The Satanic Rituals Anton Szandor Lavey
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The Unknown Known by Errol Morris: Quebec Premiere at Docville Thursday, April 24, 8 P.M., Cinéma Excentris
PRESS RELEASE FOR IMMEDIATE DISTRIBUTION The Unknown Known by Errol Morris: Quebec premiere at Docville Thursday, April 24, 8 p.m., Cinéma Excentris Montreal, Thursday, April 10, 2014 – The Montreal International Documentary Festival (RIDM) is proud to present the Quebec premiere of The Unknown Known by Errol Morris, the fourth monthly Docville screening of 2014. Morris is the internationally acclaimed director of such films as The Fog of War and The Thin Blue Line. In 2003, Errol Morris won the Oscar for Best Documentary Feature for The Fog of War, in which former U.S. Secretary of Defense Robert McNamara reflected on his career. A decade later, the filmmaker interviewed Donald Rumsfeld, who held the same position under George W. Bush. Armed with thousands of memos written by Rumsfeld during his long White House career (which began during the Nixon/Ford administration), Morris questions the controversial political figure on thorny topics like the invasion of Iraq under false pretences and the use of torture at Abu Ghraib. Staring down the camera without ever losing his aloof smile, Rumsfeld tackles every question with rhetorical poise as hypnotic as the film’s music, by Danny Elfman. Shown at the Venice, Telluride and Toronto festivals, The Unknown Known is a gripping verbal duel that leaves the historical truth more elusive than ever. THE UNKNOWN KNOWN Directed by Errol Morris. United States. 2013. 103 min. In English. Thursday, April 24, 8 p.m., Cinéma Excentris The film is distributed by Les Films Séville, an Entertainment One company. Trailer: http://www.youtube.com/watch?v=9TcZ2‐sEb3o Online ticket purchase: https://excentris.ticketacces.net/fr/organisation/representations/index.cfm?EvenementID=511 Since 2012, the RIDM’s Docville series, presented on the last Thursday of every month, has given audiences the chance to see Montreal premieres of excellent documentaries that have enjoyed recent success at the world’s most prestigious festivals. -
The Bible of the Adversary
THE BIBLE OF THE ADVERSARY MICHAEL W. FORD 1 THE BIBLE OF THE ADVERSARY MICHAEL W. FORD 2 Dedicated to ARASKH Who brought the wisdom of Ahriman to Humanity, who recognized “As Above, So Below” 3 THE BIBLE OF THE ADVERSARY By Michael W. Ford Copyright © 2007 by Michael W. Ford All rights reserved. No part of this book, in part or in whole, may be reproduced, transmitted, or utilized, in any form or by any means electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission in writing from the publisher, except for brief quotations in critical articles, books and reviews. Illustrations by Various medieval sources and Gustave Dore. Sigils, Seals and Yatukih designs by Michael W. Ford Qlippothic Sigils illustrated by Michael W. Ford First edition 2007 Succubus Productions EBOOK EDITION 2009 Information: Succubus Productions PO Box 926344 Houston, TX 77292 USA Website: http://www.luciferianwitchcraft.com email: [email protected] 4 TABLE OF CONTENTS Introduction pg 6 The Adversarial Doctrine pg 8 THE BOOK OF ANDAR (fire) pg 9 Beginning Questions pg 10 The Precepts of Lucifer pg 13 Samaelian Diatribe pg 22 THE BOOK OF AKOMAN (Air) pg 27 Definitions of Magick pg 28 Luciferian Ideology pg 30 Luciferian Laws pg 40 Ahriman – Darkness embodied: Symbolism pg 52 Luciferian Religious Holidays pg 68 Liber Legion – Infernal Names pg 71 The Qlippoth – pg 96 Summoning Qlippothic Forces pg 112 Tiamat – the Primal Abyss pg 130 Drujo Demana – Book of Dead Names pg 134 THE BOOK OF TAROMAT (Earth) pg 145 Mastery of the Earth – Controlling your Destiny pg 146 Symbols and Meaning pg 160 Three Types of Luciferian Magick pg 174 Banishing Rituals and Preparation pg 176 THE BOOK OF ZAIRICH (Water) RITUAL MAGICK pg 186 Yatukih Sorcery – Way-i-vatar pg 187 Yatukih Ritual Steps pg 195 THE BOOK OF AZAL’UCEL (Spirit) pg 287 BIBLIOGRAPHY pg 316 GLOSSARY pg 317 5 INTRODUCTION To attempt to define a faith can be a difficult task. -
Fantasy Commentator EDITOR and PUBLISHER: CONTRIBUTING EDITORS: A
Fantasy Commentator EDITOR and PUBLISHER: CONTRIBUTING EDITORS: A. Langley Searles Lee Becker, T. G. Cockcroft, 7 East 235th St. Sam Moskowitz, Lincoln Bronx, N. Y. 10470 Van Rose, George T. Wetzel Vol. IV, No. 4 -- oOo--- Winter 1982 Articles Needle in a Haystack Joseph Wrzos 195 Voyagers Through Infinity - II Sam Moskowitz 207 Lucky Me Stephen Fabian 218 Edward Lucas White - III George T. Wetzel 229 'Plus Ultra' - III A. Langley Searles 240 Nicholls: Comments and Errata T. G. Cockcroft and 246 Graham Stone Verse It's the Same Everywhere! Lee Becker 205 (illustrated by Melissa Snowind) Ten Sonnets Stanton A. Coblentz 214 Standing in the Shadows B. Leilah Wendell 228 Alien Lee Becker 239 Driftwood B. Leilah Wendell 252 Regular Features Book Reviews: Dahl's "My Uncle Oswald” Joseph Wrzos 221 Joshi's "H. P. L. : 4 Decades of Criticism" Lincoln Van Rose 223 Wetzel's "Lovecraft Collectors Library" A. Langley Searles 227 Moskowitz's "S F in Old San Francisco" A. Langley Searles 242 Nicholls' "Science Fiction Encyclopedia" Edward Wood 245 Hoban's "Riddley Walker" A. Langley Searles 250 A Few Thorns Lincoln Van Rose 200 Tips on Tales staff 253 Open House Our Readers 255 Indexes to volume IV 266 This is the thirty-second number of Fantasy Commentator^ a non-profit periodical of limited circulation devoted to articles, book reviews and verse in the area of sci ence - fiction and fantasy, published annually. Subscription rate: $3 a copy, three issues for $8. All opinions expressed herein are the contributors' own, and do not necessarily reflect those of the editor or the staff. -
General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library
“A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and -
Le Parole Non Bastano. Comunicazione Non Verbale E Insegnamento Dell’Italiano a Stranieri
Corso di Laurea magistrale ( ordinamento ex D.M. 270/2004 ) in Scienze del linguaggio - Glottodidattica Tesi di L aurea Le parole non bastano. Comunicazione non verbale e insegnamento dell’italiano a stranieri. Relatore Ch. Prof. Fabio Caon Correlatore Dott. Graziano Serragiotto Laureando Federica Ragogna 850811 A nno Accademico 2015/2016 1 INDICE: INTRODU CTION ………………………………………………………… … pag. 5 1. LA COMUNICAZIONE …………………………………………… …… pag. 8 1.1 LA COMPETENZA COMUNICATIVA …………………………… pag. 1 1 1.1.1 LA COMPETENZA LINGUIS TICA …………………… ….. pag. 1 5 1.1.2 LE COMPETENZE NON VERBALI …………………… …. pag. 1 8 1.1.3 LA COMPETENZA SOCIO - PRAGMATICA ………… …… pag. 2 0 1.1.4 LA COMPETENZA (INTER)CULTURALE …………… …. pag. 2 2 1.2 COMUNICAZIONE VERBALE ………………………………… … pag. 2 4 1.3 LA COMUNICAZIONE NON VERBALE ……………………… … pag. 3 2 1.3.1 GLI STUDI AMERICANI ………………………………... .... pag. 3 4 1.3.2 GLI STUDI EUROPEI …………………………………… …. .pag. 3 9 1.3.3 GLI STUDI ITALIANI …………………………………… … pag. 4 2 2. LA DIMENSIONE NON VERBALE ………………………………… … pag. 4 6 2.1 LA DIMENSIONE CINESICA …………………………………… … pag. 6 4 2.1.1 LE ESPRESSIONI DEL VOLTO ……………………… … … pag. 6 8 2.1.2 I GESTI E I LORO SIGNIFICATI ………………………... ... pag. 7 7 2.2 LA DIMENSIONE PROSSEMICA ……………………………… …. pag. 9 5 2.2.1 LO SPAZIO ………………………………………………... .. pag. 9 9 2.2.2 LE DISTANZE PERSONALI ……………………………... .. pag. 10 0 2.3 LA DIMENSIONE VESTEMICA ………………………………… .. pag. 10 6 2.4 LA DIMENS IONE OGGETTEMICA …………………………… … pag. 11 0 3. INTERCULTURAL COMMUNICATION …………………………… .. pag. 11 3 2 3.1 WHAT COMMUNICATION MEANS IN AN INTERCULTURAL CONTEXT ………………………………………………………… .. pag. 11 3 3.2 INTERCULTURAL COMMUNICATIVE COMPETENCE ………pag. 12 0 3.3 INTERCULTURAL PROBLEMS LINKED T O LANGUAGE ……pag. -
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia 2008 Karen Peta Hall Bachelor of Arts (Honours) Discipline of English and Cultural Studies School of Social and Cultural Studies ii Abstract Genres are constituted, implicitly and explicitly, through their construction of the past. Genres continually reconstitute themselves, as authors, producers and, most importantly, readers situate texts in relation to one another; each text implies a reader who will locate the text on a spectrum of previously developed generic characteristics. Though science fiction appears to be a genre concerned with the future, I argue that the persistent presence of lost race stories – where the contemporary world and groups of people thought to exist only in the past intersect – in science fiction demonstrates that the past is crucial in the operation of the genre. By tracing the origins and evolution of the lost race story from late nineteenth-century novels through the early twentieth-century American pulp science fiction magazines to novel-length narratives, and narrative series, at the end of the twentieth century, this thesis shows how the consistent presence, and varied uses, of lost race stories in science fiction complicates previous critical narratives of the history and definitions of science fiction. In examining the implicit and explicit aspects of temporality and genre, this thesis works through close readings of exemplar texts as well as historicist, structural and theoretically informed readings. It focuses particularly on women writers, thus extending previous accounts of women’s participation in science fiction and demonstrating that gender inflects constructions of authority, genre and temporality. -
1385280318233.Pdf
™ CORE ™ SERIOUSly? Free-to-Play? Imagination is powerful. To quote Albert Einstein, “Imagination is more impor- tant than knowledge. For knowledge is limited to all we now know and under- stand, while imagination embraces the entire world, and all there ever will be to know and understand.” Well said. We believe in the power of imagination and how it creates wonder and inspira- tion. Roleplaying games are one of the few things that can do what they do. Some might say they are the last frontier for wild imagination and creativity. We certainly believe so. That’s why we make roleplaying games – to help make that possible. Making roleplaying games the way we have hasn’t helped us spark imagination the way we’d hoped. We want to try something different. First, we’re adopting the Creative Commons license, so that you can contribute to the game in a meaningful way. That way, we can support you in your awesome ideas and help you get them out to your fellow players. Then, we’re going to give away electronic copies of the core book for free. We’ve all bought games that didn’t end up working out for us. That’s why we’re giving this to you for free – so that you can figure out if you like the game before you decide to spend money on it. If you like The Void and you play it, we’re going to put out a bunch of cool ma- terial at very reasonable prices. We’re going to do it buffet-style, so you can pick and choose what works best for you and your group. -
This List of Gestures Represents Broad Categories of Emotion: Openness
This list of gestures represents broad categories of emotion: openness, defensiveness, expectancy, suspicion, readiness, cooperation, frustration, confidence, nervousness, boredom, and acceptance. By visualizing the movement of these gestures, you can raise your awareness of the many emotions the body expresses without words. Openness Aggressiveness Smiling Hand on hips Open hands Sitting on edge of chair Unbuttoning coats Moving in closer Defensiveness Cooperation Arms crossed on chest Sitting on edge of chair Locked ankles & clenched fists Hand on the face gestures Chair back as a shield Unbuttoned coat Crossing legs Head titled Expectancy Frustration Hand rubbing Short breaths Crossed fingers “Tsk!” Tightly clenched hands Evaluation Wringing hands Hand to cheek gestures Fist like gestures Head tilted Pointing index finger Stroking chins Palm to back of neck Gestures with glasses Kicking at ground or an imaginary object Pacing Confidence Suspicion & Secretiveness Steepling Sideways glance Hands joined at back Feet or body pointing towards the door Feet on desk Rubbing nose Elevating oneself Rubbing the eye “Cluck” sound Leaning back with hands supporting head Nervousness Clearing throat Boredom “Whew” sound Drumming on table Whistling Head in hand Fidget in chair Blank stare Tugging at ear Hands over mouth while speaking Acceptance Tugging at pants while sitting Hand to chest Jingling money in pocket Touching Moving in closer Dangerous Body Language Abroad by Matthew Link Posted Jul 26th 2010 01:00 PMUpdated Aug 10th 2010 01:17 PM at http://news.travel.aol.com/2010/07/26/dangerous-body-language-abroad/?ncid=AOLCOMMtravsharartl0001&sms_ss=digg You are in a foreign country, and don't speak the language. -
The Unknown Known
BERLINALE SPECIAL THE UNKNOWN KNOWN Errol Morris Über 10 000 Memos schrieb Donald Rumsfeld als Ratgeber von vier USA 2013 US-Präsidenten und Verteidigungsministern an seine Mitarbeiter und 102 Min. · DCP · Farbe · Dokumentarfilm Kollegen. Diese über Jahrzehnte aufgehobenen aufschlussreichen No- tizen bilden die Grundlage für die Annäherung an einen Mann, der die Regie Errol Morris US-amerikanische Außenpolitik und den sogenannten Krieg gegen Kamera Robert Chappell Schnitt Steven Hathaway den Terror entscheidend mitprägte. In einem neutralen Raum bittet Musik Danny Elfman der Filmemacher den umstrittenen Politiker, Platz zu nehmen und ver- Sound Design Skip Lievsay wickelt ihn mit scheinbar banalen Fragen in ein immer brisanter wer- Production Design Ted Bafaloukos, dendes Gespräch. Von Pearl Harbor über Vietnam bis zu 9/11 bezieht Jeremy Landman Geboren 1948 in Hewlett, New York. Studierte Rumsfeld Stellung zum Umgang der USA mit militärischen und po- Produzenten Errol Morris, Philosophie an der University of Wisconsin litischen Fehlern und Katastrophen. Robert Fernandez, Amanda Branson Gill in Madison, der Princeton University und der Mit diesem Film schlägt der Essay- und Dokumentarfilmer Errol Mor- Ausführende Produzenten Dirk Hoogstra, University of California in Berkeley. Außerdem ris ein weiteres Kapitel verdrängter US-Geschichte auf. In STANDARD Julian P. Hobbs, Molly Thompson, Cello bei Nadia Boulanger, bei der auch Philip Diane Weyermann, Jeff Skoll, Tom Quinn, Glass und Quincy Jones Unterricht nahmen. OPERATION PROCEDURE (Wettbewerb Berlinale, 2008) ergründete er die Vorgänge hinter den Folterfotos aus Abu Ghraib. Und schon einmal Jason Janego, Josh Braun, Celia Taylor, Drehte seit 1978 zahlreiche Dokumentarfilme, Angus Wall, Julia Sheehan die sich vorzugsweise mit wissenschaftlichen nahm er einen ehemaligen US-Verteidigungsminister, Robert S. -
2 0 2 0–2 0 2 1 T R Av E L B R O C H U
2020–2021 R R ES E VE O BROCHURE NL INEAT VEL A NATGEOEXPE R T DI T IO NS.COM NATIONAL GEOGRAPHIC EXPEDITIONS NORTH AMERICA EURASIA 11 Alaska: Denali to Kenai Fjords 34 Trans-Siberian Rail Expedition 12 Canadian Rockies by Rail and Trail 36 Georgia and Armenia: Crossroads of Continents 13 Winter Wildlife in Yellowstone 14 Yellowstone and Grand Teton National Parks EUROPE 15 Grand Canyon, Bryce, and Zion 38 Norway’s Trains and Fjords National Parks 39 Iceland: Volcanoes, Glaciers, and Whales 16 Belize and Tikal Private Expedition 40 Ireland: Tales and Treasures of the Emerald Isle 41 Italy: Renaissance Cities and Tuscan Life SOUTH AMERICA 42 Swiss Trains and the Italian Lake District 17 Peru Private Expedition 44 Human Origins: Southwest France and 18 Ecuador Private Expedition Northern Spain 19 Exploring Patagonia 45 Greece: Wonders of an Ancient Empire 21 Patagonia Private Expedition 46 Greek Isles Private Expedition AUSTRALIA AND THE PACIFIC ASIA 22 Australia Private Expedition 47 Japan Private Expedition 48 Inside Japan 50 China: Imperial Treasures and Natural Wonders AFRICA 52 China Private Expedition 23 The Great Apes of Uganda and Rwanda 53 Bhutan: Kingdom in the Clouds 24 Tanzania Private Expedition 55 Vietnam, Laos, and Cambodia: 25 On Safari: Tanzania’s Great Migration Treasures of Indochina 27 Southern Africa Safari by Private Air 29 Madagascar Private Expedition 30 Morocco: Legendary Cities and the Sahara RESOURCES AND MORE 31 Morocco Private Expedition 3 Discover the National Geographic Difference MIDDLE EAST 8 All the Ways to Travel with National Geographic 32 The Holy Land: Past, Present, and Future 2 +31 (0) 23 205 10 10 | TRAVELWITHNATGEO.COM For more than 130 years, we’ve sent our explorers across continents and into remote cultures, down to the oceans’ depths, and up the highest mountains, in an effort to better understand the world and our relationship to it. -
HOW BLACK IS BLACK METAL [JOURNALISMUS] Nachrichten Von Heute
HOW BLACK IS BLACK METAL [JOURNALISMUS] nachrichten von heute Kevin Coogan - Lords of Chaos (LOC), a recent book-length examination of the “Satanic” black metal music scene, is less concerned with sound than fury. Authors Michael Moynihan and Didrik Sederlind zero in on Norway, where a tiny clique of black metal musicians torched some churches in 1992. The church burners’ own place of worship was a small Oslo record store called Helvete (Hell). Helvete was run by the godfather of Norwegian black metal, 0ystein Aarseth (“Euronymous”, or “Prince of Death”), who first brought black metal to Norway with his group Mayhem and his Deathlike Silence record label. One early member of the movement, “Frost” from the band Satyricon, recalled his first visit to Helvete: I felt like this was the place I had always dreamed about being in. It was a kick in the back. The black painted walls, the bizarre fitted out with inverted crosses, weapons, candelabra etc. And then just the downright evil atmosphere...it was just perfect. Frost was also impressed at how talented Euronymous was in “bringing forth the evil in people – and bringing the right people together” and then dominating them. “With a scene ruled by the firm hand of Euronymous,” Frost reminisced, “one could not avoid a certain herd-mentality. There were strict codes for what was accept- ed.” Euronymous may have honed his dictatorial skills while a member of Red Ungdom (Red Youth), the youth wing of the Marxist/Leninist Communist Workers Party, a Stalinist/Maoist outfit that idolized Pol Pot. All who wanted to be part of black metal’s inner core “had to please the leader in one way or the other.” Yet to Frost, Euronymous’s control over the scene was precisely “what made it so special and obscure, creating a center of dark, evil energies and inspiration.” Lords of Chaos, however, is far less interested in Euronymous than in the man who killed him, Varg Vikemes from the one-man group Burzum. -
African Americans, the Civil Rights Movement, and East Germany, 1949-1989
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by eScholarship@BC Friends of Freedom, Allies of Peace: African Americans, the Civil Rights Movement, and East Germany, 1949-1989 Author: Natalia King Rasmussen Persistent link: http://hdl.handle.net/2345/bc-ir:104045 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2014 Copyright is held by the author. This work is licensed under a Creative Commons Attribution 4.0 International License. Boston College The Graduate School of Arts and Sciences Department of History FRIENDS OF FREEDOM, ALLIES OF PEACE: AFRICAN AMERICANS, THE CIVIL RIGHTS MOVEMENT, AND EAST GERMANY, 1949-1989 A dissertation by NATALIA KING RASMUSSEN submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2014 © copyright by NATALIA DANETTE KING RASMUSSEN 2014 “Friends of Freedom, Allies of Peace: African Americans, the Civil Rights Movement, and East Germany, 1949-1989” Natalia King Rasmussen Dissertation Advisor: Devin O. Pendas This dissertation examines the relationship between Black America and East Germany from 1949 to 1989, exploring the ways in which two unlikely partners used international solidarity to achieve goals of domestic importance. Despite the growing number of works addressing the black experience in and with Imperial Germany, Nazi Germany, West Germany, and contemporary Germany, few studies have devoted attention to the black experience in and with East Germany. In this work, the outline of this transatlantic relationship is defined, detailing who was involved in the friendship, why they were involved, and what they hoped to gain from this alliance.