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Mow!,'Mum INN Nn
mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
A Ha Cry Wolf Extended
A ha cry wolf extended click here to download A-ha with the brilliant extended mix of "Cry Wolf" which was released in A-HA - I've Been Losing You (Extended Mix) - Duration: RETROREMIXES1 48, views · · A-ha. Mix - A-HA - Cry Wolf (Extended Remix)YouTube. A-ha - Cry Wolf (Extended Mix) ♫HQ♫ - Duration: Find a a-ha - Cry Wolf (Extended Version) first pressing or reissue. Complete your a-ha collection. Shop Vinyl and CDs. A-ha - Cry Wolf (Extended Mix) ♫HQ♫ A-Ha - Cry Wolf (HQ audio) a-ha - I've been losing you [HD p] [Subtitulos Español / Ingles] [Vídeo oficial]. "Cry Wolf (Extended Version)" by Alan Tarney is a remix of A-ha's "Cry Wolf". Listen to both songs on WhoSampled, the ultimate database of sampled music. Listen to 'Cry Wolf (Extended Version)' by A-Ha. Discover song lyrics from your favorite artists and albums on Shazam! Full and accurate LYRICS for "Cry Wolf [Extended Version] [*][Version]" from "a-ha": He came from where the winds are cold, Truth is seen through keyholes. Non-profit, educational or personal use tips the balance in favor of fair use. Categories Entertainment, Music. Cry Wolf (extended) Songtext von a‐ha mit Lyrics, deutscher Übersetzung, Musik-Videos und Liedtexten kostenlos auf www.doorway.ru Find the BPM for 'Cry Wolf - Extended Version' by 'a-ha'. Type a song, get a BPM. Cry Wolf (extended version) 'Night I left the city, I dreamt of a wolf' He came from where the winds are cold And truth is seen through keyholes Strange longi. -
The Fearless Leader Fearless the Paul 196
TWO RAINMAKERS PAUL THE FEARLESS LEADER 196 ven back then, I was taking on far too many jobs,” Def Jam Chairman Paul Rosenberg recalls of his early career. As the longtime man- Eager of Eminem, Rosenberg has been a substantial player in the unfolding of the ‘‘ modern era and the dominance of hip-hop in the last two decades. His work in that capacity naturally positioned him to seize the reins at the major label that brought rap to the mainstream. Before he began managing the best- selling rapper of all time, Rosenberg was an attorney, hustling in Detroit and New York but always intimately connected with the Detroit rap scene. Later on, he was a boutique-label owner, film producer and, finally, major-label boss. The success he’s had thus far required savvy and finesse, no question. But it’s been Rosenberg’s fearlessness and commitment to breaking barriers that have secured him this high perch. (And given his imposing height, Rosenberg’s perch is higher than average.) “PAUL HAS Legendary exec and Interscope co-found- er Jimmy Iovine summed up Rosenberg’s INCREDIBLE unique qualifications while simultaneously INSTINCTS assessing the State of the Biz: “Bringing AND A REAL Paul in as an entrepreneur is a good idea, COMMITMENT and they should bring in more—because TO ARTISTRY. in order to get the record business really HE’S SEEN healthy, it’s going to take risks and it’s going to take thinking outside of the box,” he FIRSTHAND told us. “At its height, the business was run THE UNBELIEV- primarily by entrepreneurs who either sold ABLE RESULTS their businesses or stayed—Ahmet Ertegun, THAT COME David Geffen, Jerry Moss and Herb Alpert FROM ALLOW- were all entrepreneurs.” ING ARTISTS He grew up in the Detroit suburb of Farmington Hills, surrounded on all sides TO BE THEM- by music and the arts. -
CBS Cuts $ on CD Front -Lines
iUI 908 (t,14 **,;t*A,<*fi,? *3- DIGIT 4401 8812 MAR90UHZ 000117973 MONTY GREENLY APT A TOP 3740 ELM 90P07 LONG BEACH CA CONCERTS & VENUES Follows page 56 VOLUME 100 NO. 13 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT March 26, 1988/$3.95 (U.S.), $5 (CAN.) 3-Inch CD Gets Big Play Dealers Get A Big Spring Break As Majors Start Ball Rolling CD Front This story was prepared by Dave said Lew Garrett, vice president of CBS Cuts $ On -lines DiMartino and Geoff Mayfield. purchasing for North Canton, Ohio- will cut prices on selected black, front -line level and will translate based Camelot Music, speaking at a BY KEN TERRY country, and new artist releases and roughly to a $1 drop in wholesale LOS ANGELES The 3 -inch compact seminar. "Now, we're more excited LOS ANGELES In a surprise MCA plans to reduce the cost of its cost. At the same time, CBS will disk got major play at the National about it." move that may have a profound ef- country CD releases (see story, start offering new and developing Assn. of Record- Discussion among many label exec- fect on industry page 71), the CBS package repre- artist product at the $12.98 list ing Merchandis- utives shifted from general concerns pricing of com- sents the most comprehensive as- equivalent, which represents a ers convention with product viability to more specific pact disks, CBS wholesale cut of about $2. NAHM here March 11 -14. matters of packaging. One executive HARM Records plans to Teller keynote, p. -
Top 4000 Is Marco De Best Vertegenwoordigde Nederlandse Artiest in De Grootste Hitlijst Aller Tijden!
Vanaf 1 december t/m 24 december luister je van 07.00 tot 21.00 uur naar de Top 4OOO op Radio 1O! NR Artiest Titel Jaar 4000 THE O’JAYS I LOVE MUSIC 1976 3999 KANE GANG CLOSEST THING TO HEAVEN 1984 3998 WILL DOWNING A LOVE SUPREME 1988 3997 THE BEATLES DAY TRIPPER 1965 3996 THE J. GEILS BAND CENTERFOLD 1982 3995 THE JUDDS WHY NOT ME 1989 3994 ROBBIE WILLIAMS SOMETHING BEAUTIFUL 2002 3993 DAVID DUNDAS JEANS ON 1977 3992 SHANIA TWAIN I’M GONNA GETCHA GOOD 2002 3991 MICHAEL JACKSON GONE TOO SOON 1993 3990 STEVE WINWOOD WHILE YOU SEE A CHANCE 1981 3989 LOS DEL RIO MACARENA 1996 In 1993 kwam ´Macarena´ van het Spaanse zangduo Los Del Río voor het eerst uit. Het nummer brak echter pas echt door toen de Bayside Boys er in 1996 een remix van maakten en het een wereldwijde zomerhit werd. Helaas is het daar ook bij gebleven. 3988 TIME BANDITS I’M SPECIALIZED IN YOU 1983 3987 ROD STEWART I DON’T WANT TO TALK ABOUT IT 1977 3986 A-HA THE LIVING DAYLIGHTS 1987 3985 TAMMY WYNETTE STAND BY YOUR MAN 1975 3984 KOOL & THE GANG TOO HOT 1980 3983 WENDY & LISA ARE YOU MY BABY 1989 3982 QUEEN HEAVEN FOR EVERYONE 1995 3981 KIM WILDE NEVER TRUST A STRANGER 1988 3980 ENGLAND DAN & JOHN FORD-COLEY I’D REALLY LOVE TO SEE YOU TONIGHT 1976 3979 EURYTHMICS IT’S ALRIGHT 1986 3978 THE REAL THING CAN YOU FEEL THE FORCE 1979 3977 UB40 HOMELY GIRL 1989 3976 JAKI GRAHAM BREAKING AWAY 1986 3975 THE BEACH BOYS DARLIN’ 1968 3974 THE CORRS BREATHLESS 2000 3973 JULIAN LENNON TOO LATE FOR GOODBYES 1984 3972 MARVIN GAYE LET’S GET IT ON 1973 3971 I.O.S. -
A-Ha to Return with New Album and Rio Spectacular for September 2015 and International Tour Dates for 2016
PRESS RELEASE A-HA TO RETURN WITH NEW ALBUM AND RIO SPECTACULAR FOR SEPTEMBER 2015 AND INTERNATIONAL TOUR DATES FOR 2016 Following on from the announcement that legendary Norwegian band a-ha are to reform to play the 30 th anniversary Rock in Rio music festival, the band are delighted to announce the release of a brand new studio album this autumn, with international tour dates to follow in 2016. The new album, Cast In Steel , will be the band’s tenth studio album, and the first new music by the group since the critical and commercial success of 2009’s Foot of the Mountain . Cast In Steel will be released on 4 th September 2015, three weeks before the band return to play the Rock in Rio music festival in Brazil, and thirty years since their debut single, Take on Me , reached number one around the world. * * * The Album When a-ha played the Oslo Spektrum in December 2010 to close the ‘Ending on A High Note – Farewell Tour’, it felt a definitive full-stop on the band’s activities. As Morten Harket says, ‘it has been a genuine and real disbanding. There has been no a-ha in the sense of the word during that time.’ For Morten, Paul Waaktaar and Magne Furuholmen, the five- year break has allowed them to explore a rich seam of various creative projects, both musical and artistic. The return came about in a simple, organic way, as Paul explains: ‘it started off very easy and low-key with Morten dropping by my studio at various occasions, and I would show him songs that I was working on. -
Confessor Free
FREE CONFESSOR PDF Terry Goodkind | 757 pages | 29 Mar 2010 | St Martin's Press | 9780765354303 | English | New York, United States Confessor | Sword of Truth Wiki | Fandom How far this process Confessor gone in the days of the Confessor is a question to Confessor we shall return. The clamor prevented the king talking with the confessorwho read Confessor prayer-book. She humbled herself before the church, whose voice she believed she heard through the lips of her confessor. He had Confessor suave and winning ways as confessorthough he enjoined Confessor strictness as preacher. Next to these sat the clerks of the Confessor, with the King's Confessor at their head. Edward the Confessor. See how many words from the week of Oct 12—18, you Confessor right! Words nearby confessor confessional televisionconfessionaryconfession of faithConfessionsConfessions of an English Opium Eaterconfessor Confessor, confetticonfidantconfidanteconfideconfidence. Words related to confessor priestmartyrsaintfather confessortrue believer. Example sentences from the Web for confessor How far this process had gone in the days of the Confessor is a question to which we shall return. The Countess of Charny Alexandre Dumas pere. Roman Catholicism in Spain Anonymous. Harold, Complete Confessor Bulwer-Lytton. Christianitymainly RC Church a priest who hears confessions Confessor sometimes acts as a spiritual counsellor. Writing Help Is Here! Try For Free! The Confessor (album) - Wikipedia Please help Confessor the mission of New Advent and get the full contents Confessor this Confessor as an instant download. The word confessor is derived from the Latin confiterito confess, to profess, but it is not found in writers of the classical period, having been first used by the Christians. -
Saiichi Sugiyama Band Epk 2016
SAIICHI SUGIYAMA BAND EPK (July 2016) British blues-rock guitarist Saiichi Sugiyama and his band are touring the UK in September 2016 ahead of their new album release next year. Saiichi Sugiyama Band is a group of musicians hailing from Surrey/London that harks back to the halcyon days of rock and soul, 1965-1974, brought together in 2010 by the guitarist/composer Saiichi [pronounced: “sigh-eee- chee”], who has a career spanning 25 years as a solo artist in the British blues scene. The core of the group is Rietta Austin (lead vocals), Saiichi Sugiyama (guitar/vocals/composer), Ben Reed (bass guitar) and Mune Sugiyama (producer/arranger/drums). When playing live, the group are augmented by touring musicians including Stuart Dixon (rhythm guitar), Katrin Yr (lead vocals) and Wez Johnson (drums). The former members Lizzie Hibbert (lead vocals) and Dave Munch Moore (keys) also record with the group in studio. The group has been spending the past months working on their new studio album in various recording studios, a follow up to the studio live album “the Smokehouse Sessions” from 2014. The new album will include a track entitled “Melting Away”, written by Saiichi and featuring the late bass hero Andy Fraser, ex-Free and composer of the 1970 smash single, “All Right Now.” The initial inspiration for “Melting Away” came to Saiichi while on a trip to his native Japan. To Saiichi the melody was reminiscent of Free guitarist Paul Kossoff, who died in 1976. Creating a demo when he returned home to the UK, Saiichi came up with bass parts that brought Free bassman Andy Fraser to mind. -
Endocrine Abstracts Vol 65
Endocrine Abstracts November 2019 Volume 65 ISSN 1479-6848 (online) Society for Endocrinology BES 2019 11–13 November 2019, Brighton published by Online version available at bioscientifica www.endocrine-abstracts.org Volume 65 Endocrine Abstracts November 2019 Society for Endocrinology BES 2019 11–13 November 2019, Brighton VOLUME EDITORS The abstracts submitted were marked by the Abstract Marking panel, selected by the Programme Organising Committee. Programme Committee D Bassett (Programme Secretary) (London) Laura Matthews (Leeds) Andrew Childs (Programme Co-ordinator) (London) Carla Moran (Cambridge) Nils Krone (Programme Co-ordinator) (Sheffield) Annice Mukherjee (Salford) Helen Simpson (Programme Co-ordinator) (London) Francesca Spiga (Bristol) Davide Calebiro (Birmingham) Jeremy Tomlinson (Oxford) Ben Challis (Cambridge) Jennifer Walsh (Sheffield) Mandy Drake (Edinburgh) Abstract Marking Panel Ramzi Ajjan (Leeds) Neil Gittoes (Birmingham) John Newell-Price (Sheffield) Richard Anderson (Edinburgh) Helena Gleeson (Birmingham) Mark Nixon (Edinburgh) Ruth Andrew (Edinburgh) Philippa Hanson (London) Finbarr O’Harte (Ulster) Weibke Arlt (Birmingham) Martin Hewison (Birmingham) Adrian Park (Cambridge) Mo Aye (Hull) Claire Higham (Manchester) Simon Pearce (Newcastle) Tom Barber (Warwick) Steve Hillier (Edinburgh) Andrew Powlson (Cambridge) Duncan Bassett (London) Andy James (Newcastle) Teresa Rea (Belfast) Roger Brown (Edinburgh) Channa Jayasena (London) Martin Read (Birmingham) Paul Carroll (London) Niki Karavitaki (Oxford) Aled Rees (Cardiff) -
Carlos Santana Blues for Salvador Mp3, Flac, Wma
Carlos Santana Blues For Salvador mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Latin Album: Blues For Salvador Country: Japan Released: 1987 Style: Fusion MP3 version RAR size: 1444 mb FLAC version RAR size: 1808 mb WMA version RAR size: 1468 mb Rating: 4.1 Votes: 371 Other Formats: AHX MP4 MIDI ASF AU AUD DMF Tracklist Hide Credits Bailando/Aquatic Park 1 5:46 Written-By – C. Santana*, C. Thompson*, O. Vilato* Bella 2 4:29 Written-By – C. Santana*, C. Thompson*, S. Crew* I'm Gone 3 3:08 Written-By – C. Santana*, C. Thompson*, S. Crew* 'Trane 4 3:10 Written-By – C. Santana* Deeper, Dig Deeper 5 6:08 Written-By – B. Miles*, C. Santana*, C. Thompson*, S. Crew* Mingus 6 1:25 Written-By – C. Santana*, C. Thompson*, S. Crew* Now That You Know 7 10:24 Written-By – C. Santana* Hannibal 8 4:26 Written-By – A. Pasqua*, A. Ligertwood*, C. Santana*, R. Rekow* Blues For Salvador 9 5:58 Written-By – C. Santana*, C. Thompson* Companies, etc. Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Recorded At – The Plant Studios Engineered At – Sound City Studios Mixed At – Sound City Studios Mastered At – Columbia Recording Studios Pressed By – CSR Manufactured By – CBS/Sony Inc. Credits Artwork – Jos Sances, Mission Graphica, Rene Castro Artwork, Graphics – Mission Graphica Backing Vocals – Chris Solberg (tracks: 8) Bass – Alfonso Johnson* (tracks: 1 to 3, 5 to 7, 9, 10), David Margen (tracks: 8) Coordinator – Gary Rashid, Michael Jones , Susan Harris Drums – Tony Williams* (tracks: 4), Buddy Miles (tracks: 1 to 3, 5 to 7, 9), Graham -
Colosseum – 5 X Live in Concert – Restored & Remastered in 2020
Colosseum – 5 x Live in Concert – Restored & Remastered in 2020 Colosseum sind fraglos eine der beeindruckendsten Live-Bands, die der Autor je auf der Bühne erleben durfte – und trotz Reunions und anderer „zweiter Chancen“ (vgl. JCM) hat man sie gefühlt doch trotzdem einfach viel zu selten erlebt. Das ist auch nicht mehr aufholbar, seit Kopf, Seele und Sticks der Band in Gestalt von Jon Hiseman 2018 viel zu früh das Zeitliche segnete – übrigens unmittelbar nach einem weiteren ausgezeichneten Konzert… Und was kann in einer solchen Situation überhaupt Trost bieten, was kommt da wie gerufen? Bislang unbekannte Live- Aufnahmen natürlich! Doch nicht etwa fragwürdiges Bootleg- Gelumpe, sondern gehobener Standard von Repertoire Records. Und was vermutlich noch erheblich wichtiger ist: von keinem Geringeren remastered and restored as from our very own Joachim Heinz Ehrig alias Eroc! Colosseum – Live At The Boston Tea Party (49:27, CD, Repertoire Records 2020) It was indeed „The Summer of ’69“ (13.08.69)! Schlagzeug- „Gladiator“ Jon Hiseman und Saxophonist Dick Heckstall-Smith hatten sich bei der heute allein schon wegen der sich ergebenden Band-Stammbäume hyper-legendären Graham Bond Organisation kennengelernt, wo Hiseman 1966 immerhin so eben mal Ginger Baker abgelöst hatte. Und trafen sich beiJohn Mayall’s Bluesbreakers wieder – einem schier unglaublichen Talentschuppen, wo man zu unterschiedlichen Zeiten auch Eric Clapton, Peter Green, John McVie, Mick Taylor, Walter Trout, Robben Ford oder Ainsley Dunbar hätte über den Weg laufen können. Im Frühjahr ’68 fühlten die beiden sich dann reif für ihr eigenes Ding und rekrutierten mit Tony Reeves (Bass) einen von Jons ältesten Kumpels und mitDave Greenslade einen bislang mehr dem Jazz verhafteten aber erwiesenen Tasten- Zauberer. -
Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures.