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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf
Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications -
Sanatana-Dharma
BASICS OF SANATANA DHARMA YUGAS • Satya Yuga (also known as Krita Yuga "Golden Age"): • The first and best Yuga. It was the age of truth and perfection. • Humans were gigantic, powerfully built, handsome, honest, youthful, vigorous, erudite and virtuous. The Vedas were one. All mankind could attain to supreme blessedness. • There was no agriculture or mining as the earth yielded those riches on its own. • Weather was pleasant and everyone was happy. There were no religious sects. There was no disease, decrepitude or fear of anything. • Human lifespan was 100,000 years and humans tended to have hundreds or thousands of sons or daughters. • People had to perform penances for thousands of years to acquire Samadhi and die. • Matsya, Kurma, Varaha and Narasimha are the four avatars of Vishnu in this yuga. • Treta Yuga: • Is considered to be the second Yuga in order, however Treta means the "Third". • In this age, virtue diminishes slightly. • At the beginning of the age, many emperors rise to dominance and conquer the world. Wars become frequent and weather begins to change to extremities. • Oceans and deserts are formed. • People become slightly diminished compared to their predecessors. • Agriculture, labor and mining become existent. Average lifespan of humans is around 1000- 10,000 years. • Vamana, ParasuRama, and Sri RamaChandra are the three avatars of Vishnu in Treta Yuga. • Dvapara Yuga: • Is considered to be the third Yuga in order. • Dvapara means "two pair" or "after two". • In this age, people become tainted with Tamasic qualities and aren't as strong as their ancestors. • Diseases become rampant. -
Games+Production.Pdf
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Banks, John& Cunningham, Stuart (2016) Games production in Australia: Adapting to precariousness. In Curtin, M & Sanson, K (Eds.) Precarious creativity: Global media, local labor. University of California Press, United States of America, pp. 186-199. This file was downloaded from: https://eprints.qut.edu.au/87501/ c c 2016 by The Regents of the University of California This work is licensed under a Creative Commons CC-BY license. To view a copy of the license, visit http://creativecommons.org/licenses. License: Creative Commons: Attribution 4.0 Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.ucpress.edu/ book.php?isbn=9780520290853 CURTIN & SANSON | PRECARIOUS CREATIVITY Luminos is the open access monograph publishing program from UC Press. Luminos provides a framework for preserving and rein- vigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Precarious Creativity Precarious Creativity Global Media, Local Labor Edited by Michael Curtin and Kevin Sanson UNIVERSITY OF CALIFORNIA PRESS University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advanc- ing scholarship in the humanities, social sciences, and natural sciences. -
Governance and Leadership
Dr. Vaishnavanghri Sevaka Das, Ph.D. Director, Bhaktivedanta College of Vedic Education Affiliated to ISKCON, Navi Mumbai 1 Governance and Leadership Governance “the action or manner of governing a state, organization, etc. for enhancing prosperity and sustenance” Leadership “the state or position of being a leader for ensuring the good Governance” 2 Four Yugas and Yuga Chakra Our Position (Fixed) Kali Yuga Dwapara Yuga 4,32,000 Years 8,64,000 Years 10% 20% 1 Yuga Chakra 43,20,000 Years 40% 30% Satya Yuga Treta Yuga 17,28,000 Years 12,96,000 Years 1000 Rotations of the Yuga Chakra = 1 Day of Brahma Ji 1000 Rotations of the Yuga Chakra = 1 Night of Brahma Ji 3 Concept of Four Quotients Spiritually Intellectually Strong Sharp Physically Mentally Fit Balanced 4 Test Your Understanding of the Four Quotients • Rakesh is getting ready for his final semester exam. Because of his night out he is weak and tensed. • Rakesh’s father Rajaram came from morning jogging with heavy sweating and comforted his son with inspirational words. • Rakesh’s mother Shanti did special prayers to Lord Ganesha for all success to her son but she is also very tensed. • Rakesh’s sister Rakhi gave best wishes to him and put a tilak. She reminded him of his strengths and also warned him of weakness of getting nervous. • Rakesh got onto his bike and started speeding towards his college. He is tensed as his thoughts were also speeding on top gear. • Rakesh stopped on the road when he saw his classmate Abhay with whom he never spoke. -
Time Structure of Universe Chart
Time Structure of Universe Chart Creation of Universe Lifespan of Universe - 1 Maha Kalpa (311.040 Trillion years, One Breath of Maha-Visnu - An Expansion of Lord Krishna) Complete destruction of Universe Age of Universe: 155.52197 Trillion years Time remaining until complete destruction of Universe: 155.51803 Trillion years At beginning of Brahma's day, all living beings become manifest from the unmanifest state (Bhagavad-Gita 8.18) 1st day of Brahma in his 51st year (current time position of Brahma) When night falls, all living beings become unmanifest 1 Kalpa (Daytime of Brahma, 12 hours)=4.32 Billion years 71 71 71 71 71 71 71 71 71 71 71 71 71 71 Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas 1 Manvantara 306.72 Million years Age of current Manvantara and current Manu (Vaivasvata): 120.533 Million years Time remaining for current day of Brahma: 2.347051 Billion years Between each Manvantara there is a juncture (sandhya) of 1.728 Million years 1 Chaturyuga (4 yugas)=4.32 Million years 28th Chaturyuga of the 7th manvantara (current time position) Satya-yuga (1.728 million years) Treta-yuga (1.296 million years) Dvapara-yuga (864,000 years) Kali-yuga (432,000 years) Time remaining for Kali-yuga: 427,000 years At end of each yuga and at the start of a new yuga, there is a juncture period 5000 years (current time position in Kali-yuga) "By human calculation, a thousand ages taken together form the duration of Brahma's one day [4.32 billion years]. -
Tel: 905-795-0639 Friday, Octoberjune 2, 201730, 2020 Volvol 26, 23, No
www.WeeklyVoice.com FRONT PAGE Friday, August 21, 2020 | A-1 Canada’s Leading South Asian Newspaper - Tel: 905-795-0639 Friday, OctoberJune 2, 201730, 2020 www.WeeklyVoice.com VolVol 26, 23, No. No. 44 22 PM: 40025701 A-2 | Friday, October 30, 2020 www.WeeklyVoice.com www.WeeklyVoice.com FRONT PAGE Friday, August 21, 2020 | A-3 Canada’s Leading South Asian Newspaper - Tel: 905-795-0639 Friday, OctoberJune 2, 201730, 2020 www.WeeklyVoice.com VolVol 26, 23, No. No. 44 22 PM: 40025701 Action On Electronic Logging On Trucks, page 6 Plastic Capture Technology For The Great Lakes, page 8 Osler Getting Funds To Boost Bed Capacity, page 13 Ottawa Will Boost Recovery Incentives Measures Will Be Expensive, But We Need A Macro-Economic Approach Says Freeland At Forum OTTAWA: The Canadian Gov- will only be able to recover fully contact tracers. “And last spring, ernment is doing everything it once we have defeated the virus.” when they were needed, the takes to protect Canadians’ health Prime Minister Justin Trudeau women and men of the Canadian and jobs and to put COVID-19 hailed the speech and tweeted: Armed Forces went in to care for, behind us as quickly as we can, “No one should have to face this and protect, our elders.” Deputy Prime Minister and Fi- pandemic alone - not workers, Freeland was the keynote nance Minister Chrystia Freeland not families, not business owners. speaker on on the last day of said on Wednesday. That’s why we’ve stepped up to the three-day virtual conference, In a speech to the Toronto help. -
1) Origin of Astronomy
Events that shaped human migrations • The last ice age began about 120,000 years ago. Origins of Astronomy • The Last Glacial Maximum, occurred about 18,000 BCE. • Between 15,000 BCE and 5,000 BCE, most of the world's glaciers melted the sea reclaimed former beaches and even valleys. • This movement of the sea inland occurred in several steps. – 13,000 BC Mayank Vahia – 9,000 - 8,000 BCE. 22 mm/year Tata Institute of Fundamental Research – 6,000 BCE. 2 mm/year – From 3000 BC, the rise is 7.5 mm/year. Mumbai 400 005 • Myths of great floods occur in many of the world's cultures. Origins of Astronomy 1 Origins of Astronomy 2 End of Ice Age and Human Migration • The last great Ice Age ended around 15,000 AVERAGE years ago and that must have facilitated human SNOW LINE migration. Origins of Astronomy 3 Origins of Astronomy 4 1 1,000,000 years in a nutshell! • Human race (Homo sapiens) first originate in Africa about million years ago. • They remain confined to central and northern Africa for almost 900,000 years! • Due to a mixture of reasons such as: – Sheer tireless desire to explore. – An overflow from population growth. – Inability of the local food sources to support a large human population. – Internal conflicts of personality within the population. – Differences in taste and preferred environment for settlement. They migrate out of Africa about 100,000 years ago. Origins of Astronomy 5 Origins of Astronomy 6 Origins of Astronomy 7 Origins of Astronomy 8 2 Migration and evolution Astronomy • Human race has gone through various stages of development. -
Newsletter Template 2011
2013 The Holy Days of May Celebrations, Observances and Information about Religious, Spiritual, and Cultural Occasions Office of InterFaith Pastoral and Spiritual Care Senior Chaplain Rev. Kathleen Ennis-Durstine extension 3321/ room 4201 Staff Chaplain Staff/Spanish Language Chaplain Margarita Roque extension 2626/ room 4115 oly Days with no fixed date Rev. Eliezer Oliveira H extension 5050/ room 4115 Speaks Portuguese/Spanish Bun Hill Day Hong Kong Cheung Chau is a tiny island located about 12 kilo- meters south of the Hong Kong mainland. A fishing community that depends al- Rev. Sonna Schambach Room 4115 most solely on the sea for its living, Cheung Chau is a curious mix of the modern and the traditional. Water taxis and ferries compete with sampans for space in Catholic Chaplain the crowded harbor. (Visitors who take the one hour ferry ride from the main- Fr. Olusola Adewole land are often surprised to discover that motorized vehicles are not allowed on extension 2966 /room 4115 the island). But what makes Cheung Chau truly distinct is that it holds the world's Catholic Mass: Thursday at 12:00 noon only annual bun festival. (Main Chapel, room 3201, third floor Also known as the "Festival of the bun hills," the four-day celebration Main) and Saturday at 4:00 pm (Main includes parB.C.E.es, opera performances, and children dressed in colorful cos- Chapel, room 3201, 3rd Floor Main tumes. But the most spectacular feature by far is the bun towers - large bamboo Hospital) structures several stories high, piled with sweet buns. The bun towers are locat- Prayer and Meditation Tuesday 12:45 pm ed in front of the Pak Tai temple, built in 1783 to commemorate the Pak Tai, the East Chapel, room 3033, third floor East Taoist God of the Sea. -
“I'm Tasked with Getting Local Insights”
January 1-15, 2020 Volume 8, Issue 13 `100 12 SAMEER SINGH TikTok’s Mission: Inspire Creativity 21 MOST-VIEWED ADS Best Creatives 22 MOVEMENTS/PEOPLE Who’s Where INTERVIEW SUMIT WALIA, VP, PRODUCT AND MARKETING, OPPO INDIA 14 “I’M TASKED WITH GETTING LOCAL INSIGHTS” The marketing head of OPPO India on the brand’s ‘Make in India’ push, ‘premiumisation’ plan and more. Vidooly’s monthly video cu ₹ ₹ ency is now trusted by everyone! Subscribe to Vidooly’s Annual Subscription Plan and stay ahead of the competition With Vidooly’s Annual Subscription Plan, know the monthly viewership performance of your competitors and use our currency data as a reliable 3rd party source for your PR & sales pitch to advertising & media clients What does Vidooly’s Annual Subscription Plan cover? Exclusive access to monthly reports across various categories covering YouTube & Facebook in India Access to Vidooly’s Leaderboard Dashboard (upto 10 users) that allows you to benchmark the growth of all online video publishers (creators and brands) across social media platforms like YouTube, Facebook and Instagram Two Assist Tickets to get data on any requirements This new year, join the bandwagon of major advertisers and agencies who have already entrusted Vidooly’s Monthly Reports and Leaderboard! To know more about the Annual Subscription Plan, contact: [email protected] 8527863094 EDITORIAL This fortnight... Volume 8, Issue 13 ver a year ago, while mentoring a reporter, I was faced with a simple yet EDITOR Sreekant Khandekar O potent question, driven by his curiosity: When sibling advertising agencies PUBLISHER Ogilvy and Grey compete for the same business, how does parent company WPP Sreekant Khandekar deal with the competitive dynamics internally? Replace these three names with any EXECUTIVE EDITOR other parent-and-baby company combination and the fundamental question stays Ashwini Gangal the same. -
! Dil!Maange!More! !! Cultural!Contexts!Of!Hinglish!In!Contemporary!India! ! Francesca!Orsini!(SOAS)! ! This!Is!An!Accepted!Manu
! Dil!Maange!more! !! Cultural!contexts!of!Hinglish!in!contemporary!India! ! Francesca!Orsini!(SOAS)! ! This!is!an!Accepted!Manuscript!of!an!article!due!to!be!published!by!Taylor! &!Francis!in!African!Studies![DOI:!10.1080/00020184.2015.1045721].! ! Abstract:!After!over!a!century!of!language!nationalism!and!almost!as!long!a!period! of!intense!competition!and!mutual!contempt,!in!post;liberalisation!and!post;low! caste!assertion!India!the!boundaries!between!English!and!Hindi!have!recently! become!more!porous,!and!the!hold!of!both!“pure!Hindi”!and!“British/pure!English”! has!become!much!more!limited.!English!is!of!course!still!the!language!of!greater! opportunities!in!local!and!global!terms,!and!increasingly!so,!but!as!low;caste! politicization!and!literacy!widen!the!sphere!of!Hindi,!and!the!“new!middle!class”! remains!resolutely!bilingual!in!its!everyday!and!entertainment!practices,!the!relation! between!English!and!Hindi!has!become!more!a!relationship!of!parallel!expansion,! though!still!perceived!in!public!discourse!as!a!zero;sum!game.!! Keywords:!Hinglish,!Hindi,!English,!code;switching,!mixed!language,! advertising!language,!language!of!politics,!media!language! Francesca!Orsini,!Professor!of!Hindi!and!South!Asian!Literature,! SOAS,!University!of!London,!Thornhaugh!Street,!Russell!Square,!London! WC1H!0XG,!Ph.!+442078984242,!email:[email protected]! 1 Dil!Maange!more! !! Cultural!contexts!of!Hinglish!in!contemporary!India! ! Francesca!Orsini!(SOAS)! ! ! ! ! A!vivacious!mixture!of!English!and!native!tongues,!Hinglish!is!a! dialect!pulsating!with!energy!and!invention!that!captures!the!essential! -
Iifa Awards 2011 Popular Awards Nominations
IIFA AWARDS 2011 POPULAR AWARDS NOMINATIONS BEST FILM MUSIC DIRECTION ❑ Band Baaja Baaraat ❑ Salim - Sulaiman — Band Baaja Baaraat ❑ Dabangg ❑ Sajid - Wajid & Lalit Pandit — Dabangg ❑ My Name Is Khan ❑ Vishal - Shekhar — I Hate Luv Storys ❑ Once Upon A Time In Mumbaai ❑ Vishal Bhardwaj — Ishqiya ❑ Raajneeti ❑ Shankar Ehsaan Loy — My Name Is Khan ❑ Pritam — Once Upon A Time In Mumbaai BEST DIRECTION ❑ Maneesh Sharma — Band Baaja Baaraat BEST STORY ❑ Abhinav Kashyap — Dabangg ❑ Maneesh Sharma — Band Baajaa Baaraat ❑ Sanjay Leela Bhansali — Guzaarish ❑ Abhishek Chaubey — Ishqiya ❑ Karan Johar — My Name Is Khan ❑ Shibani Bhatija — My Name Is Khan ❑ Milan Luthria — Once Upon A Time In Mumbaai ❑ Rajat Aroraa — Once Upon A Time In Mumbaai ❑ Vikramaditya Motwane — Udaan ❑ Anurag Kashyap, Vikramaditya Motwane — Udaan PERFORMANCE IN A LEADING ROLE: MALE LYRICS ❑ Salman Khan — Dabangg ❑ Amitabh Bhattacharya — Ainvayi Ainvayi, Band Baajaa Baraat ❑ Hrithik Roshan — Guzaarish ❑ Faaiz Anwar — Tere Mast Mast, Dabangg ❑ Shah Rukh Khan — My Name Is Khan ❑ Gulzar — Dil Toh Bachcha, Ishqiya ❑ Ajay Devgn — Once Upon A Time In Mumbaai ❑ Niranjan Iyengar — Sajdaa, My Name Is Khan ❑ Ranbir Kapoor — Raajneeti ❑ Irshad Kamil — Pee Loon, Once Upon A Time In Mumbaai PERFORMANCE IN A LEADING ROLE: FEMALE PLAYBACK SINGER: MALE ❑ Anushka Sharma — Band Baaja Baaraat ❑ Vishal Dadlani — Adhoore, Break Ke Baad ❑ Kareena Kapoor — Golmaal 3 ❑ Rahat Fateh Ali Khan — Tere Mast Mast Do Nain, Dabangg ❑ Aishwarya Rai Bachchan — Guzaarish ❑ Shafqat Amanat Ali — Bin Tere, I Hate