DOCSLIB.ORG

HANDOUT 205.02 Review Planning Technical Preparation

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
HANDOUT 205.02 Review Planning Technical Preparation HANDOUT 205.02 Review REVIEW: PROCEDURES FOR PRODUCING AUDIO Planning 9 Plan Audio - Define target audience - Brainstorm – write down/sketch ideas - Coordinate location needs - Coordinate equipment needs Technical Preparation 9 Scriptwriting - Reason for the script o Commercial – What is the product? o Entertainment (movie, music, play, sports) – What is the story? o Information/educational - What needs to be conveyed? o News – What happened? o PSA – What is the message? - Write the script 9 Select Equipment (equipment considerations) - Location – Where will the microphones be used? - Type of audio recording – people, vocals, instruments? - Computer/software - Type of microphones o Is it loud and crowded? - cardioid o Is the audio source far way? – shotgun/hypercardioid o Are there many audio sources to capture simultaneously? – omnidirectional o Do the microphones need to be unseen? - visibility - Types of cables/connections o XLR o RCA o Mini o ¼’’ Page | 1 HANDOUT 205.02 Review - Audio board/mixer - Speakers Creating 9 Create Digital Audio - Record Audio o Connect proper equipment (microphone, audio boards, hard drive, MIDI) o Check audio levels – adjust as necessary o Record each person/instrument on a separate channel (if possible) o Make sure levels do not over modulate (distortion) o Begin recording and cue the talent - Edit Audio o After recording, save o Import any additional files needed o Cut, splice, trim, edit and assemble as necessary o Add effects (only if they do not detract from message) o Add background music o Adjust each track’s sound level as needed o Save Distributing 9 Prepare for Distribution - Export (determine the file format needed) - Determine distribution (CD, DVD, Internet download/streaming) Page | 2 Producing Digital Audio Basic Concepts Producing Digital Audio Top 8 Tips for Better Audio Recording: Use a quality microphone Monitor the sound Limit background noises Maintain a consistent environment Turn off the music Record background sound Watch out for wind Add it later Producing Digital Audio Top Tip #1 – Use a Quality Microphone: Microphones that are built into camcorders are generally low quality – no matter how expensive the camcorder Whenever possible, use external microphones away from the camera in order to optimize sound and record less noise coming from the camera Producing Digital Audio Top Tip #2 – Monitor the Sound: Look on your camera and check for an audio jack If there is an audio jack, plug in a pair of headphones and use them while you are recording If you do this, you will hear the sound that the camera records exactly how it records so that you know whether or not you need to find a way to improve the technology that you are using to record your audio Producing Digital Audio Top Tip #3 – Limit Background Noises: You want to limit the amount of background noises that you pick up on the recorder for two reasons – it can make for difficult editing later and it can be too much of a distraction during the recording Turn off fans, loud technology, radios, televisions, close windows, and go to a place that is not crowded with other people to get good quality recordings Producing Digital Audio Top Tip #4 – Maintain a Consistent Environment: The more you control the recording environment, the better quality audio you can record When you maintain a consistent environment and procedures, you’re better able to match the audio quality in all of your recordings Consistency is quality Producing Digital Audio Top Tip #5 – Turn Off the Music: If there is music playing in the background, turn it off in order to avoid background noises so your audio will have better quality Leaving it on will make it difficult to edit later and will make it difficult to hear what you are actually recording If you want music in with your audio, you can always add the music in later after you record your intended audio Producing Digital Audio Top Tip #6 – Record Background Sound: Think about the environment that you are recording your audio If you are intending to record your audio, for example, in a city setting, record the audio separate from the background city noise so you can control how loud the city noises are in the background of your audio Just make sure that the background noise matches the other audio in your recording Producing Digital Audio Top Tip #7 – Watch Out for Wind: Recording in an outdoor setting creates all sorts of different challenges, one of them being the natural noises of the outdoors Wind can be a large noise disturbance while you are recording. It will completely muffle out all audio because it will go right into the microphone You can buy a wind protector or just a sock! Producing Digital Audio Top Tip #8 – Add it Later: Remember: you can always add sound later to your initial recording, whether that be environmental noises, sound effects, or music If you choose to record narration, wait until you are in a much quieter space Digital Audio Software Basic Concepts Producing Digital Audio Possible Software Choices: Wavosaur Audacity Adobe Soundbooth Adobe Audition Goldwave Wavepad Producing Digital Audio Wavosaur Free Audio Editor: Free sound editor, audio editor, wav editor software Used for editing, processing, and recording sounds, wav, and mp3 files Supports VST plugins, ASIO driver, multichannel wav files, and real time effect processing For Windows 98, Windows XP, and Windows Vista Producing Digital Audio Wavosaur Free Audio Editor: Multiple document interface Includes features like trim/crop, channel convert, normalize level, fade in/fade out, zoom in/zoom out Vocal removal Loads of wav, mp3, aif, aiff, ogg vorbis, raw binary, au/snd ,ADPCM Dialogic vox, and more formats Producing Digital Audio Wavosour (cont.): http://www.wavosaur.com/ Producing Digital Audio Audacity: A free, open source software for recording and editing sounds For Mac OS X, Microsoft Windows, GNU/Linux Record live audio, convert tapes and records into digital recordings or CDs, edit Ogg Vorbis, MP3, Wav, or aiff sound files Producing Digital Audio Audacity (cont.): Cut, copy, splice or mix sounds Change speed or pitch of recording Dub over existing tracks Lots of importing and exporting capabilities Remove static, hiss, hum, or other constant background noises Producing Digital Audio Audacity (cont.): http://audacity.sourceforge.net/ Producing Digital Audio Adobe Soundbooth (a part of Adobe Production Suite 5): A software program that allows you to create and edit audio Improved multi-track editing Royalty-free sound effects Task-based audio editing Fast audio cleanup Producing Digital Audio Adobe Soundbooth: MP3 compression preview One-click edits Automatic removal of low rumble One-click optimization of voice-over tracks Looping tools Elimination of clicks and pops One-click mastering of mixed audio Producing Digital Audio Adobe Soundbooth (cont.): http://www.adobe.com/products/soundbooth/ Producing Digital Audio Adobe Audition 3: A part of Adobe Production Suite 5 Recording, mixing, editing, and mastering audio Waveform editing tools Editing options for grouped clips VST plug-in manager Batch saving of multiple audio files Producing Digital Audio Adobe Audition 3: Ability to duplicate tracks Improved I/O meter display ASIO, VST, DirectX, and ReWire support More than 50 audio effects and DSP tools Surround encoder Real-time monitoring Producing Digital Audio Adobe Audition 3 (cont.): http://www.adobe.com/products/audition/ Producing Digital Audio Goldwave: A free professional digital audio editor that is capable of performing, processing, restoration, enhancements, and conversions Play all your favorite songs Record any source your computer supports Edit audio with all the basic commands Producing Digital Audio Goldwave (cont.): Perform dozens of different audio effects Re-master old vinyl or tape recordings Analyze audio with frequency and amplitude visuals Includes a collection of powerful tools to edit your audio into the most professional quality Process an unlimited number of files in various formats Producing Digital Audio Goldwave (cont.): http://www.goldwave.com/ Producing Digital Audio Wavepad: Professional audio and music editor For Windows and Mac OS X Record and edit music, voice, and other audio recordings Cut, copy, and paste parts of recordings Add effects like echo, amplification and noise reduction Wav, mp3, vox, gsm, wma, real audio, au, aif, flac, ogg files Producing Digital Audio Wavepad (cont.): Silence, autotrim, amplify, normalize, equalize, envelope, reverb, reverse, and more effects available Integrated VST plug-in Free sound effect and music library Speech synthesis (text-to-speech) capabilities Includes a CD ripper Producing Digital Audio Wavepad (cont.): http://www.nch.com.au/wavepad/index.html.
Load more

Recommended publications
  • Adobe® Soundbooth® CS5 Création Et Montage Aisés Du Contenu Audio
    Adobe Soundbooth CS5 — Guide de télévente Adobe® Soundbooth® CS5 Création et montage aisés du contenu audio Adobe Soundbooth CS5 est un éditeur audio professionnel facilitant la création, le montage et le nettoyage des contenus audio. Ses fonctions intuitives axées sur les tâches et son étroite intégration avec les autres applications Adobe permettent de gagner du temps et d’obtenir des résultats de qualité professionnelle. Son environnement multipiste optimisé vous permet de mixer des partitions et des effets sonores personnalisables et libres de droit avec des dialogues pour une parfaite maîtrise de votre créativité. Profils clients Quel produit promouvoir ? Professionnels de la vidéo — Monteurs vidéo produisant des films captivants et d’autres types de Vous pouvez aussi vous procurer contenu vidéo à partir d’enregistrements en direct, d’images fixes et d’éléments audio. Ils travaillent Soundbooth CS5 comme sur des projets extrêmement variés : spots publicitaires, courts et longs métrages, programmes composant d’Adobe Creative Suite 5 télévisés, événements sportifs, etc. Production Premium, environnement très complet offrant des performances Concepteurs de contenus interactifs — Concepteurs et développeurs utilisant des éléments visuels hors pair pour créer du contenu et des programmes en arrière-plan pour créer des contenus web interactifs captivants. Nombre de cinématographique et vidéo. leurs projets incluent du contenu vidéo pour un impact renforcé. Le produit est également disponible dans l’édition Master Collection. Principales raisons d’acheter Adobe Soundbooth CS5 Nettoyez rapidement le contenu audio — Repérez et corrigez automatiquement les défauts courants dans les enregistrements audio — sifflantes, respirations, bourdonnements, problèmes de phase, crépitements et pops. Créez des effets audio spéciaux ou ajoutez des effets de réverbération pour restituer l’ambiance extérieure.
    [Show full text]
  • Adobe Creative Cloud for Teams
    Adobe Creative Cloud for teams World-class creative tools. Hassle-free administration. Built to accelerate your business, Creative Cloud gives your organization access to the world’s best creative apps and services as soon as they’re released. Get a wealth of new features that boost your productivity, make everyday tasks easier, support the latest standards and hardware, and help you create even more amazing work. Collaborate and share with ease Securely share files and folders across desktops and devices. Custom-built Creative Cloud Libraries make it easy to maintain version control, stay on top of changes, and work together more productively. Deploy and manage without hassles Deploy apps and updates your way—either handle it centrally or let users install as needed. The web-based Admin Console enables IT to add or reassign seats anytime with just a few clicks, and billing catches up at your next payment cycle. Plus, get up to 15% off with purchases of 10 or more seats through the Value Incentive Plan (VIP). Get expert help when you need it Got questions about deployment or license management? Creative Cloud for teams offers an onboarding webinar as well as advanced 24x7 technical support. And if you need training on a desktop app, count on 1:1 Expert Services sessions and thousands of tutorials to help you make the most of your software. Jump-start the design process with creative resources The Adobe Stock marketplace puts the perfect asset right at your fingertips with millions of royalty-free photos, graphics, videos, templates, and our curated collection of premium images from some of the world’s leading creatives.
    [Show full text]
  • A Beginners Guide to Making Audiobooks Using Audacity, Garageband and Adobe Audition Ebook, E
    AUDIOBOOK RECORDING : A BEGINNERS GUIDE TO MAKING AUDIOBOOKS USING AUDACITY, GARAGEBAND AND ADOBE AUDITION Author: Vivian Jessica Snow Number of Pages: 92 pages Published Date: 25 Jun 2020 Publisher: Independently Published Publication Country: none Language: English ISBN: 9798656849098 DOWNLOAD: AUDIOBOOK RECORDING : A BEGINNERS GUIDE TO MAKING AUDIOBOOKS USING AUDACITY, GARAGEBAND AND ADOBE AUDITION Audiobook Recording : A Beginners Guide To Making Audiobooks Using Audacity, GarageBand And Adobe Audition PDF Book Author Barbara Schading decodes all things military for you. -How to correctly structure your first and subsequent investment property acquisitions, and why you should never cross-collateralise your properties. pd-content1 {float: left; width:480px;}. The high-definition maps were created using the latest digital techniques and satellite data. A middle-aged woman finds herself entwined in a passionate embrace at a Civil War battlefield. 20: A Monthly Record of Medical and Surgical Science State on admission - The patient makes water every few minutes, during both night and day, but especially often at night. " -Lisa Eickholt Let's face it: Mentor texts are fantastic, but children's literature is the perfect product of adult authors. New coverage includes super- longstroke and slow-speed engines, and a new generation of medium-speed engines burning lower quality fuels. The contributions are compassionate, warm and humane. As we ascend in the grades the various subjects and parts of subjects should be isolated for thoroughness of drill and clearness of conception. They have been instrumental in developing standards for judging how Web sites use and protect the personal information they collect, and they have advised numerous corporations who recognize that trust is the key to economic growth and expansion in the e-commerce world.
    [Show full text]
  • Main Features Real-Time Multi-Channel Audio Bridge Overview
    Real-Time Multi-Channel Audio Bridge Overview The Real-Time Multi-Channel Audio Bridge has the ability to send and receive audio between a sound card and T1 E1 timeslots. Real- Time Multi-Channel Audio Bridge application provides a bridge between T1 E1 timeslots and single or multichannel sound card(s). The application allows user to insert speech onto T1 E1 timeslots using the PC microphone. Also, listen to speech on T1 E1 timeslots using PC speakers or Headphones. This application is available as a part of basic applications with all T1 E1 analyzers. This powerful optional application can also interwork with other “sound card aware” applications like Goldwave, Adobe Audition, Audacity, Matlab, LabView and many others. In this case, third party “virtual sound card” software is required, e.g. VAC (Virtual Audio Cable). For more details, visit Real-Time Multi-Channel Audio Bridge webpage. Main Features • Insert speech on T1 E1 lines using microphone connected to the sound card i.e., stream audio to channel/subchannel from the sound card • Listen/Drop speech on T1 E1 lines using PC speakers or Headphone using sound card - Stream audio from channel/subchannel to sound card • Supported codecs are A-law, Mu-law, 16 k Linear PCM, G.726 40 Kbps, 32 Kbps, 24 Kbps, 16 Kbps data rates, and G.722 • Mono and Stereo audio modes supported • Configure Drop and Insert, codec type, Mono/Stereo Audio Mode, port, Channel, Subchannel for a sound device • Automatic detection of sound devices including Virtual Audio Cable (VAC) 818 West Diamond Avenue - Third
    [Show full text]
  • J. Andrew Coombs (SBN 123881) [email protected] Annie S
    Case 4:09-cv-01089-CW Document 15 Filed 06/11/09 Page 1 of 13 1 J. Andrew Coombs (SBN 123881) [email protected] 2 Annie S. Wang (SBN 243027) [email protected] 3 J. Andrew Coombs, A Prof. Corp. 517 East Wilson Avenue, Suite 202 4 Glendale, California 91206 Telephone: (818) 500-3200 5 Facsimile: (818) 500-3201 6 Attorneys for Plaintiff Adobe Systems Incorporated 7 Kimbra Lee Baker a/k/a Kim Baker 8 16173 Suffolk Dr. Spring Lake, MI 49456 9 Defendant, in pro se 10 UNITED STATES DISTRICT COURT 11 NORTHERN DISTRICT OF CALIFORNIA (OAKLAND) 12 Adobe Systems Incorporated, ) Case No. C09-01089 CW 13 ) Plaintiff, ) PERMANENT INJUNCTION AND 14 v. ) DISMISSAL WITH PREJUDICE ) 15 Margie Clark, Kimbra Lee Baker a/k/a Kim ) Baker, and Does 2 – 10, inclusive, ) 16 ) Defendants. ) 17 18 The Court, having read and considered the Joint Stipulation for Permanent Injunction and Dismissal with Prejudice that has been executed by Plaintiff Adobe Systems Incorporated 19 (“Plaintiff”) and Defendant Kimbra Lee Baker a/k/a Kim Baker (“Defendant”) in this action, and 20 good cause appearing therefore, hereby: 21 ORDERS that based on the Parties’ stipulation and only as to Defendant, her successors, 22 heirs, and assignees, this Injunction shall be and is hereby entered in the within action as follows: 23 1) This Court has jurisdiction over the parties to this action and over the subject matter hereof 24 pursuant to 17 U.S.C. § 101 et seq., 15 U.S.C. § 1051, et seq., 15 U.S.C. § 1121, and 28 U.S.C.
    [Show full text]
  • Adobe Systems FY2006 10-K/A
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 ________________ FORM 10-K/A (Amendment No. 1) ________________ (Mark One) [X] ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 1, 2006 OR [ ] TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission file number: 0-15175 ADOBE SYSTEMS INCORPORATED (Exact name of registrant as specified in its charter) Delaware 77-0019522 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 345 Park Avenue, San Jose, California 95110-2704 (Address of principal executive offices and zip code) (408) 536-6000 (Registrant’s telephone number, including area code) Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Name of Each Exchange on Which Registered Common Stock, $0.0001 par value per share The NASDAQ Stock Market LLC (NASDAQ Global Select Market) Securities registered pursuant to Section 12(g) of the Act: None Indicate by checkmark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes [X] No [ ] Indicate by checkmark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes [ ] No [X] Indicate by checkmark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15 (d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • Soundbooth CS3 User Guide
    ADOBE®SOUNDBOOTH™ CS3 USER GUIDE ©Copyright 2007 Adobe Systems Incorporated. All rights reserved. Adobe® Soundbooth™ CS3 User Guide for Windows® and Mac OS. If this guide is distributed with software that includes an end user agreement, this guide, as well as the software described in it, is furnished under license and may be used or copied only in accordance with the terms of such license. Except as permitted by any such license, no part of this guide may be reproduced, stored in a retrieval system, or trans- mitted, in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Adobe Systems Incorporated.Pleasenotethatthe content in this guide is protected under copyright law even if it is not distributed with software that includes an end user license agreement. Thecontentofthisguideisfurnishedforinformationaluseonly,issubjecttochangewithoutnotice,andshouldnotbeconstruedasacommitmentbyAdobe Systems Incorpo- rated. Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in this guide. Please remember that existing artwork or images that you may want to include in your project may be protected under copyright law. The unauthorized incorporation of such material into your new work could be a violation of the rights of the copyright owner. Please be sure to obtain any permission required from the copyright owner. Any references to company names in sample templates are for demonstration purposes only and are not intended to refer to any actual organization. Adobe, the Adobe logo, Adobe Premiere, After Effects, Creative Suite, Encore, Flash, Photoshop, Soundbooth, and Version Cue are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries.
    [Show full text]
  • Adobe Production Studio Product Overview
    FEATURES Adobe® Creative Suite Production Studio The complete post-production solution Product overview Bring new power and efficiency to your film, video, DVD, and web workflows. Part of the Adobe Creative Suite family, Adobe Production Studio Premium software is a complete post-production solution that combines Adobe’s world-class video and graphics software with the timesaving integration and workflow features Adobe Dynamic Link and Adobe Bridge. Creative power Motion graphics and visual effects with Adobe After Effects® 7.0 Fast and flexible 32-bit 2D and 3D compositing environment • Use After Effects software to composite and animate in 2D or 3D space using cameras and lights. Unrivaled text animation and titling effects • Create animated text with unprecedented ease. Use the standard Adobe Text tool or edit and animate text from Adobe Photoshop® software, instantly apply text Animation Presets, and much more. Powerful animation and keyframing controls • Animate layer properties such as position, scale, rotation, and effects. Save time with Animation and Behavior Presets. Use the new Graph Editor for complete visual control over keyframe editing and easy synchronization of effects across layers. Use included templates to create motion menus for Adobe Encore® DVD software. Nondestructive vector painting and cloning • Paint nondestructively on layers using Photoshop style brushes to clean up footage, draw masks, clone elements, and create animations. Use Liquify to create brush- based distortion. Extensive visual and audio effects • Take advantage of hundreds of included effects, and share common effects with Adobe Premiere® Pro software. Hundreds of additional third-party effects are available separately. Real-time video editing with Adobe Premiere Pro 2.0 Scalable format support • Work with your choice of video formats.
    [Show full text]
  • Download Our Information in Adobe Acrobat Reader PDF Format
    MIBCI Contractors - Home Phone: (586) 243-1223 E-mail: mbci@mbcicontractors. com Simplicity is complexity made simple Home Our Services Residential Gallery Commercial Gallery Contact Us Tips HOME Services COMMERCIAL MBCI Contractors is a professionally managed construction company, licensed by the State of ● Commercial Michigan; specializing in residential, commercial construction, custom built homes, additions, garages, basements, and complete home remodeling. RESIDENTIAL We offer all kinds of designs, permits, consultation and ● Custom Built professional work and results. Homes We provide a complete renovation project services. All ● Additions your construction needs are handled from the start ● Garages point to the end. ● Basements We run, manage and back your custom built, additions ● Kitchens and improvements during and after completion. ● Bathrooms ● Decks & porches Download our information in Adobe Acrobat Reader PDF format Copyright 2011 MBCI Contractors - All rights reserved Website Design by LAC Consulting Services http://www.mbcicontractors.com/mbcicontractors/29/12/2010 12:06:18 AM MBCI Contractors - Our Services Phone: (586) 243-1223 E-mail: mbci@mbcicontractors. com Simplicity is complexity made simple Home Our Services Residential Gallery Commercial Gallery Contact Us Tips OUR SERVICES Services COMMERCIAL COMMERCIAL Commercial construction from the ground up; or expansions; or renovations will be done according to ● Commercial your requirements. See Commercial Gallery for work we have done. RESIDENTIAL RESIDENTIAL ● Custom Built We do home improvements, renovations, and Homes additions. See Residential Gallery for possibilities ● Additions and options. ● Garages Custom Built Homes ● Basements MBCI can help build your custom home from ● Kitchens underground up. Together we can plan, design and ● Bathrooms build your dream home. ● Decks & porches Additions MBCI can design or use your design to build any size of addition from a whole floor to a one room, any size, shape and design.
    [Show full text]
  • TN Production Assistant – V1.0.2.X User Notes
    TN Production Assistant – v1.0.2.x User Notes Introduction This software is designed to assist Talking Newspapers in the preparation of a ‘copy-ready’ image of a multi-track Talking Newspaper or Talking Magazine production from individual track recordings created during a preceding ‘studio session’ using a stand-alone digital recorder or other digital recording facility such as a PC with digital recording software. Prerequisites A PC running a Windows Operating System (XP or later). Sufficient hard drive capacity to accommodate the software, working and archive storage (recommended minimum of 1GB) Audio Editing Software (e.g. Adobe Audition, Goldwave or Audacity) installed ‘Microsoft .NET 4 Environment’ installed (this will be automatically installed during the installation procedure below providing an internet connection exists) Installing the software The application is installed from the Downloads Section of the Hamilton Sound website at http://hamiltonsound.co.uk . Please follow the instructions displayed on the website and as presented by the installer. In case of difficulty please contact Hamilton Sound at [email protected] for assistance and advice. Please also report any bugs detected in use or suggested improvements to the above email address. On first installation a welcome screen will be presented followed by the set-up screen. Check and adjust if required the set-up parameters from their pre-set values (see Set-Up below). Configuration Before first using this software it is important to ensure that the configuration parameters are set appropriately for your purposes. The default values of each parameter are shown in parenthesis. TIP – Hold mouse cursor over any field for tips on what to enter there.
    [Show full text]
  • Adobe Apps for Education Images and Pictures
    Adobe Images and pictures › Figures and illustrations › Documents › Apps for Education Empowering students, educators, Portfolios and presentations › Productivity and collaboration › Apps › and administrators to express their creativity. Websites › Video and audio › Games › See page 11 for a glossary of Adobe apps. Adobe Apps for Education Images and pictures Images and pictures › Sample project Create Beginner Retouch photos on the fly Portfolio and presentations › Create an expressive drawing Websites › Make quick enhancements to photos Figures and illustrations › Learn five simple ways to enhance a photo Productivity and collaboration › Make a photo slide show Video and audio › Intermediate Make non-destructive edits in Camera Raw Edit and combine images to make creative compositions Documents › Shoot and edit a professional headshot Apps › Comp, preview, and build a mobile app design Games › Expert Create a 3D composition Adobe Apps for Education Portfolio and presentations Images and pictures › Sample project Create Beginner Convert a PowerPoint presentation into an interactive online presentation Portfolio and presentations › Create an oral history presentation Websites › Create a digital science fair report Figures and illustrations › Productivity and collaboration › Create a digital portfolio of course work Video and audio › Intermediate Create a self-paced interactive tutorial Documents › Create a slide presentation Apps › Expert Turn a publication into an ePub Games › Adobe Apps for Education Websites Images and pictures › Sample
    [Show full text]
  • Embedded Metadata in WAVE Files
    Embedded Metadata (in WAVE Files) CHRIS LACINAK AUDIOVISUAL PRESERVATION SOLUTIONS MUSIC LIBRARY ASSOCIATION 2011, PHILADELPHIA FEBRUARY 10, 2010 WWW.AVPRESERVE.COM [email protected] What Does Embedded Metadata Mean? Metadata that is stored inside the same file, or container that also stores the audiovisual essence to which the metadata refers MLA 2011, Philadelphia | February 10, 2011 Why Embed? The Government says it’s good for you. Or at least for them. http://www.digitizationguidelines.gov/guidelines/digitize-embedding.html MLA 2011, Philadelphia | February 10, 2011 Why Embed? Everyone else is doing it! Recorders and Cameras –Creation Software Applications & Editing Systems –Editing Asset Management and Workflow Systems - Management Distribution Platforms – Distribution and Access Filename dependencies are a nasty habit MLA 2011, Philadelphia | February 10, 2011 Why Embed? Or is that even the right question? Everyone else is doing it! Recorders and Cameras –Creation Software Applications & Editing Systems –Editing Asset Management and Workflow Systems - Management Distribution Platforms – Distribution and Access Filename dependencies are a nasty habit It exists in files, it is integral and it is useful To ignore it is to effectively de-catalog MLA 2011, Philadelphia | February 10, 2011 Importance to Archives Authenticity and Integrity Management Identification and Description Workflow Redundancy and Backup MLA 2011, Philadelphia | February 10, 2011 File Not Found/ The Record Industry's Digital Storage Crisis Rolling Stone, December 2010 “Label archivists tell horror stories about receiving hard drives that are blank or filled with unidentified files. "You'll get a drive with thousands of files on it," says Chris Lacinak of AudioVisual Preservation Solutions, which has helped preserve music for the Rock and Roll Hall of Fame.
    [Show full text]