~Vv4i Metheny and Springsteen Wandering Weekends
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Greetings 1 Greetings from Freehold: How Bruce Springsteen's
Greetings 1 Greetings from Freehold: How Bruce Springsteen’s Hometown Shaped His Life and Work David Wilson Chairman, Communication Council Monmouth University Glory Days: A Bruce Springsteen Symposium Presented Sept. 26, 2009 Greetings 2 ABSTRACT Bruce Springsteen came back to Freehold, New Jersey, the town where he was raised, to attend the Monmouth County Fair in July 1982. He played with Sonny Kenn and the Wild Ideas, a band whose leader was already a Jersey Shore-area legend. About a year later, he recorded the song "County Fair" with the E Street Band. As this anecdote shows, Freehold never really left Bruce even after he made a name for himself in Asbury Park and went on to worldwide stardom. His experiences there were reflected not only in "County Fair" but also in "My Hometown," the unreleased "In Freehold" and several other songs. He visited a number of times in the decades after his family left for California. Freehold’s relative isolation enabled Bruce to develop his own musical style, derived largely from what he heard on the radio and on records. More generally, the town’s location, history, demographics and economy shaped his life and work. “County Fair,” the first of three sections of this paper, will recount the July 1982 episode and its aftermath. “Growin’ Up,” the second, will review Bruce’s years in Freehold and examine the ways in which the town influenced him. “Goin’ Home,” the third, will highlight instances when he returned in person, in spirit and in song. Greetings 3 COUNTY FAIR Bruce Springsteen couldn’t be sitting there. -
Jazz Collection: Lyle Mays
Jazz Collection: Lyle Mays Dienstag, 19. November 2013, 21.00 - 22.00 Uhr Samstag, 23. November 2013, 22.00 - 24.00 Uhr (Zweitsendung) Ohne ihn wäre der Gitarrist Pat Metheny nicht, was er heute ist: Lyle Mays ist seit den Anfängen der Pat Metheny Group mit dabei, ist Ko-Autor der allermeisten Stücke dieser weltberühmten Fusion-Band und nie richtig aus dem Schatten von Strahlemann Metheny herausgekommen. Wer je von der Pat Metheny Group gehört hat, der kennt Lyle Mays: der Pianist, Keyboarder und Komponist ist die rechte Hand von Pat Metheny. Er hat praktisch alle wichtigen Stücke dieser weltberühmten Band mit Metheny zusammen komponiert - und ist dennoch immer im Schatten von Metheny geblieben. Dabei beherrscht Lyle Mays das ganze Spektrum von elektronischen Soundteppichen bis zum makellosen akustischen Piano-Jazz perfekt. Wie ist Lyle Mays zu einem solchen musikalischen Tausendsassa geworden? Und warum wird er als Komponist ständig etwas unterschätzt? Immanuel Brockhaus ist Gast von Jodok Hess. Lab `75: Lab `75 LP NTSU LJ108 Track 2: Ouverture to the Royal Mongolian Suma Foosball Festival Pat Metheny: As Falls Wichita, So Falls Wichita Falls CD ECM 1190 Track 2: Ozark Pat Metheny Group: Offramp CD ECM 1216 Track 6: James Lyle Mays Trio: Fictionary CD Geffen GED24521 Track 9: Falling Grace Lyle Mays: Solo (Improvisations For Expanded Piano) CD Warner Bros. 47284 Track 10: Long Life Pat Metheny Group: Speaking Of Now CD Warner Bros 48025 Track 2: Proof Bonustracks – nur in der Samstagsausgabe Pat Metheny Group: Pat Metheny Group CD ECM Track 6: Lone Jack Track 1: San Lorenzo Pat Metheny Group: American Garage CD ECM Track 6: Cross the Heartland Track 4: American Garage Lyle Mays: Street Dreams CD Geffen Records Track 3: Chorinho Track 4: Possible Straight Joni Mitchel: Shadows and Light CD Elektra Track 5: Good Bye Poork-Pie Hat Track 9: Hejira Lyle Mays: Solo (Improvisations For Expanded Piano) CD Warner Bros. -
Saiichi Sugiyama Band Epk 2016
SAIICHI SUGIYAMA BAND EPK (July 2016) British blues-rock guitarist Saiichi Sugiyama and his band are touring the UK in September 2016 ahead of their new album release next year. Saiichi Sugiyama Band is a group of musicians hailing from Surrey/London that harks back to the halcyon days of rock and soul, 1965-1974, brought together in 2010 by the guitarist/composer Saiichi [pronounced: “sigh-eee- chee”], who has a career spanning 25 years as a solo artist in the British blues scene. The core of the group is Rietta Austin (lead vocals), Saiichi Sugiyama (guitar/vocals/composer), Ben Reed (bass guitar) and Mune Sugiyama (producer/arranger/drums). When playing live, the group are augmented by touring musicians including Stuart Dixon (rhythm guitar), Katrin Yr (lead vocals) and Wez Johnson (drums). The former members Lizzie Hibbert (lead vocals) and Dave Munch Moore (keys) also record with the group in studio. The group has been spending the past months working on their new studio album in various recording studios, a follow up to the studio live album “the Smokehouse Sessions” from 2014. The new album will include a track entitled “Melting Away”, written by Saiichi and featuring the late bass hero Andy Fraser, ex-Free and composer of the 1970 smash single, “All Right Now.” The initial inspiration for “Melting Away” came to Saiichi while on a trip to his native Japan. To Saiichi the melody was reminiscent of Free guitarist Paul Kossoff, who died in 1976. Creating a demo when he returned home to the UK, Saiichi came up with bass parts that brought Free bassman Andy Fraser to mind. -
Stevie Van Zandt Added to the Upstage Jam Lineup at the 2017 Asbury Park Music & Film Festival on Friday, April 21 at the Paramount Theatre in Asbury Park, NJ
Stevie Van Zandt Added To The Upstage Jam Lineup At The 2017 Asbury Park Music & Film Festival on Friday, April 21 at the Paramount Theatre in Asbury Park, NJ Van Zandt to join all-star music performance to be filmed for the Bruce Springsteen Archives and Center for American Music ASBURY PARK (April 13, 2017) – The 2017 Asbury Park Music & Film Festival has announced that Stevie Van Zandt has been added as a special guest to the Upstage jam on Friday, April 21 at the Paramount Theatre in Asbury Park, NJ. The performance will follow the world-premiere of Just Before the Dawn, the documentary that will focus on the legendary Upstage rock club that will include exclusive interviews with many musicians who helped create the aura of the venue. Limited tickets are available now by visiting www.apmff.com. The Upstage jam session will be filmed for the Bruce Springsteen Archives and Center for American Music. Artists taking part include E Street Band members David Sancious, Ernest “Boom” Carter and Vini “Mad Dog” Lopez as well as Southside Johnny Lyon, Sonny Kenn, Ricky DeSarno, Joe Petillo, Richard Blackwell, Albee Tellone, Chris Plunkett, Paul Whistler, Billy Ryan, Gerry Carboy, Tommy Labella and the Lakehouse Jr. Pros. Jeff Kazee, current member of the Asbury Jukes, will serve as the night’s music director. On May 19, Little Steven and The Disciples of Soul will be releasing Soulfire, their first album in 19 years. As part of the Festival, Little Steven and The Disciples of Soul will also be appearing at the Paramount Theatre on Saturday, April 22 and at the Paramount Theatre on April 21 for a taping of Front and Center. -
Colosseum – 5 X Live in Concert – Restored & Remastered in 2020
Colosseum – 5 x Live in Concert – Restored & Remastered in 2020 Colosseum sind fraglos eine der beeindruckendsten Live-Bands, die der Autor je auf der Bühne erleben durfte – und trotz Reunions und anderer „zweiter Chancen“ (vgl. JCM) hat man sie gefühlt doch trotzdem einfach viel zu selten erlebt. Das ist auch nicht mehr aufholbar, seit Kopf, Seele und Sticks der Band in Gestalt von Jon Hiseman 2018 viel zu früh das Zeitliche segnete – übrigens unmittelbar nach einem weiteren ausgezeichneten Konzert… Und was kann in einer solchen Situation überhaupt Trost bieten, was kommt da wie gerufen? Bislang unbekannte Live- Aufnahmen natürlich! Doch nicht etwa fragwürdiges Bootleg- Gelumpe, sondern gehobener Standard von Repertoire Records. Und was vermutlich noch erheblich wichtiger ist: von keinem Geringeren remastered and restored as from our very own Joachim Heinz Ehrig alias Eroc! Colosseum – Live At The Boston Tea Party (49:27, CD, Repertoire Records 2020) It was indeed „The Summer of ’69“ (13.08.69)! Schlagzeug- „Gladiator“ Jon Hiseman und Saxophonist Dick Heckstall-Smith hatten sich bei der heute allein schon wegen der sich ergebenden Band-Stammbäume hyper-legendären Graham Bond Organisation kennengelernt, wo Hiseman 1966 immerhin so eben mal Ginger Baker abgelöst hatte. Und trafen sich beiJohn Mayall’s Bluesbreakers wieder – einem schier unglaublichen Talentschuppen, wo man zu unterschiedlichen Zeiten auch Eric Clapton, Peter Green, John McVie, Mick Taylor, Walter Trout, Robben Ford oder Ainsley Dunbar hätte über den Weg laufen können. Im Frühjahr ’68 fühlten die beiden sich dann reif für ihr eigenes Ding und rekrutierten mit Tony Reeves (Bass) einen von Jons ältesten Kumpels und mitDave Greenslade einen bislang mehr dem Jazz verhafteten aber erwiesenen Tasten- Zauberer. -
JAZZIZ-Metheny-Interviews.Pdf
Pat Metheny www.jazziz.com JAZZIZ Subscription Ad Lage.pdf 1 3/21/18 10:32 AM Pat Metheny Covered Though I was a Pat Metheny fan for nearly a decade before I special edition, so go ahead and make fun if you please). launched JAZZIZ in 1983, it was his concert, at an outdoor band In 1985, we published a cover story that included Metheny, shell on the University of Florida campus, less than a year but the feature was about the growing use of guitar synthesizers before, that got me to focus on the magazine’s mission. in jazz, and we ran a photo of John McLaughlin on the cover. As a music reviewer for several publications in the late Strike two. The first JAZZIZ cover that featured Pat ran a few ’70s and early ’80s, I was in touch with ECM, the label for years later, when he recorded Song X with Ornette Coleman. whom Metheny recorded. It was ECM that sent me the press When the time came to design the cover, only photos of Metheny credentials that allowed me to go backstage to interview alone worked, and Pat was unhappy with that because he felt Metheny after the show. By then, Metheny had recorded Ornette should have shared the spotlight. Strike three. C around 10 LPs with various instrumental lineups: solo guitar, A few years later, I commissioned Rolling Stone M duo work with Lyles Mays on the chart-topping As Wichita Fall, photographer Deborah Feingold to do a Metheny shoot for a Y So Falls Wichita Falls, trio, larger ensembles and of course his Pat cover story that would delve into his latest album at the time. -
Bruce Springsteen Song Request
Bruce Springsteen Song Request Echt and sepia Jeffie jargonizing her cameleers democratises while Elihu interred some taster counterclockwise. Douglass displace her thiocyanate accountably, she brimmed it unwarrantably. Pestilent and variable Nevins fossilising her linch fishbowl slap and open-fire naught. Europe and weeks that something of his days and fun and hate for contacting your grief out the roxy box seats, song request banners with his work is This time Bruce used the free moments to crouch right specify the audience or collect banners with the requests. New Jersey homecoming run. Springsteen would each play a song for rationale on acoustic guitar while they listened and noted chord changes, each day down your preliminary arrangement, and decent they all contributed ideas and discussed the arrangement. Springsteen sings against a meandering, languid track, a tale of blurred lines and rationalizations. Who then blame them? Bruce paints a picture all his words, singing every quarter with special conviction. And bruce springsteen wrote an hour concerts and gave me later. Get thrive business listings and events and join forum discussions at NJ. Listening to the Atlanta version will reaffirm everything you love turn the tie, this tour, and these musicians. Do you devise any questions? He search a minor planet named after him. Vini, there are white second chances. Can sky do without knowing best reporting and sporting debate? It too long to request songs that were in europe, in a purpose developed on fm stations to learning more song request timed out at least familiar. Your spouse been subscribed to our newsletter! One request for bruce would last minute i fell into account, bruce springsteen song request. -
Dana Podcast Transcript
Transcript of Dana Podcast—Pat Metheny’s Brain on Music Guest: Pat Metheny was born in Kansas City on August 12, 1954 into a musical family. Starting on trumpet at the age of 8, Metheny switched to guitar at age 12. By the age of 15, he was working regularly with the best jazz musicians in Kansas City, receiving valuable on-the-bandstand experience at an unusually young age. Mr. Metheny first burst onto the international jazz scene in 1974. With the release of his first album, Bright Size Life (1975), he reinvented the traditional "jazz guitar" sound for a new generation of players. Throughout his career, Mr. Metheny has continued to re-define the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument. As well as being an accomplished musician, Mr. Metheny has also participated in the academic arena as a music educator. At 18, he was the youngest teacher ever at the University of Miami. At 19, he became the youngest teacher ever at the Berklee College of Music, where he also received an honorary doctorate more than twenty years later (1996). Over the years, Mr. Metheny has won countless polls as "Best Jazz Guitarist" and awards, including three gold records for Still Life (Talking), Letter from Home, and Secret Story. He has also won 20 Grammy Awards in 12 different categories. Host: Bill Glovin serves as executive editor of The Dana Foundation. Prior to joining Dana Mr. Glovin was senior editor of Rutgers Magazine and editor of Rutgers Focus. -
Osobnosť Pata Methenyho
JANÁČKOVA AKADÉMIA MÚZICKÝCH UMENÍ V BRNE HUDOBNÁ FAKULTA Katedra jazzovej interpretácie Jazzová interpretácia Osobnosť Pata Methenyho Bakalárska práca Autor práce: Samuel Marinčák Vedúci práce: MgA. Vilém Spilka Oponent práce: MgA. Jan Dalecký Brno 2014 Bibliografický záznam MARINČÁK, Samuel. Osobnosť Pata Methenyho /Personality of Pat Metheny/ Brno : Janáčkova akadémia múzických umení v Brne, Hudobná fakulta, Katedra jazzovej interpretácie, 2014, 36 s, vedúci práce : MgA. Vilém Spilka Anotácia Bakalárska práca je zameraná na osobnosť jednej z najväčších postáv vo svete jazzu v súčasnosti. Ponúka zaujímavé informácie o jeho živote, kariére, diskografii a o mnohých iných aspektoch súvisiacich s ním. Kľúčové slová jazz, improvizácia, biografia, diskografia, ocenenia, zvuk Annotation This bachelor thesis is focused on the life and work of one of the greatest artists in the world of jazz. It will offer you a very interesting insight to his life, career, discography and other aspects connected to him. Key Words jazz, improvisation, biography, discography, awards, sound Prehlásenie: Prehlasujem, že som predloženú prácu spracoval samostatne, s použitím uvedených zdrojov a prameňov. Zároveň dávam zvolenie k tomu, aby táto práca bola umiestnená v Knižnici JAMU a slúžila na študijné účely. V Brne, dňa 28.7.2014 Samuel Marinčák Poďakovanie: Na tomto mieste by som sa rád poďakoval vedúcemu mojej práce MgA. Vilémovi Spilkovi a oponentovi MgA. Janovi Daleckému, ktorí ma pri písaní usmerňovali a ponúkli mi cenné rady. Obsah Úvod ............................................................................................................................ -
DISCOGRAFIA BASICA DEL JAZZ Prof.: Willie Campins
DISCOGRAFIA BASICA DEL JAZZ Prof.: Willie Campins ESTILO DE NUEVA ORLEANS O HOT JAZZ: Original Dixieland Jazz Band: • Sensation! (ASV AJA 5023R)(1920) • The Original Dixieland Jazz Band 1917-1921 (Timeless CBC 1-009) New Orleans Rhythm Kings: • The New Orleans Rhythm Kings and Jelly Roll Morton (Milestone MCD 47020-2) (1922- 1925) Jelly Roll Morton: • Jelly Roll Morton 1923-1924 (Classics 584) • The Complete Jelly Roll Morton 1926-1930 (RCA Bluebird ND82361) • Jelly Roll Morton Vol. 1 (JSP CD 321) (1926/1927) King Oliver: • King Oliver Vol. 1 1923-1929 (con Louis Armstrong) (CDS RPCD 607) • King Oliver 1923 (con Louis Armstrong) (Classics 650) Sidney Bechet: • The Legendary Sidney Bechet (Bluebird ND 86590) • New Orleans Jazz (Columbia 462954) Kid Ory: • Kid Ory’s Creole Jazz Band (Good Time Jazz 12022) ESTILO DE CHICAGO O JAZZ TRADICIONAL: Louis Armstrong: • Con King Oliver: King Oliver Vol. 1 (1923-1929) • Hot Fives and Sevens Vol. 1 (JSP 312) (1925/26), Vol. 2 (JSP 313) (1927), Vol. 3 (JSP 314) (1929) • Louis Armstrong & His Orchestra (1929-1932) (Classics 570, 557, 547 y 536) • Louis Armstrong & His Orchestra (1932-1939) (Classics 529, 509, 512, 515, 523) Bix Beiderbecke: • Bix’n’Bing (Con Bing Crosby) (ASV AJA 5005) • Bix Beiderbecke Vol. 1 Singin’ the Blues (Columbia 4663092) (1927) • Bix Beiderbecke Vol. 2 At the Jazz Band Ball (Columbia 4608252) (1928) Eddie Condon: • Dixieland All Stars (MCA GRP 16372) (1939-1946) Fletcher Henderson: • Fletcher Henderson 1924-1925 (Classics 633) SWING: Duke Ellington: • The Complete Brunswick Recordings Vol. 1 y 2 (MCA MCAD 42325 y 42348) (1927-1931) • Early Ellington 1927-1934 (RCA Buebird 86852) • Rockin’ In Rhythm (ASV AJA 5057) (1927-1936) • Black, Brown and Beige (RCA Bluebird 86641) (1944-1946) Benny Goodman: • The Birth of Swing (RCA Bluebird ND 90601) (1935-1936) • Stompin’ at the Savoy (RCA Bluebird ND 90631) (1935-1938) • After You’ve Gone (RCA Bluebird ND 85631) (1935-1937) • Live at Carnegie Hall (Columbia 4509832) (1938) • Sextet Featuring Charlie Christian (Columbia 4656792) (1939-1941) • B.G. -
Bruce Springsteen the Wild, the Innocent & the E Street Shuffle Mp3, Flac, Wma
Bruce Springsteen The Wild, The Innocent & The E Street Shuffle mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Wild, The Innocent & The E Street Shuffle Country: UK MP3 version RAR size: 1467 mb FLAC version RAR size: 1639 mb WMA version RAR size: 1555 mb Rating: 4.6 Votes: 240 Other Formats: WAV MP1 DXD RA AIFF DTS MOD Tracklist Hide Credits The E Street Shuffle A1 Baritone Saxophone – Albany "Al" TelloneCornet – Vini "Mad Dog" Lopez*Soprano 4:26 Saxophone – David L. Sancious* A2 4th Of July, Asbury Park (Sandy) 5:35 Kitty's Back A3 7:07 Organ – Danny FedericiOrgan, Soloist – David L. Sancious* A4 Wild Billy's Circus Story 4:43 Incident On 57th Street B1 7:45 Piano [Second] – Danny Federici B2 Rosalita (Come Out Tonight) 7:02 New York City Serenade B3 9:56 Arranged By [Strings] – David L. Sancious* Credits Accordion – Danny Federici Backing Vocals – Clarence "Nick" Clemons*, Danny Federici, David L. Sancious*, Garry W. Tallent*, Vini "Mad Dog" Lopez* Bass, Tuba – Garry W. Tallent* Congas, Percussion – Richard Blackwell Design – John Berg, Teresa Alfieri Drums – Vini "Mad Dog" Lopez* Engineer – Louis Lahav Lead Vocals, Guitar, Harmonica, Mandolin, Recorder, Written-By, Arranged By – Bruce Springsteen Photography – David Gahr Piano, Electric Piano, Clavinet, Organ – David L. Sancious* Producer – Jim Cretecos, Mike Appel Saxophone – Clarence "Nick" Clemons* Notes Similar to Bruce Springsteen - The Wild, The Innocent & The E Street Shuffle but with differebt inner sleeve and slightly different label. Recorded at 914 Sound Studios, Blauvelt, New York Main title as on cover, title on the label is "The Wild, The Innocent And The E Street Shuffle". -
Mick Taylor © Felix Aeppli 07-2020 / 08-2021
Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb.