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Johann Georg Faust
Johann Georg Faust Dr. Johann Georg Faust (approx. 1480 – 1540) was a German alchemist who was born in the village of Knittlingen, Württemberg (it is also claimed in Roda in the province of Weimar, and also in Helmstadt near Heidelberg in 1466). He has alternatively been known by the names “Johann Sabellicus” and “Georg Faust.” In 1507, Johannes Trithemius of Sponheim wrote that Faust was a con-man and a drifter who preyed on the gullible. He said he had fled a teaching position in Kreuznach after molesting several of the boys there. He may have then gone on to the University of Heidelberg to study, obtaining a degree in divinity from Heidelberg University in 1509, and then to Poland where a friend of Martin Luther, Philip Melanchthon, says Faust studied magic at the University of Kraków. Martin Luther and Philipp Melanchthon are said to have alleged Faust’s companionship with the devil. After that, he appears at the University of Ehrfut in central Germany. It is said that when he lectured on Homer he conjured up Homer’s heroes for his students. He was expelled from Ehrfut by the Franciscan monk Dr. Klinge (who was the cathedral preacher from 1520-1556). Dr. Klinge asked for Faust’s repentance. Faust refused the monk’s offer of intervention and admitted having signed a pact with the Devil, and said that he trusted the Devil more than God. In 1523 he is said to have visited Auerbach’s Tavern in Leipzig where he conjured wine out of a table, and rode a barrel of wine. -
Alchemy Ancient and Modern
PLATE I. EFFIGIES HlPJ^SELCr JWEDlCI PORTRAIT OF PARACELSUS [Frontispiece ALCHEMY : ANCIENT AND MODERN BEING A BRIEF ACCOUNT OF THE ALCHEMISTIC DOC- TRINES, AND THEIR RELATIONS, TO MYSTICISM ON THE ONE HAND, AND TO RECENT DISCOVERIES IN HAND TOGETHER PHYSICAL SCIENCE ON THE OTHER ; WITH SOME PARTICULARS REGARDING THE LIVES AND TEACHINGS OF THE MOST NOTED ALCHEMISTS BY H. STANLEY REDGROVE, B.Sc. (Lond.), F.C.S. AUTHOR OF "ON THE CALCULATION OF THERMO-CHEMICAL CONSTANTS," " MATTER, SPIRIT AND THE COSMOS," ETC, WITH 16 FULL-PAGE ILLUSTRATIONS SECOND AND REVISED EDITION LONDON WILLIAM RIDER & SON, LTD. 8 PATERNOSTER ROW, E.G. 4 1922 First published . IQH Second Edition . , . 1922 PREFACE TO THE SECOND EDITION IT is exceedingly gratifying to me that a second edition of this book should be called for. But still more welcome is the change in the attitude of the educated world towards the old-time alchemists and their theories which has taken place during the past few years. The theory of the origin of Alchemy put forward in I has led to considerable discussion but Chapter ; whilst this theory has met with general acceptance, some of its earlier critics took it as implying far more than is actually the case* As a result of further research my conviction of its truth has become more fully confirmed, and in my recent work entitled " Bygone Beliefs (Rider, 1920), under the title of The Quest of the Philosophers Stone," I have found it possible to adduce further evidence in this connec tion. At the same time, whilst I became increasingly convinced that the main alchemistic hypotheses were drawn from the domain of mystical theology and applied to physics and chemistry by way of analogy, it also became evident to me that the crude physiology of bygone ages and remnants of the old phallic faith formed a further and subsidiary source of alchemistic theory. -
Exhibit: the Professional Library of the C.G. Jung Institute of Colorado, July 2015
Exhibit: The Professional Library of the C.G. Jung Institute of Colorado A. The Johnson-Budington Library B. Notable Books From Our Library C. The Jeffrey Raff Alchemical Collection D. The History of the C.G. Jung Institute of Colorado E. Jungians in Colorado F. Books by Institute Analysts G. First Issues of Jungian Journals H. Journals Featuring Jungian Analysts I. Pamphlets and Jungian Literature J. Pamphlets and Women’s Writing K. Other Media L. Autographed Books M. Other Jungian Authors from Colorado A. THE JOHNSON-BUDINGTON LIBRARY The C.G. Jung Institute of Colorado's library was founded in 2004 with a substantial gift from Irma Johnson-Budington and her husband, Bill Budington. They were well-known and influential members of the Jungian community in Colorado Springs. The collection was enlarged by donations from the personal collections of other prominent Colorado Jungians, such as Wallace and Jean Clift (co-founders, with Linda Leonard, of the Jung Society of Colorado in 1976) and Glen and Jean Carlson (analysts and Emeritus board members of our institute). We have also received donations of entire collections from other Jungian groups from across the country. The collection is housed within the offices of the C.G. Jung Institute of Colorado. It is available by appointment for in-house research and book loans to analysts, students of the institute, and members of the Jung Society of Colorado. Janis Page, who was a cataloging specialist for many years at the Auraria Library, professionally manages the library with the use of the Readerware database program. The library houses almost 2000 cataloged books, not counting multiple copies, which would add several hundred more to that total. -
An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext
An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext By Isaac Quinn DuPont A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Faculty of Information University of Toronto © Copyright by Isaac Quinn DuPont 2017 ii An Archeology of Cryptography: Rewriting Plaintext, Encryption, and Ciphertext Isaac Quinn DuPont Doctor of Philosophy Faculty of Information University of Toronto 2017 Abstract Tis dissertation is an archeological study of cryptography. It questions the validity of thinking about cryptography in familiar, instrumentalist terms, and instead reveals the ways that cryptography can been understood as writing, media, and computation. In this dissertation, I ofer a critique of the prevailing views of cryptography by tracing a number of long overlooked themes in its history, including the development of artifcial languages, machine translation, media, code, notation, silence, and order. Using an archeological method, I detail historical conditions of possibility and the technical a priori of cryptography. Te conditions of possibility are explored in three parts, where I rhetorically rewrite the conventional terms of art, namely, plaintext, encryption, and ciphertext. I argue that plaintext has historically been understood as kind of inscription or form of writing, and has been associated with the development of artifcial languages, and used to analyze and investigate the natural world. I argue that the technical a priori of plaintext, encryption, and ciphertext is constitutive of the syntactic iii and semantic properties detailed in Nelson Goodman’s theory of notation, as described in his Languages of Art. I argue that encryption (and its reverse, decryption) are deterministic modes of transcription, which have historically been thought of as the medium between plaintext and ciphertext. -
Alchemy Rediscovered and Restored
ALCHEMY REDISCOVERED AND RESTORED BY ARCHIBALD COCKREN WITH AN ACCOUNT OF THE EXTRACTION OF THE SEED OF METALS AND THE PREPARATION OF THE MEDICINAL ELIXIR ACCORDING TO THE PRACTICE OF THE HERMETIC ART AND OF THE ALKAHEST OF THE PHILOSOPHER TO MRS. MEYER SASSOON PHILADELPHIA, DAVID MCKAY ORIGINALLY PUBLISHED IN 1941 Alchemy Rediscovered And Restored By Archibald Cockren. This web edition created and published by Global Grey 2013. GLOBAL GREY NOTHING BUT E-BOOKS TABLE OF CONTENTS THE SMARAGDINE TABLES OF HERMES TRISMEGISTUS FOREWORD PART I. HISTORICAL CHAPTER I. BEGINNINGS OF ALCHEMY CHAPTER II. EARLY EUROPEAN ALCHEMISTS CHAPTER III. THE STORY OF NICHOLAS FLAMEL CHAPTER IV. BASIL VALENTINE CHAPTER V. PARACELSUS CHAPTER VI. ALCHEMY IN THE SIXTEENTH AND SEVENTEENTH CENTURIES CHAPTER VII. ENGLISH ALCHEMISTS CHAPTER VIII. THE COMTE DE ST. GERMAIN PART II. THEORETICAL CHAPTER I. THE SEED OF METALS CHAPTER II. THE SPIRIT OF MERCURY CHAPTER III. THE QUINTESSENCE (I) THE QUINTESSENCE. (II) CHAPTER IV. THE QUINTESSENCE IN DAILY LIFE PART III CHAPTER I. THE MEDICINE FROM METALS CHAPTER II. PRACTICAL CONCLUSION 'AUREUS,' OR THE GOLDEN TRACTATE SECTION I SECTION II SECTION III SECTION IV SECTION V SECTION VI SECTION VII THE BOOK OF THE REVELATION OF HERMES 1 Alchemy Rediscovered And Restored By Archibald Cockren THE SMARAGDINE TABLES OF HERMES TRISMEGISTUS said to be found in the Valley of Ebron, after the Flood. 1. I speak not fiction, but what is certain and most true. 2. What is below is like that which is above, and what is above is like that which is below for performing the miracle of one thing. -
Agrippa's Cosmic Ladder: Building a World with Words in the De Occulta Philosophia
chapter 4 Agrippa’s Cosmic Ladder: Building a World with Words in the De Occulta Philosophia Noel Putnik In this essay I examine certain aspects of Cornelius Agrippa’s De occulta philosophia libri tres (Three Books of Occult Philosophy, 1533), one of the foun- dational works in the history of western esotericism.1 To venture on a brief examination of such a highly complex work certainly exceeds the limitations of an essay, but the problem I intend to delineate, I believe, can be captured and glimpsed in its main contours. I wish to consider the ways in which the German humanist constructs and represents a common Renaissance image of the universe in his De occulta philosophia. This image is of pivotal importance for understanding Agrippa’s peculiar worldview as it provides a conceptual framework in which he develops his multilayered and heterodox thought. In other words, I deal with Agrippa’s cosmology in the context of his magical the- ory. The main conclusion of my analysis is that Agrippa’s approach to this topic is remarkably non-visual and that his symbolism is largely of verbal nature, revealing an author predominantly concerned with the nature of discursive language and the linguistic implications of magical thinking. The De occulta philosophia is the largest, most important, and most complex among the works of Heinrich Cornelius Agrippa von Nettesheim (1486–1535). It is a summa of practically all the esoteric doctrines and magical practices ac- cessible to the author. As is well known and discussed in scholarship, this vast and diverse amount of material is organized within a tripartite structure that corresponds to the common Neoplatonic notion of a cosmic hierarchy. -
Roman Reading Permits for the Works of Bruno and Campanella Leen Spruit
ROMAN READING PERMITS FOR THE works OF Bruno AND Campanella Leen Spruit Summary Since the second half of the sixteenth century the Roman Congregations of the Holy Office and the Index granted licences for reading forbidden books. As a rule, reading permits for books by authors who were condemned for heresy, could not be issued. However, after the promulgation of the Clementine Index in 1596, the congregations gradually attenuated the total prohibitions, and started to issue licences for books prohibited in the first class of the Index. Here, the cases of Bruno and Campanella are discussed. eading permits started being issued after the Church of Rome had R begun to systematically censure ideas and works. The grant of licenc- es for reading forbidden books was not the effect of an official decision, issued on a certain date, but rather a practice that arose with individual epi- sodes related to quite dissimilar cases. The licences granted by the Roman Congregations of the Holy Office and the Index are the main, or rather the only, instrument for assessing the difference between the hypothetical and the real efficacy of ecclesiastical censorship, and this is because the inten- tional or casual inobservance of the prohibitions, the other factor determin- ing this difference, can only be measured in an indirect way and solely for individual cases. Initially, the prohibition to grant licences for works that were considered heretical, due to the author or the content, was total. Considering that the reading of suspect or prohibited works granted to confutate « haereses et errores » frequently led to contrary results, in 1564 the licences were limited to Inquisitors only. -
Die Edelgeborne Jungfer Alchymia: the Final Stage of European Alchemy
50 Bull. Hist. Chem., VOLUME 25, Number 1 (2000) DIE EDELGEBORNE JUNGFER ALCHYMIA: THE FINAL STAGE OF EUROPEAN ALCHEMY Vladimír Karpenko, Charles University, Czech Republic Introduction followed the Thirty Years War. German titles represent one third out of all alchemical books that appeared over The term “alchemy” encompasses a broad spectrum of the whole studied period (4). This is a witness of the activities that appeared in the Hellenistic world in the live interest paid to alchemy in Central Europe; the first centuries of our era and then, through Arabic me- majority of these books are still awaiting scholarly re- diation, reached Latin Europe by the mid 12thcentury. search. Out of numerous attempts to define this science, that Alchemical literature underwent gradual change, proposed by Sheppard (1) appears the most suitable be- being at the beginning often theoretical explanations of cause it includes the two main goals of alchemy: the the composition of matter and recipes for the prepara- enhancement of matter and the improvement of human tion of philosopher’s stone, elixirs, etc. Yet none of these existence. Concerning the former, it should be achieved miracles was effected; no true transmutation of metals by the transmutation of base metals into precious ones, succeeded. An example of the fate of alchemical claims while the second main direction strove for improvement to cure all illnesses was their failure during epidemics of humans by extending their life, the further stage of of plague that broke out in Europe by the mid 14th cen- which was seen as attaining a higher spiritual level. -
John Dee, Willem Silvius, and the Diagrammatic Alchemy of the Monas Hieroglyphica
The Royal Typographer and the Alchemist: John Dee, Willem Silvius, and the Diagrammatic Alchemy of the Monas Hieroglyphica Stephen Clucas Birkbeck, University of London, UK Abstract: John Dee’s Monas Hieroglyphica (1564) was a work which involved a close collaboration between its author and his ‘singular friend’ the Antwerp printer Willem Silvius, in whose house Dee was living whilst he composed the work and saw it through the press. This article considers the reasons why Dee chose to collaborate with Silvius, and the importance of the intellectual culture – and the print trade – of the Low Countries to the development of Dee’s outlook. Dee’s Monas was probably the first alchemical work which focused exclusively on the diagrammatic representation of the alchemical process, combining diagrams, cosmological schemes and various forms of tabular grid. It is argued that in the Monas the boundaries between typography and alchemy are blurred as the diagrams ‘anatomizing’ his hieroglyphic sign (the ‘Monad’) are seen as revealing truths about alchemical substances and processes. Key words: diagram, print culture, typography, John Dee, Willem Silvius, alchemy. Why did John Dee go to Antwerp in 1564 in order to publish his recondite alchemical work, the Monas Hieroglyphica? What was it that made the Antwerp printer Willem Silvius a suitable candidate for his role as the ‘typographical parent’ of Dee’s work?1 In this paper I look at the role that Silvius played in the evolution of Dee’s most enigmatic work, and at the ways in which Silvius’s expertise in the reproduction of printed diagrams enabled Dee to make the Monas one of the first alchemical works to make systematic use of the diagram was a way of presenting information about the alchemical process. -
Early Modern German Biographical Lexicons and Encyclopedias
Quidditas Volume 29 Article 8 2008 Alphabetical Lives: Early Modern German Biographical Lexicons and Encyclopedias Richard G. Cole Luther College, Emeritus Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Cole, Richard G. (2008) "Alphabetical Lives: Early Modern German Biographical Lexicons and Encyclopedias," Quidditas: Vol. 29 , Article 8. Available at: https://scholarsarchive.byu.edu/rmmra/vol29/iss1/8 This Note is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Cole 121 Notes Alphabetical Lives: Early Modern German Biographical Lexicons and Encyclopedias Richard G. Cole Luther College, Emeritus Those who appear obvious to us as “major players” in past eras may in part result from an unintended consequence of the work of early modern biographical lexicographers. By the eighteenth century, there were enough printed sources and available archival materials to deluge or even overwhelm historians and biographers with information about past actors of sixteenth century history. Those biographical lexicographers made choices about whom to give prominence and whom to minimize or ignore in their works. Much has been written about the impact of printing from the time of Gutenberg through the early modern period of European history. New methods of storing and retrieving data, producing accurate maps and printing biographical lexicons are but a few of the contributions of early modern European printing presses.1 By the end the seventeenth century, a new book genre, the biographical lexicon and encyclopedia, emerged from sixteenth century German print technology. -
The Alchemy of Sexuality in Early Modern English Lyric Poetry Lisa Gay Jennings
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2015 The Alchemy of Sexuality in Early Modern English Lyric Poetry Lisa Gay Jennings Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE ALCHEMY OF SEXUALITY IN EARLY MODERN ENGLISH LYRIC POETRY By LISA GAY JENNINGS A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2015 © 2015 Lisa Gay Jennings Lisa Gay Jennings defended this dissertation on February 4, 2015. The members of the supervisory committee were: Bruce Boehrer Professor Directing Dissertation Charles Upchurch University Representative Anne Coldiron Committee Member David Johnson Committee Member Daniel Vitkus Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii For my father, Dalrick Jennings, who never saw the end, but who always believed in my beginning. Death is just “a pageant to keep us in false gaze.” iii ACKNOWLEDGEMENTS In Matthew 17 of the Gospels Jesus performs a miracle where he casts out a demon from a little boy. His disciples inspired and a little envious of this show of power demanded why they were not able to cast out the demon. Jesus responds, “Howbeit this kind goeth not out but by prayer and fasting.” This dissertation came about much in the same manner. It did not materialize out of a moment of envy or frenzied inspiration but by an excruciating amount of sweat, tears, hard work, and some amount of dare I say, blood. -
Centralantikvariatet •
• CENTRALANTIKVARIATET • Centralantikvariatet +46-8 411 91 36 Alchemy & Österlånggatan 53 [email protected] SE-111 31 Stockholm www.centralant.se Occult Sciences 1 ALBERTUS MAGNUS (attr.) De secretis mulierum. Item de virtutibus herbarum lapidum et animalium. Amsterdam, apud Henricum et Theod. Boom, 1669. 12mo. 329,+ (6) pp. A few small and minimal stains. Recurring very weak dampstain in the margin in the lower corner. Some pages with folds. Crossed out notation on title page. Bound together with: BALDUINUS, Christian Adolph. Aurum superius & inferius aurae superioris et inferioris hermeticum, Christiani Adolphi Balduini. Amsterdam, apud Joannem Jansonium à Waesberge, 1675. 12mo. (20),+ 96,+ (13) pp.+ 3 engr. fold. plates. Small hole near the spine on p. 5-6 with loss of a couple of letters. Slightly soiled contem- porary vellum with blue sprinkled edges. Traces of removed wax seal on inside front board. Library bookplate of the Provincial masonic lodge of Gothenburg, and its handwritten number-label on spine. 30000:- STCN 095189181 resp. 097596558. Ferguson I, pp. 15 resp. 68. Caillet 662 for Balduinus (”Petit traité fort rare de la pierre philo- sophale”), this edition of Albertus Magnus not in Caillet. Duveen p. 41 for Balduinus. Verginelli 22, for an incomplete copy of Balduinus. Later edition of ”De secretis mulierum” (On the secrets of women), an immen- sly popular work which was published many times during the 15th, 16th, and 17th centuries, sometimes separately and sometimes in compilations such as this, which also contains ”Liber aggregationis” and ”De mirabilibus mundi” as well as ”De secretis naturae” by Michael Scotus. The works attributed to Albertus Magnus were not written by him, but by followers who drew (sometimes faultily) from his work.