DOCSLIB.ORG

View PDF Document

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
View PDF Document CONCERT 1 Friday, November 10, 2006 4:00 p.m. Wellin Hall Bubbles music by Allen Fogelsanger video by Ann Johnston Miller Harmonic Fantasy Hubert Howe four-channel digital sounds Schizotronic Orlando Legname for three laptops, performed by Atom 3 - Electronic Music Group: Orlando Legname Joe Pignato Paul Geluso Winter Sunrise Scott Brickman Scott Brickman, piano with electroacoustic sounds For he is good to think on music and video by Beth Wiemann Mary Beth Day, flute Kara Novak, clarinet with electroacoustic sounds The purchase of the Steinway piano was made possible with funds contributed in memory ofEthel T Cameron by her family and friends and by support from the James T and Laura C. Rhind Fund. Food and beverages are not allowed in Wellin Hall. Schambach Center is a smoke-free building, Late arrivals will be seated at appropriate intervals. CONCERT2 Friday, November 10, 2006 8:00 p.m. Wellin Hall Deep Winter Mark Volker Laura Campbell, flute with interactive digital sounds We Are Not Robins William Vollinger College Hill Singers, G. Roberts Kolb, director Colleen Roberts Pellman, piano My Soul's Satisfaction Richard Brooks Hamilton College Choir, G. Roberts Kolb, director Colleen Roberts Pellman, piano Pioneering Days: Six American Folk Songs Derek Healey I.Wake-up, Jacob 2.0x-driving Song 3.When I was single 4.Long time ago 5.Fare thee well 6.Black-eyed Susie Hamilton College Choir, G. Roberts Kolb, director Colleen Roberts Pellman, piano Kyrie Samuel Pellman Hamilton College Choir, G. Roberts Kolb, director with digital sounds The Great Valley, No. 4: triptych for flute, cello, and piano Paul A. Epstein i. 0 Wtisst' ich Doch ... ii . ... den Weg Zurtick iii. For a Little While Laura Campbell, flute Florent Renard-Payen, violoncello Colleen Roberts Pellman, piano PAPER SESSION Saturday, November 11, 2006 10:00 a.m. Schambach 201 Harmonic Refinement: an Analysis of Elliott Carter's Lauds (pub. 2001) for Solo Violin Presented by: Brendan P. McConville, Rutgers University There was at a certain point, certainly within the last eight or ten years, that I decided to use only a certain very small vocabulary of chords. And I used the chords that I had discovered in the course of searching through the whole system­ the two 4-note chords that have all the intervals and the 6-note chord that contains all the 3-note chords. And then I went back to previous work which I used in my Double Concerto combining 4-note chords, either no. 18 or no. 23, and so I made many 8 note chords out of those. It's something I was aware of when I first wrote the Double Concerto. I simply reverted to what I had been doing long ago. I discovered no. 18 entirely by chance when I was writing my First String Quartet. And then when I came to write the Double Concerto I discovered that there was also no. 23 , but I never made a list until much later. - Elliott Carter, from Harmony Book (New York: Carl Fischer, LLC), 2002. The above quote, taken from John Link's 1999 interview with Elliott Carter, which constitutes part of the prefatory material to the composer's Harmony Book, speaks volumes about the maturation process of Carter's highly individual harmonic language. Moreover, the recent works Carter mentions represent a pitch language which has undergone a forty year gestation period towards ultimate codification. In this paper, a closer look into a recent Carter composition will reveal a harmonic language that distills the composer's immense vocabulary of pitch materials, as evident in his Harmony Book, to the crucial harmonic elements which may represent the composer's total compositional output. We will first identify how Carter's harmonic agenda has evolved, not only through his "middle period," as his chords (pitch collections) expanded in size, but with the reduced chords of his recent music as well. Furthermore, we will see how his recent music reveals pitch collections bound by the adhesive qualities of the Harmony Book. We will also see specific examples of how the harmonic "arsenal" of the Harmony Book may contribute, in a dialectical way, to his current compositional process. Ultimately, this paper seeks to reveal that Carter's self-imposed reduction of harmonic materials has created recent compositions that possess an efficient and Harmony Book inspired musical syntax, capable of recalling his music of the past, yet existing in a freshly refined state. .CONCERT3 Saturday, November 11, 2006 1:30 p.m. Wellin Hall Music of the Solstice Brian Bevelander Sar-Shalom Strong, piano The Gardens of Anna Maria Luisa de' Medici Hilary Tann l."Just to see something beautiful" 2."Fools hurry, clever ones wait, wise ones walk in the garden," Allegro vivo 3."Villa La Quiete," Andante, poco mesto Linda Greene, flute George Macero, violoncello Sar-Shalom Strong, piano Black Echo Vera Ivanova Sar-Shalom Strong, piano A Turk in Seattle Munir Beken Syracuse Society for New Music: Linda Greene, flute John Friedrichs, clarinet Vladimir Pritsker, violin George Macero, violoncello Heather Buchman, conductor Abstractions Nikolas Jeleniauskas I. Introduction; sospirando ad libitum II. Presto; risvegliato e energicamente Syracuse Society for New Music: John Friedrichs, clarinet Vladimir Pritsker, violin Sar-Shalom Strong, piano Cloudsplitter Paul Riker Syracuse Society for New Music: Linda Greene, flute John Friedrichs, clarinet Robert Bridge, Marimba Vladimir Pritsker, violin George Macero, violoncello Heather Buchman, conductor CONCERT4 Saturday, November 11, 2006 3:30 p.m. Wellin Hall Gravity Modulations Ryan Carter The Clinton String Quartet: Michael Bosetti, violin Vladimir Pritsker, violin Kit Dodd, viola George Macero, violoncello Captive Soul James Geiger 1. Confinement 2. Longing 3. Desperation 4. Escape The Clinton String Quartet Three Songs by William Blake Daniel Carr a. Nurse's Song b. A Poison Tree Lauralyn Kolb, soprano Tina Toglia, piano Bird Songs David Heinick The Manreuvre The Predicter of Famine The Woodthrush Against the Sky Silence Lauralyn Kolb, soprano Tina Toglia, piano Portraits IV John J. Lucania Michael Simonelli, piano Kyle Hung, piano CONCERTS Saturday, November 11, 2006 8:00 p.m. Wellin Hall another ... turning Thomas Licata electroacoustic sounds Actions Speak Louder Than Words Carol R. Daggs Members of the Hamilton College Jazz Ensemble, with Carol R. Daggs, piano and voice Joshua Kiggans, drums James A. Daggs, bass Andy Smicker, trumpet/fiugelhorn Parabolisms Ryan Garber Richard Scruggs, alto saxophone Ryan Garber, piano Lauds Elliott Carter 3. Rhapsodic Musings 4. Fantasy-Remembering Roger Rolf Schulte, violin BRIEF INTERMISSION Homage a Trois Mark A. Olivieri / choreography by Darwin Prioleau I. Luca's Swell: Homage a Aaron Copland II. Gestures: Homage a Toru Takemitsu III. Funk for Nikki: Homage a James Brown Nicola Melville, piano Dancers are undergraduate and graduate students from the SUNY Brockport Department of Dance: Kim Knieriem Jenny Showalter Molly Christie Catherine De Angelis Kylee Pike Sigol Musings Brian Fennelly Rolf Schulte, violin Saxation Michael E. Woods Monk Rowe, soprano saxophone Katie Berlent, alto saxophone Jennifer Orbaker, tenor saxophone Leah Delany, tenor saxophone Grant Zubritsky, baritone saxophone PROGRAM NOTES: CONCERT 1 Bubbles music by Allen Fogelsanger video by Ann Johnston Miller The video images for "Bubbles" were filmed in the winter of 2001-02 at Idyllic Wilderness Creek in upstate New York. They attempt to capture subtle visual aspects of natural phenomena, including the ephemeral textures of the play of sunlight and cloud on the stream's frozen surface and the uneven rhythms of interactions among water, air, and ice. The sound was derived from the original captured water noises, and the piano part was composed from the loudest frequency bursts in the water track. Some sound was temporally displaced to invite the perception of relationships with the video. Ann Johnston Miller has worked as a professional studio ceramist for thirty years, making clay sculpture and functional work as well as welded steel sculpture and installation. She has shown in the New York City and the central New York state areas as well as in the southeastern United States. In 2000 she began working with video. The videos have been shown at the Ladyfest East film festival in New York City and Rooftop Films in Brooklyn, New York. Allen Fogelsanger is the Director of Music for the Cornell University Dance Program. Before working at Cornell he served as music director for the Central Pennsylvania Dance Workshop I Pennsylvania Dance Theater in State College, Pennsylvania. He received his BS from the Pennsylvania State University and his PhD from Cornell University, both in mathematics, and has studied music composition with Burt Fenner, Steven Stucky, and Karel Husa, and dance composition with David Gordon. He has composed music for dances choreographed by Kathleya Afanador, LaRue Allen, Chris Black, Jumay Chu, June Finch, Peggy Lawler, Joyce Morgenroth, Jim Self, and Byron Suber. Bubbles is his first venture into composing sound for video. His work has been presented around the United States, including at national conferences of the Society for Electro-Acoustic Music in the United States (SEAMUS) and the Society of Composers, Inc. (SCI). Harmonic Fantasy Hubert Howe Harmonic Fantasy is based upon very rich sounds, all consisting of 32 harmonic partials, which extend five octaves above the fundamental (except on high tones, where the partials exceed the limits of human hearing). The harmonics are introduced one at a time in an irregular series that emphasizes the harmony of the context in which the tone appears at the beginning of the series, followed by a transposition of the series, and finally by the remaining partials. Following the introduction of the individual partials, the tones undergo either vibrato or glissando in precisely controlled ways. Vibrato is applied to the partials in an individual, out-of-sync fashion at a subsonic speed that is seven octaves below the fundamental (thus, middle C would be about 2 Hz).
Load more

Recommended publications
  • Journal of the American Viola Society Volume 9 No.2/3, 1993
    JOURNAL afthe AMERICAN VIOLA SOCIETY Chapter of THE INTERNATIONAL VIOLA SOCIETY Association for the Promotion of Viola Performance and Research Vol. 9 Nos. 2&3 1993 The Journal ofthe American Viola Society is a publication ofthat organization and is produced at Brigham Young University, © 1993, ISSN 0898-5987. The Journalwelcomes letters and articles from its readers. Editorial andAdvertising Office: BYU Music Harris Fine Arts Center Provo, UT 84602 (801) 378-4953 Fax: (801) 378-5973 Editor: David Dalton Assistant Editor: David Day Production: Helen Dixon JAVS appears three times yearly. Deadlines for copy and art work are March 1, July 1, and November 1; submissions should be sent to the editorial office. Ad rates: $100 full page, $85 two-thirds page, $65 halfpage, $50 one-third page, $35 one-fourth page. Classifieds: $25 for 30 words including address; $40 for 31-60 words. Advertisers will be billed after the ad has appeared. Payment to "American Viola Society" should be remitted to the editorial office. OFFICERS Alan de Vertich President School ofMusic University of So. California 830 West 34th Street Ramo Hall 112 Los Angeles, CA 90089 (805) 255-0693 Thomas Tatton Vice-President 2705 Rutledge Way Stockton, CA 95207 Pamela Goldsmith Secretary 11640 Amanda Drive Studio City, CA 91604 Ann Woodward Treasurer 209 w. University Ave. Chapel Hill, NC 27514 David Dalton Past President Editor, JA VS Brigham Young University Provo, Utah 84602 BOARD Mary Arlin J~ffery Irvine John Kella William Magers Donald !v1cInnes Kathryn Plummer Dwight Pounds
    [Show full text]
  • The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL and INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors
    The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL AND INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors Music@Menlo Being Mendelssohn the seventh season july 17–august 8, 2009 david finckel and wu han, artistic directors Contents 3 A Message from the Artistic Directors 5 Welcome from the Executive Director 7 Being Mendelssohn: Program Information 8 Essay: “Mendelssohn and Us” by R. Larry Todd 10 Encounters I–IV 12 Concert Programs I–V 29 Mendelssohn String Quartet Cycle I–III 35 Carte Blanche Concerts I–III 46 Chamber Music Institute 48 Prelude Performances 54 Koret Young Performers Concerts 57 Open House 58 Café Conversations 59 Master Classes 60 Visual Arts and the Festival 61 Artist and Faculty Biographies 74 Glossary 76 Join Music@Menlo 80 Acknowledgments 81 Ticket and Performance Information 83 Music@Menlo LIVE 84 Festival Calendar Cover artwork: untitled, 2009, oil on card stock, 40 x 40 cm by Theo Noll. Inside (p. 60): paintings by Theo Noll. Images on pp. 1, 7, 9 (Mendelssohn portrait), 10 (Mendelssohn portrait), 12, 16, 19, 23, and 26 courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, NY. Images on pp. 10–11 (landscape) courtesy of Lebrecht Music and Arts; (insects, Mendelssohn on deathbed) courtesy of the Bridgeman Art Library. Photographs on pp. 30–31, Pacifica Quartet, courtesy of the Chamber Music Society of Lincoln Center. Theo Noll (p. 60): Simone Geissler. Bruce Adolphe (p. 61), Orli Shaham (p. 66), Da-Hong Seetoo (p. 83): Christian Steiner. William Bennett (p. 62): Ralph Granich. Hasse Borup (p. 62): Mary Noble Ours.
    [Show full text]
  • 03-05-07 Communitas.Indd
    Communitas MVCC Faculty/Staff Newsletter March 5, 2007 SPIRIT OF IRELAND – Members of MVCC’s Professional Practice in Graph- she displays it here.From left are: David Wentworth, Ryan Swierczek, Emily ic Design classes took part in a contest to design the poster that will be used Wager, GAIF Chairman Matthew T. Sullivan, Tyler Flisnik, Jaime Shepard to promote the Great American Irish Festival at the Herkimer County Fair- (poster competition winner), Jennifer Klock, Steven Forte, Ann Keddell, Nick grounds in Frankfort. Jaime Shepard’s design was the winning artwork as Denato, Kala Dunning, and Professor Robert Clarke. Graphic design student’s creation selected to represent Irish festival Graphic design student Jaime Shepard was feeling pretty lucky last week when her design was selected from among 31 pieces to be the “theme graphic” for the 2007 Great American Irish Festival. Robert Clarke, Professor in MVCC’s Art Department, was approached by the Great American Irish Festival (GAIF) committee several weeks ago seeking help in creating a “theme graphic” that would be used on posters promoting the event along with appearing on the GAIF website, t-shirts, signage and banners displayed throughout the Mohawk Valley. Mr. Clarke challenged his Professional Practice in Graphic Design students to create a design that is dis- tinctive, creative, attention grabbing while having a feel for the event. That’s what Ms. Shepard achieved with her winning design. “I am very excited and pleased to have my design picked,” said Ms. Shepard, who is returning student. She graduated from Rome Free Acad- emy in 1998 and now resides in Barneveld.
    [Show full text]
  • September 2014 Serving Tarrytown, Sleepy Hollow, Irvington, Scarborough-On-Hudson and Ardsley-On-Hudson Vol
    14 » Lemonade for Leukemia 17 » New Coach in Irvington 19 » Mexican Cuisine September 2014 Serving Tarrytown, Sleepy Hollow, Irvington, Scarborough-on-Hudson and Ardsley-on-Hudson Vol. IX No. 9 Turf in Irvington School Bond Divides Veteran Residents Snubbed for by Rick Pezzullo SH Police Irvington school officials are banking Job Ignites that the third time is a charm when they present a $4.6 million bond, featuring a controversial artificial turf field at Irving- Controversy Photo by Rick Pezzullo Photo by ton High School, to residents in early Oc- tober. However, the community appears di- by Elaine Marranzano vided on the referendum by the Irvington School District to get voter approval for A controversial decision made by four a turf playing surface on Meszaros Field members of the Sleepy Hollow Board of - the third attempt in the last eight years. Trustees not to hire a decorated war vet- In fact, two groups, Irvington United for eran, who was the most highly recom- Education (IUE) and Grassroots Irving- Irvington High boys soccer team practicing during summer on Meszaros Field which mended candidate for a job with the vil- ton, with clashing opinions, have formed has been a lightning rod of the turf bond. lage’s police department, has resulted in a specifically to get the word out about the firestorm of opposition. October 7 vote. and one of the vocal leaders of Grassroots schools. Despite a glowing recommendation In 2008, a $6 million field renovation Irvington, contended the Board of Educa- “I think our school board is pulling a fast from Police Chief Greg Camp and letters bond was soundly rejected by the Irving- tion was being “sinister” for unanimously one on us.
    [Show full text]
  • Msm String Chamber Orchestra
    Saturday, February 20, 2021 | 12:15 PM Livestreamed from Neidorff-Karpati Hall MSM STRING CHAMBER ORCHESTRA George Manahan (BM ’73, MM ’76), Conductor PROGRAM J. S. BACH Brandenburg Concerto No. 3 in G Major, BWV 1048 (1685–1750) Allegro Adagio Allegro CARLOS SIMON Elegy (b. 1986) Dedicated to Trayvon Martin, Eric Garner, and Michael Brown OTTORINO RESPIGHI Ancient Airs and Dances, Suite No. 3 (1879–1936) MSM STRING CHAMBER ORCHESTRA VIOLIN 1 VIOLIN 2 VIOLA CELLO DOUBLE BASS Carlos Martinez Basil Alter Kunbo Xu Noah Koh Dante Ascarrunz Arroyo Clinton, South Carolina Changsha, Hunan, China Bayside, New York Lafayette, Colorado Cabra, Córdoba, Spain Francesca Abusamra Jack Rittendale Eliza Fath Jakob Messinetti Shiqi Luo Rochester Hills, Michigan St. Louis, Missouri Fairfield, Connecticut Lawrence, New York Shanghai, China Maria Paparoni Zoe Daphnee Messiah Ahmed Caracas, Venezuela Lavoie-Gagne Dallas, Texas San Diego, California Students in this performance are supported by the Joseph F. McCrindle Scholarship and the Hans & Klara Bauer Scholarship. We are grateful to the generous donors who made these scholarships possible. For information on establishing a named scholarship at Manhattan School of Music, please contact Susan Madden, Vice President for Advancement, at 917-493-4115 or [email protected]. ABOUT THE ARTISTS George Manahan, Conductor George Manahan is in his 11th season as Director of Orchestral Activities at Manhattan School of Music, as well as Music Director of the American Composers Orchestra and the Portland Opera. He served as Music Director of the New York City Opera for 14 seasons and was hailed for his leadership of the orchestra. He was also Music Director of the Richmond Symphony (VA) for 12 seasons.
    [Show full text]
  • Originalhandboiok
    ORGAN HISTORICAL SOCIETY THE organ HisTorical society’s 59th ANNUAL convEnTion CONVENTION ARTISTS AND PERSONALITIES BRYAN ANDERSON JOHN APPLE DIANE MEREDITH BELCHER JOBY BELL NICHOLAS BIDELER JONATHAN BIGGERS CAROL BRITT GREGORY CROWELL J.R. DANIELS GABRIEL DIMARTINO JILLIAN GARDNER WILL HEADLEE ALLISON EVANS HENRY CHRISTOPHER HOULIHAN CHRISTOPHER HOWERTER ROB KERNER GLENN KIME ANNIE LAVER CHRISTOPHER MARKS SILVIYA MATEVA ROSALIND MOHNSEN KOLA OWOLABI ANNETTE RICHARDS JONATHAN RYAN MATTHIAS SCHMELMER TIM SCHMIDT DAVID YEARSLEY HISTORICALLY... FOCUSED MINDED MOTIVATED INSPIRED SINCE 1921 Anabel Taylor Chapel at Cornell University 888.229.4820 Collaboration: GOArt | Parsons | Lowe PARSONSORGANS.COM Andover www.andoverorgan.com St. Cecilia Church, Solvey, NY Hampton United Methodist Church, Hampton, NH J.H. Wilcox, Opus 23 (1872). Restored 1989, Opus R-285 Emmons Howard 1904. Relocated 1988, Opus R-286 First Presbyterian Church, Caledonia, NY Church of Saint Peter RC, Haverstraw, NY E.&G.G. Hook & Hastings, Opus 826, 1876, George Jardine & Son, Opus 1248, 1897 with 1841 William Stevens case. Relocated 1987, Opus R-273 Restored 2011, Opus R-474 Preserving the Past Enhancing the Present Inspiring the Future SKINNER ORGAN OPUS 208 Making Music for a Cent u ry The Music Institute of Chicago JL Weiler, Inc. PIPE ORGAN CURATORS, CONSERVATORS & CONSULTANTS 1845 South Michigan Avenue #1905 | Chicago, Illinois 60616 312-842-7475 | [email protected] | www.jlweiler.com A. E. Schlueter Pipe Organ Co. Covenant Presbyterian Church • Charlotte, N.C. New
    [Show full text]
  • A Performerâ•Žs Guide to Canadian Works for Unaccompanied
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 A Performer's Guide to Canadian Works for Unaccompanied Trumpet and Solo Trumpet with Piano Alan S. Klaus Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A PERFORMER’S GUIDE TO CANADIAN WORKS FOR UNACCOMPANIED TRUMPET AND SOLO TRUMPET WITH PIANO By ALAN S. KLAUS A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded Spring Semester, 2014 Alan S. Klaus defended this treatise on April 18, 2014. The members of the supervisory committee were: Christopher Moore Professor Directing Treatise James Mathes University Representative Deborah Bish Committee Member Paul Ebbers Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me throughout my degree. I am indebted to my major professor, Dr. Christopher Moore, for his guidance, mentoring, and patience. He has been a great role model both personally and professionally. I am grateful for the assistance and expertise of my committee members, Dr. James Mathes, Dr. Deborah Bish, Prof. Paul Ebbers, and Prof. Bryan Goff, who graciously served on the committee well past his retirement. Anne Marie Page and the staff at the Canadian Music Centre have been extremely helpful and accommodating. My deepest thanks are for my family and friends for their encouragement throughout this process; my parents, Jurgen and Mary Kay Klaus, for their constant love and support; and my fiancée, Felicia Ross, for her partnership and understanding that allowed this project to be possible.
    [Show full text]
  • The Proliferation of String Quartets in Canada 1991-2014
    The Proliferation of String Quartets in Canada 1991-2014 by Min-Jeong Koh A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts Faculty of Music University of Toronto © Copyright by Min-Jeong Koh 2014 The Proliferation of String Quartets in Canada 1991-2014 Min-Jeong Koh Doctor of Musical Arts Faculty of Music University of Toronto 2014 Abstract This paper examines the proliferation of string quartets in Canada between 1991 and 2014. The year 1991 is a pivotal one: it was the end of a Golden Age of string quartet performance in Canada with the conclusion of the activities of the Orford, Vághy, and Purcell Quartets. It marked, also, the beginning of a New Golden Age of string quartet performance in Canada. Similar to their predecessors, the quartets of this new era have different levels of international success, but one could call it a New Golden Age from the sheer number of professional ensembles active in Canada from 1991 onward. The thesis begins with biographies of leading ensembles of this period: the Alcan, Arthur Leblanc, Claudel-Canimex, St. Lawrence, Lafayette, Penderecki, Molinari, Bozzini, Borealis, Tokai, Silverbirch, Cecilia, Afiara, and the New Orford Quartets. The fourth chapter researches the opportunities available to string quartets in Canada, including the Banff International String Quartet Competition. To supplement the biographies and to gain additional insight on the available resources, eight quartet players participated in interviews. Findings emphasize the need to create more support for Canadian musicians, including both professional ensembles and also young aspiring quartet ensembles, to stay in Canada.
    [Show full text]
  • View PDF Document
    ·ety o Inc. REGION V CONFERENCE February 22 ~ 25, 2007 Society of CompQ~~~§ Inc. TABLE OF CONTENTS Letter from President Joanne M. Burrows, SC, Ph.D • ••••••••••••••••••••••••••••••••••••••••••••••••.•••.•••••..••••••••...•.•••.••••.•••.•.•••••••••••..••••••••••• 7 Letter from Chair and Assistant Professor of Music LaDonna Manternach, BVM, DMA ••••••••••••••••••••••••••••••••••••••••••••••••••• 9 Acknowledgements ••••••••••••••••••••••••••••...••••••••••••.••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.•••••••..•.•...••.••••..•.•.••••..••••••• l l The Commitment of Artists by Dr. Jeffrey Hoover ••••••••••••••.••••••••••••••••••••••••••••••••••••••.•.••.•••••••••••••••••••••••••••••••••••••••••••••••••••••• l 3 Conference Schedule •••••••.••••••••••••••••••••.•••••••••••••••••••••••••••••••••••••••••••••••••••.••••••••••.••.....•••••.•••••••.••••••••••••••••••••••.•••••••••••••••••••••••••• 15 Concert Programs Concert I 17 Concert II 21 Concert Ill ••••••••••••••••••••••••••••••••••..•••••••••••.•••••••••••.•••••.•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 25 Concert IV ••••••••••••••••••••••••••.•.•••.•..•••••..••••••••••••.•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 31 Concert V ••••••••••••••••••••••••••........••••••••••••••••••••.••••••••••••••••••••••.•••••••••••••••••••••••••••••••••••••••••..••••••••••••••••••••••••••••••••••••••••••• 37 Concert VI •••••.•••.•.•••••••••••••••••••••••••••••••.••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••
    [Show full text]
  • CONCERT 1 Friday, November 10, 2006 4:00 P.M. Wellin Hall Bubbles
    CONCERT 1 Friday, November 10, 2006 4:00 p.m. Wellin Hall Bubbles music by Allen Fogelsanger video by Ann Johnston Miller Harmonic Fantasy Hubert Howe four-channel digital sounds Schizotronic Orlando Legname for three laptops, performed by Atom 3 — Electronic Music Group: Orlando Legname Joe Pignato Paul Geluso Winter Sunrise Scott Brickman Scott Brickman, piano with electroacoustic sounds For he is good to think on music and video by Beth Wiemann Mary Beth Day, flute Kara Novak, clarinet with electroacoustic sounds CONCERT 2 Friday, November 10, 2006 8:00 p.m. Wellin Hall Deep Winter Mark Volker Laura Campbell, flute with interactive digital sounds We Are Not Robins William Vollinger the College Hill Singers, G. Roberts Kolb, director Colleen Roberts Pellman, piano My Soul’s Satisfaction Richard Brooks the Hamilton College Choir, G. Roberts Kolb, director Colleen Roberts Pellman, piano Pioneering Days: Six American Folk Songs Derek Healey 1. Wake-up, Jacob 2. Ox-driving Song 3. When I was single 4. Long time ago 5. Fare thee well 6. Black-eyed Susie the Hamilton College Choir, G. Roberts Kolb, director Colleen Roberts Pellman, piano Kyrie Samuel Pellman The Hamilton College Choir, G. Roberts Kolb, director with digital sounds The Great Valley, No. 4: triptych for flute, cello, and piano Paul A. Epstein i. O Wüsst’ ich Doch … ii. … den Weg Zurück iii. For a Little While Laura Campbell, flute Florent Renard-Payen, violoncello Colleen Roberts Pellman, piano PAPER SESSION Saturday, November 11, 2006 10:00 a.m. Schambach 201 Harmonic Refinement: an Analysis of Elliott Carter’s Lauds (pub.
    [Show full text]
  • View PDF Editionarrow Forward
    THE DIAPASON FEBRUARY 2015 St. Vincent Archabbey Basilica Latrobe, Pennsylvania Cover feature on pages 26–27 CHRISTOPHER HOULIHAN WITH THE LOS ANGELES PHILHARMONIC BRASS AT DISNEY HALL “Houlihan is the next big organ talent...the evening belonged to Houlihan. The program included works for brass and organ, organ alone and brass alone. With an exception one or two, the standouts were the organ pieces.... Houlihan’s glowing, miraculously life-affirming performances...with everything sumptuously detailed... a splendidly colored performance of Bach...fascinatingly majestic performance of Vierne...enthusiastic audience. Houlihan’s solo encore was the Scherzo from Vierne’s Second Organ Symphony, and it was, as Vierne seldom is in the hands of other organists, seductive.” (Los Angeles Times, by Mark Swed, 2014) “L.A. PHILHARMONIC BRASS KINGS, ORGAN SOLOIST DAZZLE AT “A budding superstar with his WALT DISNEY HALL own veritable set of followers The Los Angeles Philharmonic affectionately known as ‘Houlifans.’… brass section playing with Think of it [performing with the one of the brightest stars Los Angeles Philharmonic brass in the new generation section] not as an organ recital, of organists, Christopher but rather a chamber music concert Houlihan….Thunderous featuring an atypical collection of ovation…Houlihan played wind instruments….Says LA Phil with great passion…a rousing Principal Trumpet Thomas Hooten, ovation…magic on the pedals of Houlihan, ‘He’s a very energetic, (allisyar.com, by C.K. of the organ.” great player.’” (Pasadena Star-News, by John Dexter Haven, 2014) M. Sherrard, 2014) [email protected] (860)-560-7800 www.concertartists.com THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Sixth Year: No.
    [Show full text]
  • Call for Scores
    CALL FOR SCORES The 2006 Society of Composers Region II Conference will be held at Hamilton College in Clinton, NY on Friday and Saturday, November 10 and 11. Scores from all SCI members are welcome, but preference will be given to members of Region II. The available performing resources include: a college chorus (app. 60 voices), a small college chamber choir, a jazz combo, a Javanese gamelan (pelog, no gender), a string quartet (the Clinton String Quartet), the Syracuse Society for New Music (flute, oboe, clarinet, soprano or alto saxophone, piano, percussion, violin, cello), and members of the performance faculty (piano, voice, cello, solo percussion). Composers who can bring their own performers are strongly encouraged to submit works. The submission of electroacoustic works (two-channels only), with or without video (DVD), and with or without soloist or ensemble, is also especially encouraged. Each composer may submit one or two works from 3 to 20 minutes in duration. Submission must include: • a score (if available) and CD recording (a MIDI rendering is acceptable) of each work submitted • a list of performers, if provided by the composer • for electroacoustic works, a description or list of technical requirements • a separate sheet with the composer’s name, address, telephone number, email address, and the title, duration, and instrumentation of each work submitted • a SASE if you wish to have these materials returned (they will also be available to be retrieved at the conference). Submission deadline: May 1, 2006 (postmarked). Send works to: Prof. Samuel Pellman Hamilton College 198 College Hill Road Clinton, NY 13323 Programming decisions will be made by the performers, in consultation with the composition faculty.
    [Show full text]