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Govttargetsrs1lakhcrspendbymarch-End, Announcesnewltcvoucher,Festivaladvance
DAILY FROM: AHMEDABAD, CHANDIGARH, DELHI, JAIPUR, KOLKATA, LUCKNOW, MUMBAI, NAGPUR, PUNE, VADODARA ● REG.NO. MCS/067/2018 -20RNI REGN. NO. 1543/57 JOURNALISM OF COURAGE TUESDAY, OCTOBER 13, 2020, MUMBAI, LATE CITY, 16 PAGES SINCE 1932 `5.00, WWW.INDIANEXPRESS.COM MEASURES TO BOOST CONSUMPTION GovttargetsRs1lakhcrspendbyMarch-end, announcesnewLTCvoucher,festivaladvance But experts saydemand impetus will PROJECTED Bid to put be small, needbigger stimulus CONSUMPTION/ money in Finance MinisterNirmala CAPEXBOOST Familymembers of the Hathras victim arrive at the High SUNNYVERMA& Sitharaman said supplycon- LTCvoucher 28,000 hand, then Court, in LucknowonMonday. Vishal Srivastav AANCHALMAGAZINE straintsinthe economyhad scheme NEWDELHI,OCTOBER12 easedoverrecent months, but Festival 8,000 consumer demand remainedaf- tying it too advance TO STIMULATEgrowth in the fected —and these measures Cremation against scheme economy, the government on were aimedatadvancing con- Mondayannouncedatwin setof sumer spending and capexina Centreand 37,000 PVAIDYANATHANIYER measures to boostconsumption “fiscallyprudent way”. Capital statecapex NEWDELHI,OCTOBER12 our wishes, Hathras demand and capital expendi- expendituresteps are“directly Est. private 28,000 ture, whichalong with partici- linked to increase in economic sector spend JUSTTHREE DAYS ago, acon- pation of the private sector,are output (GDP), giventheir high sumer confidence survey by the TOTAL1,01,000 victim’s family to HC estimated to result in quick multiplier effect”, she said. ReserveBank of India -
Rumana Molla
Rumana Molla Lucky Star International Talent Agency Alain van Goethem Phone: +32 468 23 30 31 Email: [email protected] Website: https://luckystarinternationaltalent.ag... Information Year of birth 1984 (36 years) Nationality Belgian, American Height (cm) 156 Languages Hindi: fluent Weight (in kg) 45 Bengali: native-language Eye color brown English: native-language Hair color Black Spanish: basic Stature athletic / training French: native-language Place of residence Belgium Dutch: fluent Cities I could work in London, Brussels, Paris Dialects London (English): only when required Indian-English: always English: only when required American: only when required Accents Indian: always English: only when required French: only when required American: only when required Sport Fitness, Swim Dance Hip hop: medium tap-dance: medium Choreography: medium Bollywood dance: professional Classic Indian dance: medium Profession Actor Professional background I was trained at AAFT in India and subsequently at FTII. Film 2021 Bawri Chhori Role: Ana (LR) Director: Akhilesh Jaiswal Producer: Jar pictures 2020 Virgin Bhanupriya Role: Rukul Preet Singh (LR) Director: Ajay Lohan 2019 Trial of Satyam Kaushik Role: Shreeja Kapoor (LR) Director: Sajit Warrier 2017 Vita Rumana Molla by www.castupload.com — As of: 2021-05-06 Page 1 of 3 Irada Role: Riya walia (SR) Director: Aparna Singh Producer: Prince Soni Distribution: Irada entertainment 2015 Pyaar ka punchnama 2 Role: Ruchi (SR) Director: Luv Ranjan Producer: Panorama Distribution: Panorama -
Tel: 905-795-0639 Friday, Octoberjune 2, 201730, 2020 Volvol 26, 23, No
www.WeeklyVoice.com FRONT PAGE Friday, August 21, 2020 | A-1 Canada’s Leading South Asian Newspaper - Tel: 905-795-0639 Friday, OctoberJune 2, 201730, 2020 www.WeeklyVoice.com VolVol 26, 23, No. No. 44 22 PM: 40025701 A-2 | Friday, October 30, 2020 www.WeeklyVoice.com www.WeeklyVoice.com FRONT PAGE Friday, August 21, 2020 | A-3 Canada’s Leading South Asian Newspaper - Tel: 905-795-0639 Friday, OctoberJune 2, 201730, 2020 www.WeeklyVoice.com VolVol 26, 23, No. No. 44 22 PM: 40025701 Action On Electronic Logging On Trucks, page 6 Plastic Capture Technology For The Great Lakes, page 8 Osler Getting Funds To Boost Bed Capacity, page 13 Ottawa Will Boost Recovery Incentives Measures Will Be Expensive, But We Need A Macro-Economic Approach Says Freeland At Forum OTTAWA: The Canadian Gov- will only be able to recover fully contact tracers. “And last spring, ernment is doing everything it once we have defeated the virus.” when they were needed, the takes to protect Canadians’ health Prime Minister Justin Trudeau women and men of the Canadian and jobs and to put COVID-19 hailed the speech and tweeted: Armed Forces went in to care for, behind us as quickly as we can, “No one should have to face this and protect, our elders.” Deputy Prime Minister and Fi- pandemic alone - not workers, Freeland was the keynote nance Minister Chrystia Freeland not families, not business owners. speaker on on the last day of said on Wednesday. That’s why we’ve stepped up to the three-day virtual conference, In a speech to the Toronto help. -
“I'm Tasked with Getting Local Insights”
January 1-15, 2020 Volume 8, Issue 13 `100 12 SAMEER SINGH TikTok’s Mission: Inspire Creativity 21 MOST-VIEWED ADS Best Creatives 22 MOVEMENTS/PEOPLE Who’s Where INTERVIEW SUMIT WALIA, VP, PRODUCT AND MARKETING, OPPO INDIA 14 “I’M TASKED WITH GETTING LOCAL INSIGHTS” The marketing head of OPPO India on the brand’s ‘Make in India’ push, ‘premiumisation’ plan and more. Vidooly’s monthly video cu ₹ ₹ ency is now trusted by everyone! Subscribe to Vidooly’s Annual Subscription Plan and stay ahead of the competition With Vidooly’s Annual Subscription Plan, know the monthly viewership performance of your competitors and use our currency data as a reliable 3rd party source for your PR & sales pitch to advertising & media clients What does Vidooly’s Annual Subscription Plan cover? Exclusive access to monthly reports across various categories covering YouTube & Facebook in India Access to Vidooly’s Leaderboard Dashboard (upto 10 users) that allows you to benchmark the growth of all online video publishers (creators and brands) across social media platforms like YouTube, Facebook and Instagram Two Assist Tickets to get data on any requirements This new year, join the bandwagon of major advertisers and agencies who have already entrusted Vidooly’s Monthly Reports and Leaderboard! To know more about the Annual Subscription Plan, contact: [email protected] 8527863094 EDITORIAL This fortnight... Volume 8, Issue 13 ver a year ago, while mentoring a reporter, I was faced with a simple yet EDITOR Sreekant Khandekar O potent question, driven by his curiosity: When sibling advertising agencies PUBLISHER Ogilvy and Grey compete for the same business, how does parent company WPP Sreekant Khandekar deal with the competitive dynamics internally? Replace these three names with any EXECUTIVE EDITOR other parent-and-baby company combination and the fundamental question stays Ashwini Gangal the same. -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
Films 2018.Xlsx
List of feature films certified in 2018 Certified Type Of Film Certificate No. Title Language Certificate No. Certificate Date Duration/Le (Video/Digita Producer Name Production House Type ngth l/Celluloid) ARABIC ARABIC WITH 1 LITTLE GANDHI VFL/1/68/2018-MUM 13 June 2018 91.38 Video HOUSE OF FILM - U ENGLISH SUBTITLE Assamese SVF 1 AMAZON ADVENTURE Assamese DIL/2/5/2018-KOL 02 January 2018 140 Digital Ravi Sharma ENTERTAINMENT UA PVT. LTD. TRILOKINATH India Stories Media XHOIXOBOTE 2 Assamese DIL/2/20/2018-MUM 18 January 2018 93.04 Digital CHANDRABHAN & Entertainment Pvt UA DHEMALITE. MALHOTRA Ltd AM TELEVISION 3 LILAR PORA LEILALOI Assamese DIL/2/1/2018-GUW 30 January 2018 97.09 Digital Sanjive Narain UA PVT LTD. A.R. 4 NIJANOR GAAN Assamese DIL/1/1/2018-GUW 12 March 2018 155.1 Digital Haider Alam Azad U INTERNATIONAL Ravindra Singh ANHAD STUDIO 5 RAKTABEEZ Assamese DIL/2/3/2018-GUW 08 May 2018 127.23 Digital UA Rajawat PVT.LTD. ASSAMESE WITH Gopendra Mohan SHIVAM 6 KAANEEN DIL/1/3/2018-GUW 09 May 2018 135 Digital U ENGLISH SUBTITLES Das CREATION Ankita Das 7 TANDAB OF PANDAB Assamese DIL/1/4/2018-GUW 15 May 2018 150.41 Digital Arian Entertainment U Choudhury 8 KRODH Assamese DIL/3/1/2018-GUW 25 May 2018 100.36 Digital Manoj Baishya - A Ajay Vishnu Children's Film 9 HAPPY MOTHER'S DAY Assamese DIL/1/5/2018-GUW 08 June 2018 108.08 Digital U Chavan Society, India Ajay Vishnu Children's Film 10 GILLI GILLI ATTA Assamese DIL/1/6/2018-GUW 08 June 2018 85.17 Digital U Chavan Society, India SEEMA- THE UNTOLD ASSAMESE WITH AM TELEVISION 11 DIL/1/17/2018-GUW 25 June 2018 94.1 Digital Sanjive Narain U STORY ENGLISH SUBTITLES PVT LTD. -
Understanding Style and Artistry of Hansal Mehta- Through the Prism of Auteur Theory
© 2019 JETIR June 2019, Volume 6, Issue 6 www.jetir.org (ISSN-2349-5162) UNDERSTANDING STYLE AND ARTISTRY OF HANSAL MEHTA- THROUGH THE PRISM OF AUTEUR THEORY 1st Author- Sparsh Sanwal Designation of 1st author -Post Graduate student Department of Media Studies, CHRIST (Deemed to be University) Abstract-A good director creates a playground and allows you to play. Similarly, the vision of contemporary film director Hansal Mehta succeeds in manifesting itself through all of his film capturing his style essential, which many consider phenomenal. Mehta is a contemporary director in the Hindi film industry, with ten films under his belt as a director and several other films worked in the capacity of the scriptwriter, he is known to cinema, but it has been only in very recent time that his work has been noticed, a few of them being: Shahid (2013), Citylights (2014), Aligrah (2015), and Simran (2017).Be it his earliest cookery shows KhanaKhazana on television or his first film Amrita, Hansal Mehta time and again showcased a unique perspective. A perspective that demands a study. The present research paper "Understanding style and artistry of Hansal Mehta: Through a prism of the auteur theory " attempts to get a clearer perspective of the filmmaker and his work through a close reading of his select films. The auteur theory explains the idea of a filmmaker being considered the author of his/her film. Indicating that a filmmaker with his intense contribution towards a film to be considered the author through a content analysis that theory will be tested out in the present research. -
Analyzing Imtiaz Ali As an Auteur
Amity Journal of Media & Communication Studies (ISSN 2231 – 1033) Copyright 2017 by ASCO 2017, Vol. 7, No. 1 Amity University Rajasthan Analyzing Imtiaz Ali as an Auteur Kanika Kachroo Arya Dnyanasadhana College, Mumbai University, India Abstract Imtiaz Ali is a contemporary Bollywood director whose genre is love stories. He has a stream of experimental love stories to his credit, some bench markers are Jab We Met, Rockstar and Tamasha. Not only is his storytelling a well nurtured individualistic style, but the use of techniques of cinema are also experimental. My research paper will analyse this director in the boundaries of Auteur theory. The research will be a qualitative study and methodology used will be in-depth interviews and observation and use of secondary research resources to build up affirmation towards my hypothesis. This director’s style will be compared with other stalwarts of the genre like Raj Kapoor and Yash Chopra. This will carve out his style more specifically. Imtiaz Ali has a unique style aesthetically as well as technically. He understands the psychology of his target audience and that’s what has carved a niche for him in Bollywood - a cult director of romance genre. Key words: Auteur Theory, Direction, Niche, Bollywood. Introduction Imtiaz Ali is one amongst the contemporary directors of Bollywood. His directorial debut was Socha Na Tha released in 2005. Though the movie did not do well but he received a lot of critical acclaim for it. Jab we Met (2007) and Rockstar (2011) brought him into limelight. Jab We Met was a box office success and Rockstar was appreciated in critical circles for superb rendition of a careless musician. -
Festival Catalogue 2015
Jio MAMI 17th MUMBAI FILM FESTIVAL with 29 OCTOBER–5 NOVEMBER 2015 1 2 3 4 5 12 October 2015 MESSAGE I am pleased to know that the 17th Jio MAMI Mumbai Film Festival is being organised by the Mumbai Academy of Moving Image (MAMI) in Mumbai from 29th October to 5th November 2015. Mumbai is the undisputed capital of Indian cinema. This festival celebrates Mumbai’s long and fruitful relationship with cinema. For the past sixteen years, the festival has continued promoting cultural and MRXIPPIGXYEP I\GLERKI FIX[IIR ½PQ MRHYWXV]QIHME TVSJIWWMSREPW ERH GMRIQE IRXLYWMEWXW%W E QYGL awaited annual culktural event, this festival directs international focus to Mumbai and its continued success highlights the prominence of the city as a global cultural capital. I am also happy to note that the 5th Mumbai Film Mart will also be held as part of the 17th Mumbai Film Festival, ensuring wider distribution for our cinema. I congratulate the Mumbai Academy of Moving Image for its continued good work and renewed vision and wish the 17th Jio MAMI Mumbai Film Festival and Mumbai Film Mart grand success. (CH Vidyasagar Rao) 6 MESSAGE Mumbai, with its legacy, vibrancy and cultural milieu, is globally recognised as a Financial, Commercial and Cultural hub. Driven by spirited Mumbaikars with an indomitable spirit and great affection for the city, it has always promoted inclusion and progress whilst maintaining its social fabric. ,SQIXSXLI,MRHMERH1EVEXLM½PQMRHYWXV]1YQFEMMWXLIYRHMWTYXIH*MPQ'ETMXEPSJXLIGSYRXV] +MZIRXLEX&SPP][SSHMWXLIQSWXTVSPM½GMRHYWXV]MRXLI[SVPHMXMWSRP]FI½XXMRKXLEXE*MPQ*IWXMZEP that celebrates world cinema in its various genres is hosted in Mumbai. -
FILM STUDIES] by Mohammed Nisar Ahammed Film Studies – V Semester
2017 V Semester [FILM STUDIES] By Mohammed Nisar Ahammed Film Studies – V Semester FILM STUDIES UNIT-I Film as a medium: Characteristic - Film perception: levels of understanding - Film theory and semiotics - formalism and neo formalism - film language - film and psycho - analysis - film and cultural identity: hermeneutics, reception aesthetics and film interpretation. UNIT-II Film forms: narrative and non-narrative - Acting, costume and music - Film and post modernism - post structuralism and deconstruction. Impressionism, expressionism, and surrealism - Fiction: realism, symbolic simulation - typology of genres of fiction - Subjectivity, causality and time - Concepts of national cinema - Issues in world and Indian cinema. UNIT-III Film production: Visualisation - script - writing - characterization - storyboard - tools and techniques. Continuity style: composing shots - spatial (mise en scene) - temporal (montage) - Camera shots: pan, crane, tracking, and transition. Sound in cinema: dimensions and functions - Film editing and special effects - Film audience - Review and appreciation of film. UNIT-IV Film festival - Film awards - Film institute’s censorship certification - Cinema theatres and Projections. UNIT-V Film business and Industry - Economic- finance and business of film - film distribution - import and export of films - regional cinema with special reference to Tamil cinema. Budgeting and schedules. Film Studies – V Semester UNIT-I Film as a medium: Characteristic - Film perception: levels of understanding - Film theory and semiotics - formalism and neo formalism - film language - film and psycho - analysis - film and cultural identity: hermeneutics, reception aesthetics and film interpretation. FILM AS A MEDIUM Film is a means of creative expression. It performs the functions of mass media. Such as information, education, entertainment and transmission of culture. Films are widely popular and their audio visual nature provides them a pervasive power for social influence. -
A Case Study of the Naz Foundation's Campaign to Decriminalize Homosexuality in India Preston G
SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Capstone Collection SIT Graduate Institute Winter 12-4-2017 Lessons for Legalizing Love: A Case Study of the Naz Foundation's Campaign to Decriminalize Homosexuality in India Preston G. Johnson SIT Graduate Institute Follow this and additional works at: https://digitalcollections.sit.edu/capstones Part of the Civic and Community Engagement Commons, Civil Rights and Discrimination Commons, Criminal Law Commons, Gender and Sexuality Commons, History of Gender Commons, Human Rights Law Commons, Law and Gender Commons, Law and Society Commons, Legislation Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Litigation Commons, Policy Design, Analysis, and Evaluation Commons, Political Science Commons, Politics and Social Change Commons, Race, Ethnicity and Post-Colonial Studies Commons, Sexuality and the Law Commons, Social Policy Commons, Sociology of Culture Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Johnson, Preston G., "Lessons for Legalizing Love: A Case Study of the Naz Foundation's Campaign to Decriminalize Homosexuality in India" (2017). Capstone Collection. 3063. https://digitalcollections.sit.edu/capstones/3063 This Thesis (Open Access) is brought to you for free and open access by the SIT Graduate Institute at SIT Digital Collections. It has been accepted for inclusion in Capstone Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. -
MGM FILM ARTS with 2(F) Status of UGC
State self-financed university MGM FILM ARTS with 2(f) status of UGC MGM COLLEGE OF JOURNALISM & MASS COMMUNICATION MGMFILMARTS.COM MGM UNIVERSITY: Mahatma Gandhi Mission University in Aurangabad, established by the revered Mahatma Gandhi Mission Trust, a pioneer with 4 decades of excellence in education, research and service is now a self-financed State Private University, approved by Government of Maharashtra and the passing of MGM University Act 2019 by Maharashtra Legislative Assembly and Legislative Council. It has the 2(f) status granted by the University Grants Commission (UGC) of India. Setting a glowing milestone in the higher education history of Marathwada region of Maharashtra, its birth amid the world celebrations of the 150 th Birth Anniversary of Mahatma Gandhi, in 2019, marks an auspicious beginning for MGM University. Gandhiji’s philosophy and the timeless values that he has taught has been the spirit and the ever-inspiring force of MGM. The constituent institutions of MGM University which have a great track record of academic excellence and industry placements are Jawaharlal Nehru Engineering College, Institute of Management and Research, Institute of Bio-Sciences and Technology, Dr.G.Y.Patrikar College of Computer Science & IT, College of Journalism & Mass Communication, Institute of Hotel Management and Catering Technology, Institute of Fashion Designing, College of Fine Arts, Institute of Social Science, Institute of Indian and Foreign Languages and Mahagami Gurukul of Performing Arts. CHANCELLOR’S MESSAGE: Dear Students, Cinema is the only art which has established its existence in every part of the world. With the glorious history of more than 100 years Film Industry is not only the biggest revenue generating industry but it also provides great employment.