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Never-Before-Seen Extended Version of Clarence Clemons Documentary at the National Constitution Center
FOR IMMEDIATE RELEASE CONTACTS: Ashley Berke Lauren Saul Director of Public Relations Public Relations Manager 215.409.6693 215.409.6895 [email protected] [email protected] NEVER-BEFORE-SEEN EXTENDED VERSION OF CLARENCE CLEMONS DOCUMENTARY AT THE NATIONAL CONSTITUTION CENTER Event will include audience Q&A with the film’s director Nick Mead Philadelphia, PA (May 2, 2012) – A legendary musician and dramatic stage performer in his own right, Clarence Clemons was an integral and beloved member of the E Street Band. In connection with the must-see exhibition From Asbury Park to the Promised Land: The Life and Music of Bruce Springsteen, the National Constitution Center will pay tribute to the late Clemons during a special screening of Who Do I Think I Am? A Portrait of a Journey, featuring 15 minutes of never-before-seen footage. The event takes place on Wednesday, May 23, 2012, just a few weeks shy of the anniversary of Clemons’ passing. The film’s director, Nick Mead, will participate in a Q&A session moderated by Shawn Poole of Backstreets.com. Guests are encouraged to arrive at 5:00 p.m. to tour the Springsteen exhibition prior to the film screening at 6:00 p.m. Admission is $20 for non-members and $15 for members, and includes access to From Asbury Park to the Promised Land: The Life and Music of Bruce Springsteen. Reservations are required and can be made by calling 215.409.6700 or by visiting www.constitutioncenter.org. A cash bar and movie snacks also will be available. -
Greetings 1 Greetings from Freehold: How Bruce Springsteen's
Greetings 1 Greetings from Freehold: How Bruce Springsteen’s Hometown Shaped His Life and Work David Wilson Chairman, Communication Council Monmouth University Glory Days: A Bruce Springsteen Symposium Presented Sept. 26, 2009 Greetings 2 ABSTRACT Bruce Springsteen came back to Freehold, New Jersey, the town where he was raised, to attend the Monmouth County Fair in July 1982. He played with Sonny Kenn and the Wild Ideas, a band whose leader was already a Jersey Shore-area legend. About a year later, he recorded the song "County Fair" with the E Street Band. As this anecdote shows, Freehold never really left Bruce even after he made a name for himself in Asbury Park and went on to worldwide stardom. His experiences there were reflected not only in "County Fair" but also in "My Hometown," the unreleased "In Freehold" and several other songs. He visited a number of times in the decades after his family left for California. Freehold’s relative isolation enabled Bruce to develop his own musical style, derived largely from what he heard on the radio and on records. More generally, the town’s location, history, demographics and economy shaped his life and work. “County Fair,” the first of three sections of this paper, will recount the July 1982 episode and its aftermath. “Growin’ Up,” the second, will review Bruce’s years in Freehold and examine the ways in which the town influenced him. “Goin’ Home,” the third, will highlight instances when he returned in person, in spirit and in song. Greetings 3 COUNTY FAIR Bruce Springsteen couldn’t be sitting there. -
The Fearless Leader Fearless the Paul 196
TWO RAINMAKERS PAUL THE FEARLESS LEADER 196 ven back then, I was taking on far too many jobs,” Def Jam Chairman Paul Rosenberg recalls of his early career. As the longtime man- Eager of Eminem, Rosenberg has been a substantial player in the unfolding of the ‘‘ modern era and the dominance of hip-hop in the last two decades. His work in that capacity naturally positioned him to seize the reins at the major label that brought rap to the mainstream. Before he began managing the best- selling rapper of all time, Rosenberg was an attorney, hustling in Detroit and New York but always intimately connected with the Detroit rap scene. Later on, he was a boutique-label owner, film producer and, finally, major-label boss. The success he’s had thus far required savvy and finesse, no question. But it’s been Rosenberg’s fearlessness and commitment to breaking barriers that have secured him this high perch. (And given his imposing height, Rosenberg’s perch is higher than average.) “PAUL HAS Legendary exec and Interscope co-found- er Jimmy Iovine summed up Rosenberg’s INCREDIBLE unique qualifications while simultaneously INSTINCTS assessing the State of the Biz: “Bringing AND A REAL Paul in as an entrepreneur is a good idea, COMMITMENT and they should bring in more—because TO ARTISTRY. in order to get the record business really HE’S SEEN healthy, it’s going to take risks and it’s going to take thinking outside of the box,” he FIRSTHAND told us. “At its height, the business was run THE UNBELIEV- primarily by entrepreneurs who either sold ABLE RESULTS their businesses or stayed—Ahmet Ertegun, THAT COME David Geffen, Jerry Moss and Herb Alpert FROM ALLOW- were all entrepreneurs.” ING ARTISTS He grew up in the Detroit suburb of Farmington Hills, surrounded on all sides TO BE THEM- by music and the arts. -
Beats (Review)
Cleveland State University EngagedScholarship@CSU Michael Schwartz Library Publications Michael Schwartz Library 7-2014 Beats (Review) Mandi Goodsett Cleveland State University, [email protected] Follow this and additional works at: https://engagedscholarship.csuohio.edu/msl_facpub Part of the Library and Information Science Commons, and the Music Commons How does access to this work benefit ou?y Let us know! Publisher's Statement This is an Author’s Accepted Manuscript of an article published in Music Reference Services Quarterly July/Sept 2014, available online: http://www.tandfonline.com/10.1080/ 10588167.2014.932147. Repository Citation Goodsett, Mandi, "Beats (Review)" (2014). Michael Schwartz Library Publications. 106. https://engagedscholarship.csuohio.edu/msl_facpub/106 This E-Resource Review is brought to you for free and open access by the Michael Schwartz Library at EngagedScholarship@CSU. It has been accepted for inclusion in Michael Schwartz Library Publications by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. E-Resources Reviews BEATS MUSIC, http://www.beatsmusic.com For the past decade, the music industry has been attempting to provide lis- teners with legal, convenient ways to access music, competing with sites like Napster and its successors. In an attempt to pull consumers out of the illegal music free-for-all and into a fee-based streaming service, the music industry has fueled a sudden explosion of new mobile and desktop music streaming applications to satisfy the needs of digital-music consumers affordably and conveniently. Moving from streaming radio services like Pandora, the new on-demand music streaming services like Spotify, Rdio, Google Play All Access, and Rhapsody offer listeners a higher level of control and greater ability to curate a listening experience than ever before. -
RRFF-Gracenewsrelease2020 RRFF VERS 3
FOR IMMEDIATE RELEASE INTRODUCING GRACE’S ROCKIN’ ROLL ADVENTURE FEATURING ROCK AND ROLL HALL OF FAMER LITTLE STEVEN VAN ZANDT A NEW BOOK THAT USES MUSIC TO EMPOWER TEACHERS AND INSPIRE YOUNG STUDENTS IN READING, SCIENCE, AND MATH --Book and accompanying “STEAM” Lesson Plan Launched as Part of Rock and Roll Forever Foundation’s K-12 TeachRock Initiative --- New York, NY (October XX) – Grace’s Rockin’ Roll Adventure, a new children’s book featuring the characters from The Musical Adventures of Grace series accompanied by rock star and actor Steven Van Zandt, connects music and early elementary reading, science, and math. Developed as a partnership between TeachRock.org, the main initiative of Van Zandt’s Rock and Roll Forever Foundation, and author Ken Korber’s Center for Functional Learning, the book also features an accompanying lesson plan that engages the youngest learners in a fun, music-filled “STEAM” (Science, Technology, Engineering, Arts, and Math) project. Grace’s Rockin’ Roll Adventure is currently being piloted in TeachRock Partner Schools and select school systems in New York, New Jersey, California, and Illinois. In the book, the 9th in the Musical Adventures of Grace Series, Grace and her classmates win a contest to attend a Little Steven and the Disciples of Soul concert—a realistic plot considering that during his 2018 Teacher Solidarity Tour, Van Zandt gifted tickets to nearly 10,000 students and teachers nationwide. Invigorated by the music, Grace approaches Van Zandt, who bequeaths an instrument, setting the young musician on a rock and roll adventure with her classmates. In the accompanying workbook, real-life students learn about the various shapes in guitar designs, and ultimately combine music, math, art, and geometry to create a two- dimensional instrument of their own. -
BILLBOARD of Making Films
aient John Eddie: I Wasn't Born To Clone Rocker Calls Springsteen `A Natural Influence' stood on line to see, and that's who I "I had no qualms about picking BY JIM BESSMAN wanted to be. But it's up to me to do [Lofgren and Weinberg] because NEW YORK John Eddie is not something besides just be him, and I they're two of the best," says Eddie. afraid to face the issue head on: No, think I can do it." "Anyone who has the opportunity to he is not a Bruce Springsteen clone; Eddie admits his self-titled Colum- use Max Weinberg and doesn't is a yes, he has been deeply influenced by bia debut album shows his Spring- jerk, as far as I'm concerned." the Boss. steen influences off at their stron- Eddie adds that he is grateful for "I can't help the way my voice gest. He is quick to add that he was the expertise of Bill Dresher, who sounds," says the 27-year -old native also inspired by Gary Glitter, Rod produced the album but "didn't make of Virginia, who grew up in New Jer- Stewart & the Faces, J. Geils, Mi- it [sound] slick." sey, where he absorbed the Spring - chael Jackson, and even Prince, Eddie says he was not concerned steen /East Coast rock sound and whose falsetto he says he tried to when "Jungle Boy" peaked at No. 52 ethic. achieve on the track "Cool Walk." on the Hot 100. "That means that "I'm proud of [Springsteen's] influ- But Eddie says Elvis Presley -an- only 51 records in the U.S. -
“Born to Run”—Bruce Springsteen (1975) Added to the National Registry: 2003 Essay by Cary O’Dell
“Born to Run”—Bruce Springsteen (1975) Added to the National Registry: 2003 Essay by Cary O’Dell Original album Original label Bruce Springsteen “Born to Run” was Bruce Springsteen’s third album. The man who is “The Boss” has admitted that the creation of it was his blatant attempt for a true rock and roll record as well as commercial success after the tepid commercial reception of his earlier two albums, “Greetings from Asbury Park, N.J.” (1973) and “The Wild, the Innocent & the E Street Shuttle” (1973). On both counts, he got his wish. Upon its release, “Born to Run” would rise to number three on the charts. Besides gaining massive audience attention (by the end of the year Springsteen would be featured on the covers of both “Time” and “Newsweek”), “Born to Run” also saw the accomplishment of two other major factors in Springsteen’s artistic development. First, it saw the solidification of the line-up of Springsteen’s legendary back-up musicians, the E-Street Band. Second, it fully delivered on Springsteen’s early promise which saw him labeled as both a “modern day Dylan” and as “rock ‘n’ roll’s future.” Along with “Born to Run” being named to the National Registry in 2003, it has been ranked number eight on a list of rock’s all-time greatest albums by “Rolling Stone” magazine and was place at 18th on VH1’s list of the 500 greatest rock albums ever. Eight songs make up the tracks of “Born to Run”: “Thunder Road,” “Tenth Avenue Freeze- Out,” “Night,” “Backstreets,” “Born to Run,” “She’s the One,” “Meeting Across the River,” and “Jungleland.” In writing and developing the album, Springsteen has said he was hoping to recreate Phil Spector’s legendary “wall of sound” producing approach. -
The White Animals
The 5outh 'r Greatert Party Band Playr Again: Narhville 'r Legendary White AniMalr Reunite to 5old-0ut Crowdr By Elaine McArdle t's 10 p.m. on a sweltering summer n. ight in Nashville and standing room only at the renowned Exit/In bar, where the crowd - a bizarre mix of mid Idle-aged frat rats and former punk rockers - is in a frenzy. Some drove a day or more to get here, from Florida or Arizona or North Carolina. Others flew in from New York or California, even the Virgin Islands. One group of fans chartered a jet from Mobile, Ala. With scores of people turned away at the door, the 500 people crushed into the club begin shouting song titles before the music even starts. "The White Animals are baaaaaaack!" bellows one wild-eyed thirty something, who appears mainstream in his khaki shorts and docksiders - until you notice he reeks of patchouli oil and is dripping in silver-and-purple mardi gras beads, the ornament of choice for White Animals fans. Next to him, a mortgage banker named Scott Brown says he saw the White Animals play at least 20 times when he was an undergrad at the University of Tennessee. He wouldn't have missed this long-overdue reunion - he saw both the Friday and Saturday shows - for a residential closing on Mar-A-Lago. Lead singer Kevin Gray, a one-time medical student who dropped his stud ies in 1978 to work in the band fulltime, steps onto the stage and peers out into the audience, recognizing faces he hasn't seen in more than a decade. -
Right Arm Resource Update
RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 11/16/2016 The xx “On Hold” The first single from their anticiaped third album I See You, due January 13 #1 Most Added! Immediate support from WPYA, WFUV, WXPN, KCMP, KEXP, KCRW, KUTX, KJAC, WYMS, KTBG, WAPS, WNKU, WERS, WVOD, KROK, WYCE, WZLO, WCNR and more Performing on Saturday Night Live this weekend (with Kristen Wiig hosting)! UK and Europe dates announced, watch for a US run Jake Clemons “Hold Tight” The debut full length album from the E Street Band saxophonist and nephew of the late great Clarence Clemons Early adds at WFIV, KVNA and WHRV Full album in stores January 13, single on PlayMPE now “He’s both paying tribute to his uncle’s legacy and keeping it alive” - CBS Check out the Rolling Stone interview on Page 3 Aaron Lee Tasjan “Little Movies” After years as a guitar playing sideman for bands like New York Dolls and Drivin’ N Cryin’, comes this New West debut, out now New at KEXP, WXPN, WFIV, WPYA, MSPR, MPR and KDHX Already on WXRV, KCSN, WRLT, KJAC, KTBG, KRSH, WAPS, WYCE, WNCW, WJCU, KTAO, WCBE and more On tour now with Lydia Loveless: 11/16 NYC, 11/17 York PA, 11/19 Chicago... Rachael Yamagata “Let Me Be Your Girl” The second single from Tightrope Walker, edit on PlayMPE New at WUKY, WKZE, KXCI, WYCE, KDBB Early at WTMD, WDST, KNBA, WFIV, KVNA and KUWR “Throughout the album, Yamagata sings with the confidence of someone working without a net. -
Persona, Autobiography and the Magic of Retrospection in Bruce Springsteen's Late Career
Persona Studies 2019, vol. 5, no. 1 BRILLIANT DISGUISES: PERSONA, AUTOBIOGRAPHY AND THE MAGIC OF RETROSPECTION IN BRUCE SPRINGSTEEN’S LATE CAREER RICHARD ELLIOTT ABSTRACT Popular musicians with long careers provide rich source material for the study of persona, authenticity, endurance and the maintenance (and reinvention) of significant bodies of work. The songs of successful artists create a soundtrack not only to their own lives, but also to those of their audiences, and to the times in which they were created and to which they bore witness. The work of singers who continue to perform after several decades can be heard in terms of their ‘late voice’ (Elliott 2015a), a concept that has potentially useful insights for the study of musical persona. This article exploits this potential by considering how musical persona is de- and re-constructed in performance. I base my articulation of the relationship between persona, life-writing and retrospective narrativity on a close reading of two late texts by Bruce Springsteen: Born to Run, the autobiography he published in 2016, and Springsteen on Broadway, the audiovisual record of a show that ran from October 2017 to December 2018. In these texts, Springsteen uses the metaphor of the ‘magic trick’ as a framing device to shuttle between the roles of autobiographical myth-breaker and lyrical protagonist. He repeatedly highlights his songs as fictions that bear little relation to his actual life, while also showing awareness that, as often happens with popular song, he has been mapped onto his characters in ways that prove vital for their sense of authenticity. -
Max Weinberg's Jukebox & Woodstock Alumni Canned Heat Added to Bethel Woods Event Gallery Line-Up
FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] MAX WEINBERG’S JUKEBOX & WOODSTOCK ALUMNI CANNED HEAT ADDED TO BETHEL WOODS EVENT GALLERY LINE-UP Tickets On Sale Friday, May 17th at 10 AM May 14, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the site of the 1969 Woodstock festival in Bethel, N.Y., will welcome Woodstock alumni Canned Heat on Friday, September 13th and Max Weinberg’s Jukebox on November 24th. Both shows will take place in the intimate, indoor Event Gallery. Reserved seating tickets will go on sale to the general public on Friday, May 17th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Both evenings offer opportunity to enhance your Bethel Woods experience, offering a bountiful pre-show farm-to-table dinners, presented by Bethel Woods’ own Executive Chef, Jodi Cummings. The Canned Heat pre-show dinner will take place in the open-air Market Sheds overlooking the historic Woodstock festival field. The multi-course dinner will feature delicious recipes using locally-sourced ingredients, with communal, family style seating that wholly embodies the "Peace, Love and Music" atmosphere and is wonderful to experience with neighbors and friends, both old and new. The Max Weinberg pre-show dinner will take place in the 2019 Special Exhibit space, We Are Golden, where guests can indulge in this unique, one-time dining experience amidst the energy and relics of the 1969 Woodstock festival, including pieces of the original stage, Country Joe & the Fish’s drum kit, and more. -
Stevie Van Zandt Added to the Upstage Jam Lineup at the 2017 Asbury Park Music & Film Festival on Friday, April 21 at the Paramount Theatre in Asbury Park, NJ
Stevie Van Zandt Added To The Upstage Jam Lineup At The 2017 Asbury Park Music & Film Festival on Friday, April 21 at the Paramount Theatre in Asbury Park, NJ Van Zandt to join all-star music performance to be filmed for the Bruce Springsteen Archives and Center for American Music ASBURY PARK (April 13, 2017) – The 2017 Asbury Park Music & Film Festival has announced that Stevie Van Zandt has been added as a special guest to the Upstage jam on Friday, April 21 at the Paramount Theatre in Asbury Park, NJ. The performance will follow the world-premiere of Just Before the Dawn, the documentary that will focus on the legendary Upstage rock club that will include exclusive interviews with many musicians who helped create the aura of the venue. Limited tickets are available now by visiting www.apmff.com. The Upstage jam session will be filmed for the Bruce Springsteen Archives and Center for American Music. Artists taking part include E Street Band members David Sancious, Ernest “Boom” Carter and Vini “Mad Dog” Lopez as well as Southside Johnny Lyon, Sonny Kenn, Ricky DeSarno, Joe Petillo, Richard Blackwell, Albee Tellone, Chris Plunkett, Paul Whistler, Billy Ryan, Gerry Carboy, Tommy Labella and the Lakehouse Jr. Pros. Jeff Kazee, current member of the Asbury Jukes, will serve as the night’s music director. On May 19, Little Steven and The Disciples of Soul will be releasing Soulfire, their first album in 19 years. As part of the Festival, Little Steven and The Disciples of Soul will also be appearing at the Paramount Theatre on Saturday, April 22 and at the Paramount Theatre on April 21 for a taping of Front and Center.