SLIFF Program 2008
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THTR 433A/ '16 CD II/ Syllabus-9.Pages
USCSchool of Costume Design II: THTR 433A Thurs. 2:00-4:50 Dramatic Arts Fall 2016 Location: Light Lab/PDE Instructor: Terry Ann Gordon Office: [email protected]/ floating office Office Hours: Thurs. 1:00-2:00: by appt/24 hr notice Contact Info: [email protected], 818-636-2729 Course Description and Overview This course is designed to acquaint students with the requirements, process and expectations for Film/TV Costume Designers, supervisors and crew. Emphasis will be placed on all aspects of the Costume process; Design, Prep: script analysis,“scene breakdown”, continuity, research, and budgeting; Shooting schedules, and wrap. The supporting/ancillary Costume Arts and Crafts will also be discussed. Students will gain an historical overview, researching a variety of designers processes, aesthetics and philosophies. Viewing films and film clips will support critique and class discussion. Projects focused on specific design styles and varied media will further support an overview of techniques and concepts. Current production procedures, vocabulary and technology will be covered. We will highlight those Production departments interacting closely with the Costume Department. Time permitting, extra-curricular programs will include rendering/drawing instruction, select field trips, and visiting TV/Film professionals. Students will be required to design a variety of projects structured to enhance their understanding of Film/TV production, concept, style and technique . Learning Objectives The course goal is for students to become familiar with the fundamentals of costume design for TV/Film. They will gain insight into the protocol and expectations required to succeed in this fast paced industry. We will touch on the multiple variations of production formats: Music Video, Tv: 4 camera vs episodic, Film, Commercials, Styling vs Costume Design. -
Baseball Stadium Market Feasibility Study for Franklin, Wisconsin
Franklin Baseball Stadium Market Feasibility Study SUBMITTED TO Zimmerman Ventures SUBMITTED BY C.H. Johnson Consulting, Incorporated March 20, 2014 DRAFT TABLE OF CONTENTS SECTION I TRANSMITTAL LETTER SECTION II INTRODUCTION 1 SECTION III ECONOMIC AND DEMOGRAPHIC ANALYSIS 6 SECTION IV COMPARATIVE MARKET ANALYSIS & DEMAND PROJECTIONS 20 SECTION V FRONTIER LEAGUE STADIUM AND MINOR LEAGUE CASE STUDIES 42 SECTION VI ECONOMIC AND FISCAL IMPACTS ANALYSIS 69 SECTION VII STADIUM FUNDING OPTIONS 83 APPENDIX I 6 East Monroe Street | Fifth Floor | Chicago, Illinois 60603 | Phone: 312.447.2010 | Fax: 312.444.1125 www.chjc.com | [email protected] SECTION I TRANSMITTAL LETTER 6 East Monroe Street | Fifth Floor | Chicago, Illinois 60603 | Phone: 312.447.2010 | Fax: 312.444.1125 www.chjc.com | [email protected] March 20, 2014 Mr. Michael Zimmerman President Zimmerman Ventures 4600 Loomis Road, Suite 310 Milwaukee, WI 53220 Re: Feasibility Study for a Proposed Minor League Baseball Stadium Dear Mr. Zimmerman: Johnson Consulting is pleased to submit this DRAFT report to Zimmerman Ventures (“Client”) that analyzes the market and financial feasibility of a proposed minor league baseball stadium in Franklin, WI. This report also quantifies the total economic and fiscal impact the proposed stadium will have on the local community. Johnson Consulting has no responsibility to update this report for events and circumstances occurring after the date of this report. The findings presented herein reflect analyses of primary and secondary sources of information. Johnson Consulting used sources deemed to be reliable, but cannot guarantee their accuracy. Moreover, some of the estimates and analyses presented in this study are based on trends and assumptions, which can result in differences between the projected results and the actual results. -
Eiko Ishioka:Blood, Sweat, and Tears—A Life of Design
PRESS RELEASE 2020.6.30 The Tokyo Metropolitan Government and the Tokyo Metropolitan Foundation for History and Culture are carrying out this exhibition as part of the Tokyo Tokyo FESTIVAL. Museum of Contemporary Art Tokyo Eiko Ishioka: Blood, Sweat, and Tears—A Life of Design 14 November 2020 – 14 February 2021 The Museum of Contemporary Art Tokyo (MOT) is pleased to present the world’s first large-scale retrospective exhibition dedicated to Eiko Ishioka (1938-2012), an internationally renowned art director and designer who ignited with her work a new era in various fields including advertising, theater, cinema, and graphic design. The exhibition takes a comprehensive look at Ishioka’s distinctive, incandescent creations, from her groundbreaking ad campaigns from early in her career, to her design work for films, opera, theater, circuses, music videos, and projects for the Olympic Games. Highlights Introducing Eiko Ishioka’s Design Process though Collaborations As described in detail in her autobiography, I DESIGN (Kodansha Ltd., 2005), Eiko Ishioka’s work has also been realized through a series of robust collaborations with great masters in their respective fields, such as Miles Davis, Leni Riefenstahl, Francis Ford Coppola, Björk, and Tarsem Singh. Along with extensive materials regarding her design process, the exhibition introduces and attempts to approach the secrets of “Eiko Ishioka’s Practice” which considers means of exerting individual creativity in the context of group production. Experience the Overwhelming Fervor of Eiko Ishioka’s Design This highly enthusiastic exhibition invites visitors to experience Eiko Ishioka’s works and her ongoing creations, which while harboring the vibrant dynamism of the human body at its core and focuses on “red” as a key color, have a great visual impact and exude emotion. -
Bragging Rights: the Highest Peaks in Kendall County
Banner Graphic - Kristy Watson - Polonyx Graphic Design Bragging Rights: The Highest Peaks in Kendall County 2019 Winter By Mike Howle n my career as a geographic 451 N. Main St. I data coordinator I am occa- Boerne, TX 78006 sionally asked “What is the 830-249-3053 - highest point in Kendall Coun- 2020: December www.boernelibrary.org ty?” What is it in our DNA that wants to know what the high In this Issue: ground is? Attaining a lofty Bragging Rights position in order to gaze down Texas Treasures from a position of strength…a Magical History Tours King of the Hill? Planning for Joseph Graham refuge in the case of epic Ancient Trails, Part 3 flooding in our hills? Or just fun trivial facts? Elevations are certainly relative from sea The Pink Boll Weevil Peril - January Toepperwein Rifle level to the Rocky Mountains. For instance, the state that is sometimes known to be 1909 Boerne Incorporation “flat as a pancake,” Kansas, has a high elevation of 4,039 feet…compare that number to In Memorium: our Kendall County hills. Kate Skinner-Klee - In some cases the high ground is obvious and sometimes dramatic. In the Texas Hill February Country, after being here a while, it’s a bit less dramatic because everywhere you look you see the high ground. And that is why the question of “What’s the highest elevation in Kendall County” is so interesting. When you get on top of a hill and all the surrounding landscape is lower than where you stand, it begs the question, “Is this the highest point in the county?” Over the years I’ve heard many claims that this or that hill/mountain (what makes a hill a moun- tain is a topic for another time) is the highest point, or the second or third highest point Digital Media Lab in the county? Some realtors use the claim to help sell property. -
FILM FESTIVAL 22Nd - 29Th November 2012
UNDER THE AUSPICES OF THE EMBASSY OF THE REPUBLIC OF SERBIA IN PRETORIA SERBIAN ARTS AND CULTURE SOCIETY AFRICA SERBIAN FILM FESTIVAL 22nd - 29th November 2012 NU METRO, MONTECASINO An author’s perspective of the world Film, as a sublimation of all arts, is a true medium, a universal vehicle with which the broader public is presented with a world view, as seen by the eye of the fi lmmaker. Nowadays, due to the global economic crisis, which is ironically producing technological and all sorts of other develop- ments, an increasing number of people are pushed to the margins of average standards of living, and fi lmmakers are given the chance to bring under their ‘protection’ millions of disillusioned people with their fi lmmaking capabilities. Art, throughout its history, has always praised but has also been heavily critical of its subject. Film is not just that. Film is that and so much more. Film is life itself and beyond life. Film is everything many of us dream about but never dare to say out loud. That is why people love fi lms. That is why it is eternal. It tears down boundaries and brings together cul- tures. It awakens curiosity and builds bridges from one far away coast to another. Film is a ‘great lie’ but an even greater truth. Yugoslavian, and today the Serbian fi lm industry has always been ‘in trend’. It might sound harsh but, unfortunately, this region has always provided ample ‘material’ for fi lms. Under our Balkan clouds there has been an ongoing battle about which people are older, which came and settled fi rst, who started it and who will be fi rst to leave and such battles have been and continue to be an inspiration to fi lm producers. -
Info Fair Resources
………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out -
2016 CWL Player Signees Major League Baseball Frontier League
2016 CWL Player Signees Major League Baseball Evan Crower Philadelphia Phillies Steven Pollakov Chicago White Sox Kade Andrus Arizona Diamondbacks (ST) Connor Hoffman Arizona Diamondbacks (ST) Tanner Kiest Texas Rangers (ST) Jarrett Martin Texas Rangers (ST) Kevin Lenik Texas Rangers (ST) Connor Hoffman Texas Rangers (ST) Frontier League John Cruz Florence Freedom Brandon Boyle Windy City ThunderBolts Kenneth Frosch Evansville Otters Kevin Barker Windy City ThunderBolts Victor Barron Evansville Otters Kenny Knudsen Schaumburg Boomers Ryan Strombom Windy City ThunderBolts Clayton Crum Florence Freedom Josh Wright Florence Freedom Scott Ward Schaumburg Boomers Luke Barker Traverse City Beach Bums Pete Leonello Southern Illinois Miners Alex Miden Windy City ThunderBolts Lucas Hunter River City Rascals Ben Allison Normal Cornbelters Max Ayoub Gateway Grizzlies Andrew Lowe Windy City ThunderBolts Andrew Welwerts Lake Erie Crushers Josh Eatherly River City Rascals Buddy Elgin Evansville Otters Quintin Alexander Windy City ThunderBolts Carl Jameson Southern Illinois Miners Darius Washington Florence Freedom Dakota Freese Joliet Slammers Matt Pobereyko Florence Freedom Wes Wallace Traverse City Beach Bums Matt Burns Traverse City Beach Bums Derek Hasenbeck Gateway Grizzlies Parker Norris Lake Erie Crushers Mike Jurgella River City Rascals Brady Muller Windy City ThunderBolts Casey Fletcher Joliet Slammers Alex Simone Washington Wild Things Nate Antone Lake Erie Crushers Brian O’Keefe Washington Wild Things Alex Williams Washington Wild Things -
DREW Deascentis
DREW DeASCENTIS SELECTED CREDITS ASSASSINATION NATION (2018) MIRACLES FROM HEAVEN (2016) LOOPER (2012) THE BROTHERS BLOOM (2008) BRICK (2005) BIOGRAPHY Drew DeAscentis is an accomplished music editor known for films such as ‘Miracles from Heaven’, ‘Looper’, ‘Assassination Nation’ and ‘The Brothers Bloom’. FILM CREDITS Hypnotized (2019) El Dia del Temblor (2017) Music Editor Music Editor Directed by Juan Curi (composer, Carlo Siliotto) | Directed by Kuno Becker (composer, Carlo AG Studios Siliotto) | Teté Films, Videocine Rattlesnake (2019) We Don’t Belong Here (2017) Music Editor Music Editor Directed by Zak Hilditch (composer, Ian Directed by Peer Pederson (composer, Michael Hultquist) | Campfire, Netflix Yezerski) | Bright Space Struggle: The Life and Lost Art of Szukalski Lea to the Rescue (2016) (2018) Music Editor Music Editor Directed by Nadia Tass (composer, Kenneth Directed by Ireneusz Dobrowolski (composer, Burgomaster) | Martin Chase Productions Amotz Plessner) | Film Street, Netflix Time Toys (2016) The Great Buster (2018) Music Editor Music Editor Directed by Mark Rosman (composer, Kenneth Directed by Peter Bogdanovich | Cohen Media Burgomaster) | Madalyn Productions Group Miracles from HeaVen (2016) Assassination Nation (2018) Music Editor Music Editor Directed by Patricia Riggen (composer, Carlo Directed by Sam Levinson (composer, Ian Siliotto) | Columbia Pictures Hultquist) | Bron Studios, Neon Jackie & Ryan (2014) The Boxcar Children: Surprise Island Music Editor (2018) Directed by Ami Canaan Mann (composer, Nick Music -
Guilty Until Proven Innocent: Leonard Peltier and the Sublegal System Joseph C
Boston College Law Review Volume 34 Article 6 Issue 4 Number 4 7-1-1993 Guilty Until Proven Innocent: Leonard Peltier and the Sublegal System Joseph C. Hogan III Follow this and additional works at: http://lawdigitalcommons.bc.edu/bclr Part of the Criminal Law Commons, and the Indian and Aboriginal Law Commons Recommended Citation Joseph C. Hogan III, Guilty Until Proven Innocent: Leonard Peltier and the Sublegal System, 34 B.C.L. Rev. 901 (1993), http://lawdigitalcommons.bc.edu/bclr/vol34/iss4/6 This Notes is brought to you for free and open access by the Law Journals at Digital Commons @ Boston College Law School. It has been accepted for inclusion in Boston College Law Review by an authorized editor of Digital Commons @ Boston College Law School. For more information, please contact [email protected]. GUILTY UNTIL PROVEN INNOCENT: LEONARD PELTIER AND THE SUBLEGAL SYSTEM You are about to perform an act which will close one mare chapter in the history of the failure of the United States to do justice in the case of a Native American. After centuries of murder . could I have been wise in thinking that you would break that tradition and commit an act of justice?' At 11:00 a.m. on June 26, 1975, FBI Special Agents Jack Coler and Ronald Williams entered the Jumping Bull compound in Oglala, a traditional Native American community on the Pine Ridge reservation in South Dakota. 2 Coler and Williams were in search of an Indian wanted on charges of assault and thefts Within the next hour, a shoot-out occurred in which both Coler and Williams -
The Wall, Released 40 Years Ago, Is Considered by Many to Be One of the Best Albums in Rock History
Movies: Knives Out Books: The Hero by Lee Child Music: Thanks for the Dance by Leonard Cohen F&B: Chinese wine, Long Dai Macau Daily Times | Edition 3427 | 29 Nov 2019 The shadow of The Wall ‘The Wall, released 40 years ago, is considered by many to be one of the best albums in rock history. But it marked the last time the core members of Pink Floyd would record an album together X2 PÁTIO DA ILUSÃO illusion DRIVE IN Jake Coyle, AP Film Writer N NIVES UT A I ‘K O ,’ PHOTO AP WHODUNIT FOR THE TRUMP ERA ian Johnson’s “Knives Out” nothing better. And “Knives Out,” unravels not just a good ol- while it takes a little while to find Rd-fashioned murder mystery but its stride, sticks the landing, right the very fabric of the whodunit, up to its doozy of a last shot. The pulling at loose threads until it whodunit turns out not only to has intricately, devilishly woven still have a few moves left but to together something new and ex- be downright acrobatic. ceedingly delightful. The film begins like many befo- For all the detective tales that re it: with a dead body that needs dot television screens, the Aga- accounting for. Harlan Thrombey tha Christie-styled whodunit has (Christopher Plummer), a bes- gone curiously absent from mo- tselling mystery writer, is fou- vie theaters. The nostalgia-dri- nd with his throat cut in a small ven “Murder on Orient Express” upstairs room in his sprawling From left: Daniel Craig Chris Evans, Noah Segan and Lakeith Stanfield in a scene from “Knives Out” (2017), popular as it was, didn’t Victorian mansion. -
Croatian Films 2008/2009
Address Kralja Zvonimira 20, 10000 Zagreb, Croatia Telephone +385 (0)1 465 54 39 Fax +385 (0)1 465 54 42 URL www.havc.hr E-mail [email protected] Acting Director Martina Petrović Collaborators Jadranka Hrga, Ivana Ivišić, Sanja Ravlić i Maja Nikolić In memoriam: Albert Kapović (1957-2008), Director of the Croatian Audiovisual Centre Contents Editor Hrvoje Pukšec Feature Films 8 Collaborators Ivana Ivišić, Ivan Kelava, Zrinka Lazarin Feature Films (Post)Production 30 Translation & Proofreading Feature Films Pre-production 42 Ivana Ivišić, Vera Kordić, Duško Čavić Feature Films Co-production 52 Design Vanja Cuculić, Marko Šesnić i Goran Turković Short Films 60 Printed by Sveučilišna tiskara d.o.o. Zagreb Documentary Films 78 Print run 400 Documentary Films (Pre/Post)Production 98 Publisher Croatian Audiovisual Centre | Zagreb, January, 2009 Animated Films 102 Animated Films (Pre/Post)Production 114 Experimental Films 122 Experimental Films (Pre/Post)Production 130 isbn 978-953-55208-1-8 Contacts 134 Opening towards the World Nikica Gilić In recent years, Croatian cinema has come to be rec- thrillers or French polars (Ostojić’s Nobody’s Son), in increase in international and regional cooperation Having said all this, I should point out that high- Ph. D., film scholar ognized as one of the most vital creative industries in the meditative style of the best Hungarian or Russian continued in 2008, with Buick Riviera, Three Stories quality documentaries and experimental films have the region. Croatian films and filmmakers been feted movies (Goran Rušinović’s Buick Riviera), or using the About Sleeplessness and Will Not Stop There) so one consistently been a great asset to Croatian cinema by reviewers and critics in the international press, as grotesque humour of Mediterranean and Southeastern can argue that Croatian film is opening itself up to the and thankfully, they continue to go from strength to well as by film festival juries at prestigious world festi- Europe (Brešan’s Will Not Stop There and Matanić’s world in yet another way. -
Serbia, the Balkans and the European Union
Transcript Serbia, the Balkans and the European Union Ana Brnabić Prime Minister, Republic of Serbia Chair: Dr Robin Niblett CMG Director, Chatham House 18 June 2019 The views expressed in this document are the sole responsibility of the speaker(s) and participants, and do not necessarily reflect the view of Chatham House, its staff, associates or Council. Chatham House is independent and owes no allegiance to any government or to any political body. It does not take institutional positions on policy issues. This document is issued on the understanding that if any extract is used, the author(s)/speaker(s) and Chatham House should be credited, preferably with the date of the publication or details of the event. Where this document refers to or reports statements made by speakers at an event, every effort has been made to provide a fair representation of their views and opinions. The published text of speeches and presentations may differ from delivery. © The Royal Institute of International Affairs, 2019. 10 St James’s Square, London SW1Y 4LE T +44 (0)20 7957 5700 F +44 (0)20 7957 5710 www.chathamhouse.org Patron: Her Majesty The Queen Chairman: Stuart Popham QC Director: Dr Robin Niblett Charity Registration Number: 208223 2 Serbia, the Balkans and the European Union Dr Robin Niblett CMG So, ladies and gentlemen, welcome to – somebody’s put this up here, I suppose this is okay. Welcome to Chatham House. I’m Robin Niblett, the Director of the institute. My pleasure to welcome you all here today. We are delighted to have this conversation on Serbia, the Balkans and the European Union.