Music 238 Take-Home Quiz 3 RESPONSES What Recording
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Pro Audio for Print Layout 1 9/14/11 12:04 AM Page 356
356-443 Pro Audio for Print_Layout 1 9/14/11 12:04 AM Page 356 PRO AUDIO 356 Large Diaphragm Microphones www.BandH.com C414 XLS C214 C414 XLII Accurate, beautifully detailed pickup of any acoustic Cost-effective alternative to the dual-diaphragm Unrivaled up-front sound is well-known for classic instrument. Nine pickup patterns. Controls can be C414, delivers the pristine sound reproduction of music recording or drum ambience miking. Nine disabled for trouble-free use in live-sound applications the classic condenser mic, in a single-pattern pickup patterns enable the perfect setting for every and permanent installations. Three switchable cardioid design. Features low-cut filter switch, application. Three switchable bass cut filters and different bass cut filters and three pre-attenuation 20dB pad switch and dynamic range of 152 dB. three pre-attenuation levels. All controls can be levels. Peak Hold LED displays even shortest overload Includes case, pop filter, windscreen, and easily disabled, Dynamic range of 152 dB. Includes peaks. Dynamic range of 152 dB. Includes case, pop shockmount. case, pop filter, windscreen, and shockmount. filter, windscreen, and shockmount. #AKC214 ..................................................399.00 #AKC414XLII .............................................999.00 #AKC414XLS..................................................949.99 #AKC214MP (Matched Stereo Pair)...............899.00 #AKC414XLIIST (Matched Stereo Pair).........2099.00 Perception Series C2000B AT2020 High quality recording mic with elegantly styled True condenser mics, they deliver clear sound with Effectively isolates source signals while providing die-cast metal housing and silver-gray finish, the accurate sonic detail. Switchable 20dB and switchable a fast transient response and high 144dB SPL C2000B has an almost ruler-flat response that bass cut filter. -
Sonivox VOCALIZER™ Quick Start Guide
SONiVOX VOCALIZER Quick Start Guide SONiVOX Vocalizer Quick Start Guide Copyright © 2010 Sonic Network, Inc. Page 1 License and Copyrights Copyright © 2010 Sonic Network, Inc. Internationally Secure All rights reserved SONiVOX 561 Windsor Street, Suite A402 Somerville, MA 02143 617-718-0202 www.sonivoxmi.com This SONiVOX product and all its individual components referred to from this point on as Vocalizer are protected under United States and International copyright laws, with all rights reserved. Vocalizer is provided as a license to you, the customer. Ownership of Vocalizer is maintained solely by Sonic Network, Inc. All terms of the Vocalizer license are documented in detail in Vocalizer End-User License Agreement on the installer that came with this manual. If you have any questions regarding this license please contact Sonic Network at [email protected]. Trademarks SONiVOX is a registered trademark of Sonic Network Inc. Other names used in this publication may be trademarks and are acknowledged. Publication This publication, including all photographs and illustrations, is protected under international copyright laws, with all rights reserved. Nothing herein can be copied or duplicated without express written permission from Sonic Network, Inc. The information contained herein is subject to change without notice. Sonic Network makes no direct or implied warranties or representations with respect to the contents hereof. Sonic Network reserves the right to revise this publication and make changes as necessary from time to time -
TN Production Assistant – V1.0.2.X User Notes
TN Production Assistant – v1.0.2.x User Notes Introduction This software is designed to assist Talking Newspapers in the preparation of a ‘copy-ready’ image of a multi-track Talking Newspaper or Talking Magazine production from individual track recordings created during a preceding ‘studio session’ using a stand-alone digital recorder or other digital recording facility such as a PC with digital recording software. Prerequisites A PC running a Windows Operating System (XP or later). Sufficient hard drive capacity to accommodate the software, working and archive storage (recommended minimum of 1GB) Audio Editing Software (e.g. Adobe Audition, Goldwave or Audacity) installed ‘Microsoft .NET 4 Environment’ installed (this will be automatically installed during the installation procedure below providing an internet connection exists) Installing the software The application is installed from the Downloads Section of the Hamilton Sound website at http://hamiltonsound.co.uk . Please follow the instructions displayed on the website and as presented by the installer. In case of difficulty please contact Hamilton Sound at [email protected] for assistance and advice. Please also report any bugs detected in use or suggested improvements to the above email address. On first installation a welcome screen will be presented followed by the set-up screen. Check and adjust if required the set-up parameters from their pre-set values (see Set-Up below). Configuration Before first using this software it is important to ensure that the configuration parameters are set appropriately for your purposes. The default values of each parameter are shown in parenthesis. TIP – Hold mouse cursor over any field for tips on what to enter there. -
Lmms Multimedia Studio Download
Lmms multimedia studio download Install LMMS on Windows. Click one of the buttons below (either 32bit or 64bit) to download LMMS for Windows. Stable Versions. LMMS Free Download Download Artwork · Documentation · Get Involved. Let's make music. with a free, cross-platform tool for your computer. See how» Download now» Get involved». Making beats has never been easier. Produce. Linux MultiMedia Studio, free and safe download. Linux MultiMedia Studio latest version: Linux MultiMedia Studio (LMMS) (64 bits) Multimedia · Audio. LMMS, free and safe download. LMMS latest version: Compose and produce music with your computer. LMMS stands for Linux Multimedia Studio, but despite. Download Linux MultiMedia Studio (LMMS) for Windows. Linux Multi Media Studio (LMMS)is a cross-platform software that allows users to create music. Linux MultiMedia Studio (LMMS) is a program which enables users to create music with the computer. It includes various effects and. LMMS is a free cross-platform alternative to commercial program like FL Studio, which allow you to produce music with your computer. LMMS is a free cross- platform alternative to commercial program like FL Studio, which allow you to produce music with your computer. This includes the. Download LMMS (Linux MultiMedia Studio) RC1 free. Make music with this useful free to use tool. ✓ Updated ✓ Free download. Free Download LMMS (Linux MultiMedia Studio) / RC 4 - A complete music production application that integrates an advanced song. Linux MultiMedia Studio (LMMS) is an excellent freeware music creation application which competes with commercial products like Fruity. Download LMMS (bit). Advanced music composition for Windows. Linux MultiMedia Studio (LMMS) is a music creation tool similar to FL Studio (with. -
Understanding Audio Production Practices of People with Vision Impairments
Understanding Audio Production Practices of People with Vision Impairments Abir Saha Anne Marie Piper Northwestern University University of California, Irvine Evanston, IL, USA Irvine, CA, USA [email protected] [email protected] ABSTRACT of audio content creation, including music, podcasts, audio drama, The advent of digital audio workstations and other digital audio radio shows, sound art and so on. In modern times, audio content tools has brought a critical shift in the audio industry by empower- creation has increasingly become computer-supported – digital in- ing amateur and professional audio content creators with the nec- struments are used to replicate sounds of physical instruments (e.g., essary means to produce high quality audio content. Yet, we know guitars, drums, etc.) with high-fdelity. Likewise, editing, mixing, little about the accessibility of widely used audio production tools and mastering tasks are also mediated through the use of digital for people with vision impairments. Through interviews with 18 audio workstations (DAWs) and efects plugins (e.g., compression, audio professionals and hobbyists with vision impairments, we fnd equalization, and reverb). This computer-aided work practice is that accessible audio production involves: piecing together accessi- supported by a number of commercially developed DAWs, such 1 2 3 ble and efcient workfows through a combination of mainstream as Pro Tools , Logic Pro and REAPER . In addition to these com- and custom tools; achieving professional competency through a mercial eforts, academic researchers have also invested signifcant steep learning curve in which domain knowledge and accessibility attention towards developing new digital tools to support audio are inseparable; and facilitating learning and creating access by production tasks (e.g., automated editing and mixing) [29, 57, 61]. -
I/O of Sound with R
I/O of sound with R J´er^ome Sueur Mus´eum national d'Histoire naturelle CNRS UMR 7205 ISYEB, Paris, France July 14, 2021 This document shortly details how to import and export sound with Rusing the packages seewave, tuneR and audio1. Contents 1 In 2 1.1 Non specific classes...................................2 1.1.1 Vector......................................2 1.1.2 Matrix......................................2 1.2 Time series.......................................3 1.3 Specific sound classes..................................3 1.3.1 Wave class (package tuneR)..........................4 1.3.2 audioSample class (package audio)......................5 2 Out 5 2.1 .txt format.......................................5 2.2 .wav format.......................................6 2.3 .flac format.......................................6 3 Mono and stereo6 4 Play sound 7 4.1 Specific functions....................................7 4.1.1 Wave class...................................7 4.1.2 audioSample class...............................7 4.1.3 Other classes..................................7 4.2 System command....................................8 5 Summary 8 1The package sound is no more maintained. 1 Import and export of sound with R > options(warn=-1) 1 In The main functions of seewave (>1.5.0) can use different classes of objects to analyse sound: usual classes (numeric vector, numeric matrix), time series classes (ts, mts), sound-specific classes (Wave and audioSample). 1.1 Non specific classes 1.1.1 Vector Any muneric vector can be treated as a sound if a sampling frequency is provided in the f argument of seewave functions. For instance, a 440 Hz sine sound (A note) sampled at 8000 Hz during one second can be generated and plot following: > s1<-sin(2*pi*440*seq(0,1,length.out=8000)) > is.vector(s1) [1] TRUE > mode(s1) [1] "numeric" > library(seewave) > oscillo(s1,f=8000) 1.1.2 Matrix Any single column matrix can be read but the sampling frequency has to be specified in the seewave functions. -
Computerized Data Collection and Analysis
Computerized Data Collection & Analysis IASCL/SRCLD Bunta, Ingram, Ingram Madison, WI, 2002 Computerized Data Collection and Analysis Paper Presented at the Joint Conference of the IX International Congress for the Study of Child Language and the Symposium on Research in Child Language Disorders, Madison, WI, 2002 Ferenc Bunta, [email protected], http://www.public.asu.edu/~ferigabi/ David Ingram, [email protected] Kelly Ingram, [email protected] Arizona State University, Tempe, AZ, USA Why Diigiitiize • data storage (about 4 hours on 1 CD at 22 kHz, 16 bit, mono) • cost-effectiveness (computer, storage options, etc.) • flexibility & efficiency – transferability (CD, HD, zip, other), file sharing via e-mail or web posting – accessibility computer or even CD player – ability to revisit any portion of your original recordings quickly & easily; no painstaking searching for segments (visual information) – ease of transcribing and reliability checks – editing opportunities (extraction, noise reduction, amplification, etc.) – organizing, rearranging, & filing – acoustic analyses Diigiitiiziing & Hardware Considerations - digital sampling versus analog tapes - use appropriate specifications - directly onto the computer or using an external recording device (such as audio tape, DAT recorder, etc.) and then digitizing - find a balance based on recommendations and one’s needs - understand the consequences of your choices - consider pre-emphasis and low-pass filtering (if needed) System Recommendations (Hardware) Recording equipment (general): For the most part, you can use the equipment you have, or you may record directly onto the computer using your microphone. - microphone (use your preferred device; the one you have used in the past) - recording device (your own professional voice recorder (analog tape, DAT, etc.), use an external sound card, or record directly onto the computer) NOTE: Numerous recording devices (even most digital recorders, such as DAT, MiniDisc, etc.) require you to re-digitize (i.e., re-record the sample onto your computer). -
HANDOUT 205.02 Review Planning Technical Preparation
HANDOUT 205.02 Review REVIEW: PROCEDURES FOR PRODUCING AUDIO Planning 9 Plan Audio - Define target audience - Brainstorm – write down/sketch ideas - Coordinate location needs - Coordinate equipment needs Technical Preparation 9 Scriptwriting - Reason for the script o Commercial – What is the product? o Entertainment (movie, music, play, sports) – What is the story? o Information/educational - What needs to be conveyed? o News – What happened? o PSA – What is the message? - Write the script 9 Select Equipment (equipment considerations) - Location – Where will the microphones be used? - Type of audio recording – people, vocals, instruments? - Computer/software - Type of microphones o Is it loud and crowded? - cardioid o Is the audio source far way? – shotgun/hypercardioid o Are there many audio sources to capture simultaneously? – omnidirectional o Do the microphones need to be unseen? - visibility - Types of cables/connections o XLR o RCA o Mini o ¼’’ Page | 1 HANDOUT 205.02 Review - Audio board/mixer - Speakers Creating 9 Create Digital Audio - Record Audio o Connect proper equipment (microphone, audio boards, hard drive, MIDI) o Check audio levels – adjust as necessary o Record each person/instrument on a separate channel (if possible) o Make sure levels do not over modulate (distortion) o Begin recording and cue the talent - Edit Audio o After recording, save o Import any additional files needed o Cut, splice, trim, edit and assemble as necessary o Add effects (only if they do not detract from message) o Add background music o Adjust -
Orb Composer Getting Started 1.0.0
ORB COMPOSER GETTING STARTED 1.0.0 Last update: 04/01/2018, Richard Portelli. Special Thanks to George Napier for the review. CONTENTS Installation ..................................................................................................................................................................... 2 PC ............................................................................................................................................................................... 2 Mac ............................................................................................................................................................................ 5 General Information about the Midi Ports .................................................................................................................... 6 Midi Input Ports ......................................................................................................................................................... 6 Midi Output Port ........................................................................................................................................................ 6 DAW configuration ......................................................................................................................................................... 7 Live / Logic / Pro Tools / Cubase ................................................................................................................................ 7 FL Studio ................................................................................................................................................................. -
Usermanual.Wiki
TruePianos User Manual Version 1.0 © 2006-2007 4Front Technologies All rights reserved Manual version: v1.0 / 24.01.2007 Products of 3rd party companies are mentioned solely for information purposes. Microsoft, Microsoft Windows © Microsoft Corporation Ableton Live © Ableton AG Acid © Sony Media Software Audiomulch Interactive Music Studio © Sonic Fritter Forte © brainspawn Cantabile © Topten Software Chainer © Xlutop CakeWalk Project 5 Version 2, Sonar, Sonar Producer, Sonar Home Studio XL © Twelve Tone Systems Console © ART Teknika Cubase, Cubase Studio, CuBase SL, Cubase SX, Steinberg, VST, ASIO © Steinberg Media Technologies GmbH energyXT © Jørgen Aase FL Studio © Image-Line Software KarSyn © Open Labs Kore © Native Instruments Logic © Apple Madtracker © Yannick Delwiche MiniHost © Tobybear n-Track Studio 5 Audio Editor © Flavio Antonioli Orion Platinum © Synapse Audio Software Renoise © Renoise Phrazor © Sonicbytes Tracktion © Mackie VST Host © Hermann Seib All software and hardware terms not specified, as well as brand names, are registered trademarks or trademarks of their respective owners. TruePianos User Manual 2 LICENSE AGREEMENT 1. This End-User License Agreement is a legal agreement between 4Front Technologies and the end-user ("Licensee") for the accompanied products ("Software") and the content material ("Content"), and it is covered by the laws of California. 2. The Licensed Software is protected by copyright laws and international copyright treaties, as well as other intellectual property laws and treaties. The Licensed Software is licensed, not sold. 3. The agreement unless entirely satisfactory is a subject for a negotiation and we are willing to provide the reasonably altered agreement on request. Any alterations to the agreement should be explicitly approved by 4Front Technologies. -
Music Scoring for Film Using Fruity Loops Studio
E3S Web of Conferences 188, 00004 (2020) https://doi.org/10.1051/e3sconf/202018800004 ICESTI 2019 Music Scoring for Film Using Fruity Loops Studio Arsya Febrian1, Hestiasari Rante1, Sritrusta Sukaridhoto1, and Akhmad Alimudin2 1Department of Creative Multimedia Technology, Politeknik Elektronika Negeri Surabaya, Jl. Raya ITS-Sukolilo, Surabaya, East Java, 60111 Indonesia 2Department of Computer Science and Engineering, Toyohashi University of Technology, Tempaku, Toyohashi 441-8580, Japan Abstract. Making music for a film can be said to be quite challenging for some people with the necessity that music can evoke the atmosphere in the film. Determination and placement of audio aspects into visual form are things done in the music scoring process. Of course, it will be very inconvenient and inefficient when making music must be through recording instruments manually through the studio. As technology develops in the world of music production, making music for films can now be made using only a computer. This can happen thanks to the Digital Audio Workstation (DAW) software. Nowadays, various types of DAW are emerging, including one that is quite well known, Fruity Loops Studio or commonly called FL Studio. This study aims to find out how the music scoring process for a film using FL Studio, as a reference for making music for films. Keywords: Digital audio workstation, instrument, music for film, music production, soundtrack. 1 Introduction Determination and placement of audio aspects into visual form are things done in the music scoring process [1]. Scores are original music written specifically for individual films. Sometimes called soundtracks, movie scores can be extremely recognizable. -
Design and Implementation of Virtual Studio Technology Instrument Plug-In for Kirar
Yilma Seleshi DESIGN AND IMPLEMENTATION OF VIRTUAL STUDIO TECHNOLOGY INSTRUMENT PLUG-IN FOR KIRAR Exodus Getahun, Abykab Behailu and Menore Tekeba [email protected], [email protected], [email protected] School of Electrical and Computer Engineering, Addis Ababa Institute of Technology, AAU Key Words: DSP, Kirar, MIDI, VSTi, ABSTRACT INTRODUCTION With the rapid increase of computing resources within the last decade, several real-time Virtual Studio Technology is an interface applications such as sound editing and for integrating audio synthesis and effects processing are becoming more popular. Virtual plugins with DAW. In simple terms it is a Studio Technology (VST) was introduced by way to get all those hardware instruments Steinberg Media Technologies GmbH in 1996 effects like racks, key boards and drum which provided a platform for sound effect machines into music software such as developers to implement their own effect Cubase, FL Studio or Logic Pro and others plugins. In 1999 a standard framework for [1]. According to statement given in [2], software sequencers, so called VST instruments VST allows the integration of virtual effect (VSTi), was introduced in which music processors and instruments into your digital instruments are simulated in the virtual studio. audio environment. It also includes To design an instrument as part of the virtual software recreations of hardware effect studio, a series of steps from audio sample units and instruments or new creative effect collection and recording to integrating the components into the VST systems [2]. samples using a plug-in to the VST is required. To the best of our knowledge, there is no VSTi With VST, Steinberg founded the world‘s plugins developed for Ethiopic music leading and most widely supported instruments so far.