MGM FILM ARTS with 2(F) Status of UGC
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EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
Understanding Style and Artistry of Hansal Mehta- Through the Prism of Auteur Theory
© 2019 JETIR June 2019, Volume 6, Issue 6 www.jetir.org (ISSN-2349-5162) UNDERSTANDING STYLE AND ARTISTRY OF HANSAL MEHTA- THROUGH THE PRISM OF AUTEUR THEORY 1st Author- Sparsh Sanwal Designation of 1st author -Post Graduate student Department of Media Studies, CHRIST (Deemed to be University) Abstract-A good director creates a playground and allows you to play. Similarly, the vision of contemporary film director Hansal Mehta succeeds in manifesting itself through all of his film capturing his style essential, which many consider phenomenal. Mehta is a contemporary director in the Hindi film industry, with ten films under his belt as a director and several other films worked in the capacity of the scriptwriter, he is known to cinema, but it has been only in very recent time that his work has been noticed, a few of them being: Shahid (2013), Citylights (2014), Aligrah (2015), and Simran (2017).Be it his earliest cookery shows KhanaKhazana on television or his first film Amrita, Hansal Mehta time and again showcased a unique perspective. A perspective that demands a study. The present research paper "Understanding style and artistry of Hansal Mehta: Through a prism of the auteur theory " attempts to get a clearer perspective of the filmmaker and his work through a close reading of his select films. The auteur theory explains the idea of a filmmaker being considered the author of his/her film. Indicating that a filmmaker with his intense contribution towards a film to be considered the author through a content analysis that theory will be tested out in the present research. -
Analyzing Imtiaz Ali As an Auteur
Amity Journal of Media & Communication Studies (ISSN 2231 – 1033) Copyright 2017 by ASCO 2017, Vol. 7, No. 1 Amity University Rajasthan Analyzing Imtiaz Ali as an Auteur Kanika Kachroo Arya Dnyanasadhana College, Mumbai University, India Abstract Imtiaz Ali is a contemporary Bollywood director whose genre is love stories. He has a stream of experimental love stories to his credit, some bench markers are Jab We Met, Rockstar and Tamasha. Not only is his storytelling a well nurtured individualistic style, but the use of techniques of cinema are also experimental. My research paper will analyse this director in the boundaries of Auteur theory. The research will be a qualitative study and methodology used will be in-depth interviews and observation and use of secondary research resources to build up affirmation towards my hypothesis. This director’s style will be compared with other stalwarts of the genre like Raj Kapoor and Yash Chopra. This will carve out his style more specifically. Imtiaz Ali has a unique style aesthetically as well as technically. He understands the psychology of his target audience and that’s what has carved a niche for him in Bollywood - a cult director of romance genre. Key words: Auteur Theory, Direction, Niche, Bollywood. Introduction Imtiaz Ali is one amongst the contemporary directors of Bollywood. His directorial debut was Socha Na Tha released in 2005. Though the movie did not do well but he received a lot of critical acclaim for it. Jab we Met (2007) and Rockstar (2011) brought him into limelight. Jab We Met was a box office success and Rockstar was appreciated in critical circles for superb rendition of a careless musician. -
Festival Catalogue 2015
Jio MAMI 17th MUMBAI FILM FESTIVAL with 29 OCTOBER–5 NOVEMBER 2015 1 2 3 4 5 12 October 2015 MESSAGE I am pleased to know that the 17th Jio MAMI Mumbai Film Festival is being organised by the Mumbai Academy of Moving Image (MAMI) in Mumbai from 29th October to 5th November 2015. Mumbai is the undisputed capital of Indian cinema. This festival celebrates Mumbai’s long and fruitful relationship with cinema. For the past sixteen years, the festival has continued promoting cultural and MRXIPPIGXYEP I\GLERKI FIX[IIR ½PQ MRHYWXV]QIHME TVSJIWWMSREPW ERH GMRIQE IRXLYWMEWXW%W E QYGL awaited annual culktural event, this festival directs international focus to Mumbai and its continued success highlights the prominence of the city as a global cultural capital. I am also happy to note that the 5th Mumbai Film Mart will also be held as part of the 17th Mumbai Film Festival, ensuring wider distribution for our cinema. I congratulate the Mumbai Academy of Moving Image for its continued good work and renewed vision and wish the 17th Jio MAMI Mumbai Film Festival and Mumbai Film Mart grand success. (CH Vidyasagar Rao) 6 MESSAGE Mumbai, with its legacy, vibrancy and cultural milieu, is globally recognised as a Financial, Commercial and Cultural hub. Driven by spirited Mumbaikars with an indomitable spirit and great affection for the city, it has always promoted inclusion and progress whilst maintaining its social fabric. ,SQIXSXLI,MRHMERH1EVEXLM½PQMRHYWXV]1YQFEMMWXLIYRHMWTYXIH*MPQ'ETMXEPSJXLIGSYRXV] +MZIRXLEX&SPP][SSHMWXLIQSWXTVSPM½GMRHYWXV]MRXLI[SVPHMXMWSRP]FI½XXMRKXLEXE*MPQ*IWXMZEP that celebrates world cinema in its various genres is hosted in Mumbai. -
FILM STUDIES] by Mohammed Nisar Ahammed Film Studies – V Semester
2017 V Semester [FILM STUDIES] By Mohammed Nisar Ahammed Film Studies – V Semester FILM STUDIES UNIT-I Film as a medium: Characteristic - Film perception: levels of understanding - Film theory and semiotics - formalism and neo formalism - film language - film and psycho - analysis - film and cultural identity: hermeneutics, reception aesthetics and film interpretation. UNIT-II Film forms: narrative and non-narrative - Acting, costume and music - Film and post modernism - post structuralism and deconstruction. Impressionism, expressionism, and surrealism - Fiction: realism, symbolic simulation - typology of genres of fiction - Subjectivity, causality and time - Concepts of national cinema - Issues in world and Indian cinema. UNIT-III Film production: Visualisation - script - writing - characterization - storyboard - tools and techniques. Continuity style: composing shots - spatial (mise en scene) - temporal (montage) - Camera shots: pan, crane, tracking, and transition. Sound in cinema: dimensions and functions - Film editing and special effects - Film audience - Review and appreciation of film. UNIT-IV Film festival - Film awards - Film institute’s censorship certification - Cinema theatres and Projections. UNIT-V Film business and Industry - Economic- finance and business of film - film distribution - import and export of films - regional cinema with special reference to Tamil cinema. Budgeting and schedules. Film Studies – V Semester UNIT-I Film as a medium: Characteristic - Film perception: levels of understanding - Film theory and semiotics - formalism and neo formalism - film language - film and psycho - analysis - film and cultural identity: hermeneutics, reception aesthetics and film interpretation. FILM AS A MEDIUM Film is a means of creative expression. It performs the functions of mass media. Such as information, education, entertainment and transmission of culture. Films are widely popular and their audio visual nature provides them a pervasive power for social influence. -
A Case Study of the Naz Foundation's Campaign to Decriminalize Homosexuality in India Preston G
SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Capstone Collection SIT Graduate Institute Winter 12-4-2017 Lessons for Legalizing Love: A Case Study of the Naz Foundation's Campaign to Decriminalize Homosexuality in India Preston G. Johnson SIT Graduate Institute Follow this and additional works at: https://digitalcollections.sit.edu/capstones Part of the Civic and Community Engagement Commons, Civil Rights and Discrimination Commons, Criminal Law Commons, Gender and Sexuality Commons, History of Gender Commons, Human Rights Law Commons, Law and Gender Commons, Law and Society Commons, Legislation Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Litigation Commons, Policy Design, Analysis, and Evaluation Commons, Political Science Commons, Politics and Social Change Commons, Race, Ethnicity and Post-Colonial Studies Commons, Sexuality and the Law Commons, Social Policy Commons, Sociology of Culture Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Johnson, Preston G., "Lessons for Legalizing Love: A Case Study of the Naz Foundation's Campaign to Decriminalize Homosexuality in India" (2017). Capstone Collection. 3063. https://digitalcollections.sit.edu/capstones/3063 This Thesis (Open Access) is brought to you for free and open access by the SIT Graduate Institute at SIT Digital Collections. It has been accepted for inclusion in Capstone Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. -
MGM Film Arts the School of Film Arts & Sciences
MGM ColleGe oF JournAlisM & MAss CoMMuniCAtion Affiliated to Dr. Babasaheb Ambedkar Marathwada University, Aurangabad ISO 9001 - 2015 Certified, “NACC Accredited B+” MGM FilM Arts The School of Film Arts & Sciences www.mgmfimarts.com About MGM he Mahatma Gandhi Mission trust was established on 20th December 1982 with a futuristic vision to provide qualitative education by applying innovation and dynamic T pedagogical techniques. Since inception, the Trust has focused on providing health care services, school education and higher education with dedication and commitment. The MGM Trust was established in Nanded, (Maharashtra) and in the course of time it has established its services to Aurangabad, Navi Mumbai and Parbhani in Maharashtra and Noida ( New Delhi) in UP. A chain of Schools, Engineering, Architecture, Medical, Nursing, Management, Computer Science & IT, Bioinformatics & Biotechnology, Fine arts and Journalism stand testimony to the endeavors of the Trust. The MGM has been instrumental in promoting classical dance and music for art seekers. The trust has also paid heed to the aspect of physical fitness by converting a vast expanse of land in to a sport complex with multiple amenities and sport equipments. MGM’s lush green and sceneric campuses are conducive to create a peaceful learning atmosphere. Secretary’s Message Dear Student, Cinema is the only modern art which has taken the world under its influence. It is not only a biggest revenue generating industry but it also provides great employment. in India the history of cinema is glorious. To continue the success story there is a need of formal training in several dimensions of cinema. Such training must be supported by the continuously upgrading technology and guided by the veterans in the industry. -
HM 20 NOVEMBER Page 10.Qxd
www.himalayanmail.com 10 JAMMU ☯ FRIDAY ☯ NOVEMBER 20, 2020 ENTERTAINMENT The Himalayan Mail Prabhas' Adipurush gets Check this out! Fresh 4 on-screen pairs to look out for! the release date! wing to the pan- fter treating the 11.08.2022 demic and the fans with a short #Prabhas #SaifAliKhan Olockdown that took us all for a long pause teaser and mo- #BhushanKumar A in our daily lives, things get- tion poster of the film, the @vfxwaala @rajesh- ting eased a bit have helped makers of Adipurush have nair06 @TSeries us to slowly get back to our yet again treated the fans @retrophiles1 #TSeries" routine. In the film industry with another good news. Produced by Bhushan too, things are slowly and On Thursday, the makers Kumar, Krishan Kumar of steadily getting back with have announced the re- T-Series & Om Raut, the new normal. lease date of the epic- Prasad Sutar & Rajesh Nair Working on upcoming drama. of Retrophiles, is currently projects, film stars, direc- Starring Prabhas and in the pre-production stage tors and producers are back Saif Ali Khan, this multi- and will go on floors in Jan in action and working stren- lingual magnum opus 3D 2021. The film will be re- uously to bring to you some refreshing cinema to watch. feature film Directed by leased in Hindi, Telugu, Speaking about refresh- Om Raut, will release on Tamil, Malayalam and ing cinema, these upcoming 11th August 2022. Kannada. fresh pairings are some- Director Om Raut and Apart from this, Prabhas thing to look forward to: makers shared the news on will be seen romancing 1)Akshay Kumar and social media along with a with Pooja Hegde in Radha Kiara Advani- new poster. -
Film Preservation & Restoration Workshop
FILM PRESERVATION & RESTORATION WORKSHOP, INDIA 2016 1 2 FILM PRESERVATION & RESTORATION WORKSHOP, INDIA 2016 1 Cover Image: Ulagam Sutrum Valiban, 1973 Tamil (M. G. Ramachandran) Courtesy: Gnanam FILM PRESERVATION OCT 7TH - 14TH & RESTORATION Prasad Film Laboratories WORKSHOP 58, Arunachalam Road Saligramam INDIA 2017 Chennai 600 093 Vedhala Ulagam, 1948, Tamil The Film Preservation & Restoration Workshop India 2017 (FPRWI 2017) is an initiative of Film Heritage Foundation (FHF) and The International Federation of Film Archives (FIAF) in association with The Film Foundation’s World Cinema Project, L’Immagine Ritrovata, The Academy of Motion Picture Arts & Sciences, Prasad Corp., La Cinémathèque française, Imperial War Museums, Fondazione Cineteca di Bologna, The National Audivisual Institute of Finland (KAVI), Národní Filmový Archiv (NFA), Czech Republic and The Criterion Collection to provide training in the specialized skills required to safe- guard India’s cinematic heritage. The seven-day course designed by David Walsh, Head of the FIAF Training and Outreach Program will cover both theory and practical classes in the best practices of the preservation and restoration of both filmic and non-filmic material and daily screenings of restored classics from around the world. Lectures and practical sessions will be conducted by leading archivists and restorers from preeminent institutions from around the world. Preparatory reading material will be shared with selected candidates in seven modules beginning two weeks prior to the commencement of the workshop. The goal of the programme is to continue our commitment for the third successive year to train an indigenous pool of film archivists and restorers as well as to build on the movement we have created all over India and in our neighbouring countries to preserve the moving image legacy. -
LIST of HINDI CINEMA AS on 17.10.2017 1 Title : 100 Days
LIST OF HINDI CINEMA AS ON 17.10.2017 1 Title : 100 Days/ Directed by- Partho Ghosh Class No : 100 HFC Accn No. : FC003137 Location : gsl 2 Title : 15 Park Avenue Class No : FIF HFC Accn No. : FC001288 Location : gsl 3 Title : 1947 Earth Class No : EAR HFC Accn No. : FC001859 Location : gsl 4 Title : 27 Down Class No : TWD HFC Accn No. : FC003381 Location : gsl 5 Title : 3 Bachelors Class No : THR(3) HFC Accn No. : FC003337 Location : gsl 6 Title : 3 Idiots Class No : THR HFC Accn No. : FC001999 Location : gsl 7 Title : 36 China Town Mn.Entr. : Mustan, Abbas Class No : THI HFC Accn No. : FC001100 Location : gsl 8 Title : 36 Chowringhee Lane Class No : THI HFC Accn No. : FC001264 Location : gsl 9 Title : 3G ( three G):a killer connection Class No : THR HFC Accn No. : FC003469 Location : gsl 10 Title : 7 khoon maaf/ Vishal Bharadwaj Film Class No : SAA HFC Accn No. : FC002198 Location : gsl 11 Title : 8 x 10 Tasveer / a film by Nagesh Kukunoor: Eight into ten tasveer Class No : EIG HFC Accn No. : FC002638 Location : gsl 12 Title : Aadmi aur Insaan / .R. Chopra film Class No : AAD HFC Accn No. : FC002409 Location : gsl 13 Title : Aadmi / Dir. A. Bhimsingh Class No : AAD HFC Accn No. : FC002640 Location : gsl 14 Title : Aag Class No : AAG HFC Accn No. : FC001678 Location : gsl 15 Title : Aag Mn.Entr. : Raj Kapoor Class No : AAG HFC Accn No. : FC000105 Location : MSR 16 Title : Aaj aur kal / Dir. by Vasant Jogalekar Class No : AAJ HFC Accn No. : FC002641 Location : gsl 17 Title : Aaja Nachle Class No : AAJ HFC Accn No. -
Kristen Stewart, Who Stars in Underwater, Releasing This Month
PVR MOVIES FIRST VOL. 49 YOUR WINDOW INTO THE WORLD OF CINEMA January 2020 20 LITTLE-KNOWN FACTS AboUt…. KRISTEN GUEST INTERVIEW S T E WA R T SACHIN KRISHN OTHER BLOCKBUSTER MOVIES PLAYING THIS MONTH: CATS, MY SPY, CHAPAAK, PANGA, HACKED, CHHALAANG GREETINGS ear Movie Lovers, Mangal. Learn 21 amazing facts about Kristen Stewart, who stars in Underwater, releasing this month. We turn Happy New Year! Here’s the January issue of Movies First, the spotlight on young actress Brie Larson, who made it to your exclusive window to the world of cinema. Time magazine’s list of the 100 most influential people in the world in 2019. We’ve brought you a vibrant bouquet of films to kickstart the year. Dolittle is packed with Oscar-winning actors led Don’t forget to take a shot at our movie quiz, too. by Robert Downey Jr. as a doctor who can talk to animals. Ajay Devgn and Saif Ali Khan present the untold story of We really hope you enjoy the issue. Wish you a fabulous great Maratha warrior in Tanhaji, while Deepika Padukone month of movie watching. is all set to make a splash with Meghna Gulzar’s much- Regards awaited Chapaak. Cinematographer Sachin Krishn takes us behind the Gautam Dutta scenes of the madcap small-town comedy, Sab Kushal CEO, PVR Limited USING THE MAGAZINE We hope you’ll find this magazine easy to use, but here’s a handy guide to the icons used throughout anyway. You can tap the page once at any time to access full contents at the top of the page. -
Has Its Visually Stunning Moments by Vinayak Chakravorty Iker’S New Ilm Is Set in the 18Ththe War Sequences (Abbas Ali Century
B-8 | Friday, December 13, 2019 BOLLYWOOD www.WeeklyVoice.com ‘Panipat’ Has Its Visually Stunning Moments By Vinayak Chakravorty iker’s new ilm is set in the 18thThe war sequences (Abbas Ali century. The Marathas reign over Moghul) aren’t extraordinary “Panipat”; Cast: Arjun most parts of the subcontinent. but these maintain ample drama, Kapoor, Kriti Sanon, Sanjay The Mughal sultanate invites mixing facts and iction. Dutt, Zeenat Aman; Direction: the Afghan invader Ahmad Shah Gowariker has always excelled Ashutosh Gowariker; Rating * * Abdali to Delhi, in order to de- in creating those little moments * (three stars) molish the Maratha might. As while setting up human relation- History tells you Ahmad Shah news arrives that Abdali is on his ship drama, amid the ambitious Abdali was a ruthless conqueror way to India for a third time, the vision his ilms ride. “lagaan”, and shrewd battle strategist. He Maratha Peshwa (Mohnish Behl) “Swades”, “Jodhaa Akbar”, even led a marauding Afghan army orders Sadashiv Rao Bhau (Arjun aKhelein Hum Jee Jaan Se”, into India thrice, plundering all Kapoor, effective in most parts) would bear testimony. Such mo- that crossed his path and leaving to march northwards and thwart ments also often prop up the ef- a trail of red in the waters of the Abdali’ arrival at any cost. This forts of his cast. Yamuna on each occasion. His- sets the stage for the Third Battle While on the cast, in “Panipat” tory tells you Abdali was 39 or 40 of Panipat on January 14, 1761. where the narrative essentially when he fought the third Battle of As far as storytelling goes, moves towards setting up the Panipat.