DOCSLIB.ORG

Steve Marriott: El Talent (Oblidat) De Humble Pie

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Steve Marriott: El Talent (Oblidat) De Humble Pie It's only rock & roll | Pep Saña | Actualitzat el 05/06/2019 a les 17:56 Steve Marriott: El talent (oblidat) de Humble Pie Avui dia poca gent recorda a Steve Marriott, tot i que gairebé segur en algun moment ha escoltat la seva veu. El 20 d'abril de 1991, el cantant i guitarrista Steve Marriott es va adormir amb una cigarreta encesa als dits, havia begut, com de costum. Acabava de baixar de l'avió que el portava dels Estats Units, on havia dinamitat l'enèsima oportunitat de tornar a l'èxit, de fet, encara no havia abandonat l'aeroport quan va protagonitzar una altra de les moltes discussions amb la que era la seva tercera dona. Se'n va anar a casa sol, va pujar a un taxi i va marxar. Ningú el va tornar a veure amb vida. Avui dia poca gent recorda a Steve Marriott, si preguntes per ell gairebé ningú sabria dir qui és, tot i que gairebé segur en algun moment ha escoltat la seva veu. No hi ha cap dubte però a l'hora de situar-lo com un dels millors vocalistes de la història del Rock britànic, i el seu enorme talent musical està fora de tot debat, però pel gran públic ha continuat sent una veu anònima. Robert Plant, òbviament, era un fan de Marriott, és més, el propi Marriott el va recomanar per entrar a Led Zeppelin després de declinar l'oferta de Jimmy Page. Plant el va copiar de manera força descarada, però a Marriott mai li va importar gaire, es de suposar que s'ho va agafar com un elogi. Per desgràcia, poca gent entre els milions de seguidors que Led Zeppelin tindria en els anys següents va reparar en aquest detall, Steve Marriott era una de les grans influències de la banda més venedora dels anys 70, però a la nova generació no va semblar importar-li gaire. Quan Mick Taylor va marxar dels Rolling Stones, Keith Richards es va obstinar en incorporar a Marriott com a segon guitarra. Fins i tot va arribar a fer una audició amb la banda. Van començar a tocar, Marriott, sabent que el seu paper seria el de guitarrista i segona veu, es va mantenir en un discret segon pla durant força estona. De cop, en un moment en què Keith Richards va començar a https://www.naciodigital.cat/bergueda/noticia/17070/steve-marriott-talent-oblidat-humble-pie Pagina 1 de 9 tocar un riff que l'inspirava, Steve es va acostar al micròfon i va començar a cantar com ho feia a Humble Pie. Dit d'una altra manera, es va cruspir a Mick Jagger. Els Rolling Stones estaven encantats tots, menys Mick Jagger, clar, que contemplava horroritzat la possibilitat que Marriott l'eclipsés a l'escenari. Després de l'audició, malgrat la insistència de Richards en què Marriott era l'home indicat, Jagger va vetar la seva entrada a la banda. El mateix Steve Marriott admetria després que haver-se deixat portar durant l'audició havia estat un error, però com de costum havia actuat de manera impulsiva, ?Quan Keith va començar a tocar aquell riff, no em vaig poder aguantar?. Les versions eren el terreny on millor es podia captar la seva grandesa com a cantant, perquè permetien comparar-lo amb d'altres de les grans veus de l'escena. Encara més impressionant, i això és molt dir, és la seva versió de Black Coffee, un tema de Ike & Tina Turner. No cal dir que era tot un atreviment, i més per un cantant masculí, intentar posar-se en la pell de tota una Tina Turner. Una bogeria? No, perquè Steve Marriott estava a tal nivell que podia no només sortir-ne airós, sinó competir amb l'original i fins i tot superar-lo!. Humble Pie - Black Coffee V?deo: https://www.youtube.com/watch?v=8z9wni2uzR8 Steve Marriott, és (poc) conegut per ser membre de les mítiques bandes Small Faces i Humble Pie, a més de la seva particular veu. En els seus inicis, en època dels Small Faces, formava part d'aquell moviment denominat Mod, que també tenia a les seves files a integrants dels The Who, entre d'altres. Els Small Faces eren una banda de Rock Psicodèlic liderats per Marriott, juntament amb el baixista Ronnie Lane, el teclista Ian Mclagan i el bateria Kenney Jones. La dissolució dels Small Faces al 1969, va portar per una banda al naixement de Humble Pie amb Marriott, i per l'altra The Faces, amb Lane, Jones i McLagan al costat dels ex integrants del Jeff Beck Group, el cantant Rod Stewart i el guitarrista Ron Wood, dels que ja en vaig fer un l'article en aquesta secció el 14 de setembre de 2016. Mes endavant, Kenney Jones es va convertir en bateria de The Who després de la mort de Keith Moon al 1978 i Ian McLagan seria el teclista en alguns àlbums i gires dels Rolling Stones. Humble Pie Darrere dels britànics Humble Pie hi ha un home insigne en la història del Rock, el destacat guitarrista i cantant Steve Marriott. Després de la dissolució dels Small Faces, al 1969, Steve Marriott es dedicaria de ple a la seva nova formació, la flamant banda de Hard Rock, Humble Pie, abandonant definitivament la Psicodèlia dels Small Faces. Per formar la banda va decidir reclutar al genial guitarrista Peter Frampton que venia d'una banda anomenada The Herd i al baixista Greg Ridley de Spooky Tooth. A aquests se'ls sumaria el bateria Jerry Shirley de Valkyrie. Com que Frampton i Marriott eren, per a aquella època, uns ídols dels adolescents, els mitjans van catalogar al projecte Humble Pie com un Súper Grup, creant gran expectació amb el que en sortiria d'aquí. Alguns van arribar a dir que Humble Pie va ser la primera banda de Heavy Metal, no pel so sinó pel volum que feien servir. És interessant remarcar que Humble Pie és una cosa a l'estudi i una altra ben diferent en directe. A l'estudi es pot definir el so com una barreja de R&B, Boogie, Folk-Rock, Country-Rock i Hard Rock. En canvi en directe aquest Rock potent de la banda s'acosta molt al Heavy Metal, això sumat a la fantàstica exageració de Marriott amb la seva veu que recorda molt a Janis Joplin. De seguida s'edita el primer LP de la banda titulat As Safe As Yesterday Is (1969) que inclou l'èxit Natural Born Boogie (n° 4 a G. Bretanya) i les destacades Stick Shift o Desperation (un cover dels Steppenwolf). Els temes de l'àlbum son un suau Hard Blues, Folk i amb peces de Rock més potent, però no els arriba per projectar-se com una banda innovadora ni per aconseguir una notorietat massiva. Humble Pie - Natural Born Boogie V?deo: https://www.youtube.com/watch?v=Rqq1YWEFVxo https://www.naciodigital.cat/bergueda/noticia/17070/steve-marriott-talent-oblidat-humble-pie Pagina 2 de 9 El seu segon àlbum Town And Country (1969) aposta per un so encara més tou i Folk. Començaven a apuntar les composicions de caire romàntic de Peter Frampton com Take Me Back i Only You Can See, les de Marriott són els temes més elèctrics, també incloïa un cover de Buddy Holly, Heartbeat. Un LP gairebé acústic que Marriott considerava que era una ?sobirana merda?, així que decideix agafar el control de les composicions, endurir el so i treure's l'etiqueta de banda tova. Humble Pie - Cold Lady V?deo: https://www.youtube.com/watch?v=VpEvznpWAKg Aquesta grandíssima banda havia començat a caminar amb aquest parell de discos on encara hi havia restes de la influència dels Small Faces, l'anterior banda de Marriot. Psicodelia i un clar so sixties, i només un petit apunt del que podria ser la banda on tots participaven en les cançons i on encara Marriot no havia agafat el timó del grup, però a partir d'aquí la cosa canviaria. L'àlbum Humble Pie (1970), el primer amb una discogràfica gran, A&M Records, no esborrava del tot l'estil de la banda dels seus dos primers discos, encara mantenia alguns temes Folk, però el protagonisme ja recau en el Boogie Rock i el Blues d'estil més roquer. Endureixen el seu so i Marriot comença a donar mostres del que pot fer amb la seva veu. Destaquen la fantàstica Live With Me, I'm Ready (cover de Willie Dixon) o Suckin' On The Sweet Vine entre d'altres. Humble Pie - Live With Me V?deo: https://www.youtube.com/watch?v=ZLBZG1mz4cs Rock On (1971) és un àlbum que segueix la ruta de l'anterior LP, comencen els hits importants com Shine On, Stone Cold Fever, Rollin' Stone o Strange Days i consolida el so que Marriott estava buscant. Mentrestant, Frampton, no estava del tot d'acord amb la direcció que agafava la banda i considerava que la seva aportació disminuïa per culpa de Marriott. Humble Pie - Shine On V?deo: https://www.youtube.com/watch?v=qKLPj6YBFM4 Humble Pie Performance: Rockin' The Filmore (1971) https://www.naciodigital.cat/bergueda/noticia/17070/steve-marriott-talent-oblidat-humble-pie Pagina 3 de 9 Novembre de 1971, Humble Pie publiquen el totpoderós i devastador doble en directe Humble Pie Performance: Rockin' The Filmore (1971), un dels millors àlbums dobles de la història juntament amb el Live At Fillmore East dels The Allman Brothers Band o el Live At Leeds de The Who. Una obra mestra on Steve Marriott està senzillament brillant i on tots i cadascun dels seus temes són autèntics ?trallassos? setenteros que es converteixen en clàssics.
Load more

Recommended publications
  • Song Title Artist Disc
    Song Title Artist Disc # # 1 CRUSH GARBAGE 6639 # 9 DREAM LENNON, JOHN 6013 #1 NELLY 9406 (LOVE IS LIKE A) HEATWAVE MARTHA & THE VANDELLAS 7235 (YOU WANT TO) MAKE A MEMORY BON JOVI 14106 (YOU'VE GOT) THE MAGIC TOUCH PLATTERS, THE 1255 '03 BONNIE & CLYDE JAY-Z & BEYONCE 10971 1 THING AMERIE 13133 1, 2, 3 RED LIGHT 1910 FRUITGUM CO. 10237 1,2 STEP CIARA & MISSY ELLIOTT 12989 10 OUT OF 10 LOUCHIE LOU 7399 10 SECONDS DOWN SUGAR RAY 6418 10,000 PROMISES BACKSTREET BOYS 3350 100 YEARS FIVE FOR FIGHTING 12772 100% PURE LOVE WATERS, CRYSTAL 9306 1000 OCEANS AMOS, TORRIE 6711 10TH AVE. FREEZEOUT SPRINGSTEEN, BRUCE 11813 10TH AVENUE FREEZE OUT SPRINGSTEEN, BRUCE 2632 12:51 STROKES, THE 12520 1-2-3 BARRY, LEN 8210 ESTEFAN, GLORIA 13 18 & LIFE SKID ROW 2633 1969 STEGALL, KEITH 6712 1979 SMASHING PUMPKINS 6713 1982 TRAVIS, RANDY 3386 1985 BOWLING FOR SOUP 12880 1999 PRINCE 6714 19TH NERVOUS BREAKDOWN ROLLING STONES, THE 1032 2 BECOME 1 SPICE GIRLS 1427 2 STEP DJ UNK 14155 20 GOOD REASONS THIRSTY MERC 14107 2001 INTRO ELVIS 1604 20TH CENTURY FOX DOORS, THE 6715 21 QUESTIONS 50 CENT & NATE DOGG 11730 24 JEM 13169 24 HOURS AT A TIME TUCKER, MARSHALL, B 2634 24/7 EDMONDS, KEVON 6820 25 MILES STARR, EDWIN 9488 25 OR 6 TO 4 CHICAGO 4735 26 MILES FOUR PREPS, THE 10102 26 CENTS WILKINSONS, THE 6821 29 NIGHTS LEIGH, DANNI 6822 3 LIBRAS PERFECT CIRCLE, A 6824 3 LITTLE PIGS GREEN JELLY 2429 3:00 A.M.
    [Show full text]
  • A Frampton Family Affair Peter Frampton and Son Julian Show Us the Way
    Peter Frampton had a monster hit with his 1976 album, “Frampton Comes Alive!” PHOTO BY MICHAEL ZAGARIS BY PHOTO A Frampton Family Affair Peter Frampton and son Julian show us the way. BY MELONIE MAGRUDER | PHOTOGRAPHY BY JOEY CARMAN hat do you do when you’re known for record- “Acoustic Classics,” and the 40 years between this effort and his ing the (at one point) best-selling album of 1976 monster hit, “Frampton Comes Alive!” seems to sit easily. all time, for playing with the most respected In this new venture, perennial favorites like “Do You Feel Like musicians on the planet, for having a poster of We Do,” “Lines On My Face” and “Sail Away” are reheard with your face plastered on millions of teenage girls’ an intimacy so immediate, it sounds like you invited Frampton Wwalls across the nation and for a decades-long history of sold- and a couple of his friends to play for you in your living room. out tours with audiences bopping to your signature hit electro- Frampton’s only obstacle to producing another hit album might rock riffs from 40 years ago? have been in deciding which songs out of his long, historical You strip it all down and record an acoustic album. canon he should include. Peter Frampton has been touring to promote his 18th album, “We decided it should just be things I personally wanted,” FALL 2016 | 39 Julian Frampton, who is on tour with his dad, Peter, said playing guitar is “part of his DNA.” Frampton told MTM. “Obviously, you want the most popular songs, but maybe something that hasn’t been heard in awhile.” His rich vocals have not lost a whisper of a note.
    [Show full text]
  • Saiichi Sugiyama Band Epk 2016
    SAIICHI SUGIYAMA BAND EPK (July 2016) British blues-rock guitarist Saiichi Sugiyama and his band are touring the UK in September 2016 ahead of their new album release next year. Saiichi Sugiyama Band is a group of musicians hailing from Surrey/London that harks back to the halcyon days of rock and soul, 1965-1974, brought together in 2010 by the guitarist/composer Saiichi [pronounced: “sigh-eee- chee”], who has a career spanning 25 years as a solo artist in the British blues scene. The core of the group is Rietta Austin (lead vocals), Saiichi Sugiyama (guitar/vocals/composer), Ben Reed (bass guitar) and Mune Sugiyama (producer/arranger/drums). When playing live, the group are augmented by touring musicians including Stuart Dixon (rhythm guitar), Katrin Yr (lead vocals) and Wez Johnson (drums). The former members Lizzie Hibbert (lead vocals) and Dave Munch Moore (keys) also record with the group in studio. The group has been spending the past months working on their new studio album in various recording studios, a follow up to the studio live album “the Smokehouse Sessions” from 2014. The new album will include a track entitled “Melting Away”, written by Saiichi and featuring the late bass hero Andy Fraser, ex-Free and composer of the 1970 smash single, “All Right Now.” The initial inspiration for “Melting Away” came to Saiichi while on a trip to his native Japan. To Saiichi the melody was reminiscent of Free guitarist Paul Kossoff, who died in 1976. Creating a demo when he returned home to the UK, Saiichi came up with bass parts that brought Free bassman Andy Fraser to mind.
    [Show full text]
  • Wavelength (October 1981)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 10-1981 Wavelength (October 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (October 1981) 12 https://scholarworks.uno.edu/wavelength/12 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Pipes of Pan Presents ... A best seller. versus the best. icro-Acoustics Bose 301 FRM-3dx *33QOOper patr. *34900per pair Compare these two speakers, and you'd probably expect the one on the left - with the lower price - to be the better seller. You'd be right ... but is it the better value? Before you aecide, it pays to consider how much more a little more money will bu~: Comfare bass. The new FRM-3dx uses a twin-ducted enclosure with thicker cabine panels and larger cubic volume for rich, full bass. Compare highs. The new FRM-3dx1s unique Vari-AxiSTM control system, damped isolated tweeter suspension and rim-damped cone give lifelike h1ghs. Compare warranties. The new FRM-3dx is warrantied twice as long. The Micro-Acoustics new FRM-3dx. When you compare, there's really no com­ parison. Quality worth a 10-year warranty Micro-Acoustics Reg. $349.00 Bose 301" FRM·3dx Tweeter One, fixed. One, rotatable, rim·damped. Tweeter Attached Isolated from SALE NOW directly to baffle.
    [Show full text]
  • Colosseum – 5 X Live in Concert – Restored & Remastered in 2020
    Colosseum – 5 x Live in Concert – Restored & Remastered in 2020 Colosseum sind fraglos eine der beeindruckendsten Live-Bands, die der Autor je auf der Bühne erleben durfte – und trotz Reunions und anderer „zweiter Chancen“ (vgl. JCM) hat man sie gefühlt doch trotzdem einfach viel zu selten erlebt. Das ist auch nicht mehr aufholbar, seit Kopf, Seele und Sticks der Band in Gestalt von Jon Hiseman 2018 viel zu früh das Zeitliche segnete – übrigens unmittelbar nach einem weiteren ausgezeichneten Konzert… Und was kann in einer solchen Situation überhaupt Trost bieten, was kommt da wie gerufen? Bislang unbekannte Live- Aufnahmen natürlich! Doch nicht etwa fragwürdiges Bootleg- Gelumpe, sondern gehobener Standard von Repertoire Records. Und was vermutlich noch erheblich wichtiger ist: von keinem Geringeren remastered and restored as from our very own Joachim Heinz Ehrig alias Eroc! Colosseum – Live At The Boston Tea Party (49:27, CD, Repertoire Records 2020) It was indeed „The Summer of ’69“ (13.08.69)! Schlagzeug- „Gladiator“ Jon Hiseman und Saxophonist Dick Heckstall-Smith hatten sich bei der heute allein schon wegen der sich ergebenden Band-Stammbäume hyper-legendären Graham Bond Organisation kennengelernt, wo Hiseman 1966 immerhin so eben mal Ginger Baker abgelöst hatte. Und trafen sich beiJohn Mayall’s Bluesbreakers wieder – einem schier unglaublichen Talentschuppen, wo man zu unterschiedlichen Zeiten auch Eric Clapton, Peter Green, John McVie, Mick Taylor, Walter Trout, Robben Ford oder Ainsley Dunbar hätte über den Weg laufen können. Im Frühjahr ’68 fühlten die beiden sich dann reif für ihr eigenes Ding und rekrutierten mit Tony Reeves (Bass) einen von Jons ältesten Kumpels und mitDave Greenslade einen bislang mehr dem Jazz verhafteten aber erwiesenen Tasten- Zauberer.
    [Show full text]
  • ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
    DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion.
    [Show full text]
  • Recipe for Humble Pie a Talk by Rev
    A Recipe for Humble Pie a talk by Rev. Dr. David Breeden at First Unitarian Society of Minneapolis 30 December 2018 Simple Simon met a pieman, Going to the fair; Says Simple Simon to the pieman, Let me taste your ware. Says the pieman to Simple Simon, Show me first your penny; Says Simple Simon to the pieman, Indeed I have not any. Simple Simon went a-fishing, For to catch a whale; All the water he had got, Was in his mother's pail. Simple Simon went to look If plums grew on a thistle; He pricked his fingers very much, Which made poor Simon whistle.[1] He went for water in a sieve But soon it all fell through And now poor Simple Simon Bids you all adieu! INTRODUCTION This month we’ve been considering the Soul Matters theme, “Mystery: The practice of embracing life with humility and awe.” I’ve talked about how I see humility is the best approach to how we deal with our own ideas. For one thing, all of us are situated in particular places and particular times, and so it’s difficult for any one of us to see all that much of the bigger picture of our world and its people. I’ve also discussed the difference between a fact and meaning. Reason and science are very good at finding measurable facts but not so good at finding meaning. And I’ve insisted that meaning and purpose are what most human beings really need in order to “embrace life.” And I talked about how liberal Protestantism in the United States has failed to generate much awe because of a focus on individual conscience rather than collective well-being.
    [Show full text]
  • Official Electronic Press Kit Official Electronic Press Kit
    AA TributeTribute to the music of Paul Rodgers & Mick Ralphs Official Electronic Press Kit “Johnny was a schoolboy when he heard his first Beatles song…” -Shooting Star Bad Company, the English hard rock band from London, were mega-stars throughout the 1970s. Their first three albums, Bad Company (1974), Straight Shooter (1975), and Run with the Pack (1976), charted in the top 5 in both the UK and US. Formed by Singer Paul Rodgers and guitarist, Mick Ralphs along with drummer Simon Kirke and bassist Boz Burrell, Bad Company’s music and Iconic sound is timeless and listened to and loved by fans around the globe. Roc Steady is excited to share the iconic music made popular by Paul Rodgers and Mick Ralphs with fans young and old! Tribute bands like Roc Steady differ from cover bands. Tribute bands re-create the experience of attending the original band’s concerts. When we take the stage, Dale Prince, Nic Cocco, Scott Biggs, David Gregory and Larry James transform and become Paul Rodgers, Mick Ralphs, Simon Kirke, Boz Burrell and Howard Leese. Roc Steady not only deliver’s the live music adlib for adlib, but also studies the mannerisms, stage presence, movements and facial expressions of the original band members. The bands outfits, backdrops, lighting and sound are designed to give the fan the experience of attending an actual Bad Company concert! ©2020 CoccoMusic, LLC All Rights Reserved Diamond Dale Prince Singing the part of Paul Rodgers Born: Flint, MI Hobbies: Harleys, Hot rods and Rock n’ Roll Top 5 Musical Influences: Steve Marriott, Paul Rodgers, Sammy Hagar, Steven Tyler and Chris Cornell Top 5 favorite Albums: Humble Pie- Smokin’, Bad Company- Bad Co, Montrose- Montrose, Aerosmith- Get Your Wings, Guns and Roses- Appetite for Destruction.
    [Show full text]
  • RSD List 2020
    Artist Title Label Format Format details/ Reason behind release 3 Pieces, The Iwishcan William Rogue Cat Resounds12" Full printed sleeve - black 12" vinyl remastered reissue of this rare cosmic, funked out go-go boogie bomb, full of rapping gold from Washington D.C's The 3 Pieces.Includes remixes from Dan Idjut / The Idjut Boys & LEXX Aashid Himons The Gods And I Music For Dreams /12" Fyraften Musik Aashid Himons classic 1984 Electonic/Reggae/Boogie-Funk track finally gets a well deserved re-issue.Taken from the very rare sought after album 'Kosmik Gypsy.The EP includes the original mix, a lovingly remastered Fyraften 2019 version.Also includes 'In a Figga of Speech' track from Kosmik Gypsy. Ace Of Base The Sign !K7 Records 7" picture disc """The Sign"" is a song by the Swedish band Ace of Base, which was released on 29 October 1993 in Europe. It was an international hit, reaching number two in the United Kingdom and spending six non-consecutive weeks at number one on the Billboard Hot 100 chart in the United States. More prominently, it became the top song on Billboard's 1994 Year End Chart. It appeared on the band's album Happy Nation (titled The Sign in North America). This exclusive Record Store Day version is pressed on 7"" picture disc." Acid Mothers Temple Nam Myo Ho Ren Ge Kyo (Title t.b.c.)Space Age RecordingsDouble LP Pink coloured heavyweight 180 gram audiophile double vinyl LP Not previously released on vinyl Al Green Green Is Blues Fat Possum 12" Al Green's first record for Hi Records, celebrating it's 50th anniversary.Tip-on Jacket, 180 gram vinyl, insert with liner notes.Split green & blue vinyl Acid Mothers Temple & the Melting Paraiso U.F.O.are a Japanese psychedelic rock band, the core of which formed in 1995.The band is led by guitarist Kawabata Makoto and early in their career featured many musicians, but by 2004 the line-up had coalesced with only a few core members and frequent guest vocalists.
    [Show full text]
  • Entertainment Plus Karaoke by Title
    Entertainment Plus Karaoke by Title #1 Crush 19 Somethin Garbage Wills, Mark (Can't Live Without Your) Love And 1901 Affection Phoenix Nelson 1969 (I Called Her) Tennessee Stegall, Keith Dugger, Tim 1979 (I Called Her) Tennessee Wvocal Smashing Pumpkins Dugger, Tim 1982 (I Just) Died In Your Arms Travis, Randy Cutting Crew 1985 (Kissed You) Good Night Bowling For Soup Gloriana 1994 0n The Way Down Aldean, Jason Cabrera, Ryan 1999 1 2 3 Prince Berry, Len Wilkinsons, The Estefan, Gloria 19th Nervous Breakdown 1 Thing Rolling Stones Amerie 2 Become 1 1,000 Faces Jewel Montana, Randy Spice Girls, The 1,000 Years, A (Title Screen 2 Becomes 1 Wrong) Spice Girls, The Perri, Christina 2 Faced 10 Days Late Louise Third Eye Blind 20 Little Angels 100 Chance Of Rain Griggs, Andy Morris, Gary 21 Questions 100 Pure Love 50 Cent and Nat Waters, Crystal Duets 50 Cent 100 Years 21st Century (Digital Boy) Five For Fighting Bad Religion 100 Years From Now 21st Century Girls Lewis, Huey & News, The 21st Century Girls 100% Chance Of Rain 22 Morris, Gary Swift, Taylor 100% Cowboy 24 Meadows, Jason Jem 100% Pure Love 24 7 Waters, Crystal Artful Dodger 10Th Ave Freeze Out Edmonds, Kevon Springsteen, Bruce 24 Hours From Tulsa 12:51 Pitney, Gene Strokes, The 24 Hours From You 1-2-3 Next Of Kin Berry, Len 24 K Magic Fm 1-2-3 Redlight Mars, Bruno 1910 Fruitgum Co. 2468 Motorway 1234 Robinson, Tom Estefan, Gloria 24-7 Feist Edmonds, Kevon 15 Minutes 25 Miles Atkins, Rodney Starr, Edwin 16th Avenue 25 Or 6 To 4 Dalton, Lacy J.
    [Show full text]
  • Mick Taylor © Felix Aeppli 07-2020 / 08-2021
    Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb.
    [Show full text]
  • Alice Cooper/ Welcome’ to His Era
    ALICE COOPER/ WELCOME’ TO HIS ERA Gamble, Huff, McCartney Each Win Four 1975 BMI Awards Part 3 In A Series On Disk Buying Habits More Pirated Tapes Seized Signings: Carmen McCrae To Blue Note; Trini Lopez To Private Stock R&B Hits The Financial Page (Ed) From a hard-core of fanaticfans, theirfame hasspread nationwide. 30,000 fans at Boston Garden. Already sold-out 45,000 more in Detroit.“GetYour Wings”is gold. ‘Aerosmith”is nudgingthe 24k mark. Their newest album, Toys in the Attic," ' J pc 33479* 1 has bulleted to their career high, 16? ata rate matched only bytheir sing!e“Sweet Emotion.” ,» Aerosmith. They’re making it big. On Columbia Records and Tapes. ‘Produced by Jack Douglas for Waterfront Productions Limited and Contemporary Communications Corporation 'D' "COLUMBIA," §?] MARCASREG. ©1975CBSINC. THE INTERNATIONAL MUSIC-RECORD WEEKLY VOLUME XXXVII — NUMBER 4 — June 14, 1 975 r \ GEORGE ALBERT President and Publisher cashboxeditorial MARTY OSTROW Executive Vice President ED ADLUM R&B Hits The Financial Page Managing Editor Editorial in a top ten of a different sort — a listing of the nation’s largest black owned DAVID BUDGE Editor In Chief and black managed business — comes heartening confirmation of the IAN DOVE healthy state of black music. East Coast Editorial Director New York The listing, compiled by Black Enterprises magazine in New York, has the STEVE MARKS BARRY TAYLOR nfiighty Motown Industries secure as the no. 1 black business with $45 million BOB KAUS Hollywood in sales in 1974, $1 1 million ahead of its nearest competitor. PHIL ALEXANDER No surprise here, Barry Gordy's record and film complex has been the JESS LEVITT MARC SHAPIRO frontrunner on this list for the last three years.
    [Show full text]