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Listening Patterns – 2 About the Study Creating the Format Groups
SSRRGG PPuubblliicc RRaaddiioo PPrrooffiillee TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy LLiisstteenniinngg PPaatttteerrnnss AA SSiixx--YYeeaarr AAnnaallyyssiiss ooff PPeerrffoorrmmaannccee aanndd CChhaannggee BByy SSttaattiioonn FFoorrmmaatt By Thomas J. Thomas and Theresa R. Clifford December 2005 STATION RESOURCE GROUP 6935 Laurel Avenue Takoma Park, MD 20912 301.270.2617 www.srg.org TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy:: LLiisstteenniinngg PPaatttteerrnnss Each week the 393 public radio organizations supported by the Corporation for Public Broadcasting reach some 27 million listeners. Most analyses of public radio listening examine the performance of individual stations within this large mix, the contributions of specific national programs, or aggregate numbers for the system as a whole. This report takes a different approach. Through an extensive, multi-year study of 228 stations that generate about 80% of public radio’s audience, we review patterns of listening to groups of stations categorized by the formats that they present. We find that stations that pursue different format strategies – news, classical, jazz, AAA, and the principal combinations of these – have experienced significantly different patterns of audience growth in recent years and important differences in key audience behaviors such as loyalty and time spent listening. This quantitative study complements qualitative research that the Station Resource Group, in partnership with Public Radio Program Directors, and others have pursued on the values and benefits listeners perceive in different formats and format combinations. Key findings of The Public Radio Format Study include: • In a time of relentless news cycles and a near abandonment of news by many commercial stations, public radio’s news and information stations have seen a 55% increase in their average audience from Spring 1999 to Fall 2004. -
Metronome Magazine-Boston
•Our 35th Year Proudly Promoting All Things Music• FREE! January 2020 Sparky John Larson & The Silver Fields One Dime Band Paul Gabriel Metro•Scene BERKLEE BULL RUN CITY WINERY 1/8- Stars in Our Midst PERFORMANCE CENTER RESTAURANT Boston, MA. 1/9- Culomba album release Boston, MA Shirley, MA. (617) 933-8047 1/10- Meg Toohey album release (617) 747-2261 (978) 425-4311 1/11- Americana 1/1- Chris Trapper; Sarah Borges 1/12- Masters of Hawaiian Music w/George 1/11- Juan de Marcos and the Afro-Cuban All 1/5- Past Life Regression Circle Brunch w/ 1/2- Lyfe Jennings Kahumoku Jr, Led Kaapana and Kawika Kahiapo Stars Brandie Wells 1/3- Kashmir - Live Led Zeppelin Show; Chad 1/13-Kora Feder and Bella White 1/18- Terence Blanchard and The E-Collective 1/9- the Subdudes Perrone 1/14- Lauren Balthrop & Sean Trischka 1/28- Marcus Prince: Hearts on Fire—I Won’t Be 1/10- Sarah Borges & the Broken Singles 1/4- Wanted: DOA – Bon Jovi Tribute 1/15- Rachel Sumner Band; Pretty Saro Silent 1/16- Kerrville North 1/5- Kindred the Family Soul 1/16, 17 & 18- Boston Celtic Music Festival 1/30- Soundscapes of Spain: From Flamenco 1/17- Ellis Paul 1/7- Jake Clemons (E Street Band) 1/19- Billy, Jimmy & Dave Roots to Fusion featuring Sonia Olla, Ismael 1/18- Steve Forbert; Offtet’s “Midlife 1/8- Avery Sunshine 1/20- Massmouth Story Slam Fernández & Olivia Pérez Monkeyshine” CD release (Ballroom) 1/10- Marc Cohn; Jesse Valenzuela (of the Gin 1/22- Hayley Jane; Giovanina Bucci 1/19- Albert Lee Band Blossoms) 1/23- Taarka 1/24- Deadbeat w/ Guest Mark Karan 1/11- Marc Cohn 1/24- Kemp Harris BLUE OCEAN 1/25- The Fools 1/12- Jon B (Early Show) - 1/12/20 1/25- Les Sampou; Jay Psaros; Julian Rundlett MUSIC HALL 1/13- Chris Mann: Gershwin to Gaga ; Cheikh Lô & Gail Finnie Rundlett Salisbury Beach, MA. -
048 LSA Springsteen2016. FINAL to SCOTT.Qxp:LSA Template
CONCERTS Copyright Lighting&Sound America March 2016 http://www.lightingandsoundamerica.com/LSA.html Ravitz notes that his design brief was that “there needed to be some vibe that harkened back to the way things felt in the 1980s.” 48 • March 2016 • Lighting&Sound America hen Bruce Springsteen and the E Street Band perform, the experience is akin to a marathon: The show can last up to four hours. Springsteen frequently changes up the W set list and takes requests from the audience, so every performance is unique. In December, Springsteen released The Ties that Bind: The River Collection, a four-CD-plus three-DVD special edition boxed set of The River—originally released in 1980— which included outtakes as well as photographs and other memorabilia. To celebrate the release, Springsteen and the band appeared on Saturday Take Me to Night Live; the rehearsals for the telecast led him to think about a tour. “The first call I got was that Bruce wanted to start tour rehearsals immediately after the SNL performance, since the band would be together and everyone would have had a warm-up,” explains Springsteen’s longtime production designer Jeff Ravitz, of Intensity Advisors, headquartered in North Hollywood, California. the River It was the holiday season, and the Bruce Springsteen revisits his time line that Springsteen was 1980 album with some very considering “nearly put me into an 2016 lighting technology apoplectic seizure,” Ravitz says. Thankfully, the artist reconsidered. By: Mary McGrath “Even considering Leonard Bernstein’s observation that great achievement can result from having ‘not quite enough time,’ Bruce admitted that it was probably a little too fast for the best planning,” Ravitz adds. -
Wildwechsel 01 2017 Nord Ta
U1_Titel_117_Nord.indd u1 26.12.2016 21:43:04 U2_117_Nord.indd 2 26.12.2016 21:46:16 |Vorspiel|+ „Viele glauben nichts, Dabei gibt es dafür einen naheliegenden – logischen – Grund: Terror (lateinisch für aber fürchten alles.“ „Schrecken“) soll ja eben die Menschen in - Christian Friedrich Hebbel (1813-1863), dt. Angst versetzen. Denn so lassen sich Men- Dramatiker u. Lyriker schen so am besten aufhetzen. Ziel von Ter- roristen ist es, einen Keil zwischen eine von Angst regierten Bevölkerung zu treiben. All das entspricht aber ganz genau NICHT den Mechanismen einer Diktatur, die größtes Inte- resse daran hätte, die Bevölkerung in Sicher- Die Unterschrift heit zu wiegen, um die eigene Unantastbarkeit und damit den Machtanspruch zu sichern. des Terrors Ein Blick auf die inneren Strukturen und Prinzipien des IS gibt eine Antwort auf die Der Anschlag auf den Berliner Weihnachts- oben gestellte Frage: Der Gemeinschaft der markt bestimmt die öffentliche Debatte. Am Terroristen wird derTäter als Märtyrer bekannt 19. Dezember 2016 steuerteeuerte ein ein TerroristTerrorist,, und die FamilieFamil des in der Regel ums Le- Wer wagt, gewinnt! dessen Name unwich-ch- benb gekommenen Terroristen Na, wen haben wir denn hier beim tig ist, einen LKW in einene wirdw finanziell von dem IS un- Wildwechseln erwischt? Menschenmenge auf denn terstützt.t Dass die staatlichen >> Schreib uns eine Mail (Btr: wwvip) Weihnachtsmarkt an derr Kai-Kai- ExekutivorganeEx wie Polizei und an [email protected] mit der ser-Wilhelm-Gedächtniskirchekirche iinn GeheimdiensteGehei durch das offen- Lösung (z.B.: wwvip Heino)! Berlin. Elf Besucher starben,arben, sichtlichesichtliche HHinterlassen des eigenen Na- Vielleicht gewinnt ihr was Schönes! 56 weitere wurden ver- mensmens verhöhntverh werden sollen, ist ein letzt und der polnische zusätzlicher Effekt. -
Bruce Springsteen Song Request
Bruce Springsteen Song Request Echt and sepia Jeffie jargonizing her cameleers democratises while Elihu interred some taster counterclockwise. Douglass displace her thiocyanate accountably, she brimmed it unwarrantably. Pestilent and variable Nevins fossilising her linch fishbowl slap and open-fire naught. Europe and weeks that something of his days and fun and hate for contacting your grief out the roxy box seats, song request banners with his work is This time Bruce used the free moments to crouch right specify the audience or collect banners with the requests. New Jersey homecoming run. Springsteen would each play a song for rationale on acoustic guitar while they listened and noted chord changes, each day down your preliminary arrangement, and decent they all contributed ideas and discussed the arrangement. Springsteen sings against a meandering, languid track, a tale of blurred lines and rationalizations. Who then blame them? Bruce paints a picture all his words, singing every quarter with special conviction. And bruce springsteen wrote an hour concerts and gave me later. Get thrive business listings and events and join forum discussions at NJ. Listening to the Atlanta version will reaffirm everything you love turn the tie, this tour, and these musicians. Do you devise any questions? He search a minor planet named after him. Vini, there are white second chances. Can sky do without knowing best reporting and sporting debate? It too long to request songs that were in europe, in a purpose developed on fm stations to learning more song request timed out at least familiar. Your spouse been subscribed to our newsletter! One request for bruce would last minute i fell into account, bruce springsteen song request. -
PHILADELPHIA AREA E STREET BAND APPEARANCES (120+2) Within Nine-County (Pa./N.J./Del.) Area
[PDN: DN-PAGES-2--ADVANCE-3--SPORTS <FSN> ... 09/02/16] Author:VETRONB Date:09/02/16 Time:02:27 PHILADELPHIA AREA E STREET BAND APPEARANCES (120+2) Within Nine-County (Pa./N.J./Del.) Area GREETINGS FROM ASBURY PARK TOUR (26) 1976-77 TOUR (2) Saturday..................Oct. 28, 1972 ........................West Chester College ...................West Chester, Pa. Monday ...................Oct. 25, 1976 ........................Spectrum .......................................Philadelphia Wednesday .............Jan. 3, 1973 (Early)..............The Main Point ...............................Bryn Mawr, Pa. Wednesday .............Oct. 27, 1976 ........................Spectrum .......................................Philadelphia Wednesday .............Jan. 3, 1973 (Late) ..............The Main Point ...............................Bryn Mawr, Pa. Thursday .................Jan. 4, 1973 (Early)..............The Main Point ...............................Bryn Mawr, Pa. DARKNESS ON THE EDGE OF TOWN TOUR (4) Thursday .................Jan. 4, 1973 (Late) ..............The Main Point ...............................Bryn Mawr, Pa. Friday .......................May 26, 1978 .......................Spectrum .......................................Philadelphia Friday .......................Jan. 5, 1973 (Early)..............The Main Point ...............................Bryn Mawr, Pa. Saturday .................May 27, 1978 .......................Spectrum .......................................Philadelphia Friday .......................Jan. 5, 1973 (Late) ..............The -
Superior Emergency Care
Page 22 Thursday, April 19, 2012 The Westfield Leader and The Scotch Plains – Fanwood TIMES A WATCHUNG COMMUNICATIONS, INC. PUBLICATION At 62, Bruce Springsteen Still Shows That He’s The One By FRED T. ROSSI phonist, close Springsteen pal and from 1973’s “The Wild, The Inno- Specially Written for The Westfield Leader and The Times audience favorite Clarence cent and the E Street Shuffle.” It was my thirty-second time see- Clemons. The answer: Perfectly. Bruce and the band played a night Joy Fickett And Shuang Guo Wroe ing Bruce Springsteen and The E Jake Clemons, Clarence’s nephew, last month at New York’s Apollo Street Band but with a 25-song was brought in to play the sax, tak- Theater, and last week, they paid setlist dominated by tunes from the ing his place on stage alongside homage to their soul influences with To Chair Tour of Notable Homes 1970s and early 1980s, it was as if several other horn players. And Jake a wonderful two-song medley: “The I had been transported back three proved a worthy successor to his Way You Do The Things You Do” WESTFIELD – The Friends of conferencing facility. She is also a Chinese choruses. “With two young decades to some of my very first beloved uncle and quickly endeared by Smokey Robinson followed by Westfield Symphony Orchestra licensed realtor with Keller Will- children at Franklin School Elemen- Bruce shows. And that was just fine himself to an adoring crowd last Wilson Pickett’s “634-5789,” dur- (WSO), the auxiliary and fund rais- iams in Westfield. -
2019 Form 990-PF
EXTENDED TO NOVEMBER 16, 2020 Return of Private Foundation OMB No. 1545-0047 Form 990-PF or Section 4947(a)(1) Trust Treated as Private Foundation | Do not enter social security numbers on this form as it may be made public. Department of the Treasury 2019 Internal Revenue Service | Go to www.irs.gov/Form990PF for instructions and the latest information. Open to Public Inspection For calendar year 2019 or tax year beginning , and ending Name of foundation A Employer identification number NEXTFIFTY INITIATIVE 26-2700185 Number and street (or P.O. box number if mail is not delivered to street address) Room/suite B Telephone number 950 S. CHERRY STREET 510 303-547-1800 City or town, state or province, country, and ZIP or foreign postal code C If exemption application is pending, check here ~ | DENVER, CO 80246 G Check all that apply: Initial return Initial return of a former public charity D 1. Foreign organizations, check here ~~ | Final return Amended return 2. Foreign organizations meeting the 85% test, Address change Name change check here and attach computation ~~~~ | H Check type of organization: X Section 501(c)(3) exempt private foundation E If private foundation status was terminated Section 4947(a)(1) nonexempt charitable trust Other taxable private foundation under section 507(b)(1)(A), check here ~ | I Fair market value of all assets at end of year J Accounting method: Cash X Accrual F If the foundation is in a 60-month termination (from Part II, col. (c), line 16) Other (specify) under section 507(b)(1)(B), check here ~ | | $ 225,570,432. -
FOR IMMEDIATE RELEASE CONTACT: Elizabeth Mayer
FOR IMMEDIATE RELEASE CONTACT: Elizabeth William Fortune Mayer Regional Communications Director of Specialist Communication 719-393-2936 s [email protected] 303-620-5797 rg Live Fundraiser to Benefit American Red Cross, Community Food Share, The Food Bank for Larimer County and Weld Food Bank Airing on Colorado Networks – 4-10:30 p.m., September 18 Denver, September 17, 2013 -- Once again, Coloradans are uniting to overcome a natural disaster of unprecedented proportions. On the heels of two consecutive summers filled with the most destructive wildfires in state history, Coloradans have been affected by wide-spread flooding that has forced the evacuation of tens of thousands and will require clean-up and recovery for weeks, months and potentially years to come. Broadcast media across Colorado are joining forces for “Colorado Flood Relief,” a live fundraiser on Wednesday, September 18, to support American Red Cross Disaster Relief efforts in Colorado and Community Food Share, which will equally split donations between Community Food Share, serving Boulder and Broomfield Counties, The Food Bank for Larimer County, and Weld Food Bank. Rocky Mountain PBS, Colorado Public Television, KUVO, KUNC, KGNU, KRCC, KAFM and KVNF will join commercial television stations 9NEWS, 7NEWS, KKTV, KKCO, KJCT, Azteca Colorado, CBS4, KDVR, KWGN, KDEN Telemundo and Entravision to promote a live fundraiser, Wednesday, September 18, from 4-10:30 p.m. The Colorado Broadcasters Association will also be promoting the fundraiser on radio stations across the state by encouraging listeners to call in to make a donation. The toll-free number to call on September 18 from 4-10:30 p.m. -
Meanings and Measures Taken in Concert Observation of Bruce Springsteen, September 28, 1992, Los Angeles
UNLV Retrospective Theses & Dissertations 1-1-1996 Meanings and measures taken in concert observation of Bruce Springsteen, September 28, 1992, Los Angeles Thomas J Rodak University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Rodak, Thomas J, "Meanings and measures taken in concert observation of Bruce Springsteen, September 28, 1992, Los Angeles" (1996). UNLV Retrospective Theses & Dissertations. 3215. http://dx.doi.org/10.25669/bgs9-fpv1 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality' illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. -
The Boss | Page 1
The Boss | Page 1 The Boss By: Jack Greiner on February 26, 2016 on graydon.law I attended the Bruce Springsteen Concert in Cleveland on Tuesday with my friends Chuck Tobin and Dave Giles. This is the third time I’ve seen Springsteen. I’m pretty sure it’s Chuck’s third time on this The Boss | Page 1 Printed from: https://graydon.law/the-boss/ Copyright © 2021 Graydon Head & Ritchey LLP. All Rights Reserved. The Boss | Page 2 tour. Suffice it to say, it was great. I can understand Chuck’s near obsession. And as I’ve thought about the concert and Springsteen’s ongoing ability to fill arenas for the last 40 years, I started reflecting on larger lessons on why that’s so. I think there are three big ones. 1. Joy. Springsteen radiates joy in his concerts. He either is having the time of his life onstage or he fakes it better than anyone. I think it’s the former rather than the latter. And that manifests itself not just in the smile on his face, but in larger ways. On this tour, Springsteen has paid tribute to David Bowie (check out his Rebel, Rebel cover) and Glenn Frey (Take it Easy). Springsteen finds joy not only in his performance, but in the works of others. And that is simply infectious. People like to have fun. And being in the presence of joyful people is a fun place to be indeed. 2. Teamwork. The E Street Band has been playing together for over 40 years. And you can’t come away from a Springsteen concert without thinking about Stevie Van Zandt’s guitar and background vocals, Max Weinberg’s drumming or Roy Bittan’s beautiful work on the piano. -
Bruce Springsteen: Live! Les Seves Preferides És Una De Les Figures Més Rellevants Del Panorama Musical Roquer De L'últim Quart De Segle
It's only rock & roll | Pep Saña | Actualitzat el 02/07/2020 a les 17:38 Bruce Springsteen: Live! les seves preferides És una de les figures més rellevants del panorama musical roquer de l'últim quart de segle Bruce Springsteen: Live! les seves preferides. Bruce Springsteen és una de les figures més rellevants del panorama musical roquer de l'últim quart de segle. Bruce Springsteen, que el proper setembre complirà 71 anys, ha actuat en gairebé 3.000 concerts en els cinc continents, gravat 19 àlbums d'estudi i venut prop de 65 milions de discos, la qual cosa el situa entre els 15 artistes amb més discos venuts de la història de la música. Bruce Springsteen (Nova Jersey, 1949) es va sentir cridat per la música el dia que va veure a Elvis Presley per televisió, moment que en la seva autobiografia qualifica com el seu particular ?Big Bang?. Però seria als 60's, amb el descobriment de The Beatles, quan va tenir clar al que es dedicaria i va convèncer a la seva mare, Adele, perquè li comprés la seva primera guitarra elèctrica, fet que homenatjaria anys més tard amb el tema The Wish, inclòs a l'àlbum de rareses, Tracks (1998). Al 1965 ja era el guitarrista i cantant de la banda The Castiles i a finals dels 60's era conegut amb el sobrenom de ?The Boss?, perquè es cuidava de cobrar els bolos i de repartir els diners entre els seus companys de banda. Entre 1969 i 1971 Springsteen toca pels voltants de Nova Jersey i a clubs d' Asbury Park, acompanyat del guitarrista Steve Van Zandt, l'organista Danny Federici, el bateria Vini López i el baixista Vinnie Roslin en una banda coneguda com Steel Mill, adquirint progressivament tot un seguici de fans de culte.