DOCSLIB.ORG

REEL TIMES in LYNN Golden Age for the Silver Screens City Plays Quincy in Manchester  Lm

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
REEL TIMES in LYNN Golden Age for the Silver Screens City Plays Quincy in Manchester  Lm SATURDAY, FEBRUARY 25, 2017 Second Peabody-murder suspect captured in S.C. By Leah Dearborn and David Wilson After asking the man for his vital infor- gree murder in Peabody District Court. He is ITEM STAFF mation, investigators ran his name and date scheduled to next appear in court March 28 of birth — Wes Doughty, Aug. 22, 1977 — for a probable cause hearing. SPARTANBURG, S.C. — The second man through the National Crime Information Cen- In a discovery which required the use of suspected of killing Mark Greenlaw and Jen- ter. It was at that time the sheriff’s of ce says X-ray machinery, the bodies of Greenlaw, 37, nifer O’Connor appears to have traveled about they learned the 5-foot 7-inch, 140-pound man and O’Connor, 39 — who were engaged to be 950 miles since Wednesday night, but the was wanted for a double homicide in Peabody married, according to their Facebook pro les journey ended Friday. and carjacking out of Boston. — were found Feb. 18 in a home at 19 Farm Two white-collar investigators observed a Law enforcement agencies in Massachusetts Ave. in Peabody. man around 4:15 p.m. Friday holding a sign were noti ed of the 39-year-old’s arrest, and Later the same night, Peabody and state po- asking for money at an intersection in Boiling he was taken to the Spartanburg County De- lice began the search for Doughty, whose name Springs, S.C., according to information from tention Facility. was released to the public as a suspect Tues- the Spartanburg County Sheriff’s Of ce. The other suspect in the double homicide, day. Essex County District Attorney Jonathan The investigators approached the man in a Michael Hebb, 45, was arrested Monday at Blodgett, at the time, warned that Doughty is McDonald’s parking lot, told him that solicita- an apartment at 84 Aborn St. He pleaded tion is illegal and arrested him without incident. not guilty Tuesday to two counts of rst-de- DOUGHTY, A6 Wes Doughty REEL TIMES IN LYNN Golden age for the silver screens City plays Quincy in Manchester lm The Strand Theatre opened at 287 Union St. in 1915 and showed Lynn’s rst talking full length movie “The Lion and the Mouse” in Pablo DeLe- August of 1928. on sits in his In 1929, it was living room at transformed 34 Broad St. in into Warner Lynn that was Theater and in used for lming 1967, to E.M. scenes from Loew’s Theatre “Manchester until it closed by the Sea.” in 1971. ITEM PHOTO | PHOTO | LYNN MUSEUM OWEN O’ROURKE By Bridget Turcotte in July 1937, just four years after the ing at 34 Broad St. is featured in early ITEM STAFF very rst of its kind was launched in scenes featuring best actor nominee Camden, N.J. Casey Af eck. Lynn is a stand-in for LYNN — With the 89th Academy “The theatre was once the primary Quincy, where Af eck’s glum, troubled, BY BILL BROTHERTON Awards approaching, The Item is reeling source of entertainment — it got our guilt-wracked janitor lives. An oft-shown back the history of the theatre in the city. grandparents through the great de- snow-shoveling scene was shot near the According to the Lynn Museum’s re- pression,” Russo said. “We had up to six LYNN — “Manchester by the Sea” is up back basement steps of the Broad Street cords, 24 theatres existed in the city be- theatres in the city at one time yet we for six Oscars at tomorrow night’s 89th building. The tenants had to move their tween the turn of the century and the haven’t had a movie theatre here in 40 Academy Awards ceremony in Holly- cars to a nearby city lot, and got valet 1970s. Director Drew Russo said the last years.” wood. But a downtown apartment build- transportation back to their homes. to close the curtain was the E.M. Loew’s Cinemas began dropping off in the ear- ing deserves a best supporting role nod Pablo DeLeon is the building superin- Open Air Theater on the Lynnway in ly 1950s. The last freestanding theater for helping to add authenticity to the tendent at 34 Broad St. His apartment, 1977. critically acclaimed lm. The drive-up style cinema was opened GOLDEN AGE, A7 The 36-unit brick apartment build- MANCHESTER, A7 Dominican pride ies high in Lynn By Thomas Grillo “This means so much to us be- ITEM STAFF cause we are free, we can rise and we are proud,” Carrasco said. ”We LYNN — The Dominican Repub- were able to ght for what we be- lic’s Independence Day isn’t until lieve, but at the same time we are Monday, but that didn’t stop an ear- united, we don’t look to the past, we ly celebration in the city Friday. just look ahead.” More than 100 people, including On Feb. 27, 1844, independence Dominican natives, their families was declared from Haiti, the culmi- and of cials packed the City Hall nation of a movement led by Juan lobby to hear rousing speeches, en- Pablo Duarte, then in exile, the hero joy dances by the Cultura Latina of Dominican independence, and Dance Academy and see the raising one of its founding fathers, accord- Daisy Pena, 4, of the Latin American country’s red, ing to welcome-dominican-republic. of Lynn, waits white and blue ag on City Hall com. for ceremonies Square. Martinez, who is also a member to begin at the Perhaps the biggest applause of the Dominican Flag Committee, annual ag rais- was reserved for Maria Carrasco, said while she was born in the U.S., ing at Lynn City a member of the School Committee she is proud of her parents’ country Hall to celebrate who immigrated to the U.S. from and culture. the Dominican the Dominican Republic in 1982. “This celebration is very import- Republic’s Inde- She was introduced by Frances ant to us,” she said. “As a member of pendence Day. Martinez, president and CEO of the the rst generation in the U.S. from North Shore Latino Business Asso- PHOTO | PAULA MULLER ciation, as “one of our own.” DOMINICAN, A7 Malden’s military tradition marches on INSIDE By Steve Freker has plenty left to achieve. Kinnon gional Charter High School, is the In Lynn FOR THE ITEM recently got life-changing news rst student from that school to Former Item building reserved only for a select few. Fol- receive a service academy appoint- up for auction. A2 MALDEN — For a person who lowing his nomination by U.S. Sen. ment and one of just a handful from just began his nal year as a teen- Ed Markey, D-Mass. and U.S. Rep. the city of Malden to be so honored. In Opinion Shribman: The great ager, Christian Kinnon has already Katherine Clark, D-5th Middlesex, Kinnon was in his dormitory room disrupter. A4 compiled quite a resume of accom- Kinnon was noti ed of his appoint- at Greystone Preparatory School in plishments and brought a lot of ment recently to the U.S. Military Texas, where he is in the midst of In Sports pride to his family and others who Academy at West Point. a preparatory school year, when he Local teams care about him the most. Out of 14,000 applicants seeking learned he was appointed. He imme- ll basketball But the 19-year-old Malden res- to attend West Point, only 1,200 are diately called his father, Neil Kinnon. tourney brackets. B1 ident, who was a three-time state appointed. Additionally, Kinnon, a swim champion in high school, 2016 graduate of Mystic Valley Re- TRADITION, A7 OBITUARIES ..............................A2 LOOK! .......................................A8 DIVERSIONS .............................B5 HIGH 59° VOL. 139, ISSUE 69 OPINION ...................................A4 SPORTS ................................ B1-3 CLASSIFIED ...............................B7 LOW 36° POLICE/FIRE .............................A6 COMICS ....................................B4 REAL ESTATE .............................B8 PAGE A8 ONE DOLLAR A2 THE DAILY ITEM SATURDAY, FEBRUARY 25, 2017 OBITUARIES Former Item building up for auction Joseph C. Esdra, 86 By Thomas Grillo ground floor commercial adaptive reuse and devel- “Based on that activity, ITEM STAFF space. The property is opment options. Located we decided to launch the SAUGUS — Jo- wife Jennifer, nieces assessed at $835,600, ac- across the street from the auction and our expecta- LYNN — Months after a seph C. Esdra, 86, of and nephews Rob- cording to city records. MBTA Commuter Rail’s tion is that it will net in- global real estate compa- Saugus, died Friday, ert Schaejbe and But last fall, after the Central Square Station, creased interest and high- ny tried to sell the former Feb. 24, 2017 at his his wife Diane, Carl Winchester-based firm was the property presents tre- er offers,” he said. home, surrounded by Schaejbe, Thom- Daily Item building with- unable to secure a tenant mendous transit-oriented out success, the property Joseph Mulligan, a fel- his loving family. as Schaejbe and for the 5,000-square-foot redevelopment potential.” low at MassDevelopment, Born in Cambridge his wife Karen, and is up for auction. first floor space, they Ten-X, a Califor- the state’s economic devel- to the late Carl and Roseanne Schae- CBRE/New England has abandoned the project and nia-based online auction opment and finance agen- Rose (Croci) Esdra, jbe, as well as many scheduled an online sale listed the property with house, is conducting the cy, who has been working Joseph grew up in grand nieces and for the five-story down- CBRE for $1.5 million.
Load more

Recommended publications
  • Report of the Chief of the Massachusetts District Police
    MASS. DOCS. 312Dfc,b 02A5 COLL. 23bT 7 : ! ( / : MASSACHUSETTS .;;; II OF II i il in hill in i ooonocranomonn Full * A a.«i wk ikt-itM aoooft Public Document No. 32 EEPOET OF THE CHIEF MASSACHUSETTS DISTRICT POLICE Year ending Oct. 31, 1916, INCLUDING THE Detective, Building Inspection and Boiler Inspection Departments. BOSTON: WRIGHT & POTTER PRINTING CO., STATE PRINTERS, 32 DERNE STREET. 1917. Approved by The Supervisor of Administration. "In ®t]e CommontDealtf) of itta00act)usette. Office of the Chief of the District Police, Boston, Jan. 1, 1917. To His Excellency Samuel W. McCall, Governor, The Commonwealth of Massachusetts. Sir: — In accordance with the provisions of chapter 108 of the Revised Laws I respectfully submit to Your Excel- lency a report of the work performed by the members of the District Police Force for the year ending Oct. 31, 1916. Very respectfully, your obedient servant, Chief of the District Police. Digitized by the Internet Archive in 2010 with funding from Boston Library Consortium Member Libraries http://www.archive.org/details/reportofchiefofm1916mass REPORT. The District Police Force. The District—Police Force, as established by law, is made up as follows : The Chief, who has command and supervision of the entire Force. The detective department, consisting of a deputy chief, a captain of the steamer "Lexington," a chief fire inspector, fifteen detective officers and eleven fire inspectors. The building inspection department, consisting of a deputy chief, a supervisor of plans and seventeen building inspectors. The boiler inspection department, consisting of a deputy chief and twenty-four boiler inspectors. The Clerical Force. The clerical force consists of a first and second clerk, one clerk and fifteen stenographers, six of whom are employed in the branch offices of the Force.
    [Show full text]
  • United States Theatre Programs Collection O-016
    http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items.
    [Show full text]
  • Finding Aid for the THEATRE HISTORICAL SOCIETY THEATRE FILE COLLECTION
    152 N. York St., 2nd Floor, Elmhurst, IL 60126 historictheatres.org Finding Aid for the THEATRE HISTORICAL SOCIETY THEATRE FILE COLLECTION Acc No.: Future Additions Expected: Yes Finding Aid creation: July 31, 2014 Size: Approximately 148 linear feet Abstract The Theatre Historical Society Theatre File Collection consists of approximately 148 linear feet of files on nearly 10,000 theatres. The Theatre File collection has international holdings but the primary focus is on United States theatres. Background Information The Theatre Historical Society of America was founded in 1969 to promote the legacy of America’s historic theatres and insure the documentation of the architectural, cultural and social history of those theatres. Materials were collected by members and kept in separate locations. Over time the collections were brought to one location and combined. From these initial collections the materials were organized and separated into several different collections. Records detailing histories of specific theatres were labeled the Theatre File, materials containing information on theatre mechanics, cinema chains, architects, THS members, vaudeville circuits, among other topics became the Subject Files, Photos that were used in the publication of Marquee were gathered into the Editors Collection, photographic slides, postcards, and negatives became the THS Slide Collection, THS Postcard Collection, and THS Negative Collection respectively. These collections came from THS members and donations made throughout the organization’s history. Scope and Contents Note The Theatre File collection consists of 148 linear feet of folders stored in 28 vertical filing cabinets. The files are organizes geographically by country, state, city and then alphabetically by theatre. The file headings use US postal code abbreviations and include the city and theatre name in the file name, for example IL-Chicago- Tivoli.
    [Show full text]
  • Female Brass Soloists of the 19Th and Early 20Th Centuries
    Soft lips on cold metal: female brass soloists of the 19th and early 20th centuries Gavin Holman – September 2019 (updated) During the later 1800s and early 1900s there were increasing numbers of women musicians taking part in the musical life of the western world. Whether as instrumental soloists; members of family groups; amateur or professional bands and orchestras; string, brass and mixed ensembles; and vaudeville performers; these female musicians earned their place in history – one which has largely been overlooked in favour of their male counterparts. I have documented ladies performing in brass ensembles and bands in “Women and Brass: the female brass bands of the 19th and 20th centuries”, and “Damen und Damen - Ladies’ professional travelling brass ensembles of the German Empire 1871-1918”. However, details of the individual performers are very limited. Those who led bands and groups, or who were known as solo performers, do have more information available about their musical lives. Much of this comes from contemporary publications – newspaper reports of performances, advertisements, publicity material, concert programmes, and similar material. A number of female cornetists, documented in Schwarz: Cornet Compendium, are included here. Another major work on brass instrumentalists, Bridges: Pioneers in Brass, lists some sixty male performers, but only one female (apart from a brief passing mention of four others under the same heading). Many of these artists toured on the theatre and vaudeville circuits and hooked up with various entertainment acts/shows or orchestras/bands for engagements or even seasons at resorts. Given the nature of advertisement and promotion most of their qualities were described in superlative fashion, with most seemingly described as the “best”, “greatest”, “champion” or similar hyperbole.
    [Show full text]
  • The Comic Operas of John Philip Sousa
    ABSTRACT Title of Dissertation: (MUSICAL) SALES PITCHES FROM THE “SALESMAN OF AMERICANISM”: THE COMIC OPERAS OF JOHN PHILIP SOUSA Tracey Elaine Chessum, Doctor of Philosophy, 2012 Dissertation Directed By: Professor Heather S. Nathans School of Theatre, Dance and Performance Studies When Americans hear the name John Phillip Sousa, they likely equate him with brass band music and the Fourth of July holiday. Neither theatre scholars nor audiences generally link Sousa with musical theatre; however Sousa saw nine of his comic operas and one musical comedy produced between 1879 and 1913. This dissertation is primarily a work of musical theatre history; however, it argues that Sousa’s comic operas were constructed to play a role in how American identity was manufactured and disseminated at the turn of the twentieth-century by reflecting new definitions of the “American” from the stage and circulating these new definitions nationally and internationally. Sousa constructed himself into an American cultural icon, a “Salesman of Americanism,” during an era renegotiating national identity. His works, therefore, carry the weight of his iconic stature, casting their messages as an ‘American’ point of view. In addition to a comprehensive discussion of each operetta’s form and production history, I argue that Sousa’s comic operas can be cast as cultural ambassadors for social and political ideas; as musical theatre works attempting to re-define American identity in the eyes of audiences on both sides of the Atlantic. While situating Sousa’s comic operas within the framework of musical theatre history, I argue that these cultural ambassadors were powerful agents advocating political and social change, intervening in the major social debates of the period, specifically in dialogues on race, foreign policy, copyright, labor, and suffrage.
    [Show full text]
  • The Rise and Decline of the Variety Theatre in St
    Southern Illinois University Edwardsville SPARK Theses, Dissertations, and Culminating Projects Graduate School 1969 The rise and decline of the variety theatre in St. Louis, 1867-1896 John Russell David Southern Illinois University Edwardsville Follow this and additional works at: https://spark.siue.edu/etd Recommended Citation David, John Russell, "The rise and decline of the variety theatre in St. Louis, 1867-1896" (1969). Theses, Dissertations, and Culminating Projects. 57. https://spark.siue.edu/etd/57 This Thesis is brought to you for free and open access by the Graduate School at SPARK. It has been accepted for inclusion in Theses, Dissertations, and Culminating Projects by an authorized administrator of SPARK. For more information, please contact [email protected],[email protected]. THE RISE AMD DECLINE OP THE VARIETY THEATRE HI ST. LOUIS, I867-I896 John Russell David Bachelor of Arts / A Thesis Submitted in Partial Fulfillment of the Requirements for the Master of Arts Faculty of History in the Graduate School ^ Southern Illinois University Edwardsville (Campus \ SOUTHERN ILLINOIS UNIVERSITY The Graduate School . 19 AlV^U*! T '! 53- I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Jcmn ^u.SHgll '•>' v I. ' ENTITLED Ti!U unJ '"rlliu? »f cne 'Variety T'lfiatrA in v;t. Louts, .13r; 7-] BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF ts'.HI o(r""ATLt; Thesis Director Faculty Chairman Edw. 3/66 TABLE OF CONTESTS Page INTRODUCTION 1 Chapter I. THE GENESIS OF THE VARIETY THEATRE 5 The Black Crook Comes to St. Louis The Significance of The Black Crook in St.
    [Show full text]
  • MUSICAL THEATRE a History
    MUSICAL THEATRE A History John Kenrick This book is dedicated to Mary Pinizzotto Kenrick Marotta and Frank Crosio. Neither my life nor this book would be possible without their unfailing support. CONTENTS Acknowledgments 9 Introduction “Let’s Start at the Very Beginning . .” 11 1 Ancient Times to 1850—“Playgoers, I Bid You Welcome!” 18 2 Continental Operetta (1840–1900)— “Typical of France” 35 3 American Explorations (1624–1880)— “The Music of Something Beginning” 50 4 Gilbert and Sullivan (1880–1900)— “Object All Sublime” 75 5 The Birth of Musical Comedy (1880–1899)— “It Belong’d to My Father Before I Was Born” 95 6 A New Century (1900–1913)—“Whisper of How I’m Yearning” 111 7 American Ascendance (1914–1919)—“In a Class Beyond Compare” 134 8 Al Jolson—“The World’s Greatest Entertainer” 156 9 The Jazz Age (1920–1929)—“I Want to Be Happy” 168 10 Depression Era Miracles (1930–1940)— “Trouble’s Just a Bubble” 207 11 A New Beginning (1940–1950)—“They Couldn’t Pick a Better Time” 238 8 CONTENTS 12 Broadway Takes Stage (1950–1963)— “The Street Where You Live” 265 13 Rock Rolls In (1960–1970)—“Soon It’s Gonna Rain” 298 14 New Directions (1970–1979)—“Vary My Days” 318 15 Spectacles and Boardrooms—“As If We Never Said Goodbye” 342 16 Musical Comedy Returns (The 2000s)— “Where Did We Go Right?” 370 Suggested Reading: An Annotated Bibliography 383 Recommended Web Resources 394 Index 395 ACKNOWLEDGMENTS It would be impossible for me to thank all the people who have inspired, assisted, and cajoled me in the process of creating this book, but a few curtain calls are in order.
    [Show full text]
  • Online Finding
    Dramatic Museum -- Ephemera [ca. 1750]-1970. 7 series. Material on Microfilm: 317 Posters filmed on 157 microfiche ( funded by the New York State Program for the Conservation and Preservation of Library Research Materials). Restriction on Use: Readers must use the fiche copies of posters, in draper A fj^f/ on bctlcotg ,o d^r Summary: A collection of prints, photographs, pamphlets, clippings, playbills, and programs dealing with the theater, chiefly American and English, in all its aspects including drama, opera, dance, movies, puppets, and spectacles. The majority of the material documents the 19th century. This collection is divided into seven series: Portrait file; Subject file; Program file; Scrapbook file; Playbill file; Poster file; and Lantern slides file. Finding Aid: List of Program File, Playbills, and Posters. 33 pages. Source: Transferred from Brander Matthews Dramatic Museum, 1971 (numerous cabinet photographs were gifts from Edna Elliot and Alex Waugh from the estate of Dr. James Randolph Miller). Series Descriptions: Portrait File: Prints and photographs of actors, actresses, playwrights, composers, opera stars, movie stars, dancers and other performing artists. The portraits are arranged by name in three groups. 1) Prints and Photographs [60% American; 40% English and others] 2) Cabinet Photographs [75% American; 25 % English and others] 3) Carte de Visite Photographs and Prints [90% American; 10% English and others] (ca. 34,500 items) Finding Aid: Card Catalog of Names And Locations. v Subject File: Clippings, pamphlets, programs, prints, and photographs arranged by name and subject. Included are many prints and photographs of scenes from plays. There are extensive files on Shakespeare and Moliere.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 55,1935-1936
    [Monday] JORDA|l|lMARSH WE PAID <i)\iana'fia ^yl/{an±risLd $6 A WEEK IN THE '70s Not for dramatics — but for flourishing a pen at far more prosaic duties, since it was some considerable time before his Monsieur Beaucaire and Cyrano. For all we know, he may have had his first histrionic call from the ghostly voices that echoed from the Theatre Comique stage which once stood about where you purchase our cosmetics, now. Barnum's Aquarial Gardens had marked the site before, and the Adelphi somewhat later. Hallowed ground indeed, for our displays of sprightly new fashions to succeeding genera- tions. The generations of customers, incidentally who have caused our expansion to two massive buildings that house stocks Richard Mansfield and his contemporaries never would have visioned possible—even in their world of make-believe! The C^ommunity rederation ol Boston invites you to see a ohort JVLoving .Picture to be shown during the intermission in the (chorus JYoom at the end ol the lelt-hand corridor ol the first oalcony Philip .Morris Cigarettes, which have heen donated by the Manufacturers, will be given away SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephone, Ticker and Administration Offices, Com. I 192 FIFTY-FIFTH SEASON, 1935-1936 Boston Symphony Orchestra INCORPORATED Dr. SERGE KOUSSEVITZKY, Conductor Richard Burgin, Assistant Conductor Concert Bulletin of the Third Concert MONDAY EVENING, January 27 with historical and descriptive notes By John N. Burk COPYRIGHT, I93G, BY BOSTON SYMPHONY ORCHESTRA, InC. The OFFICERS and TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Bentley W.
    [Show full text]
  • Performative Identities of Professional Baseball Players on the Nineteenth and Twentieth Century American Stage
    FROM THE BALL FIELDS TO BROADWAY: PERFORMATIVE IDENTITIES OF PROFESSIONAL BASEBALL PLAYERS ON THE NINETEENTH AND TWENTIETH CENTURY AMERICAN STAGE BY TRAVIS WAYNE STERN DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Theatre in the Graduate College of the University of Illinois at Urbana-Champaign, 2011 Urbana, Illinois Doctoral Committee: Associate Professor Esther Kim Lee, Chair Associate Professor Adrian Burgos, Jr. Associate Professor Peter A. Davis Assistant Professor Valleri Hohman ABSTRACT This study examines the theatrical careers of four professional baseball players who appeared in multi-act plays on the American stage in the decades surrounding the turn of the twentieth century – Adrian “Cap” Anson, Mike “King” Kelly, Christy Mathewson, and Ty Cobb. As a player reached a level of celebrity in the game of baseball, theatrical producers were able to transfer the persona the player had built on the field onto the stage. The formation of each player‟s persona is analyzed as well as how the persona was transferred to the stage and interacted with the changing nature of American identity. Anson‟s appearance as a fictionalized version of himself in 1895 illustrated how baseball was attempting to appeal to a more respectable audience. Kelly‟s performances based on his wealth and success from the game in the 1880s and 1890s transcended his image as solely a baseball player. A play co-authored by Mathewson in 1913 examined the real-life issue of club ownership by a woman in a melodramatic setting that uses Mathewson‟s own persona to help model how baseball could deal with such a concern.
    [Show full text]
  • A Prompt Script Study of Nineteenth-Century Legitimate Stage
    This dissertation has been 61-5114 microfilmed exactly as received OBEE, Harold Brehm, 1915- A PROMPT SCRIPT STUDY OF NINETEENTH- CENTURY LEGITIMATE STAGE VERSIONS OF RIP VAN WINKLE. The Ohio State University, Ph.D., 1961 Speech - Theater University Microfilms, Inc., Ann Arbor, Michigan A PROMPT SCRIPT STUDY OP NINETEENTH-CENTURY LEGITIMATE STAGE VERSIONS OP RIP VAN WINKLE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Dootor of Philosophy in the Graduate Sehool of The Ohio State University By Harold Brehm Obee, A.B*f M*A* ****** The Ohio State University 1961 Approved by Department of Speeoh TABLE OP CONTENTS Chapter Page I . THE PROBLEM................................................................................................ 1 Statement of Objectives • •••••••.••••»•• 2 Scope and Organisation ......................... 2 Resources and Methods ••••.••••••••••.. 5 I I . NINETEENTH-CENTURY BACKGROUND FOR RIP VAN WINKLE PRODUCTION............................................................. 19 The Stage 24 Stage Directions 27 Scenery •••••••••.. ............................... .•••• SO Transitions • 42 Machinery ......................... 44 Special Effects 49 L ighting •••••.................................... 64 I I I . ACTORS AND AUTHORS OP RIP VAN WINKLE ADAPTATIONS .... 66 Principal A otors ••»••••»..•« 66 Principal Authors ......................... 94 IV. IDENTIFICATION AND DEVELOPMENT OP RIP VAN WINKLE TEXTS................................................................. 110 Dramatic Type ....................
    [Show full text]
  • Armond Fields American Theatre Collection 0337
    http://oac.cdlib.org/findaid/ark:/13030/kt5489s1cj No online items Finding Aid of the Armond Fields American Theatre collection 0337 Finding aid prepared by Rob Gutner and Jacqueline Morin USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] 2011 Note Collection processed by Rob Gutner and Rohan Panikar. Finding Aid of the Armond Fields 0337 1 American Theatre collection 0337 Title: Armond Fields American Theatre collection Collection number: 0337 Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 96.0 Linear feet Date (bulk): Bulk, 1895-1925 Date (inclusive): 1856-2000 Abstract: This collection documents the history of the American stage before talking cinema, reflecting the birth and death of vaudeville and the advent of the modern Broadway musical. The collection includes books, posters, theater programs, sheet-music covers, souvenirs, rare film footage of vaudevillians, including Weber & Fields, and manuscripts and research notes for Armond Fields' own books. creator: Fields, Armond, 1930- Processing Information Collection arranged and described by Rob Gutner and Rohan Panikar. Materials in file folders were kept in their original order and described by their original file folder titles. Biographical Note Armond Fields (1930-2008) was an author, artist, art collector and business consultant. Born in Chicago, Illinois, to Louis Max and Esther Fields, he attended schools in the Mid-West. He received his B.S. from the University of Wisconsin (1953), M.A. from the University of Illinois (1955) and Ph.D. from the University of Chicago (1956). He wrote several biographies, primarily on vaudeville performers.
    [Show full text]