DOCSLIB.ORG

The 2013 Summer Music Academy & Festival

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The 2013 Summer Music Academy & Festival Summer Music Academy and Festival Welcome to the 2013 Summer Music Academy & Festival TABLE OF CONTENTS Messages of Introduction ................................ Pg. 2 Institute Administration .................................. Pg. 3 Institute Board of Directors ............................ Pg. 4 Thank You to our 2013 Sponsors .................... Pg. 5 Special Thanks .................................................. Pg. 7 Concert Descriptions........................................Pg. 8 Fundraising Events......................................... Pg. 10 Concert Program ......................................... ...Pg. 11 Meet the Institute Faculty .............................. Pg. 19 Emerging Artist Program .............................. Pg. 24 Professional Flute Seminar ............................ Pg. 25 Meet the Institute Academy Students .......... Pg. 27 Institute Supporters ........................................ Pg. 34 1 Messages of Introduction From Institute Chairman, Thomas Gunn As the new Chairman of the Institute, I welcome you to the 13th season of the Innsbrook Institute! We are pleased you have chosen to join us for “Carnevale of Music". This year’s theme takes us on a worldwide journey with musical stops in France, Germany, Austria, Russia and the U.S.A. Each stop will be a feast for the senses as our renowned group of professional musicians seeks to thrill us once again with their artistry and passion for performance. Thanks to the fine leadership of Artistic Director, David Halen, and Education Director, Jonathan Swartz, the Academy welcomes 38 string and piano students, 4 Emerging Artists and 7 Professional Flute Seminar students. These students exhibit a high level of ability and expertise, and we are pleased they have chosen to attend the Institute. Over the past six months the Institute has made some progressive changes: Marilyn Humiston was appointed the new Executive Director, and Linda Buschman the new Assistant Executive Director. They bring strong backgrounds in music education, business leadership and nonprofit management to the Institute, and we are excited about the new path we are on. The board has also undergone some changes by voting to double its size over the next few years, strategically developing a new committee structure and recommiting itself to continuing to make the Institute a premier event in the Midwest. Each year we strive to improve our musical offerings and provide you with the most beautiful music, in this most beautiful of settings. Without the support of our staff, volunteers, patrons, friends and sponsors, the Academy and Festival would not be possible. We also ask you to join us in a “standing ovation” for outgoing Board Chairman Ed Boyce for his magnificent vision and leadership for the past 13 years. We thank you all for your investment in the Institute. This is your Institute, and we invite you to sit back, relax and enjoy what you have designed! From Executive Director, Marilyn Humiston Welcome to our 13th season. It is indeed our "lucky" season- lucky that Ed Boyce and David Halen not only had the vision but the drive and persistence to bring the Institute to fruition. The next nine days gather extraordinary faculty and musicians together to mentor, inspire and share their wealth of knowledge and remarkable talents with 50 gifted and enthusiastic students in our most gorgeous, peaceful environment. With a wide variety of performances each day and every evening, you will fill your soul and your hearts with music. It does indeed take a village to raise a child- our Institute. It requires hard work, incredible energy and a team that collaborates to see our Academy develop into maturity. From our administration, faculty and board to our sponsors, corporation and host families, we proudly offer our students and you with memories and experiences to last a lifetime. From Artistic Director, David Halen The talented artists, administrative staff, the generous volunteers, host families, board members and Innsbrook Corporation welcome you to another exciting musical summer! Many people have worked tirelessly to make the festival once again a reality. We are featuring an incredible cadre of performers and programs that are exciting and entertaining. This year's concerts are based on bringing you the most powerful music one can hear live from the most delicate and intimate to the bombastic Beethoven seventh! The growing youthful talent represents an exciting, inspiring glimpse of the future. It is a crucial component of what makes the Institute an important, positive learning experience in the idyllic pastoral setting here at Innsbrook. 2 A Special Thank You Board of Directors Thomas and Ann Babington Thomas Gunn, Board Chairman Condo for Flute Seminar Bruce and Shelley Edwards Patricia Barrett Condo for Flute Seminar Charlie Boyce Holiday Inn Express- O'Fallon Accommodations Ed Boyce Innsbrook Resort and Conference Center Food and Beverage, Rental Space Gregory Hoeltzel John Keetch Dee Joyner Original Themed Artwork John and Nancy Keetch Ellen Livingston Home for Flute Seminar Stephen J. Morice & Associates, P.C. Steve Morice Accountants Michael Richter Parkway South High School Music Stands Chandler Taylor Pillsbury Marketing, Co. Promotional Items John Welter Shirley Smith Warren Wobbe, Jr. Volunteer Coordinator Steinway Piano Gallery Piano Rental Sugar Creek Winery, Defiance, MO Wine Sunny Syrett Cookie Coordinator Technical Support Staff Daniel Shavers, Stage Manager Philip Robin, Asst. to Stage Manager Zach Schmitt, Asst. to Stage Manager Jeff Wilmes, Photography/Videography 3 Institute Administration LINDA BUSCHMAN MARILYN HUMISTON Asst. Executive Director Executive Director Linda Buschman joined the staff of the Institue in June 2012 Marilyn Humiston joined the Institute as Executive Director as the Development Director and in February was appointed in February 2013. She brings 31 years of music education to Asst. Executive Director.. She is responsible for overseeing her new assignment, most recently as a string educator for the budgeting and financials, development and fundraising, the Parkway School District. She serves as the President of and the marketing and public relations for the Institute. With the St. Louis Philharmonic Orchestra, is founder of the more than 18 years of non-profit management experience, she Manhasset Strings Quartet and is a freelance musician. brings a wealth of knowledge and expertise to her role. A native of St. Louis, Mrs. Humiston earned her bachelor's She and her husband, Larry, make their home at Innsbrook. degree from the University of Missouri-Columbia and her As a member of the Innsbrook family, and a trained musician master's degree from Lindenwood University. Married for herself, she is pleased to be a part of the Institute, and in 42 years, she and her husband, Ron, have two married chil- bringing the students and musicians together to delight dren, Sara and Dan. The darlings of their lives are grand- audiences once again. children, Hunter, Jaden and Addison. Humiston loves to read and play tennis when she’s not playing her violin. ANGELA CASSETTE Asst. Education Director JONATHAN SWARTZ This fall, Angela Cassette joins the staff of Music Theatre of Education Director Wichita as Development Director. She has been the Artistic Praised by The Strad for his “impeccable playing” and Operations Director of The Florida Orchestra “gorgeously viola-like tone,” violinist Jonathan Swartz (St. Petersburg, FL), and prior to that the General Manager enjoys a multi-faceted career. His solo CD, Suite Inspiration of the Omaha Symphony. She has also worked as artistic (Soundset Recordings), received critical acclaim. John staff at Spoleto Festival USA, the Cartagena International Terauds of Musical Toronto comments, “Swartz sounds Chamber Music Festival, and Rocky Mountain Summer as if his bow were strung with threads of silk rather than Conservatory (Steamboat Springs, CO). She is a graduate of horsehair,” and calls his performance of Bach’s Chaconne Vanderbilt University and Arizona State University. While at “something to treasure.” Arizona State, she was a student of and teaching assistant for Jonathan Swartz. A devoted pedagogue, Swartz serves on the faculties of Arizona State University, the Innsbrook Institute, Madeline TRACY GREEN Island Music Camp, Round Top Festival Institute, and Office Manager the Domaine Forget Academy. Sought after as a master Tracy Green resides in O’Fallon with her husband, clinician, and frequent presenter at the American String Keith, and two children, Seth & Marissa. In March, she Teachers Association National Conferences, his approach to joined the Innsbrook Institute after spending 20 years in bow technique was featured in a STRINGS magazine article telecommunications/software. She has been instrumental in in 2006. For more information, visit jonathan-swartz.com coordinating the students, host families and in the Institute office. SHANNON THOMAS Asst. Artistic Director DAVID HALEN A Tennessee native, violinist Shannon Thomas has garnered Artistic Director a reputation for exciting, thoughtful performances as a Concertmaster of the Saint Louis Symphony Orchestra, chamber musician, soloist, and in recital throughout the David Halen is a frequent soloist with many orchestras and United States and abroad.Recently serving as Visiting festivals around the world. At 19, he became the youngest Assistant Professor of Violin at the University of Southern recipient ever of a Fulbright Scholarship, for study in Mississippi,
Load more

Recommended publications
  • Journal of the American Viola Society Volume 9 No.2/3, 1993
    JOURNAL afthe AMERICAN VIOLA SOCIETY Chapter of THE INTERNATIONAL VIOLA SOCIETY Association for the Promotion of Viola Performance and Research Vol. 9 Nos. 2&3 1993 The Journal ofthe American Viola Society is a publication ofthat organization and is produced at Brigham Young University, © 1993, ISSN 0898-5987. The Journalwelcomes letters and articles from its readers. Editorial andAdvertising Office: BYU Music Harris Fine Arts Center Provo, UT 84602 (801) 378-4953 Fax: (801) 378-5973 Editor: David Dalton Assistant Editor: David Day Production: Helen Dixon JAVS appears three times yearly. Deadlines for copy and art work are March 1, July 1, and November 1; submissions should be sent to the editorial office. Ad rates: $100 full page, $85 two-thirds page, $65 halfpage, $50 one-third page, $35 one-fourth page. Classifieds: $25 for 30 words including address; $40 for 31-60 words. Advertisers will be billed after the ad has appeared. Payment to "American Viola Society" should be remitted to the editorial office. OFFICERS Alan de Vertich President School ofMusic University of So. California 830 West 34th Street Ramo Hall 112 Los Angeles, CA 90089 (805) 255-0693 Thomas Tatton Vice-President 2705 Rutledge Way Stockton, CA 95207 Pamela Goldsmith Secretary 11640 Amanda Drive Studio City, CA 91604 Ann Woodward Treasurer 209 w. University Ave. Chapel Hill, NC 27514 David Dalton Past President Editor, JA VS Brigham Young University Provo, Utah 84602 BOARD Mary Arlin J~ffery Irvine John Kella William Magers Donald !v1cInnes Kathryn Plummer Dwight Pounds
    [Show full text]
  • Alan Gilbert and the New York Philharmonic
    FOR IMMEDIATE RELEASE UPDATED January 13, 2015 January 7, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] ALAN GILBERT AND THE NEW YORK PHILHARMONIC Alan Gilbert To Conduct SILK ROAD ENSEMBLE with YO-YO MA Alongside the New York Philharmonic in Concerts Celebrating the Silk Road Ensemble’s 15TH ANNIVERSARY Program To Include The Silk Road Suite and Works by DMITRI YANOV-YANOVSKY, R. STRAUSS, AND OSVALDO GOLIJOV February 19–21, 2015 FREE INSIGHTS AT THE ATRIUM EVENT “Traversing Time and Trade: Fifteen Years of the Silkroad” February 18, 2015 The Silk Road Ensemble with Yo-Yo Ma will perform alongside the New York Philharmonic, led by Alan Gilbert, for a celebration of the innovative world-music ensemble’s 15th anniversary, Thursday, February 19, 2015, at 7:30 p.m.; Friday, February 20 at 8:00 p.m.; and Saturday, February 21 at 8:00 p.m. Titled Sacred and Transcendent, the program will feature the Philharmonic and the Silk Road Ensemble performing both separately and together. The concert will feature Fanfare for Gaita, Suona, and Brass; The Silk Road Suite, a compilation of works commissioned and premiered by the Ensemble; Dmitri Yanov-Yanovsky’s Sacred Signs Suite; R. Strauss’s Death and Transfiguration; and Osvaldo Golijov’s Rose of the Winds. The program marks the Silk Road Ensemble’s Philharmonic debut. “The Silk Road Ensemble demonstrates different approaches of exploring world traditions in a way that — through collaboration, flexible thinking, and disciplined imagination — allows each to flourish and evolve within its own frame,” Yo-Yo Ma said.
    [Show full text]
  • Creativity & Innovation
    MISSOURI MUSIC EDUCATORS 78TH ANNuaL IN-SERVICE WORKSHOP/CONFERENce CREATIVITY & INNOVATION JANUARY 27- 30, 2016 TAN-TAR-A RESORT & GOLF CLUB LAKE OZARK, MISSOURI 1 probably a tan tar a ad here? or nafme something or other 2 TABLE OF CONTENTS From the President .................................................................................4 Conference Schedule Wednesday ............................................................................................5 Thursday .................................................................................................7 All State Rehearsal Schedule ............................................................... 17 Friday .................................................................................................. 22 Saturday .............................................................................................. 37 All-State Concert Programs .................................................................. 40 Leadership MMEA Board of Directors/Administrative Personnel ............................44 MMEA Advisory Council .......................................................................45 District Leadership ...............................................................................46 Affiliate Organizations .........................................................................49 Supporting Organizations ...................................................................50 Schedule of Organization Business Meetings .....................................51 MMEA Past
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Ani Kavafian, Violin
    Ani Kavafian, violin Violinist Ani Kavafian enjoys a prolific career as a soloist, chamber musician, and professor. She has performed with many of America’s leading orchestras, including the New York Philharmonic, Philadelphia Orchestra, Cleveland Orchestra, Los Angeles Chamber Orchestra, and San Francisco Symphony. In the 2019-20 season, she continues her longtime association as an artist of the Chamber Music Society with appearances in New York and on tour. Last summer she participated in several music festivals including the Heifetz International Institute and the Sarasota Chamber Music, Bridgehampton, Meadowmount, Norfolk, and Angel Fire festivals. She and her sister, violinist and violist Ida Kavafian, have performed with the symphonies of Detroit, Colorado, Tucson, San Antonio, and Cincinnati, and have recorded the music of Mozart and Sarasate on the Nonesuch label. She is a Full Professor at Yale University and has appeared at Carnegie’s Zankel Hall numerous times with colleagues and students from Yale. She has received an Avery Fisher Career Grant and the Young Concert Artists International Auditions award, and has appeared at the White House on three occasions. Her recordings can be heard on the Nonesuch, RCA, Columbia, Arabesque, and Delos labels. Born in Istanbul of Armenian heritage, Ms. Kavafian studied violin in the US with Ara Zerounian and Mischa Mischakoff. She received her master’s degree from The Juilliard School under Ivan Galamian. She plays the 1736 Muir McKenzie Stradivarius violin. .
    [Show full text]
  • Media Release
    Media Release FOR IMMEDIATE RELEASE: January 15, 2019 Contact: Edward Wilensky (619) 232-7636 [email protected] San Diego Opera’s 2018-2019 Main Stage Season Closes With Bizet’s Carmen Mezzo-soprano Ginger Costa-Jackson makes Company debut in signature role of Carmen Tenor Robert Watson sings Don José New production to San Diego Opera audiences San Diego, CA – Georges Bizet’s opera Carmen will close the 2018-2019 mainstage season. Carmen opens on Saturday, March 30, 2019 for four performances at the Civic Theatre. Additional performances are April 2, 5, and 7 (matinee), 2019. Bringing her signature role to San Diego Opera for her house debut is mezzo-soprano Ginger Costa-Jackson. The Los Angeles Times’ critic Mark Swed noted “Ginger Costa-Jackson, an exceptional young Sicilian American mezzo-soprano, brought a dangerous, animalistic vibrancy to the title role. There is a lusty yet somber quality to her strikingly dark mezzo, the ideal voice for Carmen.” She is joined by tenor Robert Watson, also in a Company debut, as Don José. Also in Company debuts are soprano Sarah Tucker as Micaëla and baritone Scott Conner as Escamillo. Rounding out the cast is bass Patrick Blackwell in his Company debut as Zuniga, soprano Tasha Koontz as Frasquita, mezzo-soprano Guadalupe Paz as Mercedes in her Company debut, tenor Felipe Prado in his house debut as Remendado, baritone Bernardo Bermudez as Dancairo, and baritone Brian Vu in a Company debut as Morales. Maestro Yves Abel, last heard conducting 2016’s Madama Butterfly, returns to lead these performances, and Kyle Lang, who made his directorial debut with 2017’s As One, returns to stage the action.
    [Show full text]
  • Orchestre Métropolitain De Montréal
    Orchestre Métropolitain de Montréal Yannick Nézet-Séguin Artistic Director and Principal Conductor Joyce DiDonato / Mezzo-Soprano Wednesday Evening, November 20, 2019 at 7:30 pm Hill Auditorium Ann Arbor 23rd Performance of the 141st Annual Season 141st Annual Choral Union Series PROGRAM Wolfgang Amadeus Mozart La Clemenza di Tito, K. 621 (excerpts) Overture Aria: Parto, parto, ma tu ben mio Aria: Non più di fiori Ms. DiDonato Intermission Anton Bruckner Symphony No. 4 in E-flat Major, WAB 104 Bewegt, nicht zu schnell (With motion, not too fast) Andante quasi allegretto This evening’s performance is supported by the Menakka & Essel Bailey Endowment Fund for Scherzo: Bewegt (With motion) International Artistic Brilliance; Martha Krehbiel, in memory of Jeffrey Krehbiel; KLA; and Peter Toogood Finale: Bewegt, doch nicht zu schnell (With motion, not too fast) and Hannah Song. Media partnership provided by WRCJ 90.9 FM and WGTE 91.3 FM. Special thanks to Bill King, Matt Albert, Davin Torre, Alesia Johnson, Carol Fitzgerald, Gerald Vazquez, Flint School of Performing Arts, Scarlett Middle School, and the U-M School of Music, Theatre & Dance for their participation in events surrounding this evening’s performance. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening’s performance. Special thanks to Pamela Ruiter-Feenstra, visiting university carillonist, for coordinating this evening’s pre-concert music on the Charles Baird Carillon. Orchestre Métropolitain de Montréal and Ms. DiDonato appear by arrangement with Askonas Holt. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance.
    [Show full text]
  • Ÿþa N N U a L R E P O R T D O C U M E N
    Annual AMERICAN Report YOUTH 2015/16 SYMPHONY Concert Season Come as your are. Leave Inspired. New Music Our Mission, Our Our Our Fiscal Alumni AYS Our Our Director! Our Vision Programs Events Audience Responsibility Spotlights Testimonials Tea m Supporters I am incredibly honored and excited to become Orchestra, to name a few. And it is because of this the next Music Director of the American Youth belief that I cherish the opportunity to contribute Symphony, an ensemble with a deep history and to the future of classical music by taking what I view a bright future in the great city of Los Angeles. as the natural next step in the progression of my journey and my life -- the American Youth Symphony. I come to AYS as a dedicated musician who after years of experience as a regular guest I am thrilled to begin guiding our musicians both conductor across five continents, a concert cellist, off-stage and on for my inaugural concert season in and a composer, looks forward to working with 2016/17. Featuring several major classical works, the today’s most talented young musicians. I’m also repertoire prepares AYS musicians for the demands the Music Director of the Alabama Symphony of a 21st century professional orchestra. Such giants Orchestra, a husband, and father of three little kids. as Mozart and Korngold need no introduction, and I am particularly excited to kick off the season Having grown up in Caracas in a musical household has with Mahler’s Symphony No.1 on October 16 and to certainly been instrumental in my choice to become join electric-guitar icon Steve Vai on-stage at Walt both a musician and a passionate advocate of the Disney Concert Hall on March 11 for a concert that arts.
    [Show full text]
  • New World Records
    New World Records NEW WORLD RECORDS 701 Seventh Avenue, New York, New York 10036; (212) 302-0460; (212) 944-1922 fax email: [email protected] www.newworldrecords.org Songs of Samuel Barber and Ned Rorem New World NW 229 Songs of Samuel Barber romanticism brought him early success as a com- poser. Because of his First Symphony (1936, amuel Barber was born on March 9, 1910, in revised 1942), Bruno Walter thought of him as SWest Chester, Pennsylvania. He remembers “the pioneer of the American symphony.”(“That’s that his parents never particularly encouraged not true,” said Barber almost forty years later. him to become a musician, but as his mother’s “That should be Roy Harris.”) In the late thirties sister, the renowned Metropolitan Opera singer Barber was the first American to be performed Louise Homer, was a frequent visitor to the by Arturo Toscanini (Adagio for Strings and First Barber home, the atmosphere there was not at all Essay for Orchestra), and, not long after, his inimical to musical aspirations. Barber began to music was championed by artists of the stature study piano at six and composed his first music a of Bruno Walter (First Symphony and Second year later (a short piano piece in C minor called Essay for Orchestra), Eugene Ormandy (Violin “Sadness”). When he was ten he composed one Concerto), Artur Rodzinski (First Symphony), act of an opera, The Rose Tree, to a libretto by Serge Koussevitsky (Second Symphony), Martha the family’s Irish cook. At fourteen Barber Graham (Medea), and Vladimir Horowitz entered the newly opened Curtis Institute of (Excursions and Piano Sonata).
    [Show full text]
  • Program of the 2015-16 Season ______Jazz Studies Department
    JAZZCELEBRATION INAUGURAL IU JAZZ ALUMNI HALL OF FAME Featuring IU Jazz Faculty & Student Big Band, & Plummer Jazz Sextet Saturday, April 23 | 8pm | Musical Arts Center Sponsored by JACOBS SCHOOL OF MUSIC Indiana University Bloomington A Message from Tonight’s Sponsor Old National Wealth Management Old National Wealth Management (ONWM) is jazzed to sponsor the inaugural IU Jazz Alumni Hall of Fame and to support the Indiana University Jacobs School of Music. At Old National Wealth Management, we are proud to be a part of this annual presentation of timeless music and feature world- renowned musicians. Thank you for joining us this evening, and we hope you have a wonderful time. About Old National Wealth Management At Old National Wealth Management, we manage money for people with more important things to manage. Families, corporations, and foundations experience local, personal service from a dedicated team of seasoned professionals. Our team structure offers the unique advantage of long-term continuity of service. ONWM is a trusted financial partner, assisting with investment management, financial planning, retirement planning, and trust services. Old National Wealth Management is a Top 100 Fiduciary in the U.S. and part of the Old National Bancorp family of companies . the largest financial services company headquartered in the state of Indiana. _______________________ Supporting Jazz Studies at the IU Jacobs School of Music The Indiana University Jacobs School of Music gratefully acknowledges persons and institutions who support our students and faculty through the following endowments, scholarships, estate plans, and other funds. Endowed Funds Jamey and Sara Aebersold Jazz Fellowship David N. Baker Jr.
    [Show full text]
  • Mark Laver Jazzvertising
    Jazzvertising: Music, Marketing, and Meaning by Mark Laver A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy in Ethnomusicology Faculty of Music University of Toronto © Copyright by Mark Laver 2011 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-78257-6 Our file Notre référence ISBN: 978-0-494-78257-6 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. without the author's permission.
    [Show full text]
  • Orch Directory
    y r o t c e r i D Member Orchestras r e b m e 2006 M 6 0 AMERICAN SYMPHONY ORCHESTRA LEAGUE 0 2 ALABAMA MOBILE SYMPHONY (5P) ANCHORAGE YOUTH SYMPHONY (Y) E-Ms. Christina Littlejohn E-Mr. Ron Flugum ALABAMA SYMPHONY ORCHESTRA (2P) M-Mr. Scott Speck M-Mr. Linn Weeda E-Mr. Paul Ferrone 257 Dauphin Street T-251-432-2010 B-Mr. Gunnar Knapp B-Mr. Charles G. Brown III Mobile, AL 36652-3127 F-251-432-6618 P.O. Box 240541 T-907-566-7297 V-Ms. Sumner Starling, Symphony 30 www.mobilesymphony.org Anchorage, AK 99524-0541 F-907-333-0576 V-Ms. Susan Mason, Symphony Volunteer Council www.anchorageyouthsymphony.org 3621 6th Avenue South T-205-251-6929 MOBILE SYMPHONY YOUTH ORCHESTRA (YP) Birmingham, AL 35222 F-205-251-6840 E-Ms. Christina Littlejohn FAIRBANKS SYMPHONY (7P) www.alabamasymphony.org M-Mr. Orland Thomas E-Ms. Laura Bergh B-Mrs. Celia Mann Baehr M-Dr. Edward Zilberkant ETOWAH YOUTH ORCHESTRAS (YP) V-Mr. Ben Reece, Bay Area Strings B-Mr. Charles Lemke E-Mr. Bobby Welch P.O. Box 3127 T-251-432-2010 P.O. Box 82104 T-907-474-5407 M-Mr. Michael R. Gagliardo Mobile, AL 36652 F-251-432-6618 Fairbanks, AK 99708 F-907-474-5147 B-Mr. Jeff Cedarholm www.mobilesymphony.org www.fairbankssymphony.org V-Ms. Eileen Williams, Parents Organization 501 Broad Street T-256-543-2787 x32 TRI-STATE COMMUNITY ORCHESTRA (8P) JUNEAU SYMPHONY (7P) Gadsden, AL 35902 F-256-546-7435 M-Ms.
    [Show full text]