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A Frampton Family Affair Peter Frampton and Son Julian Show Us the Way
Peter Frampton had a monster hit with his 1976 album, “Frampton Comes Alive!” PHOTO BY MICHAEL ZAGARIS BY PHOTO A Frampton Family Affair Peter Frampton and son Julian show us the way. BY MELONIE MAGRUDER | PHOTOGRAPHY BY JOEY CARMAN hat do you do when you’re known for record- “Acoustic Classics,” and the 40 years between this effort and his ing the (at one point) best-selling album of 1976 monster hit, “Frampton Comes Alive!” seems to sit easily. all time, for playing with the most respected In this new venture, perennial favorites like “Do You Feel Like musicians on the planet, for having a poster of We Do,” “Lines On My Face” and “Sail Away” are reheard with your face plastered on millions of teenage girls’ an intimacy so immediate, it sounds like you invited Frampton Wwalls across the nation and for a decades-long history of sold- and a couple of his friends to play for you in your living room. out tours with audiences bopping to your signature hit electro- Frampton’s only obstacle to producing another hit album might rock riffs from 40 years ago? have been in deciding which songs out of his long, historical You strip it all down and record an acoustic album. canon he should include. Peter Frampton has been touring to promote his 18th album, “We decided it should just be things I personally wanted,” FALL 2016 | 39 Julian Frampton, who is on tour with his dad, Peter, said playing guitar is “part of his DNA.” Frampton told MTM. “Obviously, you want the most popular songs, but maybe something that hasn’t been heard in awhile.” His rich vocals have not lost a whisper of a note. -
Official Electronic Press Kit Official Electronic Press Kit
AA TributeTribute to the music of Paul Rodgers & Mick Ralphs Official Electronic Press Kit “Johnny was a schoolboy when he heard his first Beatles song…” -Shooting Star Bad Company, the English hard rock band from London, were mega-stars throughout the 1970s. Their first three albums, Bad Company (1974), Straight Shooter (1975), and Run with the Pack (1976), charted in the top 5 in both the UK and US. Formed by Singer Paul Rodgers and guitarist, Mick Ralphs along with drummer Simon Kirke and bassist Boz Burrell, Bad Company’s music and Iconic sound is timeless and listened to and loved by fans around the globe. Roc Steady is excited to share the iconic music made popular by Paul Rodgers and Mick Ralphs with fans young and old! Tribute bands like Roc Steady differ from cover bands. Tribute bands re-create the experience of attending the original band’s concerts. When we take the stage, Dale Prince, Nic Cocco, Scott Biggs, David Gregory and Larry James transform and become Paul Rodgers, Mick Ralphs, Simon Kirke, Boz Burrell and Howard Leese. Roc Steady not only deliver’s the live music adlib for adlib, but also studies the mannerisms, stage presence, movements and facial expressions of the original band members. The bands outfits, backdrops, lighting and sound are designed to give the fan the experience of attending an actual Bad Company concert! ©2020 CoccoMusic, LLC All Rights Reserved Diamond Dale Prince Singing the part of Paul Rodgers Born: Flint, MI Hobbies: Harleys, Hot rods and Rock n’ Roll Top 5 Musical Influences: Steve Marriott, Paul Rodgers, Sammy Hagar, Steven Tyler and Chris Cornell Top 5 favorite Albums: Humble Pie- Smokin’, Bad Company- Bad Co, Montrose- Montrose, Aerosmith- Get Your Wings, Guns and Roses- Appetite for Destruction. -
Backstage Auctions, Inc. the Rock and Pop Fall 2020 Auction Reference Catalog
Backstage Auctions, Inc. The Rock and Pop Fall 2020 Auction Reference Catalog Lot # Lot Title Opening $ Artist 1 Artist 2 Type of Collectible 1001 Aerosmith 1989 'Pump' Album Sleeve Proof Signed to Manager Tim Collins $300.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1002 Aerosmith MTV Video Music Awards Band Signed Framed Color Photo $175.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1003 Aerosmith Brad Whitford Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1004 Aerosmith Joey Kramer Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1005 Aerosmith 1993 'Living' MTV Video Music Award Moonman Award Presented to Tim Collins $4,500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1006 Aerosmith 1993 'Get A Grip' CRIA Diamond Award Issued to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1007 Aerosmith 1990 'Janie's Got A Gun' Framed Grammy Award Confirmation Presented to Collins Management $300.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1008 Aerosmith 1993 'Livin' On The Edge' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1009 Aerosmith 1994 'Crazy' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1010 Aerosmith -
1 Frampton Comes Alive!
1 FRAMPTON COMES ALIVE! AGAIN WITH 25TH ANNIVERSARY SPECIAL EDITION OF THE BEST-SELLING LIVE ALBUM OF ALL TIME A special edition of Peter Frampton’s breakthrough album Frampton Comes Alive! will be released January 9, 2001. A two-CD package, newly remixed and remastered, Frampton Comes Alive!: 25th Anniversary Special Edition (A&M/UME) features not only the hits “Show Me The Way,” “Do You Feel Like We Do” and “Baby, I Love Your Way” but adds four previously unreleased tracks to the best-selling live album in history. This special issue celebrates one of the most popular albums of the rock era and the era itself for an entire generation. To augment the landmark release, Frampton personally sorted through eight shows originally taped for use in creating the 1976 album, and chose three songs not included largely due to the time constraints of the vinyl format. “Just The Time Of Year,” “Nowhere’s Too Far (For My Baby)” and “White Sugar” come from the same shows used to create the original album. In addition, to close the revamped album, Frampton selected a recording of “Days Dawning” from a live studio performance taped for a radio station promotion during the same time period. Presented in an expansive deluxe digipak, the 25th Anniversary Special Edition sports the original cover and essay by Cameron Crowe, complemented by a booklet with new photos and additional liner notes, including where and when each track was recorded (details left off the original packaging). By 1975, Frampton had already won recognition as a guitarist, vocalist and songwriter in the acclaimed British ensemble Humble Pie and as a solo artist on a series of increasingly successful albums. -
The Roots Report: Peter Frampton at Twin River
The Roots Report: Peter Frampton at Twin River Okee dokee folks … The other night I had a chance to relive a bit of my youth. I saw Peter Frampton in concert for the first time in 35+ years. Back when I was 16 years old, the Peter Frampton concert at the Civic Center was the hottest ticket in town. The show at Twin River seemed to be at capacity, but unlike the teen crowd in the ’70s this gathering was much, much, MUCH older. It was like an episode of “The Twilight Zone.” If I closed my eyes and listened, I was 16 again. But when I opened them I was shocked back to reality when I saw Frampton and the AARP crowd. After being introduced by some guy (unknown to me, anyway) in a top hat and dreadlocks as “Peter F*ckin’ Frampton,” Frampton took the Twin River stage at about 8:10. He came out playing the lead track from his blockbuster ’76 live album Frampton Comes Alive. He was backed by a four-piece band of guitar, bass, keys and drums. Without stopping, the band launched right into the next song, which was a cover of Bowie’s “Rebel, Rebel.” They continued non-stop into “Doobie Wah.” After a change of guitars from a Les Paul to a hollow body electric, Frampton led the band with “Show Me The Way” and stepped to the center microphone where his signature talk-box was waiting to wah. After this, he took a moment to address the audience. “Good evening, Lincoln. -
JBSL Presskit2021.Pdf
THE BAND CORE MUSICIANS Joe Bell Guitar & Vocals Frankie Starr Guitar & Vocals Doug Johns Bass Guitar Chuck Orange Drums GUEST MUSICIANS Joe Hunter Piano Joe Miller Trumpet Dave Sterner Sax AWARD WINNING SWING, JUMP BLUES, SOUL & FUNK joebell.com Book the Band ank or y r su ort an e’ sî y at e gig! - Joe Concert Schedule Merchandise ACCOLADES Scene Magazine Music Awards On Festival bills, in nightclubs, concert halls and theaters, Joe Bell and the Lizards have spent Multiple winner for: over two decades entertaining blues, jazz, rock and soul fans on the North Coast and around Best Blues Band the country. A critically acclaimed, award winning group, and legendary among all types of Best Swing Band folks known to frequent venues where live music delights the soul, when they take the stage, Finalist for Best Vocalist they truly funk up the place, fi lling the room with their rootsy, feel good energy. Cleveland Free Times Music Awards Multiple winner for: Beginning in 1989, with Joe’s college years and hundred’s of solo acoustic gigs behind him Best R&B Act - JB got the itch to start a band. He named them The Swing Lizards, because of JB’s a nity Best Blues Band for swing (Joe’s Grandfather - Joe Kayser, was a big band leader in Chicago and gave a young Best Swing Band Finalist for Best Vocalist Gene Krupa his fi rst legitimate gig) and based in Cleveland - the Rock and Roll Hall of Fame city - The Lizard’s current sound is a eclectic hybrid of swing, jump blues, soul and funk. -
FOGHAT Foghat Posing with Their Plane at San Francisco Airport, 1978
FEATURE FOGHAT Foghat posing with their plane at San Francisco Airport, 1978. L-R: Rod ‘The Bottle’ Price (guitar), Roger Earl (drums), Craig MacGregor (bass), ‘Lonesome’ Dave Peverett (vocals and guitar) Hats off to FOGHAT drummer ROGER EARL, who’s still out there keeping the spirit of rock alive, despite the sad loss of three of his classic-era bandmates. Derek Oliver catches up with the heartbeat of one of the greatest ’70s stadium rock acts to discover exactly what made Foghat undisputed boogie kings… LAST“HELLO?” THE VOICE ON the other end of the line POSSIBLYMAN MY greatest music-related regret in life is STANDINGradio support, especially when they started to deliver blues, country, jazz, rock’n’roll, gospel, big band swing… chirps. “This is Roger Earl and I’m looking forward to my that I never saw Foghat play live in the 1970s. It wasn’t tracks that were not only true to their style, but also it all started in the States. That was why I wanted to live interrogation.” Sure, there’s something of a mid-Atlantic entirely my fault. Despite being British, the band only accessible enough to register on mainstream charts. By there. It seemed like a magical place.” twang about the accent. But just like Spinal Tap’s Derek played a handful of shows in the UK, though to be fair the time Foghat recorded Smalls, it’s still unmistakably British and not without a there was one early tour in 1972 supporting Captain their anthem ‘Slow Ride’, BORN IN Hampton Court “MOST OF THE TIME INTERNAL RELATIONS IN certain humorous devilment in its delivery. -
Peter Frampton Comes Full Circle Entertainment NewsSentinel.Com
7/29/2016 Peter Frampton comes full circle Entertainment NewsSentinel.com FortWayne·com JOBS CARS HOMES APARTMENTS OBITS CLASSIFIEDS SHOPPING Advertise Subscribe Friday July 29, 2016 View complete forecast 80° Your search terms... NewsSentinel Web Archives Blogs LOCAL US/WORLD SPORTS LIVING ENTERTAINMENT BIZ/TECH OPINION VIDEOS PROJECTS BLOGS Biz home 34 34 0 0 Peter Frampton comes full circle Iconic guitarist went from being a serious musician to being a teen idol and then back to being a serious musician again. By James Grant, nsfeatures@newssentinel.com Thursday, July 28, 2016 10:33 AM Elkhart, IN Residents Are `Rattled` By New Peter Frampton, who will perform Sunday evening at Public Records Website Foellinger Theatre, has had quite the varied musical career. LOCAL BUSINESS SEARCH Best known for his multiplatinum selling album “Frampton Comes Alive!” from 1976, Frampton began Peter Frampton will play at the Foellinger Outdoor Theatre on Sunday. His concert will feature all his hits, as fans expect, his career in England in the late 1960s playing with and also acoustic versions of some of his classic songs. various groups, including The Herd and Humble Pie, (Courtesy photo by John Lill Photography) all before he was 20 years old. More Information Search Frampton’s prowess on the guitar enabled him to Peter Frampton in concert interact and work with some of the cream of British Browse Popular Categories: rock as he cultivated a career as a serious guitarist and WHAT: Iconic guitarist or 1970s pop star? Both. performer. Restaurants WHEN: 7:30 p.m. -
Peter Frampton Steve Marriott
Humble Pie was formed in late 1968 when Steve Marriott, guitarist and incomparable blues rock vocalist, left the Small Faces, and joined forces with guitarist/singer Peter Frampton, formerly of The Herd, ex-Spooky Tooth bassist Greg Ridley, and 17 year- old drummer Jerry Shirley. Few people today remember Steve Marriott, and that’s a pity. His voice was what Jimmy Page wanted Robert Plant to sound like, and Plant openly emulated Marriott. Humble Pie’s fade out from rock consciousness was due to multitude of factors. Their studio albums were relatively poor sellers, and relying so heavily on cover songs probably worked against them. The group disbanded in 1975, reunited briefly in 1979, then saw Marriott quit and move back to England in 1983. In 1991, he and Peter Frampton were collaborating on a possible HP reunion in California, when Steve rather abruptly flew home to England. Marriott was tragically killed in a fire at his home on April 19, 1991. - elevenwarriors.com + + + + + Thanks to whotrader for sharing these tracks at The Traders’ Den. PETER FRAMPTON whotrader noted: “I didn’t receive any information with the CDR when I received [it]. The song titles are all guesses and the style of music really varies from song to song.” Lineage: STEVE MARRIOTT ? > cdr trade circa 1995 Humble Pie Reunion Demos Transfer: EAC > Flac level 8 Los Angeles, CA; Early 1991 MP3 Version Steve Marriott / Peter Frampton Reunion Demos 1991 Frampton Marriott / Peter Steve 01. Scratch My Back 4:10 02. Why I Need the Blues 4:14 03. Rolling Stone part 2 4:02 04. -
WATERBURY PALACE THEATER SHOWS Musical Artists - Performance Dates 1971-1986
WATERBURY PALACE THEATER SHOWS Musical Artists - Performance Dates 1971-1986 Date Artist Also on Bill 1971-04-17 Enzo Stuarti (2 shows) 1971-05-06 Victor Borge 1971-12-01 J. Geils Band Yes Wheatfield Ash 1972-01-12 Alice Cooper 1972-01-21 Quicksilver Messenger Service Malo 1972-02-05 Badfinger Electric Elves (w/Ronnie James Dio) Mahogany Rush 1972-02-17 Cactus Uriah Heep Dreams (Billy Cobham) 1972-02-27 Yes The Eagles (?) 1972-03-03 King Crimson Edgar Winter Group Sweathog 1972-03-17 Franki Valli & the Four Seasons Jay and the Americans The Coasters 1972-03-23 B.B. King Malo (Jorge Santana's Band) 1972-04-06 Fleetwood Mac Savoy Brown Long John Baldry 1972-04-07 Procol Harum 1972-04-11 Electric Light Orchestra 1972-05-01 New Riders of the Purple Sage Henry Gross 1972-05-13 Lee Michaels Jo Jo Gunne 1972-05-17 Jeff Beck Group Todd Rundgren & The Hello People 1972-05-27 The Byrds JF Murphy & Salt Eric Andersen; Ground Hog 1972-06-24 Quicksilver Messenger Service Boone's Farm The Mad Musician 1972-06-25 Ray Price Dottie West 1972-09-23 Grateful Dead 1972-09-24 Grateful Dead 1972-10-16 Waterbury Jazz Festival (1st Perf.): Lionel Hampton, Gene Krupa, & Maynard Ferguson 1972-11-01 Frank Zappa & the Mothers of Invention Tim Buckley 1972-11-09 West, Bruce, & Laing Grin 1972-11-11 Deep Purple Elf (Dio) 1972-11-19 Mahavishnu Orchestra John Paul Jones & Friends 1972-11-21 Waterbury Jazz Festival (2nd Perf.): Count Basie, Lee Castle's Jimmy Dorsey Orchestra 1972-12-12 Waterbury Jazz Festival (3rd Perf.): Buddy Rich, Woody Herman 1973-02-05 Tower of Power 1973-02-16 J. -
Preliminary Liner Notes; Subject to Change**
**Preliminary Liner Notes; Subject to Change** Humble Pie The Definitive Collection CD Booklet Of all the bands that arose at the end of the 1960s to put the predilections and pretensions of that decade firmly behind them; of all those who realigned rock towards the promise of the on- rushing 1970s, few could match Humble Pie. Others wrote their names larger in the pages of rock history; others scored more hits. But none were truer to their dreams than the Pie, and none so fearlessly marched to their own idiosyncratic drum. From the opening chords of “Natural Born Woman,” their all conquering debut single, through to the street anthem “Road Hog” that highlighted their farewell set Street Rats, Humble Pie had everything – ribaldry, raunchiness, and a raucous charm that never let up. Plus, was there ever a better white soul singer than Marriott? If there was, we never heard him. We didn’t need to – we already had Steve. The amalgam of two dispirited pop idols, Steve Marriott (ex-Small Faces) and Peter Frampton (ex-The Herd), those bands were already crumbling when the pair first joined forces in what the music papers were swift to dub a new supergroup – one more in a queue of such things, it must be said, but the first that really did look like being more than the sum of its parts. Completed by former Spooky Tooth bassist Greg Ridley and Apostolic Intervention drummer Jerry Shirley, Humble Pie debuted in summer 1969 with a single, "Natural Born Boogie" (subsequently retitled “Natural Born Woman” in the US), and an album, As Safe As Yesterday, that all but blueprinted the burgeoning hard rock landscape of the late 1960s. -
Rock Candy Magazine
MOSCOW MUSIC PEACE FESTIVAL STRICTLY OLD SCHOOL BADGES MÖTLEY CRÜE’S LAME CANCELLATION EXCUSE OLD SCHOOL BADGES MÖTLEY CRÜE’S LAME CANCELLATION STRICTLY FESTIVAL MUSIC PEACE MOSCOW COLLECTORS REMASTERED ISSUE EDITIONS & RELOADED 2 OUT NOW June–July 2017 £9.99 HARD, SWEET & STICKY LILLIAN AXE - ‘S/T’ LILLIAN AXE - ‘LOVE+WAR’ WARRANT - ‘CHERRY PIE’ WARRANT - ‘DIRTY ROTTEN FILTHY MOTHER’S FINEST - ‘IRON AGE’ STINKING RICH’ ROCK CANDY MAG ISSUE 2 JUNE – JULY 2017 ISSUE 2 JUNE – JULY MAG CANDY ROCK MAHOGANY RUSH - ‘LIVE’ FRANK MARINO - ‘WHAT’S NEXT’ FRANK MARINO FRANK MARINO - ‘JUGGERNAUT’ CREED - ‘S/T’ SURVIVOR ‘THE POWER OF ROCK AND ROLL’ ‘EYE OF THE TIGER’ KING KOBRA - ‘READY TO STRIKE’ KING KOBRA 707 - ‘S/T’ 707 - ‘THE SECOND ALBUM’ 707 - ‘MEGAFORCE’ OUTLAWS - ‘PLAYIN’ TO WIN’ ‘THRILL OF A LIFETIME’ “IT WAS LOUD – LIKE A FACTORY!” LOUD “IT WAS SAMMY HAGAR SALTY DOG TYKETTO - ‘DON’T COME EASY’ KICK AXE - ‘VICES’ KICK AXE KICK AXE - ‘ROCK THE WORLD’ ‘ALL NIGHT LONG’ ‘EVERY DOG HAS IT’S DAY’ ‘WELCOME TO THE CLUB’ NYMPHS -’S/T’ RTZ - ‘RETURN TO ZERO’ WARTHCHILD AMERICA GIRL - ‘SHEER GREED’ GIRL - ‘WASTED YOUTH’ LOVE/HATE ‘CLIMBIN’ THE WALLS’ ‘BLACKOUT IN THE RED ROOM’ MAIDEN ‘84 BEHIND THE SCENES ON THE LEGENDARY POLAND TOUR TARGET - ‘S/T’ TARGET - ‘CAPTURED’ MAYDAY - ‘S/T’ MAYDAY - ‘REVENGE’ BAD BOY - ‘THE BAND THAT BAD BOY - ‘BACK TO BACK’ MILWAUKEE MADE FAMOUS’ COMING SOON BAD ENGLISH - ‘S/T’ JETBOY - ‘FEEL THE SHAKE’ DOKKEN STONE FURY ALANNAH MILES - ‘S/T’ ‘BEAST FROM THE EAST’ ‘BURNS LIKE A STAR’ www.rockcandyrecords.com / [email protected]