Alan Gilbert and the New York Philharmonic
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
Jupiter String Quartet with Todd Palmer, Clarinet
PHOTO BY SARAH GARDNER PHOTO BY CHRISTIAN STEINER SONIC ILLINOIS: JUPITER STRING QUARTET WITH TODD PALMER, CLARINET Thursday, February 16, 2017, at 7:30pm Foellinger Great Hall PROGRAM SONIC ILLINOIS: JUPITER STRING QUARTET WITH TODD PALMER, CLARINET Nelson Lee, violin Megan Freivogel, violin Liz Freivogel, viola Daniel McDonough, cello with Todd Palmer, clarinet, bass clarinet, basset horn Wolfgang Amadeus Mozart Clarinet Quintet in A Major, K. 581 (1789) (1756-1791) Allegro Larghetto Menuetto Allegretto con variazioni Osvaldo Golijov Yiddishbbuk, inscriptions for string quartet (1992) (b. 1960) Ia. D.W.(1932-1944, Ib. F.B. (1930-1944), Ic., T.K. (1934-1943) I.B.S. (1904-1991) L.B. (1918-1990) 20-minute intermission Osvaldo Golijov The Dreams and Prayers of Isaac the Blind, for clarinet and string (b. 1960) quartet (1994) Prelude: Calmo, sospeso I. Agitato—Con Fuoco—Maestoso—Senza misura, oscilante II. Teneramente—Ruvido—Presto III. Calmo, Sospeso—Allegro pesante Postlude: Lento, liberamente This program is a Sonic Illinois event, a month-long celebration of the extraordinary diversity of today’s vital contemporary music scene. Sonic Illinois is a collaboration of Krannert Center for the Performing Arts and the School of Music. The Jupiter String Quartet appears by arrangement with: California Artists Management 449 Springs Road Vallejo, CA 94590-5359 www.calartists.com 2 THE ACT OF GIVING OF ACT THE THANK YOU TO THE SPONSORS OF THIS PERFORMANCE Krannert Center honors the spirited generosity of these committed sponsors whose support of this performance continues to strengthen the impact of the arts in our community. FRANCES P. ROHLEN VISITING ARTISTS FUND/ COLLEGE OF FINE + APPLIED ARTS Funding for this presentation is provided in part by the Frances P. -
Digital Booklet
AYRE: LIVE “It is as if she was born to sing it, or, even better, born for each other, she and Ayre.” — Composer, Osvaldo Golijov A lush fusion of Arabic, Hebrew, Sardinian, and Sephardic folk melodies and texts, Argentinian composer Osvaldo Golijov’s Ayre is a brilliant example of 21st-century cultural counterpoint. This recording is the culmination of performances in Toronto for audiences at the breath- taking Ismaili Centre. Against the Grain Theatre Founding Member Miriam Khalil has now sung this technically challenging and deeply moving song cycle in numerous cites across Canada, the United States and Argentina, making this her signature piece. Mañanita de San Juan (Morning of St. John’s Day) 4:39 Traditional Sephardic romance (Music and Lyrics: Traditional Sephardic romance) Una madre comió asado (A mother roasted her child) 4:42 Traditional Sephardic song after The Lamentations of Jeremiah Tancas serradas a muru (Walls are encircling the land) 3:07 Lyrics and Music by Melchiorre Murenu (Sardinia, c. 1820); Francesco Ignazio Mannu (Sardinia, c. 1795) Luna (Moon) 1:58 Music by Gustavo Santaolalla Nani (lullaby) 4:42 (Traditional Sephardic lullaby) Wa Habibi (My love) 6:02 Traditional Christian Arab Easter song Aiini taqtiru (My eyes weep) 3:11 Traditional Christian Arab Easter song Kun li-guitarati wataran ayyuha al-maa’ (Be a string, water, to my guitar) 1:21 Poem by Mahmoud Darwish (from Eleven Planets in the Last Andalusian Sky) Suéltate las cintas (Untie your ribbons) 1:42 Lyrics and Music: Gustavo Santaolalla Instruments: Voice, guitar Yah, annah emtza’cha (O God, where shall I find you?)3:48 Poem by Yehudah Halevy (c. -
Edition 2 | 2018-2019
WELCOME Dearest Orlando, I’m excited to begin my fourth season with the Orlando Philharmonic Orchestra. We ended last season with the incredible 25th Anniversary Gala Concert featuring Yo-Yo Ma and my brother violinist Colin Jacobsen. Colin and I first met Yo- Yo through The Silk Road Ensemble, and we are bringing other members of this ensemble to Orlando during the 2018-2019 Season. The programs will evoke the themes and emotions of community, cross cultural exchange, and folk music along with brilliant virtuosos and heroes of our musical tradition. Orlando will turn its eyes skyward, in programs such as Holst’s monumental The Planets and the haunting and rejoicing sounds of Blue as the Turquoise Night of the Neyshabor by Kayhan Kalhor. We can all dance together in the endless Finnish nights when we take a look at the influence of the Argentinian Tango in Scandinavia. We’re deeply honored to welcome to the Philharmonic family, Puerto Rican-born composer and multi-instrumentalist Angélica Negrón as our composer-in-residence for the 2018-2019 Season. The Philharmonic will perform her works on four programs throughout the season, including a World Premiere on the final Focus Series. We look forward to collaborating with her and embracing her as a member of our artistic community. Ms. Negrón will build our orchestra and our city through her artistic and educational programs, and we know you will find her music beautiful, colorful, honest and conversation-provoking. Soloists highlighting the FAIRWINDS Classic Series include season-opening performances by Concertmaster Rimma Bergeron-Langlois and Soprano Maria Laetitia. -
The Poetics of Persian Music
The Poetics of Persian Music: The Intimate Correlation between Prosody and Persian Classical Music by Farzad Amoozegar-Fassie B.A., The University of Toronto, 2008 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Music) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2010 © Farzad Amoozegar-Fassie, 2010 Abstract Throughout most historical narratives and descriptions of Persian arts, poetry has had a profound influence on the development and preservation of Persian classical music, in particularly after the emergence of Islam in Iran. A Persian poetic structure consists of two parts: the form (its fundamental rhythmic structure, or prosody) and the content (the message that a poem conveys to its audience, or theme). As the practice of using rhythmic cycles—once prominent in Iran— deteriorated, prosody took its place as the source of rhythmic organization and inspiration. The recognition and reliance on poetry was especially evident amongst Iranian musicians, who by the time of Islamic rule had been banished from the public sphere due to the sinful socio-religious outlook placed on music. As the musicians’ dependency on prosody steadily grew stronger, poetry became the preserver, and, to a great extent, the foundation of Persian music’s oral tradition. While poetry has always been a significant part of any performance of Iranian classical music, little attention has been paid to the vitality of Persian/Arabic prosody as its main rhythmic basis. Poetic prosody is the rhythmic foundation of the Persian repertoire the radif, and as such it makes possible the development, memorization, expansion, and creation of the complex rhythmic and melodic compositions during the art of improvisation. -
Volume9 Issue11(6)
Volume 9, Issue 11(6), November 2020 International Journal of Multidisciplinary Educational Research Published by Sucharitha Publications Visakhapatnam Andhra Pradesh – India Email: [email protected] Website: www.ijmer.in Editorial Board Editor-in-Chief Dr.K. Victor Babu Associate Professor, Institute of Education Mettu University, Metu, Ethiopia EDITORIAL BOARD MEMBERS Prof. S. Mahendra Dev Prof. Igor Kondrashin Vice Chancellor The Member of The Russian Philosophical Indira Gandhi Institute of Development Society Research, Mumbai The Russian Humanist Society and Expert of The UNESCO, Moscow, Russia Prof.Y.C. Simhadri Vice Chancellor, Patna University Dr. Zoran Vujisiæ Former Director Rector Institute of Constitutional and Parliamentary St. Gregory Nazianzen Orthodox Institute Studies, New Delhi & Universidad Rural de Guatemala, GT, U.S.A Formerly Vice Chancellor of Benaras Hindu University, Andhra University Nagarjuna University, Patna University Prof.U.Shameem Department of Zoology Prof. (Dr.) Sohan Raj Tater Andhra University Visakhapatnam Former Vice Chancellor Singhania University, Rajasthan Dr. N.V.S.Suryanarayana Dept. of Education, A.U. Campus Prof.R.Siva Prasadh Vizianagaram IASE Andhra University - Visakhapatnam Dr. Kameswara Sharma YVR Asst. Professor Dr.V.Venkateswarlu Dept. of Zoology Assistant Professor Sri.Venkateswara College, Delhi University, Dept. of Sociology & Social Work Delhi Acharya Nagarjuna University, Guntur I Ketut Donder Prof. P.D.Satya Paul Depasar State Institute of Hindu Dharma Department of Anthropology Indonesia Andhra University – Visakhapatnam Prof. Roger Wiemers Prof. Josef HÖCHTL Professor of Education Department of Political Economy Lipscomb University, Nashville, USA University of Vienna, Vienna & Ex. Member of the Austrian Parliament Dr.Kattagani Ravinder Austria Lecturer in Political Science Govt. Degree College Prof. -
Dr. Bhubaneswar Borooah Cancer Institute a Grant-In-Aid Institute of Department of Atomic Energy, Govt
Tel : 09957033199 / 9957033212 E-mail : [email protected] Fax : 0361-2472636 www.bbcionline.org Office of the Director Dr. Bhubaneswar Borooah Cancer Institute A Grant-in-Aid Institute of Department of Atomic Energy, Govt. of India and a unit of Tata Memorial Centre (Mumbai) Gopinath Nagar, A. K. Azad Road, Guwahati-781016, Assam *** January 22, 2018 LIST OF ELIGIBLE CANDIDATES FOR APPEARING IN THE INTERVIEW FOR THE AD-HOC POST OF STAFF NURSE, ICU TECHNICIAN, OT TECHNICIAN, LABORATORY TECHNICIAN, RADIOTHERAPY TECHNOLOGIST, CSSD TECHNICIAN, ANAESTHESIA TECHNICIAN, PLUMBER, AC TECHNICIAN, JR. ENGINEER – ELECTRICAL (MAINTENANCE), ELECTRICAL TECHNICIAN, HOUSE KEEPING SUPERVISOR, DIETICIAN, PHYSIOTHERAPIST, SPEECH AND SWALLOWING THERAPIST, MOULD ROOM TECHNICIAN AND ASST. SECURITY CUM FIRE OFFICER AT DR BOROOAH CANCER INSTITUTE, GUWAHATI AGAINST THE ADVERTISEMENT NO.BBCI-TMC/MISC-27/ADV./4451/2017 DTD.18.12.2017 The eligible candidates for the ad-hoc post of STAFF NURSE, ICU TECHNICIAN, OT TECHNICIAN, LABORATORY TECHNICIAN, RADIOTHERAPY TECHNOLOGIST, CSSD TECHNICIAN, ANAESTHESIA TECHNICIAN, PLUMBER, AC TECHNICIAN, JR. ENGINEER – ELECTRICAL (MAINTENANCE), ELECTRICAL TECHNICIAN, HOUSE KEEPING SUPERVISOR, DIETICIAN, PHYSIOTHERAPIST, SPEECH AND SWALLOWING THERAPIST, MOULD ROOM TECHNICIAN AND ASST. SECURITY CUM FIRE OFFICER at Dr. B. Borooah Cancer Institute, Guwahati in response to the advertisement NO.BBCI-TMC/MISC- 27/ ADV./4451/2017 DTD.18.12.2017 published in the newspaper (The Assam Tribune dtd.19.12.2017) are as follows: [A] List of eligible candidates for the ad-hoc post of STAFF NURSE : 1. Ms. Konsham Sonia Devi, Imphal West District, Manipur 2. Ms. Laishram Amita Devi, Imphal West District, Manipur 3. Mr. Kamal Kanti Sen Choudhury, South Tripura, India 4. -
Musiques Mon 03-Ingl
The 8th World Music Festival of "la Caixa" Foundation offers a programme consisting of 11 concerts plus a variety of parallel activities such as lectures, master classes and four family concerts. It will take place from 3 to 26 October CaixaForum hosts the 8th World Music Festival, a broad panorama fostering intercultural dialogue through music On Friday 3 October, the Iranian vocal and instrumental group Masters of Persian Music will launch this year’s World Musics Festival, an event organised annually by "la Caixa" Foundation. On this occasion, the Festival will highlight Persian culture, with three concerts that will give us different perspectives on the music and traditions of modern-day Iran, complemented by a lecture programme that will draw us to the past and present of the art and poetry of this age-old tradition. With a spirit unequivocally open to dialogue and to enriching cultural exchange, the Festival will also feature music from such countries as Palestine, Kurdistan and Tibet, with the participation of some of their most charismatic representatives, those who have contributed most to the revival, survival and diffusion of their respective traditions. Neighbouring cultures, such as the Portuguese, or distant ones, such as the Korean, also form part of the Festival, which moreover includes an interesting panorama of present-day African music from three different viewpoints: those of Tunisia, Mali and Angola. In addition to the aforementioned lecture programme, the Festival will be complemented by, among other parallel activities, a special concert by musicians from around the world who reside in Catalonia, three master classes in traditional Arabic singing, and four family concerts. -
Kinan Azmeh Cityband THU / FEB 7 / 7:30 PM
Kinan Azmeh CityBand THU / FEB 7 / 7:30 PM Kinan Azmeh CLARINET Kyle Sanna GUITAR Josh Myers BASS John Hadfield PERCUSSION Tonight’s program will be announced from the stage. There will be no intermission. PERFORMANCES MAGAZINE 6 Tsang Connie by Photo ABOUT THE ARTIST KINAN AZMEH (CLARINET) Hailed as a “virtuoso” and “intensely soulful” by The New York Times and “spellbinding” by The New Yorker, Kinan’s utterly distinctive sound, crossing different musical genres, has gained him international recognition as a clarinetist and composer. Kinan was recently composer-in-residence with Classical Movements for the 2017/18 season. Kinan has toured the world as a soloist, composer and improviser. Notable appearances include Opera Bastille, Paris; Tchaikovsky Grand Hall, Moscow; Carnegie Hall and the UN's general assembly, New York; the Royal Albert Hall, London; Teatro Colón, Buenos Aires; der Philharmonie, Berlin; the Library of Congress and The Kennedy Center, Washington, D.C.; the Mozarteum, Salzburg, Austria; Elbphilharmonie, Hamburg; and the Damascus Opera His discography includes three albums Kinan is a graduate of New York's House for its opening concert in his with his ensemble, Hewar, several Juilliard School as a student of native Syria. soundtracks for film and dance, a duo Charles Neidich, both of the album with pianist Dinuk Wijeratne and Damascus High Institutes of Music He has appeared as soloist with the an album with his New York Arabic/Jazz where he studied with Shukry Sahwki, New York Philharmonic, the Seattle quartet, the Kinan Azmeh CityBand. Nicolay Viovanof and Anatoly Moratof, Symphony, the Bavarian Radio He serves as artistic director of the and of Damascus University’s School Orchestra, the West-Eastern Divan Damascus Festival Chamber Players, of Electrical Engineering in his native Orchestra, the Qatar Philharmonic and a pan-Arab ensemble dedicated to Syria. -
The Rose Art Museum Presents Syrian-Armenian Artist Kevork
FOR IMMEDIATE RELEASE Contact: Nina J. Berger, [email protected] 617.543.1595 THE ROSE ART MUSEUM PRESENTS SYRIAN-ARMENIAN ARTIST KEVORK MOURAD’S IMMORTAL CITY “Culture Cannot Wait” program brings experts in preserving cultural heritage to Brandeis campus (Waltham, Mass.) – The Rose Art Museum at Brandeis University presents Immortal City, an exhibition of new paintings by acclaimed Syrian-Armenian artist Kevork Mourad created in response to the war in Syria and the destruction of the artist’s beloved city of Aleppo, September 8, 2017 – January 21, 2018. A public opening reception to celebrate the museum’s fall exhibition season will be held 6–9 pm on Saturday, October 14. Kevork Mourad (b. Syria 1970) is known for paintings made spontaneously in collaboration with composers, dancers, and musicians. Of Armenian descent, Mourad performs in his art both a vital act of remembering and a poetic gesture of creativity in the face of tragedy, as he mediates the experience of trauma through finely wrought, abstracted imagery that celebrates his rich cultural heritage even as he mourns its loss. Mourad’s paintings ask viewers to stop and bear witness, to see the fragments of a culture destroyed – textiles, ancient walls, Arabic calligraphy, and bodies crushed by war. Using a unique method that incorporates monoprinting and his own technique of applying paint with one finger in a sweeping gesture, Mourad produces paintings that are fantastical, theatrical, and lyrical, the line reflecting the music that is such an integral part of his practice. An 18th-century etching from the Rose’s permanent collection by Italian artist Giovanni Battista Piranisi will accompany Mourad’s work and locate Mourad's practice within a centuries-old artistic interest and fascination with the city in ruins. -
Old and New Works on Orchestra Program | Town Topics
1/7/2020 Old and New Works On Orchestra Program | Town Topics December 18, 2019 Old and New Works On Orchestra Program WORLD PREMIERE: Clarinetist Kinan Azmeh is soloist in a new work by Saad Haddad, on the Princeton Symphony Orchestra’s programs January 18 and 19. (Photo by Martina Novak) On Saturday, January 18 at 8 p.m. and Sunday, January 19 at 4 p.m. in Richardson Auditorium, the Princeton Symphony Orchestra (PSO) performs Nikolai Rimsky-Korsakov’s popular work Scheherazade, Op. 35 on a program with the world premiere of composer Saad Haddad’s Clarinet Concerto. A commission of the PSO and the Barlow Endowment for Music Composition at Brigham Young University, the concerto features Syrian clarinetist Kinan Azmeh. Jacques Ibert’s Escales (Ports of Call) completes the program to be conducted by Edward T. Cone Music Director Rossen Milanov. Rimsky-Korsakov was influenced by explorer Richard Francis Burton’s 1885 translation of One Thousand and One Nights (the Arabian Nights) enough to craft a symphonic suite centered on its heroine. Ibert’s Escales recounts the sights and sounds of a Mediterranean coastal excursion, and composer Saad Haddad draws upon his Middle Eastern ancestry to create a work conveying a universal spirit of cooperation among fellow human beings. His new concerto is dedicated to the memory of his grandfather, who led Haddad’s mother and her extended family away from war-torn Lebanon to the United States. This is the second world premiere of a work by Haddad, co- commissioned by the PSO, and the third work overall of his performed by the orchestra since January 2017. -
Layla and Majnun MARK MORRIS DANCE GROUP
03-22 Mark Morris.qxp_2-1 KC ABT 3/14/18 9:49 AM Page 1 The John F. Kennedy Center for the performing arts DAvID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President opera house Thursday, March 22–Saturday, March 24, 2018 The John F. Kennedy Center for the performing arts presents Layla and Majnun MARK MORRIS DANCE GROUP MICa BerNas saM BLaCK DureLL r. CoMeDY rITa DoNahue DoMINGo esTraDa, Jr. LesLeY GarrIsoN LaureN GraNT sarah haarMaNN BrIaN LaWsoN aaroN LouX LaureL LYNCh DaLLas McMurraY BraNDoN raNDoLph NICoLe saBeLLa ChrIsTINa sahaIDa* BILLY sMITh Noah VINsoN *apprentice Artistic Director MarK MorrIs Executive Director NaNCY uMaNoFF with THE SILKROAD ENSEMBLE shaWN CoNLeY Joseph GraMLeY MarIo GoToh rauF IsLaMoV XIaoFaN LIu MIraLaM MIraLaMoV KaMILa NaBIYeVa KareN ouZouNIaN KoJIro uMeZaKI ZaKI VaLIYeV GeorGY VaLTCheV JIN YaNG featuring aLIM QasIMoV FarGaNa QasIMoVa The presentation of Layla and Majnun was made possible by the New england Foundation for the arts’s National Dance project, with lead funding from the Doris Duke Charitable Foundation and The andrew W. Mellon Foundation. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 03-22 Mark Morris.qxp_2-1 KC ABT 3/14/18 9:49 AM Page 2 THE PROGRAM Thursday Evening, March 22, 2018, at 7:30 Friday Evening, March 23, 2018, at 7:30 Saturday Afternoon, March 24, 2018, at 1:30 Saturday Evening, March 24, 2018, at 7:30 MEDLEY OF AZERBAIJANI MUSIC: BAYATI SHIRAZ see note on next page Kamila Nabiyeva, mugham vocals Miralam Miralamov, mugham vocals rauf Islamov, kamancheh Zaki Valiyev, tar LAYLA AND MAJNUN Music by uzeyir hajibeyli (1885–1948), arranged by alim Qasimov, Johnny Gandelsman, and Colin Jacobsen Sung in Azerbaijani with English supertitles Choreography and Direction by Mark Morris Scenic and Costume Design by howard hodgkin Lighting Design by James F.