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Small Mid-Tudor Chronicles and Popular History: 1540-1560
Quidditas Volume 37 Article 7 2016 Small Mid-Tudor Chronicles and Popular History: 1540-1560 Barrett L. Beer Kent State University Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Beer, Barrett L. (2016) "Small Mid-Tudor Chronicles and Popular History: 1540-1560," Quidditas: Vol. 37 , Article 7. Available at: https://scholarsarchive.byu.edu/rmmra/vol37/iss1/7 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Quidditas 37 (2016) 57 Small Mid-Tudor Chronicles and Popular History: 1540-1560 Barrett L. Beer Kent State University This essay examines twenty-two editions of little-studied small Mid-Tudor chroni- cles that were published by printers at Canterbury and London. They demonstrate the important role of printers in historical scholarship and offer a significantly dif- ferent perspective on English history than the better-known, larger contemporary works of Robert Fabyan, Edward Hall, and Thomas Cooper. The chronicles also shed light on the readership of historical works by non-elite readers who presum- ably could not afford larger and more expensive chronicles. The short chronicles present a simplified view of the past, avoid propagating the well-known Tudor myths including the tyranny of Richard III, and demonstrate a clear preference for recent history. Although overlooked in most accounts of Early Modern historiography, the small Mid-Tudor chronicles are clearly part of the historical culture of the era. -
Reading History in Early Modern England
READING HISTORY IN EARLY MODERN ENGLAND D. R. WOOLF published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge CB2 2RU, UK www.cup.cam.ac.uk 40 West 20th Street, New York, NY 10011–4211, USA www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarco´n 13, 28014 Madrid, Spain © Cambridge University Press 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2000 Printed in the United Kingdom at the University Press, Cambridge Typeset in Sabon 10/12pt [vn] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Woolf, D. R. (Daniel R.) Reading History in early modern England / by D. R. Woolf. p. cm. (Cambridge studies in early modern British history) ISBN 0 521 78046 2 (hardback) 1. Great Britain – Historiography. 2. Great Britain – History – Tudors, 1485–1603 – Historiography. 3. Great Britain – History – Stuarts, 1603–1714 – Historiography. 4. Historiography – Great Britain – History – 16th century. 5. Historiography – Great Britain – History – 17th century. 6. Books and reading – England – History – 16th century. 7. Books and reading – England – History – 17th century. 8. History publishing – Great Britain – History. I. Title. II. Series. DA1.W665 2000 941'.007'2 – dc21 00-023593 ISBN 0 521 78046 2 hardback CONTENTS List of illustrations page vii Preface xi List of abbreviations and note on the text xv Introduction 1 1 The death of the chronicle 11 2 The contexts and purposes of history reading 79 3 The ownership of historical works 132 4 Borrowing and lending 168 5 Clio unbound and bound 203 6 Marketing history 255 7 Conclusion 318 Appendix A A bookseller’s inventory in history books, ca. -
2 the Seven Deadly Sins</Em>
Early Theatre 10.1 (2007) ROBERT HORNBACK The Reasons of Misrule Revisited: Evangelical Appropriations of Carnival in Tudor Revels Undoubtedly the most arresting Tudor likeness in the National Portrait Gallery, London, is William Scrots’s anamorphosis (NPG1299). As if mod- eled after a funhouse mirror reflection, this colorful oil on panel painting depicts within a stretched oblong, framed within a thin horizontal rectangle, the profile of a child with red hair and a head far wider than it is tall; measur- ing 63 inches x 16 ¾ inches, the portrait itself is, the Gallery website reports, its ‘squattest’ (‘nearly 4 times wider than it is high’). Its short-lived sitter’s nose juts out, Pinocchio-like, under a low bump of overhanging brow, as the chin recedes cartoonishly under a marked overbite. The subject thus seems to prefigure the whimsical grotesques of Inigo Jones’s antimasques decades later rather than to depict, as it does, the heir apparent of Henry VIII. Such is underrated Flemish master Scrots’s tour de force portrait of a nine-year-old Prince Edward in 1546, a year before his accession. As the NPG website ex- plains, ‘[Edward] is shown in distorted perspective (anamorphosis) …. When viewed from the right,’ however, ie, from a small cut-out in that side of the frame, he can be ‘seen in correct perspective’.1 I want to suggest that this de- lightful anamorphic image, coupled with the Gallery’s dry commentary, pro- vides an ironic but apt metaphor for the critical tradition addressing Edward’s reign and its theatrical spectacle: only when viewed from a one-sided point of view – in hindsight, from the anachronistic vantage point of an Anglo-Amer- ican tradition inflected by subsequent protestantism – can the boy king, his often riotous court spectacle, and mid-Tudor evangelicals in general be made to resemble a ‘correct’ portrait of the protestant sobriety, indeed the dour puritanism, of later generations. -
Elisabeth Parr's Renaissance at the Mid-Tudor Court
Early Modern Women: An Interdisciplinary Journal 2013, vol. 8 Elisabeth Parr’s Renaissance at the Mid-Tudor Court Helen Graham-Matheson oan Kelly’s ground-breaking article, “Did Women Have a Renaissance?” Jcenters on four criteria for ascertaining the “relative contraction (or expansion) of the powers of Renaissance women”: women’s economic, political, cultural roles and the ideology about women across the mid- Tudor period. Focusing particularly on cultural and political roles, this essay applies Kelly’s criteria to Elisabeth Parr née Brooke, Marchioness of Northampton (1526–1565) and sister-in-law of Katherine Parr, Henry VIII’s last wife, whose controversial court career evinces women’s lived experience and their contemporary political importance across the mid- Tudor courts of Henry VIII, Edward VI, Mary I, and Elizabeth I. By taking each reign in isolation, this essay follows Kelly’s call to question “accepted schemes of periodization” and reassesses whether “events that further the historical development of men, liberating them from natural, social, or ideological constraints, have quite different, even opposite, effects upon women.”1 The key point of departure of my essay from Kelly’s argument is that she states that women’s involvement in the public sphere and politics lessened in the Italian cinquecento, whereas my findings suggest that in England women such as Elisabeth Parr increasingly involved themselves in the public world of court politics. According to Kelly, 1 Joan Kelly, ”Did Women Have a Renaissance?” Feminism and Renaissance Studies, ed. L. Hutson (Oxford: Oxford University Press, 1999), 21. 289 290 EMWJ 2013, vol. 8 Helen Graham-Matheson [n]oblewomen . -
Christopher Marlowe and the Golden Age of England
The Marlowe Society Christopher Marlowe and the Research Journal - Volume 05 - 2008 Golden Age of England Online Research Journal Article Michael J. Kelly Christopher Marlowe and the Golden Age of England Poet, spy and playwright, Christopher Marlowe was the embodiment of the Elizabethan Golden Age. Marlowe’s work was the product of his ‘Erasmian,’ or Christian humanist, education, the state of affairs in England and his own ability and readiness to satirize the world around him. Marlowe and his fellow contemporaries were a testament to the development of English drama, its pinnacle at the end of the English Renaissance and its eventual decline and suppression at the outbreak of the English Civil War. Their work is historically important because it illustrates, in addition to the development of English theatre, the dramatic political and social events of the time through the public medium of the playhouse. Specifically, the development of the theatre helps explain key features of the English Renaissance such as the creation of English self-identity, adoption of humanistic ideal, the advancement of English over Latin, the role of religion, the intellectual development of a people and parliament and their gradual alienation from the monarchy, the ultimate assertion of parliamentary power, and Civil War. Furthermore, the development of commercial playwriting, acting, stage management and private investment in theatres, an aspect of life today taken for granted, began during this Golden Age in English drama. The history of English playwriting and performance stretches back to at least the ninth century trope ‘Alle Luia’ sung at Easter masses. However, post-classical Christian ritual performance itself probably developed from the ritualistic repetitions of the Empirical Roman Senate.1 This tradition, established in the Church at some point during the early formation of Roman successor states, likely spread to England from Spain, via Ireland, through missionaries. -
The Reformation of the Generations: Age, Ancestry and Memory in England 1500-1700
The Reformation of the Generations: Age, Ancestry and Memory in England 1500-1700 Folger Shakespeare Library Spring Semester Seminar 2016 Alexandra Walsham (University of Cambridge): [email protected] The origins, impact and repercussions of the English Reformation have been the subject of lively debate. Although it is now widely recognised as a protracted process that extended over many decades and generations, surprisingly little attention has been paid to the links between the life cycle and religious change. Did age and ancestry matter during the English Reformation? To what extent did bonds of blood and kinship catalyse and complicate its path? And how did remembrance of these events evolve with the passage of the time and the succession of the generations? This seminar will investigate the connections between the histories of the family, the perception of the past, and England’s plural and fractious Reformations. It invites participants from a range of disciplinary backgrounds to explore how the religious revolutions and movements of the period shaped, and were shaped by, the horizontal relationships that early modern people formed with their sibilings, relatives and peers, as well as the vertical ones that tied them to their dead ancestors and future heirs. It will also consider the role of the Reformation in reconfiguring conceptions of memory, history and time itself. Schedule: The seminar will convene on Fridays 1-4.30pm, for 10 weeks from 5 February to 29 April 2016, excluding 18 March, 1 April and 15 April. In keeping with Folger tradition, there will be a tea break from 3.00 to 3.30pm. -
Lees and Moonshine: Remembering Richard III, 14851635
ORE Open Research Exeter TITLE Lees and Moonshine: Remembering Richard III, 1485-1635 AUTHORS Schwyzer, Philip JOURNAL Renaissance Quarterly DEPOSITED IN ORE 18 March 2013 This version available at http://hdl.handle.net/10036/4490 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication Lees and Moonshine: Remembering Richard III, 1485–1635 Author(s): Philip Schwyzer Reviewed work(s): Source: Renaissance Quarterly, Vol. 63, No. 3 (Fall 2010), pp. 850-883 Published by: The University of Chicago Press on behalf of the Renaissance Society of America Stable URL: http://www.jstor.org/stable/10.1086/656930 . Accessed: 02/12/2011 08:37 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press and Renaissance Society of America are collaborating with JSTOR to digitize, preserve and extend access to Renaissance Quarterly. http://www.jstor.org Lees and Moonshine: Remembering Richard III, 1485–1635* by P HILIP S CHWYZER Not long after Shakespeare’s birth in 1564, the last witnesses to the reign of Richard III (1483–85) would have reached the end of their lives. -
ABSTRACT REBECCA BRUYERE Mary Tudor and the Return
ABSTRACT REBECCA BRUYERE Mary Tudor and the Return of Catholicism (Under the direction of DR. BENJAMIN EHLERS) Ever since John Foxe's labeling of Mary as a bloody tyrant, the label has persisted throughout history even to the present day. Mary, however, was more in touch with her people than Foxe and others would portray her, as a more Catholic form of religion was widely supported. Many people began celebrating the Mass and other Catholic ceremonies even before Mary's ascent to the throne. Upon claiming the throne, Mary relied principally upon the support of the people to help her. She enacted a series of reforms against the more dramatically Protestant elements that her half-brother, King Edward VI, introduced. Most churches met the requirements for the reconstruction of their churches, a feat that was not easy during such difficult economic times. In doing so, the churches relied greatly upon the support of the parishioners, although Mary did try to ease the difficulty of building back Churches by returning various Catholic items. Through pamphlets, Mary and her bishops sought to educate England about Catholicism so that they might understand some of the more fundamental beliefs. Cardinal Pole was instrumental in assisting Mary as well, implementing reforms as well as preaching about Catholicism. However, a good many Protestants were burned as heretics. Despite Mary's intention for prudence, this was one of the low points of Mary's reign from a modern perspective. However, if Mary lived longer and had an heir, England probably would have had a more Catholic religion and would not have noted so strongly the burning of heretics. -
George Ferrers and the Historian As Moral Compass.” LATCH 2 (2009): 101-114
Charles Beem. “From Lydgate to Shakespeare: George Ferrers and the Historian as Moral Compass.” LATCH 2 (2009): 101-114. From Lydgate to Shakespeare: George Ferrers and the Historian as Moral Compass Charles Beem University of North Carolina, Pembroke Essay In or around the year 1595, playwright William Shakespeare wrote the historical tragedy Richard II, the chronological starting point for a series of historical plays that culminates with another, better known historical tragedy Richard III. The historical sources Shakespeare consulted to fashion the character of Richard II and a procession of English kings from Henry IV to Richard III included the chronicles of Edward Hall and Raphael Holinshed, as well as the immensely popular The Mirror For Magistrates, which covered the exact same chronological range of Shakespeare’s Ricardian and Henrician historical plays. While Hall’s and Holinshed’s works were mostly straightforward prose narratives, The Mirror was a collaborative poetic history, which enjoyed several print editions over the course of Elizabeth I’s reign. Subjects in The Mirror appear as ghosts to tell their woeful tales of how they rose so high only to fall so hard, a device frequently employed in a number of Shakespeare’s plays, including Richard III. Among the various contributors to The Mirror for Magistrates was a gentleman by the name of George Ferrers. While it is highly unlikely that Shakespeare and Ferrers ever met—indeed, Shakespeare was only 15 when Ferrers died in 1579 at the ripe old age of 69. It is much more certain that Shakespeare was acquainted with Ferrers’ literary works. -
The Tragedy of King Richard the Third
Dating Shakespeare’s Plays: Richard III The Tragedy of King Richard t he Third with the Landing of Earle Richmond and the Battel at Boſworth Field he earliest date for The Tragedy of King murther of his innocent Nephewes: his Richard III (Q1) is 1577, the first edition tyrannicall vsurpation: with the whole of Holinshed. The latest possible date is at course of his detested life, and most deserued Tthe publication of the First Quarto in 1597. death. As it hath beene lately Acted by the Right honourable the Lord Chamber laine his seruants. By William Shake-speare. London Publication Date Printed by Thomas Creede, for Andrew Wise, dwelling in Paules Church yard, at the signe of the Angell. 1598. The Tragedy of King Richard III was registered in 1597, three years after The Contention( 2 Henry The play went through four more quartos before VI) and three years before The True Tragedy of the First Folio in 1623: Richard Duke of York (3 Henry VI): [Q3 1602] The Tragedie of King Richard [SR 1597] 20 Octobris. Andrewe Wise. Entred the third. Conteining his treacherous Plots for his copie vnder thandes of master Barlowe, against his brother Clarence: the pittifull and master warden Man. The tragedie of murther of his innocent Nephewes: his kinge Richard the Third with the death of the tyrannical vsurpation: with the whole course Duke of Clarence. of his detested life, and most deserued death. As it hath bene lately Acted by the Right The play was published anonymously: Honourable the Lord Cham berlaine his seruants. -
The Purpose of This Thesis Is to Trace Lady Katherine Grey's Family from Princess Mary Tudor to Algernon Seymour a Threefold A
ABSTRACT THE FAMILY OF LADY KATHERINE GREY 1509-1750 by Nancy Louise Ferrand The purpose of this thesis is to trace Lady Katherine Grey‘s family from Princess Mary Tudor to Algernon Seymour and to discuss aspects of their relationship toward the hereditary descent of the English crown. A threefold approach was employed: an examination of their personalities and careers, an investigation of their relationship to the succession problem. and an attempt to draw those elements together and to evaluate their importance in regard to the succession of the crown. The State Papers. chronicles. diaries, and the foreign correspondence of ambassadors constituted the most important sources drawn upon in this study. The study revealed that. according to English tradition, no woman from the royal family could marry a foreign prince and expect her descendants to claim the crown. Henry VIII realized this point when he excluded his sister Margaret from his will, as she had married James IV of Scotland and the Earl of Angus. At the same time he designated that the children of his younger sister Mary Nancy Louise Ferrand should inherit the crown if he left no heirs. Thus, legally had there been strong sentiment expressed for any of Katherine Grey's sons or descendants, they, instead of the Stuarts. could possibly have become Kings of England upon the basis of Henry VIII's and Edward VI's wills. That they were English rather than Scotch also enhanced their claims. THE FAMILY OF LADY KATHERINE GREY 1509-1750 BY Nancy Louise Ferrand A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Department of History 1964 ACKNOWLEDGMENTS I am indebted to Dr. -
The Plantagenet in the Parish: the Burial of Richard III’S Daughter in Medieval London
The Plantagenet in the Parish: The Burial of Richard III’s Daughter in Medieval London CHRISTIAN STEER Westminster Abbey, the necropolis of royalty, is today a centre piece for commemoration. 1 It represents a line of kings, their consorts, children and cousins, their bodies and monuments flanked by those of loyal retainers and officials who had served the Crown. The medieval abbey contained the remains of Edward the Confessor through to Henry VII and was a mausoleum of monarchy. Studies have shown that this was not exclusive: members of the medieval royal family sometimes chose to be buried elsewhere, often in particular religious houses with which they were personally associated.2 Edward IV (d. 1483) was himself buried in his new foundation at St George’s Chapel, Windsor, where he was commemorated within his sumptuous chantry chapel.3 But the question of what became of their illegitimate issue has sometimes been less clear. One important royal bastard, Henry Fitz-Roy, Duke of Richmond and Somerset (d. 1536), the illegitimate son of Henry VIII, was buried appropriately with his in-laws, the Howard family in Thetford Priory.4 There is less certainty on the burials of other royal by-blows and the location of one such grave, of Lady Katherine Plantagenet, illegitimate daughter of Richard III, has hitherto remained unknown. This article seeks to correct this. Monuments in Medieval London Few monuments have survived in medieval London. Church rebuilding work during the middle ages, the removal of tombs and the stripping out of the religious houses during the Reformation, together with iconoclasm during the Civil War took their toll on London’s commemorative heritage.