is weinig animo om met de Waalse sen is stilaan duidelijk hoe de verschillende socialisten te regeren die voortdurend zullen deelstatenregeringen er zullen uitzien. CdH- worden opgejaagd door de extreemlinkse PTB. voorzitter Benoît Lutgen trok vorige week de Vraag is meteen of zo’n regering zonder de stekker uit de Waalse, Brusselse en Franse PS bereid zal zijn met de N-VA een nieuwe Gemeenschapsregering. Hij hoopt op alterna- staatshervorming te onderhandelen waarbij tieve coalities zonder de PS. Door de balorige stappen gezet worden richting confederalisme. houding van Défi-voorzitter Olivier Maingain is Ex-N-VA’er Hendrik Vuye oreert al maanden dat de kans klein dat er in Brussel snel een oplos- de PS een natuurlijke bondgenoot is, omdat sing komt. De aversie van Maingain voor Char- enkel in die partij nog regionalisten zitten.