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Journal of the American Viola Society Volume 9 No.2/3, 1993
JOURNAL afthe AMERICAN VIOLA SOCIETY Chapter of THE INTERNATIONAL VIOLA SOCIETY Association for the Promotion of Viola Performance and Research Vol. 9 Nos. 2&3 1993 The Journal ofthe American Viola Society is a publication ofthat organization and is produced at Brigham Young University, © 1993, ISSN 0898-5987. The Journalwelcomes letters and articles from its readers. Editorial andAdvertising Office: BYU Music Harris Fine Arts Center Provo, UT 84602 (801) 378-4953 Fax: (801) 378-5973 Editor: David Dalton Assistant Editor: David Day Production: Helen Dixon JAVS appears three times yearly. Deadlines for copy and art work are March 1, July 1, and November 1; submissions should be sent to the editorial office. Ad rates: $100 full page, $85 two-thirds page, $65 halfpage, $50 one-third page, $35 one-fourth page. Classifieds: $25 for 30 words including address; $40 for 31-60 words. Advertisers will be billed after the ad has appeared. Payment to "American Viola Society" should be remitted to the editorial office. OFFICERS Alan de Vertich President School ofMusic University of So. California 830 West 34th Street Ramo Hall 112 Los Angeles, CA 90089 (805) 255-0693 Thomas Tatton Vice-President 2705 Rutledge Way Stockton, CA 95207 Pamela Goldsmith Secretary 11640 Amanda Drive Studio City, CA 91604 Ann Woodward Treasurer 209 w. University Ave. Chapel Hill, NC 27514 David Dalton Past President Editor, JA VS Brigham Young University Provo, Utah 84602 BOARD Mary Arlin J~ffery Irvine John Kella William Magers Donald !v1cInnes Kathryn Plummer Dwight Pounds -
LCSH Section L
L (The sound) Formal languages La Boderie family (Not Subd Geog) [P235.5] Machine theory UF Boderie family BT Consonants L1 algebras La Bonte Creek (Wyo.) Phonetics UF Algebras, L1 UF LaBonte Creek (Wyo.) L.17 (Transport plane) BT Harmonic analysis BT Rivers—Wyoming USE Scylla (Transport plane) Locally compact groups La Bonte Station (Wyo.) L-29 (Training plane) L2TP (Computer network protocol) UF Camp Marshall (Wyo.) USE Delfin (Training plane) [TK5105.572] Labonte Station (Wyo.) L-98 (Whale) UF Layer 2 Tunneling Protocol (Computer network BT Pony express stations—Wyoming USE Luna (Whale) protocol) Stagecoach stations—Wyoming L. A. Franco (Fictitious character) BT Computer network protocols La Borde Site (France) USE Franco, L. A. (Fictitious character) L98 (Whale) USE Borde Site (France) L.A.K. Reservoir (Wyo.) USE Luna (Whale) La Bourdonnaye family (Not Subd Geog) USE LAK Reservoir (Wyo.) LA 1 (La.) La Braña Region (Spain) L.A. Noire (Game) USE Louisiana Highway 1 (La.) USE Braña Region (Spain) UF Los Angeles Noire (Game) La-5 (Fighter plane) La Branche, Bayou (La.) BT Video games USE Lavochkin La-5 (Fighter plane) UF Bayou La Branche (La.) L.C.C. (Life cycle costing) La-7 (Fighter plane) Bayou Labranche (La.) USE Life cycle costing USE Lavochkin La-7 (Fighter plane) Labranche, Bayou (La.) L.C. Smith shotgun (Not Subd Geog) La Albarrada, Battle of, Chile, 1631 BT Bayous—Louisiana UF Smith shotgun USE Albarrada, Battle of, Chile, 1631 La Brea Avenue (Los Angeles, Calif.) BT Shotguns La Albufereta de Alicante Site (Spain) This heading is not valid for use as a geographic L Class (Destroyers : 1939-1948) (Not Subd Geog) USE Albufereta de Alicante Site (Spain) subdivision. -
Medtech Companies
VOLUME 5 2020 Medtech Companies Exclusive Distribution Partner Medtech needs you: focused partners. Medical Technology Expo 5 – 7 May 2020 · Messe Stuttgart Enjoy a promising package of benefits with T4M: a trade fair, forums, workshops and networking opportunities. Discover new technologies, innovative processes and a wide range of materials for the production and manufacturing of medical technology. Get your free ticket! Promotion code: MedtechZwo4U T4M_AZ_AL_190x250mm_EN_C1_RZ.indd 1 29.11.19 14:07 Medtech Companies © BIOCOM AG, Berlin 2020 Guide to German Medtech Companies Published by: BIOCOM AG Luetzowstrasse 33–36 10785 Berlin Germany Tel. +49-30-264921-0 Fax +49-30-264921-11 [email protected] www.biocom.de Find the digital issues and Executive Producer: Marco Fegers much more on our free app Editorial team: Sandra Wirsching, Jessica Schulze in the following stores or at Production Editor: Benjamin Röbig Graphic Design: Michaela Reblin biocom.de/app Printed at: Heenemann, Berlin Pictures: Siemens (p. 7), Biotronik (p. 8), metamorworks/ istockphoto.com (p. 9), Fraunhofer IGB (p. 10) This book is protected by copyright. All rights including those regarding translation, reprinting and reproduction reserved. tinyurl.com/y8rj2oal No part of this book covered by the copyright hereon may be processed, reproduced, and proliferated in any form or by any means (graphic, electronic, or mechanical, including photocopying, recording, taping, or via information storage and retrieval systems, and the Internet). ISBN: 978-3-928383-74-5 tinyurl.com/y7xulrce 2 Editorial Medtech made in Germany The medical technology sector is a well-established pillar within the healthcare in- dustry in Germany and one of the major drivers of the country’s export-driven eco- nomic growth. -
Stuttgarter Beiträge Zur Naturkunde
ZOBODAT - www.zobodat.at Zoologisch-Botanische Datenbank/Zoological-Botanical Database Digitale Literatur/Digital Literature Zeitschrift/Journal: Stuttgarter Beiträge Naturkunde Serie B [Paläontologie] Jahr/Year: 1977 Band/Volume: 26_B Autor(en)/Author(s): Ziegler Bernhard Artikel/Article: The "White" (Upper) Jurassic in Southern Germany 1- 79 5T(J 71^^-7 © Biodiversity Heritage Library, http://www.biodiversitylibrary.org/; www.zobodat.at Stuttgarter Beiträge zur Naturkunde Herausgegeben vom Staatlichen Museum für Naturkunde in Stuttgart Serie B (Geologie und Paläontologie), Nr. 26 .,.wr-..^ns > Stuttgart 1977 APR 1 U 19/0 The "White" (Upper) Jurassic D in Southern Germany By Bernhard Ziegler, Stuttgart With 11 plates and 42 figures 1. Introduction The Upper part of the Jurassic sequence in southern Germany is named the "White Jurassic" due to the light colour of its rocks. It does not correspond exactly to the Upper Jurassic as defined by the International Colloquium on the Jurassic System in Luxembourg (1962), because the lower Oxfordian is included in the "Brown Jurassic", and because the upper Tithonian is missing. The White Jurassic covers more than 10 000 square kilometers between the upper Main river near Staffelstein in northern Bavaria and the Swiss border west of the lake of Konstanz. It builds up the Swabian and the Franconian Alb. Because the Upper Jurassic consists mainly of light limestones and calcareous marls which are more resistent to the erosion than the clays and marls of the underlying Brown (middle) Jurassic it forms a steep escarpment directed to the west and northwest. To the south the White Jurassic dips below the Tertiary beds of the Molasse trough. -
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL and INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL AND INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors Music@Menlo Being Mendelssohn the seventh season july 17–august 8, 2009 david finckel and wu han, artistic directors Contents 3 A Message from the Artistic Directors 5 Welcome from the Executive Director 7 Being Mendelssohn: Program Information 8 Essay: “Mendelssohn and Us” by R. Larry Todd 10 Encounters I–IV 12 Concert Programs I–V 29 Mendelssohn String Quartet Cycle I–III 35 Carte Blanche Concerts I–III 46 Chamber Music Institute 48 Prelude Performances 54 Koret Young Performers Concerts 57 Open House 58 Café Conversations 59 Master Classes 60 Visual Arts and the Festival 61 Artist and Faculty Biographies 74 Glossary 76 Join Music@Menlo 80 Acknowledgments 81 Ticket and Performance Information 83 Music@Menlo LIVE 84 Festival Calendar Cover artwork: untitled, 2009, oil on card stock, 40 x 40 cm by Theo Noll. Inside (p. 60): paintings by Theo Noll. Images on pp. 1, 7, 9 (Mendelssohn portrait), 10 (Mendelssohn portrait), 12, 16, 19, 23, and 26 courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, NY. Images on pp. 10–11 (landscape) courtesy of Lebrecht Music and Arts; (insects, Mendelssohn on deathbed) courtesy of the Bridgeman Art Library. Photographs on pp. 30–31, Pacifica Quartet, courtesy of the Chamber Music Society of Lincoln Center. Theo Noll (p. 60): Simone Geissler. Bruce Adolphe (p. 61), Orli Shaham (p. 66), Da-Hong Seetoo (p. 83): Christian Steiner. William Bennett (p. 62): Ralph Granich. Hasse Borup (p. 62): Mary Noble Ours. -
Foreword Orlando Gibbons
Foreword Orlando Gibbons (baptised 25 December 1583 – 5 June 1625) was a virginalist and organist of the late Tudor and early Jacobean periods. His Life Gibbons was born in 1583 (most likely in December) and baptised on Christmas Day at Oxford, where his father William Gibbons was working as a wait. Between 1596 and 1598 he sang in the Choir of King's College, Cambridge, where his brother Edward Gibbons (1568–1650), eldest of the four sons of William Gibbons, was master of the choristers. The second brother Ellis Gibbons (1573–1603) was also a promising composer, but died young. Orlando entered the university as a sizar in 1598 and achieved the degree of Bachelor of Music in 1606. That same year he married Elizabeth Patten, daughter of a Yeoman of the Vestry, and they went on to have seven children (Gibbons himself was the seventh of 10 children). King James I appointed him a Gentleman of the Chapel Royal, where he served as an organist from at least 1615 until his death. In 1623 he became senior organist at the Chapel Royal, with Thomas Tomkins as junior organist. He also held positions as keyboard player in the privy chamber of the court of Prince Charles (later King Charles I), and organist at Westminster Abbey. He died at age 41 in Canterbury of apoplexy, and was buried in Canterbury Cathedral. His death was a shock to his peers and brought about a post-mortem, though the cause of death aroused less comment than the haste of his burial and his body not being returned to London. -
ASV Nendingen Vereinsarchiv 2013 / 2014
ASV Nendingen Vereinsarchiv 2013 / 2014 Pressewart: Fritz Reichle Zusammenfassung: Harald Scheuring ASV Nendingen 2013 / 2014 Seite 1 von 204 Inhaltsverzeichnis ASV Jahreshauptversammlung 2013 ......................................................................................... 5 David und Louis Stumpe sind Deutsche Juniorenmeister .......................................................... 6 Zehn Ringer des ASV Nendingen bei Sportlerehrung ausgezeichnet ........................................ 8 Jugendmannschaft des ASV Nendingen erkämpft den 6.DM-Platz .......................................... 9 Tim Baur Dritter bei Internationalem Turnier .......................................................................... 10 Frank Stäbler verlängert beim ASV Nendingen ...................................................................... 12 ASV Nendingen holt sich den Pokal beim Großen Preis von Baden-Württemberg ................ 14 Volker Hirt siegt bei den German Masters ............................................................................... 14 ASV-Jugendringer in Baienfurt erfolgreich ............................................................................. 15 ASV Nendingen triumphiert einmal mehr in Kriessern ........................................................... 17 Helferfest des ASV ................................................................................................................... 18 Louis Stumpe ist Europameister ............................................................................................. -
Musica Britannica
T69 (2021) MUSICA BRITANNICA A NATIONAL COLLECTION OF MUSIC Vauxhall Pleasure Gardens c.1750 Stainer & Bell Ltd, Victoria House, 23 Gruneisen Road, London N3 ILS England Telephone : +44 (0) 20 8343 3303 email: [email protected] www.stainer.co.uk MUSICA BRITANNICA A NATIONAL COLLECTION OF MUSIC Musica Britannica, founded in 1951 as a national record of the British contribution to music, is today recognised as one of the world’s outstanding library collections, with an unrivalled range and authority making it an indispensable resource both for performers and scholars. This catalogue provides a full listing of volumes with a brief description of contents. Full lists of contents can be obtained by quoting the CON or ASK sheet number given. Where performing material is shown as available for rental full details are given in our Rental Catalogue (T66) which may be obtained by contacting our Hire Library Manager. This catalogue is also available online at www.stainer.co.uk. Many of the Chamber Music volumes have performing parts available separately and you will find these listed in the section at the end of this catalogue. This section also lists other offprints and popular performing editions available for sale. If you do not see what you require listed in this section we can also offer authorised photocopies of any individual items published in the series through our ‘Made- to-Order’ service. Our Archive Department will be pleased to help with enquiries and requests. In addition, choirs now have the opportunity to purchase individual choral titles from selected volumes of the series as Adobe Acrobat PDF files via the Stainer & Bell website. -
American Studies Offered Owen Sets Plans for Summer Race
■■> I 1 ■•'_- " vol. L Madison College, Harrisonburg, Va., Tuesday, April 30, 1974 No. 51 J If these students didn't already know It from Art 200, they found out last Thursday on the quad — Art CAN be fun. (More on page 8.) Photo by Morgan Interdisciplinary Program American Studies Offered Owen Sets Plans Beginning next fall Madison the kinds of courses he or she many different professions For Summer Race will offer a new inter-dlscipl- desires. So far, 11 depart- such as museum and curat- Barry Owen, an outspoken Faced with an all Demo- inary degree in American Stu- ments are Involved In the pro- orial work, and more Indir- senior political science ma- cratic council that has govern- ] dies. The degree is under joint gram and 13 faculty members ect application to such fields jor, plans to run for an at- ed Glassboro for the last four sponsorship of the History and will be teaching courses appli- as Journalism, law, and libra- large city council seat this years, Owen hopes to expose English Departments, and will cable towards the degree. Five ry science. A minor in Amer- summer In his hometown of a local pornography issue with j at first offer only a minor deg- of the faculty members Dr. ican Studies nicely complim- Glassboro, New Jersey. He a truthful but aggressive cam- ree in the discipline. Sidney Bland, Dr. Cameron ents a major In English, His- Is one of two Republican can- paign. In reference to the While American Studies is a Nickels, Dr. Francis Adams tory, Philosophy, or any nu- didates on the June 6 primary problems that other local Re- new field of study at Madison Dr. -
Appendix: Catalogue of Restoration Music Manuscripts Bibliography
Musical Creativity in Restoration England REBECCA HERISSONE Appendix: Catalogue of Restoration Music Manuscripts Bibliography Secondary Sources Ashbee, Andrew, ‘The Transmission of Consort Music in Some Seventeenth-Century English Manuscripts’, in Andrew Ashbee and Peter Holman (eds.), John Jenkins and his Time: Studies in English Consort Music (Oxford: Clarendon, 1996), 243–70. Ashbee, Andrew, Robert Thompson and Jonathan Wainwright, The Viola da Gamba Society Index of Manuscripts Containing Consort Music, 2 vols. (Aldershot and Burlington: Ashgate, 2001–8). Bailey, Candace, ‘Keyboard Music in the Hands of Edward Lowe and Richard Goodson I: Oxford, Christ Church Mus. 1176 and Mus. 1177’, Royal Musical Association Research Chronicle, 32 (1999), 119–35. ‘New York Public Library Drexel MS 5611: English Keyboard Music of the Early Restoration’, Fontes artis musicae, 47 (2000), 51–67. Seventeenth-Century British Keyboard Sources, Detroit Studies in Music Bibliography, 83 (Warren: Harmonie Park Press, 2003). ‘William Ellis and the Transmission of Continental Keyboard Music in Restoration England’, Journal of Musicological Research, 20 (2001), 211–42. Banks, Chris, ‘British Library Ms. Mus. 1: A Recently Discovered Manuscript of Keyboard Music by Henry Purcell and Giovanni Battista Draghi’, Brio, 32 (1995), 87–93. Baruch, James Charles, ‘Seventeenth-Century English Vocal Music as reflected in British Library Additional Manuscript 11608’, unpublished PhD dissertation, University of North Carolina at Chapel Hill (1979). Beechey, Gwilym, ‘A New Source of Seventeenth-Century Keyboard Music’, Music & Letters, 50 (1969), 278–89. Bellingham, Bruce, ‘The Musical Circle of Anthony Wood in Oxford during the Commonwealth and Restoration’, Journal of the Viola da Gamba Society of America, 19 (1982), 6–71. -
Musical Sources
Musical Sources The following list presents all of the sources from before 1800 cited in the Catalogue, alphabetized by the abbreviations adopted there. The location is cited by the siglum for the library in italics (explained in Library Abbreviations) and shelf number. The pieces by Chambonnières found in each source are listed by their catalogue numbers (“GusC”). Then follows a summary of what is known or deduced about the place and date of the origin of the source (“Provenance”), the person or persons who notated it (“Scribes”), the quantity of music and the identifiable composers in the source (“Contents”), and the principal modern writings about the source (“Literature”; for an explanation of the abbreviations, see the file entitled “Literature”). Amalie A-Wn Mus. Hs. 19455 [olim MS 3336] GusC 8, 59 Provenance Braunschweig-Lüneburg court, ca. 1690: “Livre de son altesse | Serenissime Madame | La princesse ámalie | de Brunsvic et Lunebourg” (Amalie Wilhemine von Braunschweig-Lüneburg [1673– 1742], future empress of the Holy Roman Empire) Scribes 7 unidentified hands Contents 43 dance movements, unmeasured preludes, and transcriptions by Amelie (princesse), Chambonnières, Collasse (Pascal, arr.), Favier (Jean?, arr.), Jacquet de La Guerre (Élisabeth-Claude, arr.?), Lully (Jean-Baptiste, arr.), Richard (Étienne) Literature • Tabulae codicum manu scriptorum (Vienna: Akademische Verlag, 1864–1912; reprint ed., Graz: Akademische Druck- und Verlagsanstalt, 1965), 10:399 • Gustafson 2018, 24–25 • Bruce Gustafson, “Wilhelmine Amalie: An Empress -
Der-Kleine-Tuttlinger-A6-EN-Ok
TUT ERLEBEN DISCOVER TUTTLINGEN 4–5 PREFACE CONTENT 6–7 CITY MAP 8–17 ATTRACTIONS AND SIGHTS IN TUTTLINGEN 18–24 FACTS ABOUT TUTTLINGEN WORTH KNOWING 25–29 RECREATIONAL FACILITIES 2 3 30–37 ANNUAL EVENTS 38–39 GUIDED CITY TOURS 40–41 GASTRONOMY AND ACCOMMODATION 42–43 CAMPING SITE, MOTOR HOME PARKING SPACE THIS CITY IS 44–45 EXCURSIONS 46–47 LEISURE TIME SURPRISING 48–53 LOCAL RECREATION, HIKING AND CYCLING WELCOME TO TUTTLINGEN, THE SQUARE CITY What is this about? A glance at the city map shows it. The layout of our inner city resembles a chessboard: One square quarter next to the other, with the square Marktplatz at the centre. Not for nothing does our city logo feature a square. This extraordinary ground plan is, however, the result of a catastrophe: During the city fire of 1803, all the buil- 4 dings inside the city wall burned down – and after- 5 wards master architect Carl Leonard von Uber took for surgical instruments were established at the start of trails are great places for recreation and relaxing. advantage of the opportunity to make a new start. Until the industrialization. Above all, though, Tuttlingen is an ideal starting point then Tuttlingen had been a small agricultural town, but for day trips by bike, on foot or by car – the Danube after its reconstruction it became one of the most mo- This laid the foundations for a whole industry. Today, Valley as well as the Black Forest, the Swabian Alb dern cities in Württemberg. Square house blocks with there are around 400 companies in and around Tutt- and Lake Constance are right on the doorstep.