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L'opera Famiglia PR .Qxp Layout 1
November 10, 2020 FOR IMMEDIATE RELEASE Contact: James Cassidy (859) 431-6216 [email protected] L’Opera Famiglia (Two couples, great arias) 7:30 p.m. November 21, 2020 St. Peter in Chains Cathedral Basilica 8th and Plum Cincinnati, OH The Kentucky Symphony Orchestra continues its 29th season of in-person performances and live streaming with an evening of operatic and sacred arias. The KSO, over the last 20 seasons, has offered audiences complete concert operas — Tosca, Otello, La Boheme, Rigoletto, Samson & Delilah and Turandot. These productions featured a number of internationally recognized singers, many with local ties (CCM and the Cincinnati Opera). Four of these artists return as two couples for L’Opera Famiglia on November 21 at the Cathedral Basilica of St. Peter in Chains. Mezzo soprano Stacey Rishoi appeared in a KSO “Sopranos” evening and as Delilah (Samson & Delilah). Her husband Gustav Andreassen (bass) sang the role of Sparafucille (Rigoletto). Stacey and Gus when not on the road reside Bellevue, KY. Stuart Neill KSO at St. Peter in Chains Cathedral Feb. 23, 2020 (tenor) and Sandra Lopez (soprano) met as Rodolfo and Mimi in the KSO’s 2007 production of La Boheme. They were married a couple years later and live in Miami. “As with any team sport or artistic collaboration, cast chemistry is vital for success. We were fortunate for the stars to align to find these wonderful performers available this week,” commented KSO music director, James Cassidy. Those who don’t think that opera is their cup of tea, might be surprised to find many of the selections on the program very familiar to a universal audience (see below). -
Journal of the American Viola Society Volume 9 No.2/3, 1993
JOURNAL afthe AMERICAN VIOLA SOCIETY Chapter of THE INTERNATIONAL VIOLA SOCIETY Association for the Promotion of Viola Performance and Research Vol. 9 Nos. 2&3 1993 The Journal ofthe American Viola Society is a publication ofthat organization and is produced at Brigham Young University, © 1993, ISSN 0898-5987. The Journalwelcomes letters and articles from its readers. Editorial andAdvertising Office: BYU Music Harris Fine Arts Center Provo, UT 84602 (801) 378-4953 Fax: (801) 378-5973 Editor: David Dalton Assistant Editor: David Day Production: Helen Dixon JAVS appears three times yearly. Deadlines for copy and art work are March 1, July 1, and November 1; submissions should be sent to the editorial office. Ad rates: $100 full page, $85 two-thirds page, $65 halfpage, $50 one-third page, $35 one-fourth page. Classifieds: $25 for 30 words including address; $40 for 31-60 words. Advertisers will be billed after the ad has appeared. Payment to "American Viola Society" should be remitted to the editorial office. OFFICERS Alan de Vertich President School ofMusic University of So. California 830 West 34th Street Ramo Hall 112 Los Angeles, CA 90089 (805) 255-0693 Thomas Tatton Vice-President 2705 Rutledge Way Stockton, CA 95207 Pamela Goldsmith Secretary 11640 Amanda Drive Studio City, CA 91604 Ann Woodward Treasurer 209 w. University Ave. Chapel Hill, NC 27514 David Dalton Past President Editor, JA VS Brigham Young University Provo, Utah 84602 BOARD Mary Arlin J~ffery Irvine John Kella William Magers Donald !v1cInnes Kathryn Plummer Dwight Pounds -
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL and INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL AND INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors Music@Menlo Being Mendelssohn the seventh season july 17–august 8, 2009 david finckel and wu han, artistic directors Contents 3 A Message from the Artistic Directors 5 Welcome from the Executive Director 7 Being Mendelssohn: Program Information 8 Essay: “Mendelssohn and Us” by R. Larry Todd 10 Encounters I–IV 12 Concert Programs I–V 29 Mendelssohn String Quartet Cycle I–III 35 Carte Blanche Concerts I–III 46 Chamber Music Institute 48 Prelude Performances 54 Koret Young Performers Concerts 57 Open House 58 Café Conversations 59 Master Classes 60 Visual Arts and the Festival 61 Artist and Faculty Biographies 74 Glossary 76 Join Music@Menlo 80 Acknowledgments 81 Ticket and Performance Information 83 Music@Menlo LIVE 84 Festival Calendar Cover artwork: untitled, 2009, oil on card stock, 40 x 40 cm by Theo Noll. Inside (p. 60): paintings by Theo Noll. Images on pp. 1, 7, 9 (Mendelssohn portrait), 10 (Mendelssohn portrait), 12, 16, 19, 23, and 26 courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, NY. Images on pp. 10–11 (landscape) courtesy of Lebrecht Music and Arts; (insects, Mendelssohn on deathbed) courtesy of the Bridgeman Art Library. Photographs on pp. 30–31, Pacifica Quartet, courtesy of the Chamber Music Society of Lincoln Center. Theo Noll (p. 60): Simone Geissler. Bruce Adolphe (p. 61), Orli Shaham (p. 66), Da-Hong Seetoo (p. 83): Christian Steiner. William Bennett (p. 62): Ralph Granich. Hasse Borup (p. 62): Mary Noble Ours. -
Msm String Chamber Orchestra
Tuesday, April 20, 2021 | 12:15 PM Livestreamed from Neidorff-Karpati Hall MSM STRING CHAMBER ORCHESTRA George Manahan (BM ’73, MM ’76), Conductor PROGRAM ADOLPHOUS HAILSTORK Church Street Serenade (BM ’63, MM ’65, HonDMA ’19) (b. 1941) EDVARD GRIEG Holberg Suite, Op. 40 (1843–1907) Praeludium (Allegro vivace) Sarabande (Andante) Gavotte (Allegretto) Air (Andante religioso) Rigaudon (Allegro con brio) HEITOR VILLA-LOBOS Bachianas Brasileiras No. 1 (1887–1959) MSM STRING CHAMBER ORCHESTRA VIOLIN 1 VIOLA Tom Readett BASS YouJin Choi Ramon Carrero Mystic, Connecticut Dante Ascarrunz Seoul, South Korea Caracas, Venezuela Rei Otake Lafayette, Colorado Sophia Stoyanovich Sara Dudley Tokyo, Japan Jakob Messinetti Bainbridge Island, Washington New York, New York Sam Chung Lawrence, New York Young Ye Roh Seoul, South Korea Ridgewood, New Jersey CELLO Rachel Lin Noah Koh San Jose, California VIOLIN 2 Bayside, New York Nicco Mazziotto Da Huang Juedy Lee Melville, New York Beijing, China Seoul, South Korea Esther Kang Benjamin Hudak Seoul, Korea San Francisco, California ABOUT THE ARTISTS George Manahan, Conductor George Manahan is in his 11th season as Director of Orchestral Activities at Manhattan School of Music, as well as Music Director of the American Composers Orchestra and the Portland Opera. He served as Music Director of the New York City Opera for 14 seasons and was hailed for his leadership of the orchestra. He was also Music Director of the Richmond Symphony (VA) for 12 seasons. Recipient of Columbia University’s Ditson Conductor’s Award, Mr. Manahan was also honored by the American Society of Composers and Publishers (ASCAP) for his “career-long advocacy for American composers and the music of our time.” His Carnegie Hall performance of Samuel Barber’s Antony and Cleopatra was hailed by audiences and critics alike. -
July/August 2017
L 'U nione Ital iana July August 2017 edit ion vol ume 19, issue 4 1 TABLE OF CONTENTS Spaghetti Dinner... 4 CRUSH Happy Hour... 16-18 th 1731 East 7 Avenue Member Appreciation Night... 5 Fom the LAX President... 20 Tampa, Florida 33605 Italian Club Shoot... 5 "I Remember Mama"... 21 (813) 248-3316 Maestro Coppola... 6-8 Mother's Day Tea.. 22-23 www.italian-club.org Krewe Of Italia... 10 Campo Italiano... 24-25 Club Office Hours Shared Vacations... 11 Per I Bambini... 26 Monday-Friday 9:00am-5:00pm The Good Cemetarian... 12-13 Women Of Excellence...27 Cemetery Hours Comedy Spectacular... 13 Milestones... 28 Open Daily 8:00am-3:00pm Memorial Mass... 14 Thank You Festa Sponsors... 30 (Located at 26th St. & 24th Ave) Notte del Gala By OGGI... 15 Festa Scholarship... 31 MISSION STATEMENT The mission of L?Unione Italiana is to preserve and honor the culture, traditions and heritage of the Italian Community and to maintain the historical facility as a functioning memorial to the working class immigrants. We will support this mission through the dues and JULY contributions provided by the July 3rd & 4th CLUB CLOSED (Holiday) members, their families, July 23rd Italian Club Spaghetti Dinner (see page 4) friends, and government. In return we will add value to the July 28th Member Appreciation Night @ CRUSH Happy Hour membership by providing social activities, fellowship, AUGUST Italian arts and culture; these August 25th Member Appreciation Night @ CRUSH Happy Hour activities will provide for growth and stability in the membership, creating a safe SEPTEMBER and comfortable environment September 4th CLUB CLOSED (Holiday) for both members and employees. -
HUNGER GAMES Malnutrition Affects 35% of Mankind Are You in Danger Too? 10
US ISSUE ISSUE 2 • MAY - AUG 2019 US $4.25 YOUR LIFESTYLE MAGAZINE FOR HEART HEALTH NOW PLAYING: HUNGER GAMES Malnutrition affects 35% of mankind are you in danger too? 10 20 28 34 55 Risk Factor Chronic An active life at the Our Chef Recommends: Nature´s Medicine Inflammation: Defense amazing age of 102 Spring to Life with a Cabinet: Cayenne Pepper System Gone Rogue Fresh Start Captain Ward Bob Switzer invented Richard A. Amiello Invention of the invented neon colored paint for marked life-saving cork lifejackets safety vests K-15 Kevlar Vest sternum support vest 1865 1930 1975 2008 For centuries man has been striving to increase security, reduce pain and improve the quality of life. With a passion for care and a drive Products for postoperative for excellence Posthorax has taken on the challenge, providing the cardiac patient care. clinically proven, award-winning Posthorax Sternum Support Vest for patients a er cardiac and thoracic surgery. www.posthorax.com Advertisement Captain Ward Bob Switzer invented Richard A. Amiello Invention of the invented neon colored paint for marked life-saving cork lifejackets safety vests K-15 Kevlar Vest sternum support vest 1865 1930 1975 2008 For centuries man has been striving to increase security, reduce pain and improve the quality of life. With a passion for care and a drive Products for postoperative for excellence Posthorax has taken on the challenge, providing the cardiac patient care. clinically proven, award-winning Posthorax Sternum Support Vest for patients a er cardiac and thoracic surgery. -
View PDF Document
CONCERT 1 Friday, November 10, 2006 4:00 p.m. Wellin Hall Bubbles music by Allen Fogelsanger video by Ann Johnston Miller Harmonic Fantasy Hubert Howe four-channel digital sounds Schizotronic Orlando Legname for three laptops, performed by Atom 3 - Electronic Music Group: Orlando Legname Joe Pignato Paul Geluso Winter Sunrise Scott Brickman Scott Brickman, piano with electroacoustic sounds For he is good to think on music and video by Beth Wiemann Mary Beth Day, flute Kara Novak, clarinet with electroacoustic sounds The purchase of the Steinway piano was made possible with funds contributed in memory ofEthel T Cameron by her family and friends and by support from the James T and Laura C. Rhind Fund. Food and beverages are not allowed in Wellin Hall. Schambach Center is a smoke-free building, Late arrivals will be seated at appropriate intervals. CONCERT2 Friday, November 10, 2006 8:00 p.m. Wellin Hall Deep Winter Mark Volker Laura Campbell, flute with interactive digital sounds We Are Not Robins William Vollinger College Hill Singers, G. Roberts Kolb, director Colleen Roberts Pellman, piano My Soul's Satisfaction Richard Brooks Hamilton College Choir, G. Roberts Kolb, director Colleen Roberts Pellman, piano Pioneering Days: Six American Folk Songs Derek Healey I.Wake-up, Jacob 2.0x-driving Song 3.When I was single 4.Long time ago 5.Fare thee well 6.Black-eyed Susie Hamilton College Choir, G. Roberts Kolb, director Colleen Roberts Pellman, piano Kyrie Samuel Pellman Hamilton College Choir, G. Roberts Kolb, director with digital sounds The Great Valley, No. 4: triptych for flute, cello, and piano Paul A. -
03-05-07 Communitas.Indd
Communitas MVCC Faculty/Staff Newsletter March 5, 2007 SPIRIT OF IRELAND – Members of MVCC’s Professional Practice in Graph- she displays it here.From left are: David Wentworth, Ryan Swierczek, Emily ic Design classes took part in a contest to design the poster that will be used Wager, GAIF Chairman Matthew T. Sullivan, Tyler Flisnik, Jaime Shepard to promote the Great American Irish Festival at the Herkimer County Fair- (poster competition winner), Jennifer Klock, Steven Forte, Ann Keddell, Nick grounds in Frankfort. Jaime Shepard’s design was the winning artwork as Denato, Kala Dunning, and Professor Robert Clarke. Graphic design student’s creation selected to represent Irish festival Graphic design student Jaime Shepard was feeling pretty lucky last week when her design was selected from among 31 pieces to be the “theme graphic” for the 2007 Great American Irish Festival. Robert Clarke, Professor in MVCC’s Art Department, was approached by the Great American Irish Festival (GAIF) committee several weeks ago seeking help in creating a “theme graphic” that would be used on posters promoting the event along with appearing on the GAIF website, t-shirts, signage and banners displayed throughout the Mohawk Valley. Mr. Clarke challenged his Professional Practice in Graphic Design students to create a design that is dis- tinctive, creative, attention grabbing while having a feel for the event. That’s what Ms. Shepard achieved with her winning design. “I am very excited and pleased to have my design picked,” said Ms. Shepard, who is returning student. She graduated from Rome Free Acad- emy in 1998 and now resides in Barneveld. -
September 2014 Serving Tarrytown, Sleepy Hollow, Irvington, Scarborough-On-Hudson and Ardsley-On-Hudson Vol
14 » Lemonade for Leukemia 17 » New Coach in Irvington 19 » Mexican Cuisine September 2014 Serving Tarrytown, Sleepy Hollow, Irvington, Scarborough-on-Hudson and Ardsley-on-Hudson Vol. IX No. 9 Turf in Irvington School Bond Divides Veteran Residents Snubbed for by Rick Pezzullo SH Police Irvington school officials are banking Job Ignites that the third time is a charm when they present a $4.6 million bond, featuring a controversial artificial turf field at Irving- Controversy Photo by Rick Pezzullo Photo by ton High School, to residents in early Oc- tober. However, the community appears di- by Elaine Marranzano vided on the referendum by the Irvington School District to get voter approval for A controversial decision made by four a turf playing surface on Meszaros Field members of the Sleepy Hollow Board of - the third attempt in the last eight years. Trustees not to hire a decorated war vet- In fact, two groups, Irvington United for eran, who was the most highly recom- Education (IUE) and Grassroots Irving- Irvington High boys soccer team practicing during summer on Meszaros Field which mended candidate for a job with the vil- ton, with clashing opinions, have formed has been a lightning rod of the turf bond. lage’s police department, has resulted in a specifically to get the word out about the firestorm of opposition. October 7 vote. and one of the vocal leaders of Grassroots schools. Despite a glowing recommendation In 2008, a $6 million field renovation Irvington, contended the Board of Educa- “I think our school board is pulling a fast from Police Chief Greg Camp and letters bond was soundly rejected by the Irving- tion was being “sinister” for unanimously one on us. -
Two Dramatically Different Views of Dance from the Early Twentieth Century by Francine L
Inside: Raleigh on Film; Bethune on Theatre; Behrens on Music; Trevens on Dance; Cole on Patrick Heron, “Color Magician”; Seckel on the Cultural Scene; Rossi ‘Speaks out’ on Online Exhibitions; New Art Books; Short Fiction & Poetry; Extensive Calendar of Events…and more! Vol. 29 No. 2 September/October 2012 Two Dramatically Different Views of Dance from the Early Twentieth Century By FrAncinE L. TrEvEnS Freud claimed there are no productions. her style presents a older generations. coincidences. therefore, i guess i crisp, clear and concise history of the mr. Franko, who must attribute to kismet the fact that musical phenomena, which dramati- authored many books two widely divergent books about cally altered social dancing. and won the 2011 Out- dance during the early-to-mid twen- the photos in this book have the standing Scholarly tieth century landed on my desk at same spontaneous feel as the danc- research in dance the same time. ers themselves had back in the day. award from the con- First to arrive was Rock ’n’ Roll the music was such, as ms Sagolla gress on research in Dances of the 1950s, by lisa Jo points out, that young people could dance, is Professor Sagolla, part of the american dance not merely listen, even if in a the- of dance at the uni- Floor series from Greenwood. ater. they had to move to the beat. versity of california, Second was mark Franko’s titled they danced on their seats and in Santa cruz; director Martha Graham in Love and War the aisles. of the center for Vi- subtitle The Life in the Work from a good deal of space is given to sual and Performance Oxford university Press. -
Manhattan School of Music OPERA THEATER DONA D
Manhattan School of Music OPERA THEATER DONA D. VAUGHN, ARTISTIC DIRECTOR Manhattan School of Music wishes to express its gratitude to the Joseph F. McCrindle Foundation for its generous endowment gif to fund Opera Theater productions. Manhattan School of Music is privileged to be able to honor the legacy of Joseph F. McCrindle through its Opera Studies Program. MSM OPERA THEATER Dona D. Vaughn, Artistic Director EMMELINE An opera in two acts by Tobias Picker (BM ’76) Based on the novel by Judith Rossner Libretto by J. D. McClatchy George Manahan (BM ’73, MM ’76), Conductor Thaddeus Strassberger, Director Used by arrangement with European American Music Distributors Company, sole U.S. and Canadian agent for Schott Helicon Music Corporation, publisher and copyright owner. For this production of Emmeline some sections of the original text and music have been amended by the composer and director to reflect the contemporary setting. THURSDAY–SATURDAY, APRIL 25–27, 2019 | 7:30 PM SUNDAY, APRIL 28, 2019 | 2:30 PM NEIDORFF-KARPATI HALL A warm welcome to MSM Opera Theater’s spring mainstage production in Neidorf-Karpati Hall! It has been a wonderful year for MSM Opera Theater as we have joined in the celebration of Manhattan School of Music’s Centennial, programming works that celebrate our past productions, our distinguished alumni composers, and our current talented young artists. Our opera season began in November at The Riverside Church with two performances of Opera Scenes. The program included scenes from Marc Blitzstein’s The Harpies (premiered at MSM in 1953), Scott Eyerly’s The House of the Seven Gables (premiered at MSM in 2000), Richard Strauss’s Ariadne auf Naxos, and Puccini’s Gianni Schicchi, which was given its first performance at the Metropolitan Opera in 1918, the year of MSM’s founding. -
Msm String Chamber Orchestra
Tuesday, January 26, 2021 | 12:15 PM Livestreamed from Neidorff-Karpati Hall MSM STRING CHAMBER ORCHESTRA George Manahan (BM ’73, MM ’76), Conductor PROGRAM HENRY PURCELL Suite from Abdelazer, Z. 570 (1659–1695) 1. Overture 2. Rondeau 3. Air 4. Air 5. Minuet 6. Air 7. Jig 8. Hornpipe 9. Air HANNAH KENDALL Citygates (b. 1984) JOHN ADAMS Shaker Loops (b. 1947) Shaking and Trembling Hymning Slews Loops and Verses A Final Shaking MSM STRING CHAMBER ORCHESTRA VIOLIN 1 VIOLIN 2 VIOLA CELLO DOUBLE BASS Jennifer Ahn Nicholas Pappone Nicholas Borghoff Molly Aronson Dylan Holly Omaha, Nebraska Pasadena, California Ridgewood, New Jersey Amherst, Massachusetts Tucson, Arizona Selin Algoz Carolyn Carr Toby Winarto Anthony de Pena Kyle Colina Istanbul, Turkey Pittsburgh, Pennsylvania Los Angeles, California Miami, Florida Charlotte, North Carolina Hattie Hyei-Ri Ahn Audrey Jellett Daejeon, South Korea Kerrville, Texas ABOUT THE ARTIST George Manahan, Conductor George Manahan is in his 11th season as Director of Orchestral Activities at Manhattan School of Music, as well as Music Director of the American Composers Orchestra and the Portland Opera. He served as Music Director of the New York City Opera for 14 seasons and was hailed for his leadership of the orchestra. He was also Music Director of the Richmond Symphony (VA) for 12 seasons. Recipient of Columbia University’s Ditson Conductor’s Award, Mr. Manahan was also honored by the American Society of Composers and Publishers (ASCAP) for his “career-long advocacy for American composers and the music of our time.” His Carnegie Hall performance of Samuel Barber’s Antony and Cleopatra was hailed by audiences and critics alike.