Piercing the Ambiguities of Psalm 22:16 and the Messiah's Mission
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1 and 2 Samuel, by Robert Vannoy, Lecture 4
1 Dr. Robert Vannoy, Samuels, Lecture 4 © 2011, Robert Vannoy and Ted Hildebrandt “We now come to the final point in our consideration of the theme of kingship and covenant in 1 and 2 Samuel. Namely, kingship as practiced by David was an imperfect, but true representation of the ideal of the covenantal king. And as I mentioned earlier, we find David’s reign described in the book of 2 Samuel. After Saul’s death at the end of First Samuel, David was initially acclaimed as king by the tribe of Judah, over whom he reigned for a time in the southern city of Hebron (2 Samuel 2:1-7). Then, subsequently, he was accepted as king by the remaining tribes of Israel after the failure of Saul’s son, Ishbosheth, to perpetuate his father’s dynasty among the northern tribes. It’s in 2 Samuel 5 that David finally begins his reign over the entire nation. We read in verse 3 of 2 Samuel 5. “When all the elders of Israel had come to King David at Hebron, the king made a compact with them at Hebron before the Lord, and they anointed David king over Israel.” The first thing that the narrator mentions after describing the beginning of David’s reign over all Israel is his capture of the stronghold of Zion. At the time, Zion was a small but heavily fortified city inhabited by the Jebusites. It was located on the southeastern ridge of what would later become the temple mount of Jerusalem. From a political standpoint, Zion was ideally situated for a new seat of government. -
Life Group Discussion Questions the Heart of Worship Words of Praise
Life Group Discussion Questions The Heart of Worship Words of Praise – Halal and Zamar Gospel Gain: Praising God includes times of celebration and the use of music. Gathering Together (Icebreaker) What events in life inspire celebration? Which of those events are in your top two celebrations? Why? Growing Together (Truth/Equipping) The word praise is used often in the Old Testament. However, the word praise has various meanings when it is used. This week we will learn about is halal and zamar. Halal (haw-lal) – to boast, to rave, to celebrate Read the following passages where halal was used to describe praise… • Psalm 69:30 • Psalm 22:22 • Psalm 109:30 • Psalm 149:3 • Psalm 150:6 Based on these verses, how common do you think the practice of celebration in worship was in the ancient world? If you grew up attending church, describe a typical worship service. Where there elements of celebration and if so, what were they? CS Lewis – The most valuable thing the psalms do for me is to express the same delight in God which made David dance. What is your reaction to this CS Lewis quote? Why do you think some people are hesitant to express their celebration of God during a church worship gathering? When you praise God in a public setting, how conscious are you of others around you? How does that impact you negatively or positively? Zamar (zaw-mar) – to make music, to celebrate in song and music Read the following passages where zamar was used to describe praise… • Psalm 144:9 • Psalm 7:17 Based on these verses, how important is music when it -
Psalm 69 David's Cry for Deliverance and Vindication in View of Adversaries Who Mistreat Him for His Zeal for God
Psalm 69 David's Cry for Deliverance and Vindication in View of Adversaries Who Mistreat Him for His Zeal for God For the choir director; according to Shoshannim. A Psalm of David. Scripture taken from the NEW AMERICAN STANDARD BIBLE ®, Copyright © 1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977, 1995 by the Lockman Foundation. Used by permission. (www.Lockman.org). A1 DAVID'S DESPERATE CRY FOR SALVATION. 69:1-4 B1 His Desperate Cry to Elohim for Salvation: {1} Save me, O God, 69:1a B2 His Enumeration of His Overwhelming Conditions 69:1b-4 C1 Threatened by Waters: For the waters have threatened my life. 69:1b C2 Drowning in Trouble 69:2 D1 Sinking in Mire without a Foothold: {2} I have sunk in deep mire, and there is no foothold; D2 Drowning in Deep Waters: I have come into deep waters, and a flood overflows me. C3 Exhausted from Weeping 69:3 D1 Exhaustion from tears: {3} I am weary with my crying; D2 Parched throat: my throat is parched; D3 Eyes failing while waiting for Elohim: My eyes fail while I wait for my God. C4 Abused by Enemies 69:4a D1 Needlessly hated by innumerable foes: {4} Those who hate me without a cause 1 are more than the hairs of my head; D2 Wrongfully the target of powerful destroyers: Those who would destroy me are powerful, being wrongfully my enemies; C5 Suffering the Indignity of a Double Standard: What I did not steal, I then have to restore.2 69:4b 1 69:4 - hate me without a cause: Predictive of Christ in John 15:25 "But they have done this to fulfill the word that is written in their Law, 'THEY HATED ME WITHOUT A CAUSE.' " 2 69:4 - restore: This is a main verb, standing out in distinction from all the preceding background verbs which follow David's imperative, "Save me!" in v. -
80 Days in the Psalms (Summer 2016)
80 Days in the Psalms (Summer 2016) June 16 Psalm 1, 2 July 6 Psalm 40, 41 July 26 Psalm 80, 81 August 15 Psalm 119 June 17 Psalm 3, 4 July 7 Psalm 42, 43 July 27 Psalm 82, 83 August 16 Psalm 119 June 18 Psalm 5, 6 July 8 Psalm 44, 45 July 28 Psalm 84, 85 August 17 Psalm 119 June 19 Psalm 7, 8 July 9 Psalm 46, 47 July 29 Psalm 86, 87 August 18 Psalm 119 June 20 Psalm 9, 10 July 10 Psalm 48, 49 July 30 Psalm 88, 89 August 19 Psalm 120, 121 June 21 Psalm 11, 12 July 11 Psalm 50, 51 July 31 Psalm 90, 91 August 20 Psalm 122, 123 June 22 Psalm 13, 14 July 12 Psalm 52, 53 August 1 Psalm 92, 93 August 21 Psalm 124, 125 June 23 Psalm 15, 16 July 13 Psalm 54, 55 August 2 Psalm 94, 95 August 22 Psalm 126, 127 June 24 Psalm 17, 18 July 14 Psalm 56, 57 August 3 Psalm 96, 97 August 23 Psalm 128, 129 June 25 Psalm 19, 20 July 15 Psalm 58, 59 August 4 Psalm 98, 99 August 24 Psalm 130, 131 June 26 Psalm 21, 22 July 16 Psalm 60, 61 August 5 Psalm 100, 101 August 25 Psalm 132, 133 June 27 Psalm 23, 23 July 17 Psalm 62, 63 August 6 Psalm 102, 103 August 26 Psalm 134, 135 June 28 Psalm 24, 25 July 18 Psalm 64, 65 August 7 Psalm 104, 105 August 27 Psalm 136, 137 June 29 Psalm 26, 27 July 19 Psalm 66, 67 August 8 Psalm 106, 107 August 28 Psalm 138, 139 June 30 Psalm 28, 29 July 20 Psalm 68, 69 August 9 Psalm 108, 109 August 29 Psalm 140, 141 July 1 Psalm 30, 31 July 21 Psalm 70, 71 August 10 Psalm 110, 111 August 30 Psalm 142, 143 July 2 Psalm 32, 33 July 22 Psalm 72, 73 August 11 Psalm 112, 113 August 31 Psalm 144, 145 July 3 Psalm 34, 35 July 23 Psalm 74, 75 August 12 Psalm 114, 115 September 1 Psalm 146, 147 July 4 Psalm 36, 37 July 24 Psalm 76, 77 August 13 Psalm 116, 117 September 2 Psalm 148, 149 July 5 Psalm 38, 39 July 25 Psalm 78, 79 August 14 Psalm 118 September 3 Psalm 150 How to use this Psalms reading guide: • Read consistently, but it’s okay if you get behind. -
Study Questions on the Psalms
Study Questions on the Psalms Habakkuk 3: A Model Psalm 1. Look carefully at the psalm in Habakkuk chapter 3. (a) How do v. 1 and the last sentence in v. 19 differ from the rest of the psalm? (b) What kind of information is in v. 1? (c) What kind of information is in the last sentence in v. 19? 2. Look at Isa 38:9-20. Can you find parallels to the three parts of Habakkuk 3? 3. Compare these elements with Psalm 3. (a) How do the parts of the opening of Psalm 3 align with Hab 3:1? (b) Does Psalm 3 have a final sentence comparable to the one in Hab 3:19? What happened to it? (You might be interested to learn that “Neginoth” is the same word translated “stringed instruments” in Hab 3:19.) 4. Now let’s study the relation of Habakkuk’s psalm to the rest of the book. (a) Read over chapters 1-2. i. These chapters record a conversation. Who is speaking with whom? ii. What two questions does Habakkuk ask? iii. Is he happy with the answers he gets? (b) Now analyze the body of Habakkuk 3. i. Notice how the Psalm is divided into four parts based on a) what Habakkuk is saying and b) to whom he is saying it. What are these four parts? ii. How does v. 2 reflect his attitude in the first two chapters of the book? iii. How does he reassure himself in vv. 3-16? iv. What resolution does he reach in vv. -
Complete Song Book (2013 - 2016)
James Block Complete Song Book (2013 - 2016) Contents ARISE OH YAH (Psalm 68) .............................................................................................................................................. 3 AWAKE JERUSALEM (Isaiah 52) ................................................................................................................................... 4 BLESS YAHWEH OH MY SOUL (Psalm 103) ................................................................................................................ 5 CITY OF ELOHIM (Psalm 48) (Capo 1) .......................................................................................................................... 6 DANIEL 9 PRAYER .......................................................................................................................................................... 7 DELIGHT ............................................................................................................................................................................ 8 FATHER’S HEART ........................................................................................................................................................... 9 FIRSTBORN ..................................................................................................................................................................... 10 GREAT IS YOUR FAITHFULNESS (Psalm 92) ............................................................................................................. 11 HALLELUYAH -
Asterius on Psalm 11 Homily 2 As Is Well Known, the Tenth Century Hebrew Masoretic Text (MT) Used for Modern Bible Translations
Asterius On Psalm 11 Homily 2 As is well known, the tenth century Hebrew Masoretic Text (MT) used for modern Bible translations has 150 psalms whereas the Psalter in the Septuagint (LXX) has 151 psalms. This homily is based on Psalm 11 LXX which is Psalm 12 MT. Most psalms have a title or superscription which may include names of composers or people to whom a psalm is committed, situational details, genre, and liturgical directions.1 Whether these superscriptions were part of the original composition is unknown. In any case, the superscriptions are incorporated into the psalm text in the Hebrew MT, such that when the text was versified in the sixteenth century, they were counted as the first verse. This incorporaton is already evident in some of the psalm fragments found among the Dead Sea Scrolls. For example, the oldest fragment 4QPsa (= 4Q83, mid second century BCE) shows ‘no special separation between title and text’.2 More tellingly, 4QpPsa (= 4Q171 Pesher Psalms) which contains commentary on Psalm 45, includes commentary on its superscription, as if it were part of the psalm proper.3 Early Christians who used the LXX also considered the psalm title or superscription to be part of scripture and would exegete it as such. The superscription for Psalm 11 LXX in the Hebrew MT reads: ‘To the leader: according to The Sheminith. A Psalm of David.’ In the Greek LXX it reads: ‘To the end, upon the eighth. A Psalm of David’.4 Asterius spends considerable time in the first part of the homily expounding this title, and in particular the significance of the eighth day in redemption history. -
An Exposition of Psalm 22
BIBLIOTHECA SACRA 147 (July 1990) 286-308 Copyright © 1990 by Dallas Theological Seminary. Cited with permission. An Exposition of Psalm 22 Mark H. Heinemann Lecturer in Practical Theology German Theological Seminary, Giessen, West Germany "Extraordinary" is the word for Psalm 22. The craftsmanship of its poetry, the boldness of its images, and the sweep of its historical scope all contribute to this impression. But the most striking thing about Psalm 22 is its messianic character. God inspired David to write in such a way that certain aspects of the crucifixion of Jesus Christ were clearly prefigured: His perplexed cry, "My God, my God"1 (v. 1; see Mark 15:34), the mockings of the onlookers (Ps. 22:6-8; see Matt. 27:39-43), the piercing of His hands and feet (Ps. 22:16, see John 20:24-27), and the casting of lots for His garments (Ps. 22:18; see John 19:24). The fact that the writer to the Hebrews quoted Psalm 22:22 in Hebrews 2:12 as the words of Jesus certainly validates the view that the psalm is messianic. In the course of studying the psalm, the messianic aspect must be kept in mind. A number of intriguing questions arise. What experi- ences was David describing? In what ways do his descriptions go be- yond his own experience, if any? Did he knowingly prophesy? But in seeking to answer these questions, it is important to note that the psalm has a message in itself for both the readers of that day and those of the present. -
The Psalms Psalm 22 My God, My God 17 February 2019 Kirsty Ross
The Psalms Psalm 22 My God, my God 17 February 2019 Kirsty Ross Isaiah 52: 13; 53: 3–end Matthew 27: 45–54 Those of you who know me or have seen me outside of these Chapel walls won’t have failed to realise that I have two young children. Both of my children have been born here and my eldest, William, who is now three, took his first steps here, was baptised here, and spoke his first words here. Now, I wish I could tell you that William’s first words were something profound or even vaguely religious, as would befit the firstborn of two priests, but the sad reality is that his first word was ‘dat’, which translated from toddler into normal English is ‘fire alarm’. Anyone who has ever lived within the College will know the joys of the weekly call point testing, the 7.00 am fire drills, and the full-scale evacuations that occur whenever someone so much as waves a piece of bread in the direction of a toaster. Whether you are a Fellow sipping tea in the Parlour, a student enjoying breakfast in the Hall, or a six-month-old baby warm in your bed, fire alarms are all part of our shared college experience. As William proved with his first word, the language we use gives important insight into a person’s background and formation. In the second of tonight’s readings, Jesus gives us a glimpse into the culture in which he was formed when he utters, not his first, but his final words from the cross: ‘My God, My God, why have you forsaken me’. -
The Book of Psalms “Bless the Lord, O My Soul, and Forget Not All His Benefits” (103:2)
THE BOOK OF PSALMS “BLESS THE LORD, O MY SOUL, AND FORGET NOT ALL HIS BENEFITS” (103:2) BOOK I BOOK II BOOK III BOOK IV BOOK V 41 psalms 31 psalms 17 psalms 17 psalms 44 psalms 1 41 42 72 73 89 90 106 107 150 DOXOLOGY AT THESE VERSES CONCLUDES EACH BOOK 41:13 72:18-19 89:52 106:48 150:6 JEWISH TRADITION ASCRIBES TOPICAL LIKENESS TO PENTATEUCH GENESIS EXODUS LEVITICUS NUMBERS DEUTERONOMY ────AUTHORS ──── mainly mainly (or all) DAVID mainly mainly mainly DAVID and KORAH ASAPH ANONYMOUS DAVID BOOKS II AND III ADDED MISCELLANEOUS ORIGINAL GROUP BY DURING THE REIGNS OF COLLECTIONS DAVID HEZEKIAH AND JOSIAH COMPILED IN TIMES OF EZRA AND NEHEMIAH POSSIBLE CHRONOLOGICAL STAGES IN THE GROWTH AND COLLECTION OF THE PSALTER 1 The Book of Psalms I. Book Title The word psalms comes from the Greek word psalmoi. It suggests the idea of a “praise song,” as does the Hebrew word tehillim. It is related to a Hebrew concept which means “the plucking of strings.” It means a song to be sung to the accompaniment of stringed instruments. The Psalms is a collection of worship songs sung to God by the people of Israel with musical accompaniment. The collection of these 150 psalms into one book served as the first hymnbook for God’s people, written and compiled to assist them in their worship of God. At first, because of the wide variety of these songs, this praise book was unnamed, but eventually the ancient Hebrews called it “The Book of Praises,” or simply “Praises.” This title reflects its main purpose──to assist believers in the proper worship of God. -
Theme and Genre in 4Q177 and Its Scriptural Selections
THEME AND GENRE IN 4Q177 AND ITS SCRIPTURAL SELECTIONS Mark Laughlin and Shani Tzoref Jerusalem 4Q1771 has conventionally been classified as a “thematic pesher,”2 or, more recently as “thematic commentary,”3 or “eschatological midrash.”4 It is one of a group of Qumranic compositions in which the author cites and interprets biblical texts, applying them to the contemporary experience of his community, which he understands to be living in the eschatological era. Unlike the continuous pesharim, thematic pesha- rim are not structured as sequential commentaries on a particular 1 John M. Allegro first pieced together the thirty fragments that he identified as comprising 4Q177, which he labeled 4QCatena A. Cf. John M. Allegro and Arnold A. Anderson. Qumran Cave 4.I (4Q158–4Q186) (DJD V; Oxford: Clarendon Press, 1968), 67–74, Pls. XXIV–XXV. John Strugnell subsequently added four additional fragments, and suggested improvements to Allegro’s readings and reconstructions (“Notes en marge,” 236–48). Annette Steudel re-worked the order of the material in 4Q174 and 4Q177, and argued that the two manuscripts should be regarded as parts of a single composition, which she termed 4QMidrEschat. See George J. Brooke, “From Flori- legium or Midrash to Commentary: The Problem of Re/Naming an Adopted Manu- script,” in this volume. Cf. Annette Steudel, Der Midrasch zur Eschatologie aus der Qumrangemeinde (4QMidrEschata,b): Materielle Rekonstruktion, Textbestand, Gattung und traditionsgeschichtliche Einordnung des durch 4Q174 (“Florilegium”) und 4Q177 (“Catenaa”) repräsentierten Werkes aus den Qumranfunden (STDJ 13; Leiden: Brill, 1994). The current discussion will touch upon the relationship between 4Q177 and 4Q174 but is primarily concerned with the composition of 4Q177 itself. -
Psalms of Praise: 100 and 150 the OLD TESTAMENT * Week 25 * Opening Prayer: Psalm 100
Psalms of Praise: 100 and 150 THE OLD TESTAMENT * Week 25 * Opening Prayer: Psalm 100 I. “Songs of Ascent” – Psalms 120-134 – II. Psalm 100 A psalm. For giving grateful praise. 1 Shout for joy to the Lord, all the earth. Psalm 33:3 – Sing to [the LORD] a new song; play skillfully, and shout for joy. 2 Worship the Lord with gladness; come before him with joyful songs. 3 Know that the Lord is God. It is he who made us, and we are his (OR “and not we ourselves”) we are his people, the sheep of his pasture. 4 Enter his gates with thanksgiving and his courts with praise; give thanks to him and praise his name. 5 For the Lord is good and his love endures forever; his faithfulness continues through all generations. (See Revelation chapters 4,7,and 19-22) III. Psalm 150 1 Praise the Lord. Praise God in his sanctuary; praise him in his mighty heavens. 2 Praise him for his acts of power; praise him for his surpassing greatness. 3 Praise him with the sounding of the trumpet, praise him with the harp and lyre, 4 praise him with timbrel and dancing, praise him with the strings and pipe, 5 praise him with the clash of cymbals, praise him with resounding cymbals. 6 Let everything that has breath praise the Lord. Praise the Lord. IV. Messianic Psalms A. Psalm 2:1-7 – B. Psalm 22 – Quoted on the cross. C. Psalm 31:5 – Prayer at bedtime. D. Psalm 78:1-2 – “parables.” E.