Has Its Visually Stunning Moments by Vinayak Chakravorty Iker’S New Ilm Is Set in the 18Ththe War Sequences (Abbas Ali Century

Total Page:16

File Type:pdf, Size:1020Kb

Has Its Visually Stunning Moments by Vinayak Chakravorty Iker’S New Ilm Is Set in the 18Ththe War Sequences (Abbas Ali Century B-8 | Friday, December 13, 2019 BOLLYWOOD www.WeeklyVoice.com ‘Panipat’ Has Its Visually Stunning Moments By Vinayak Chakravorty iker’s new ilm is set in the 18thThe war sequences (Abbas Ali century. The Marathas reign over Moghul) aren’t extraordinary “Panipat”; Cast: Arjun most parts of the subcontinent. but these maintain ample drama, Kapoor, Kriti Sanon, Sanjay The Mughal sultanate invites mixing facts and iction. Dutt, Zeenat Aman; Direction: the Afghan invader Ahmad Shah Gowariker has always excelled Ashutosh Gowariker; Rating * * Abdali to Delhi, in order to de- in creating those little moments * (three stars) molish the Maratha might. As while setting up human relation- History tells you Ahmad Shah news arrives that Abdali is on his ship drama, amid the ambitious Abdali was a ruthless conqueror way to India for a third time, the vision his ilms ride. “lagaan”, and shrewd battle strategist. He Maratha Peshwa (Mohnish Behl) “Swades”, “Jodhaa Akbar”, even led a marauding Afghan army orders Sadashiv Rao Bhau (Arjun aKhelein Hum Jee Jaan Se”, into India thrice, plundering all Kapoor, effective in most parts) would bear testimony. Such mo- that crossed his path and leaving to march northwards and thwart ments also often prop up the ef- a trail of red in the waters of the Abdali’ arrival at any cost. This forts of his cast. Yamuna on each occasion. His- sets the stage for the Third Battle While on the cast, in “Panipat” tory tells you Abdali was 39 or 40 of Panipat on January 14, 1761. where the narrative essentially when he fought the third Battle of As far as storytelling goes, moves towards setting up the Panipat. ers with authentic facts. It’s often “Panipat” in this context was Gowariker has collaborated with stage for the big boys to launt In Ashutosh Gowariker’s “Pa- about accommodating facts in always bound to draw a compari- three writers (Chandrashekhar their swashbuckling wartime nipat”, a 60-year-old Sanjay Dutt a way that they narrate what we son. Gowariker has delved into Dhavalikar, Ranjeet Bahadur and machismo, it is interesting to plays out Abdali as a man without wish might have happened. history before. So, does the ilmAditya Rawal) to set up the saga. see how Kriti Sanon manages to menace, an invader who almost Gowariker’s “Panipat” duti- scale “Jodhaa Akbar” class, or is There are the essential bursts of shine above the male cast. She is seems apologetic all through for fully follows that diktat, painting it more of “Mohenjo Daro”? drama, minimal romance, some Sadashiv’s wife Parvati Bai, and arriving in India and unsettling protagonists in black and white. Well, “Panipat” falls short of dialogues (Ashok Chakradhar) she scores despite limited foot- its peace. The Afghans he leads At a rumoured budget of around the “Jodhaa Akbar” magic. For worth the rage, and sleekly ilmedage, with the few scenes that the in the ilm are a bunch of cowardsRs 70 crore, and returning after one, Gowariker’s latest misses battle action. screenplay accords to her. who scamper from the battleield the triple blunders of “What’s the magic of AR Rahman’s mu- For the lay audience who won’t Overall, Ashutosh Gowariker’s when cornered. Your Rashee?”, “Khelein Humsic. Also, that ilm had the advan- nitpick about historical accuracy, latest has its moments. It is spec- Bollywood history, of course, Jee Jaan Se” and “Mohenjo tages of the Hrithik-Aishwarya the ilm is a visually stunning tacular historical iction riding is normally written by its screen- Daro” over the past 10 years, the chemistry and a solid script. “Pa- reconstruct of the past, brought some good performances, and writers to serve a very different ilmmaker perhaps had to play it nipat” lacks edge in these areas. alive by imaginative cinema- likeable for the way it salutes purpose than enlightening view- safe with his latest. To reiterate the gist, Gowar- tography (CK Muraleedharan). valour. Shivangi Loves Being An Actor Katrina, Anushka Rajkummar’s ‘Turram Khan’ MUMBAI: “Yeh Rishta Kya Kehlata Hai” actress Shivangi Mourn Death Of Renamed ‘Chhalaang’ Joshi says she loves her profes- sion, and her fans play a huge Makeup ‘Maestro’ role in it.On what she loves about being an actor, she said: “It’s the MUMBAI: Actresses Katrina love that we get from our fans Kaif and Anushka Sharma took to which is so gratifying.” social media to mourn the death However, it can get hectic of Bollywood’s renowned make- at times. “Any profession can up artist Subhash Vagal, who was be hectic. It totally depends on popularly called Subbu. people and how much time they Anushka shared an emotional make for themselves and others. post on Instagram where she re- It’s important to make time for ferred to Subbu as ‘maestro’. yourself in this industry. For ex- Katrina also shared a black-and- ample, I still go out for movies white photograph of herself with and family gatherings after I in- Subbu, who she described as an ish shooting,” she said. incredible talent. Shivangi adds that the TV in- “A great loss, so unexpected, dustry is a great place to make cannot believe it. Such a incred- new friends. “My close friends hang out after pack-up and even ible talent, the irst make-up art- like Lata Sabharwal and Aditi chill at each other’s houses when ist I ever worked with, taught me Bhatia are from the industry. We we get the time,” she said. so many things, by my side for MUMBAI: The upcoming Ra- Ajay Devgn, Luv Ranjan and An- so many shoots -- days, weeks, jkummar Rao-starrer “Turram kur Garg. The ilm is slated to hit Nawazuddin’s Sister Passes Away months. Rest in peace subhu you Khan” has been renamed “Chha- theatres on January 31 next year. will be missed,” said Katrina. - PUNE: Actor Nawazuddin Sid- in Pune on Saturday. She was 26. laang”. The ilms lead actress and The ilm also features Moham Anushka posted a string of Nushrat Bharucha took to Insta- med Zeeshan Ayyub in a key role. diqui’s sister Syama Tamshi Sid- Last year, Nawazuddin opened photographs along with Subbu. gram to share the news. This wil be Rajkummar’s sixth diqui has passed away after bat- up about her sister’s health on She wrote: “He was kind, he was “Same team, same movie, same collaboration with ilmmaker tling with cancer for eight years, social media. “My sister was humble, he was gentle and he release date... just a new name- Hansal Mehta. The duo has in the media reports said on Sunday. diagnosed with advanced stage was brilliant. Subbu will always Chhalaang! See you in theatres past worked together in “Shahid”, Syama, who was diagnosed #breastcancer @ 18 but it was her remain one of the most loved and on 31st Jan, 2020!” wrote Nush- “CityLights”, “Aligarh”, and with breast cancer at the age of will power and courage that made respected make-up artists in the rat. “Chhalaang” is directed by “Omerta”, besides the wed series 18, breathed her last at a hospital her stand against all the odds.” country.” Hansal Mehta and produced by“Bose: Dead/Alive”. India Gets An Animated Star Rhyme Rapper MUMBAI: Rhyme Rapper, kids love to sing and dance along an animated hip-hop artiste, has to. He will teach the kids all about been created for “pre-schoolers” early learning essentials, in a fun up to the age of 8. and interesting way. Rhyme Rapper’s hip-hop Presented by Sony Music Kids, styled original rhymes in RhymeHindi Rapper brings to its audi- are a new take on some of the ence three specially curated al- most iconic English rhymes from bums featuring nine rhymes each all over the world. which will be releasing consecu- His superpower is that he tively in the coming weeks start- knows how to turn all rhymes ing December 6. These rhymes into fun interesting rap, which are available digitally. Ajay-Kajol Picture Goes Viral MUMBA: Kajol shared a pho- A fan wrote: “In character ob- to on Instagram where she is seen viously”. Another commented: posing with husband Ajay Devgn, “Looking cute”. Another fan dressed up as their characters in wrote: “Nice Jodi”. the upcoming ilm “Tanhaji: The A fan commented, “In charac- Unsung Warrior”. ter...but still an eternal beauty.” “In character or not? Guess,” In the movie, Ajay Devgn and Kajol captioned the picture. Kajol will be seen essaying the Fans of the star couple imme- roles of the great Maratha leader diately looded the post with their Tanaji Malusare and his wife Sa- love and wishes. vitribai. .
Recommended publications
  • Jodhaa Akbar
    JODHAA AKBAR ein Film von Ashutosh Gowariker Indien 2008 ▪ 213 Min. ▪ 35mm ▪ Farbe ▪ OmU KINO START: 22. Mai 2008 www.jodhaaakbar.com polyfilm Verleih Margaretenstrasse 78 1050 Wien Tel.:+43-1-581 39 00-20 www:polyfilm.at [email protected] Pressebetreuung: Allesandra Thiele Tel.:+43-1-581 39 00-14 oder0676-3983813 Credits ...................................................2 Kurzinhalt...............................................3 Pressenotiz ............................................3 Historischer Hintergrund ........................3 Regisseur Ashutosh Gowariker..............4 Komponist A.R. Rahman .......................5 Darsteller ...............................................6 Pressestimmen ......................................9 .......................................................................................Credits JODHAA AKBAR Originaltitel: JODHAA AKBAR Indien 2008 · 213 Minuten · OmU · 35mm · FSK ab 12 beantragt Offizielle Homepage: www.jodhaaakbar.com Regie ................................................Ashutosh Gowariker Drehbuch..........................................Ashutosh Gowariker, Haidar Ali Produzenten .....................................Ronnie Screwvala and Ashutosh Gowariker Musik ................................................A. R. Rahman Lyrics ................................................Javed Akhtar Kamera.............................................Kiiran Deohans Ausführende Produzentin.................Sunita Gowariker Koproduzenten .................................Zarina Mehta, Deven Khote
    [Show full text]
  • Bollywood Lens Syllabus
    Bollywood's Lens on Indian Society Professor Anita Weiss INTL 448/548, Spring 2018 [email protected] Mondays, 4-7:20 pm 307 PLC; 541 346-3245 Course Syllabus Film has the ability to project powerful images of a society in ways conventional academic mediums cannot. This is particularly true in learning about India, which is home to the largest film industries in the world. This course explores images of Indian society that emerge through the medium of film. Our attention will be focused on the ways in which Indian society and history is depicted in film, critical social issues being explored through film; the depicted reality vs. the historical reality; and the powerful role of the Indian film industry in affecting social orientations and values. Course Objectives: 1. To gain an awareness of the historical background of the subcontinent and of contemporary Indian society; 2. To understand the sociocultural similarities yet significant diversity within this culture area; 3. To learn about the political and economic realities and challenges facing contemporary India and the rapid social changes the country is experiencing; 4. To learn about the Indian film industry, the largest in the world, and specifically Bollywood. Class format Professor Weiss will open each class with a short lecture on the issues which are raised in the film to be screened for that day. We will then view the selected film, followed by a short break, and then extensive in- class discussion. Given the length of most Bollywood films, we will need to fast-forward through much of the song/dance and/or fighting sequences.
    [Show full text]
  • Brief Historical Overview A. Indus Valley Civilization
    Brief Historical Overview A. Indus Valley civilization (3,000-1,500 B.C.) 1. 3,000-2,000 B.C.: high civilization, urban, literate, settled agriculture; Harappa/Mohenjo Daro (first grid plan cities) 2. 2,000-1,500 B.C.: Indo-Aryan invasion, pushed Dravidians South, and brought an Aryan group which had a strong hierarchical division between priests, warriors and nomads, and a language similar to Sanskrit (an Indo-Aryan/Indo-European language) B. Vedic Age - 1500 – 1000 BC 1. Vedas: poetic Sanskrit hymns passed down orally for thousands of years ( mostly fire sacrifices, chants, and spells) 2. Rig Veda: 1028 Hymns of praise to Aryan gods (personified forces of nature). C. Classical period (600 B.C. to 600 A.D.): Articulation of Hinduism (Vedas, Upanishads, Bhagavad Gita); establishment of varna system (Brahmins, Kshatriyas, Vaishyas, Shudras) - which provided the foundation of the present jajmani system (to be discussed Week Three) D. Islamic period: invasion by Mahmud of Ghazni in 1057 A.D., from Afghanistan; followed by the Sultanate of Delhi (1206-1526); the great Mughal empire (1527-1857): best known emperors were Akbar, Jehangir and Shah Jehan (builder of the Taj Mahal); effective rule ended in 1748. Akbar created a political system which provided a synthesis of the great diversities in India, which provides a model for accommodation between groups today. [Note: Be thinking of this as we watch Jodhaa Akbar.] E. The British Raj 1. First entered as the British East India Company in Bengal. 2. Established various kinds of taxation and land tenure systems, and organized groups (e.g., tribes, zamindars) into new forms.
    [Show full text]
  • The Conference Brochure
    The Many Lives of Indian Cinema: 1913-2013 and beyond Centre for the Study of Developing Societies, Delhi 9-11 January 2014 1 Credits Concept: Ravi Vasudevan Production: Ishita Tiwary Operations: Ashish Mahajan Programme coordinator: Tanveer Kaur Infrastructure: Sachin Kumar, Vikas Chaurasia Consultant: Ravikant Audio-visual Production: Ritika Kaushik Print Design: Mrityunjay Chatterjee Cover Image: Mrityunjay Chatterjee Back Cover Image: Shahid Datawala, Sarai Archive Staff of the Centre for the Study of Developing Societies We gratefully acknowledge support from the following institutions: Indian Council for Social Science Research; Arts and Humanities Research Council; Research Councils UK; Goethe Institute, Delhi; Indian Council for Historical Research; Sage Publishing. Doordarshan have generously extended media partnership to the conference. Images in the brochure are selected from Sarai Archive collections. Sponsors Media Partner 2 The Idea Remembering legendary beginnings provides us the occasion to redefine and make contemporary the history we set out to honour. We need to complicate the idea of origins and `firsts’ because they highlight some dimensions of film culture and usage over others, and obscure the wider network of media technologies, cultural practices, and audiences which made cinema possible. In India, it is a matter of debate whether D.G. Phalke's Raja Harishchandra (1913), popularly referred to as the first Indian feature film, deserves that accolade. As Rosie Thomas has shown, earlier instances of the story film can be identified, includingAlibaba (Hiralal Sen, 1903), an Arabian Nights fantasy which would point to the presence of a different cultural universe from that provided by Phalke's Hindu mythological film. Such a revisionary history is critical to our research agenda.
    [Show full text]
  • HRITHIK ROSHAN the New Emperor of Bollywood
    BOLLYWOOD HRITHIK ROSHAN The New Emperor of Bollywood n all the clamour made about the ban- to the latest ‘Jodhaa Akbar’, he has essayed zling depiction of the mysterious Mr. A in ning of the Hindi period romance roles that are as diverse and wide as the ‘Dhoom-2’ — Roshan has displayed an ‘Jodhaa Akbar’ by the Indian states of gamut of emotions and acting skills that he is amazing repertoire of histrionics and Rajasthan, Madhya Pradesh (MP) and capable of exhibiting. breathed life into his on-screen personas so UttarI Pradesh, the subsequent lifting of the Be it any role — a romantic hero much so that you get to see the reel charac- ban by the MP High Court, the protests Rohit/Raj in ‘Kaho Na Pyar Hai’, where he ters and not Roshan, the actor. staged by a motley group in Maharashtra made his stunning debut and caught the But it was as Akbar in Ashutosh against the movie, and about the box-office imagination of the nation, or a convincing Gowariker’s ‘Jodhaa Akbar’ that the true mag- collections that the movie has raked in world- portrayal of a terrorist in ‘Fiza’, or a mind- nificence of Hrithik emerges. wide (about Rs. 740 million worldwide with- blowing interpretation of a growth retarded Roshan as Emperor Jalaluddin Akbar looks in 10 days of its release), one gets a feeling man-child in ‘Koi Mil Gaya’, or a fantastic absolutely larger than life. The film made by that something is not being given the atten- Indian superman avatar in ‘Krrish’, or a daz- Ashutosh Gowiraker is today hailed as one of tion that it richly deserves.
    [Show full text]
  • Born Thespian Kaym ( KMC Alumnus ) VM Badola Passes Away
    im 071 www.alumni.du.ac.in The University of Delhi Alumni Edition Ten 2020 Delhi – born thespian Kaym ( KMC alumnus ) V M Badola passes away Kaym Vishwa Mohan Badola Actor , Writer and Journalist BA Eng Hons KMC 1961 MA Eng 1963 Films : Swades 2004 , Jodhaa Akbar 2008 and Munna Bhai MBBS 2003 Passed away 23.11.2020 Google released an ad film about two elderly men, who had been friends in Lahore before the Partition separated them , being reunited by their grandchildren . The Pakistani was played by veteran actor director M S Sathyu .When he arrived in Delhi for the shoot, Sathyu was in for a surprise : the other actor was Vishwa Mohan Badola , his friend from the time they used to do theatre in Delhi in the 1970s, “ The whole film was a surprise,” says Sathyu over the phone from Bengaluru. Their embrace, towards the end of the clip captured a well of emotions from nostalgia and remorse to a yeaming for peace and friendship , “ He was a very strong and sensitive actor,” says Sathyu , about V M , who passed away from age related illness. He was 84 . The viral ad film was only one of V M’s several works in film, radio and stage. The 60s and 70s were marked by sociopolitical upheaval and as a journalist and a theatre practitioner , he would have long discussions about the nation with Sathyu and others. “ It was a time when a lot of theatre was being created around the Emergency and he participated in several of these . He was also a good writer, politically aware and opposed to autocracy” says Sathyu .
    [Show full text]
  • Enchanting Tales of Jodha-Akbar
    REVIEW The Enchantress of Florence: A Novel. Rushdie, Salman. 2008. London: Jonathan Cape. ISBN 978 0224 06163 6 Jodhaa Akbar. Ashutosh Gowarikar Productions. 2008. Mumbai: India. UTV Motion Pictures. Enchanting tales of Jodha-Akbar Rituparna Roy and seductresses of all kinds, but the relation to Akbar, in the same way as he most interesting of them all is the imagi- thinks of his in relation to God. And in a Jodhaa Akbar is a lavish period drama on nary Jodha – a being created by Akbar’s way, they echo each other’s thoughts: celluloid; The Enchantress of Florence is an all-powerful fancy, khayal. Making her “The question of her independent existence, ‘East meets West’ novel, highlighting not character imaginary serves two purposes of whether she had one, insisted on being so much a clash of civilisations as their in the novel. In The Enchantress of Florence, asked, over and over, whether she willed it commonality. At the heart of both is Jalal Rushdie celebrates, among other things, a or not. If God turned his face away from his ud-din Muhammad Akbar (1542-1605), the time when “the real and the unreal were creation, Man, would Man simply cease to greatest Mughal Emperor of India, who, [not] segregated forever and doomed to be? That was the large-scale version of the though illiterate, was gifted with a unique live apart under different monarchs and question, but it was the selfish, small-scale syncretic vision which he tried concretis- separate legal systems” – and the best versions that bothered her. Was her will free ing in his own lifetime, by creating a new attestation of that fact in the novel is the of the man who had willed her into being? religion of man (Din-i-Ilahi or the ‘Divine character of Jodha Bai, Akbar’s fantasy Did she exist only because of his suspension Faith’) that sought to bring people of all come alive.
    [Show full text]
  • Dress Code for Men and Women
    ALU AISD Fashionista Volume 1, Issue 1 January– March, 2016 Top 10 Denim Brands in India for Men Editor-in-Chief Dr. B.Dharmalingam Today when more and more people are becoming brand con- Professor & Director scious retailers are cashing on it and are earning big bucks. The big AISD names in the clothing brands tell us how our fashion scenario has evolved and changed. There are some brands which have been in business for more than 100 years. These clothing brands have made a definite mark in the fashion and clothing industry. The brands have changed the whole style and clothing scenario. Media Managing Editor and promotions have been the sole reasons for the brand awareness Dr. G. Mahesh and consciousness among the Generation. Asst.Prof., AISD K Lounge Associate Editor Flying Machine P.Sam Vimal Rajkumar Levis Teaching Asst., AISD Wrangler A.Bhuvaneshwari Spykar Lab Asst., AISD Diesel True Religion Technical Editors Pepe Jeans N. Kanagaraj R.Susila Lee M.Lakshmanan I B.Voc. Fashion Technology Numero Uno. J. Jenitamary N. Kanagaraj From the Editor-in-Chief’s Desk R.G. Govarthini The purpose of ALU AISD fashionista a quarterly Mag- M. Vijayarani azine, is to inform, engage and inspire the diverse reader- ship, including Academia, Students, Industry personnel and other stakeholders by publishing B.Voc. Fashion tech- nology students‘ creative fashionable and glimpses of de- “The most coura- partmental activities. It is intended to bring out the hidden geous act is skill to literary talents of our students and also to inculcate author- think for yourself. ing skills to them.
    [Show full text]
  • Academy Invites 774 to Membership
    MEDIA CONTACT [email protected] June 28, 2017 FOR IMMEDIATE RELEASE ACADEMY INVITES 774 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 774 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2017. 30 individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2017 invitees are: Actors Riz Ahmed – “Rogue One: A Star Wars Story,” “Nightcrawler” Debbie Allen – “Fame,” “Ragtime” Elena Anaya – “Wonder Woman,” “The Skin I Live In” Aishwarya Rai Bachchan – “Jodhaa Akbar,” “Devdas” Amitabh Bachchan – “The Great Gatsby,” “Kabhi Khushi Kabhie Gham…” Monica Bellucci – “Spectre,” “Bram Stoker’s Dracula” Gil Birmingham – “Hell or High Water,” “Twilight” series Nazanin Boniadi – “Ben-Hur,” “Iron Man” Daniel Brühl – “The Zookeeper’s Wife,” “Inglourious Basterds” Maggie Cheung – “Hero,” “In the Mood for Love” John Cho – “Star Trek” series, “Harold & Kumar” series Priyanka Chopra – “Baywatch,” “Barfi!” Matt Craven – “X-Men: First Class,” “A Few Good Men” Terry Crews – “The Expendables” series, “Draft Day” Warwick Davis – “Rogue One: A Star Wars Story,” “Harry Potter” series Colman Domingo – “The Birth of a Nation,” “Selma” Adam
    [Show full text]
  • HEROINE Unveiled at Cannes ~ Aishwarya Rai Bachchan, Madhur Bhandarkar and Ronnie Screwvala Come Together to Announce the Much Awaited Film~
    HEROINE unveiled at Cannes ~ Aishwarya Rai Bachchan, Madhur Bhandarkar and Ronnie Screwvala come together to announce the much awaited film~ Cannes, 13th May 2011: Cannes 2011 saw yet another splash of glamour with Aishwarya Rai Bachchan, Madhur Bhandarkar and Ronnie Screwvala coming together to announce their upcoming movie HEROINE. The trio was seen together for the first time to announce their association for the bold and glamorous saga, with the unveiling of the first look of the film at the prestigious film festival. Directed by Madhur Bhandarkar and produced by UTV Motion Pictures, HEROINE will star Aishwarya Rai Bachchan essaying the role of a superstar. The film is scheduled to go on the floors in June this year. About the Film: After his incredible run of women-centric films from Chandni Bar, Page 3, Satta and Corporate to the blockbuster Fashion, produced by UTV, Madhur Bhandarkar now turns his lens inward and presents his most ambitious work yet - HEROINE. The film is based on the life and times of a superstar heroine from the dream factory we call 'Bollywood'. The film is an entertaining, daring, emotional, shocking, glamorous, scandalous behind the scenes account of the reality behind the world of glitz and glamour that our film stars inhabit. For a country obsessed with films and film stars, HEROINE will take audiences on a voyeuristic journey to see what really goes on behind the closed doors of make up rooms and vanity vans. It will give them a chance to go beyond the gorgeous smiles and politically correct quotes, to see what really happens in the lives of India's sweethearts - The sniping & the politics, the secrets & the lies, the incredible highs of fame & the lonely depths of failure.
    [Show full text]
  • EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
    UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col.
    [Show full text]
  • Understanding Style and Artistry of Hansal Mehta- Through the Prism of Auteur Theory
    © 2019 JETIR June 2019, Volume 6, Issue 6 www.jetir.org (ISSN-2349-5162) UNDERSTANDING STYLE AND ARTISTRY OF HANSAL MEHTA- THROUGH THE PRISM OF AUTEUR THEORY 1st Author- Sparsh Sanwal Designation of 1st author -Post Graduate student Department of Media Studies, CHRIST (Deemed to be University) Abstract-A good director creates a playground and allows you to play. Similarly, the vision of contemporary film director Hansal Mehta succeeds in manifesting itself through all of his film capturing his style essential, which many consider phenomenal. Mehta is a contemporary director in the Hindi film industry, with ten films under his belt as a director and several other films worked in the capacity of the scriptwriter, he is known to cinema, but it has been only in very recent time that his work has been noticed, a few of them being: Shahid (2013), Citylights (2014), Aligrah (2015), and Simran (2017).Be it his earliest cookery shows KhanaKhazana on television or his first film Amrita, Hansal Mehta time and again showcased a unique perspective. A perspective that demands a study. The present research paper "Understanding style and artistry of Hansal Mehta: Through a prism of the auteur theory " attempts to get a clearer perspective of the filmmaker and his work through a close reading of his select films. The auteur theory explains the idea of a filmmaker being considered the author of his/her film. Indicating that a filmmaker with his intense contribution towards a film to be considered the author through a content analysis that theory will be tested out in the present research.
    [Show full text]