The Tragedy of King Richard the Third
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Small Mid-Tudor Chronicles and Popular History: 1540-1560
Quidditas Volume 37 Article 7 2016 Small Mid-Tudor Chronicles and Popular History: 1540-1560 Barrett L. Beer Kent State University Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Beer, Barrett L. (2016) "Small Mid-Tudor Chronicles and Popular History: 1540-1560," Quidditas: Vol. 37 , Article 7. Available at: https://scholarsarchive.byu.edu/rmmra/vol37/iss1/7 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Quidditas 37 (2016) 57 Small Mid-Tudor Chronicles and Popular History: 1540-1560 Barrett L. Beer Kent State University This essay examines twenty-two editions of little-studied small Mid-Tudor chroni- cles that were published by printers at Canterbury and London. They demonstrate the important role of printers in historical scholarship and offer a significantly dif- ferent perspective on English history than the better-known, larger contemporary works of Robert Fabyan, Edward Hall, and Thomas Cooper. The chronicles also shed light on the readership of historical works by non-elite readers who presum- ably could not afford larger and more expensive chronicles. The short chronicles present a simplified view of the past, avoid propagating the well-known Tudor myths including the tyranny of Richard III, and demonstrate a clear preference for recent history. Although overlooked in most accounts of Early Modern historiography, the small Mid-Tudor chronicles are clearly part of the historical culture of the era. -
Reading History in Early Modern England
READING HISTORY IN EARLY MODERN ENGLAND D. R. WOOLF published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge CB2 2RU, UK www.cup.cam.ac.uk 40 West 20th Street, New York, NY 10011–4211, USA www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarco´n 13, 28014 Madrid, Spain © Cambridge University Press 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2000 Printed in the United Kingdom at the University Press, Cambridge Typeset in Sabon 10/12pt [vn] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Woolf, D. R. (Daniel R.) Reading History in early modern England / by D. R. Woolf. p. cm. (Cambridge studies in early modern British history) ISBN 0 521 78046 2 (hardback) 1. Great Britain – Historiography. 2. Great Britain – History – Tudors, 1485–1603 – Historiography. 3. Great Britain – History – Stuarts, 1603–1714 – Historiography. 4. Historiography – Great Britain – History – 16th century. 5. Historiography – Great Britain – History – 17th century. 6. Books and reading – England – History – 16th century. 7. Books and reading – England – History – 17th century. 8. History publishing – Great Britain – History. I. Title. II. Series. DA1.W665 2000 941'.007'2 – dc21 00-023593 ISBN 0 521 78046 2 hardback CONTENTS List of illustrations page vii Preface xi List of abbreviations and note on the text xv Introduction 1 1 The death of the chronicle 11 2 The contexts and purposes of history reading 79 3 The ownership of historical works 132 4 Borrowing and lending 168 5 Clio unbound and bound 203 6 Marketing history 255 7 Conclusion 318 Appendix A A bookseller’s inventory in history books, ca. -
Christopher Marlowe and the Golden Age of England
The Marlowe Society Christopher Marlowe and the Research Journal - Volume 05 - 2008 Golden Age of England Online Research Journal Article Michael J. Kelly Christopher Marlowe and the Golden Age of England Poet, spy and playwright, Christopher Marlowe was the embodiment of the Elizabethan Golden Age. Marlowe’s work was the product of his ‘Erasmian,’ or Christian humanist, education, the state of affairs in England and his own ability and readiness to satirize the world around him. Marlowe and his fellow contemporaries were a testament to the development of English drama, its pinnacle at the end of the English Renaissance and its eventual decline and suppression at the outbreak of the English Civil War. Their work is historically important because it illustrates, in addition to the development of English theatre, the dramatic political and social events of the time through the public medium of the playhouse. Specifically, the development of the theatre helps explain key features of the English Renaissance such as the creation of English self-identity, adoption of humanistic ideal, the advancement of English over Latin, the role of religion, the intellectual development of a people and parliament and their gradual alienation from the monarchy, the ultimate assertion of parliamentary power, and Civil War. Furthermore, the development of commercial playwriting, acting, stage management and private investment in theatres, an aspect of life today taken for granted, began during this Golden Age in English drama. The history of English playwriting and performance stretches back to at least the ninth century trope ‘Alle Luia’ sung at Easter masses. However, post-classical Christian ritual performance itself probably developed from the ritualistic repetitions of the Empirical Roman Senate.1 This tradition, established in the Church at some point during the early formation of Roman successor states, likely spread to England from Spain, via Ireland, through missionaries. -
Theatricality and Historiography in Shakespeare's Richard
H ISTRIONIC H ISTORY: Theatricality and Historiography in Shakespeare’s Richard III By David Hasberg Zirak-Schmidt This article focuses on Shakespeare’s history drama Richard III, and investigates the ambiguous intersections between early modern historiography and aesthetics expressed in the play’s use of theatrical and metatheatrical language. I examine how Shakespeare sought to address and question contemporary, ideologically charged representations of history with an analysis of the characters of Richard and Richmond, and the overarching theme of theatrical performance. By employing this strategy, it was possible for Shakespeare to represent the controversial character of Richard undogmatically while intervening in and questioning contemporary discussions of historical verisimilitude. Historians have long acknowledged the importance of the early modern history play in the development of popular historical consciousness.1 This is particularly true of England, where the history play achieved great commercial and artistic success throughout the 1590s. The Shakespearean history play has attracted by far the most attention from cultural and literary historians, and is often seen as the archetype of the genre. The tragedie of kinge RICHARD the THIRD with the death of the Duke of CLARENCE, or simply Richard III, is probably one of the most frequently performed of Shakespeare’s history plays. The play dramatizes the usurpation and short- lived reign of the infamous, hunchbacked Richard III – the last of the Plantagenet kings, who had ruled England since 1154 – his ultimate downfall, and the rise of Richmond, the future king Henry VII and founder of the Tudor dynasty. To the Elizabethan public, there was no monarch in recent history with such a dark reputation as Richard III: usurpation, tyranny, fratricide, and even incest were among his many alleged crimes, and a legacy of cunning dissimulation and cynical Machiavellianism had clung to him since his early biographers’ descriptions of him. -
Lees and Moonshine: Remembering Richard III, 14851635
ORE Open Research Exeter TITLE Lees and Moonshine: Remembering Richard III, 1485-1635 AUTHORS Schwyzer, Philip JOURNAL Renaissance Quarterly DEPOSITED IN ORE 18 March 2013 This version available at http://hdl.handle.net/10036/4490 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication Lees and Moonshine: Remembering Richard III, 1485–1635 Author(s): Philip Schwyzer Reviewed work(s): Source: Renaissance Quarterly, Vol. 63, No. 3 (Fall 2010), pp. 850-883 Published by: The University of Chicago Press on behalf of the Renaissance Society of America Stable URL: http://www.jstor.org/stable/10.1086/656930 . Accessed: 02/12/2011 08:37 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press and Renaissance Society of America are collaborating with JSTOR to digitize, preserve and extend access to Renaissance Quarterly. http://www.jstor.org Lees and Moonshine: Remembering Richard III, 1485–1635* by P HILIP S CHWYZER Not long after Shakespeare’s birth in 1564, the last witnesses to the reign of Richard III (1483–85) would have reached the end of their lives. -
COLLECTIONS Relating to Magic and Witchcraft From
British Library: Western Manuscripts COLLECTIONS relating to Magic and Witchcraft from the papers of various 16th and 17th century astrologers, finally put together probably in the library of John Somers, Lord Somers (v. catalogue in Har... (16th century-17th century) (Add MS 36674) Table of Contents COLLECTIONS relating to Magic and Witchcraft from the papers of various 16th and 17th century astrologers, finally put together probably in the library of John Somers, Lord Somers (v. catalogue in Har... (16th century–17th century) Key Details........................................................................................................................................ 1 Provenance........................................................................................................................................ 3 Key Details Collection Area British Library: Western Manuscripts Reference Add MS 36674 Creation Date 16th century-17th century Extent and Format 1 item Languages of Material English; Latin Title COLLECTIONS relating to Magic and Witchcraft from the papers of various 16th and 17th century astrologers, finally put together probably in the library of John Somers, Lord Somers (v. catalogue in Harl. MS. 7191, f. 158 b). The table of contents on f. 3 is in the same hand as Somers' catalogue. Artt. 1-4 belonged early in the 17th cent. to Gabriel Harvey, the poet and friend of Spenser, who has annotated them throughout (compare the hand with Add. MS. 32494). Art. 10 and probably some other articles were collected by Elias Ashmole. Later owners are noticed below. Contents:- 1. " Here begynneth the booke of Kynge Solomon called the Kay of Knowledge," to which Harvey adds "Clavicula Salomonis. Extat Latine: et legi." In two books. There are many treatises with similiar titles, but this does not agree with the Clavicula edited by S. -
Prophecy in Shakespeare's English History Cycles Lee Joseph Rooney
Prophecy in Shakespeare’s English History Cycles Lee Joseph Rooney Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy September 2014 Abstract Prophecy — that is, the action of foretelling or predicting the future, particularly a future thought to represent the will of God — is an ever-present aspect of Shakespeare’s historical dramaturgy. The purpose of this thesis is to offer a reading of the dramas of Shakespeare’s English history cycles — from 1 Henry VI to Henry V — that focuses exclusively upon the role played by prophecy in representing and reconstructing the past. It seeks to show how, through close attention to the moments when prophecy emerges in these historical dramas, we might arrive at a different understanding of them, both as dramatic narratives and as meditations on the nature of history itself. As this thesis seeks to demonstrate, moreover, Shakespeare’s treatment of prophecy in any one play can be viewed, in effect, as a key that can take us to the heart of that drama’s wider concerns. The comparatively recent conception of a body of historical plays that are individually distinct and no longer chained to the Tillyardian notion of a ‘Tudor myth’ (or any other ‘grand narrative’) has freed prophecy from effectively fulfilling the rather one-dimensional role of chorus. However, it has also raised as-yet- unanswered questions about the function of prophecy in Shakespeare’s English history cycles, which this thesis aims to consider. One of the key arguments presented here is that Shakespeare utilises prophecy not to emphasise the pervasiveness of divine truth and providential design, but to express the political, narratorial, and interpretative disorder of history itself. -
George Ferrers and the Historian As Moral Compass.” LATCH 2 (2009): 101-114
Charles Beem. “From Lydgate to Shakespeare: George Ferrers and the Historian as Moral Compass.” LATCH 2 (2009): 101-114. From Lydgate to Shakespeare: George Ferrers and the Historian as Moral Compass Charles Beem University of North Carolina, Pembroke Essay In or around the year 1595, playwright William Shakespeare wrote the historical tragedy Richard II, the chronological starting point for a series of historical plays that culminates with another, better known historical tragedy Richard III. The historical sources Shakespeare consulted to fashion the character of Richard II and a procession of English kings from Henry IV to Richard III included the chronicles of Edward Hall and Raphael Holinshed, as well as the immensely popular The Mirror For Magistrates, which covered the exact same chronological range of Shakespeare’s Ricardian and Henrician historical plays. While Hall’s and Holinshed’s works were mostly straightforward prose narratives, The Mirror was a collaborative poetic history, which enjoyed several print editions over the course of Elizabeth I’s reign. Subjects in The Mirror appear as ghosts to tell their woeful tales of how they rose so high only to fall so hard, a device frequently employed in a number of Shakespeare’s plays, including Richard III. Among the various contributors to The Mirror for Magistrates was a gentleman by the name of George Ferrers. While it is highly unlikely that Shakespeare and Ferrers ever met—indeed, Shakespeare was only 15 when Ferrers died in 1579 at the ripe old age of 69. It is much more certain that Shakespeare was acquainted with Ferrers’ literary works. -
Year Book and Almanac of Newfoundland
: APPENDIX. (Corrected to Gazette of January 32nd, 1918.) COLONY OF NEWFOUNDLAND-page 17, For Colony, read Dominion. GOVERNMENT HOUSE-page 17. Add—Private Secretary—Lt. Col. H. W. Knox-Niven. Add—Aide-de-Camp—Capt. J. H. Campbell. EXECUTIVE COUNCIL-page 17. For the Executive Council and Departmental Officers, read Hon. W. F. Lloyd, K.C., D.C.L., Prime Minister and Minister of Justice. W. W. Halfyard, Colonial Secretary (acting). M. P. Cashin, Minister of Finance and Customs. J. A. Clift, K.C., Minister of Agriculture and Mines (acting). W. Woodford, Minister of Public Works. J. Crosbie, Minister of Shipping (acting). W. F. Coaker, 1 A. E. Hickman, > Without portfolio. W. J. Ellis, ) Departmental Officers not in Cabinet. John G. Stone, Minister of Marine and Fisheries. John R. Bennett, Minister of Militia (acting.). LEGISLATIVE COXJNCIL-page 17. Add— Ron. W. J. Ellis. HOUSE OF ASSEMBLY—page 19. ^f^^—Clapp, W. M.— St. Barbe. Devereux, R. J. — Placentia and St. Mary's. Goodison, J. R. —Carbonear. Morine, A. B., K.C. — Bonavista. Morris, F. J., K.C— Placentia and St. Mary's. Owi^-Morris, Rt. Hon. Sir E. P., P.O., K.C.M.G.—St: John's West. Prime Minister's Office—page 21. Prime Minister—For Rt. Hon. K. P. Morris, read Hon. W. F. Lloyd, K.C, D.C.L. Colonial Secretary's Office—page 21. Colonial Secretary—For Hon. R. A. Squires, K.C, read Hon. W. W. Halfyard (acting). After A. Mews, J.P., add C.M.G. Agriculture and Mines—page 2(Xi. Minister of Agriculture and Mines—For Hon. -
Richard III: Victim Or Villain?
Richard III: Victim or Villain? SYNOPSIS As a student in history class my favourite topic was always the Tudors and their monarchs. So, when presented with the opportunity to form an investigation into a historical period of my choice, without hesitation, I chose the Tudors. After researching, I settled on the controversies surrounding Richard III. Many of the contemporary records widely available are written by the Tudors, the family who usurped the English throne from Richard. I also looked into popular culture and the enduring image we see of Richard III in many dramas, due to Shakespeare. This led me to question how much of King Richard’s image was created by the Tudors and not necessarily based on historical fact. Hence, this led me to my question: “To what extent has the image of Richard III been shaped by Tudor historians?” The most prevalent depictions of Richard III are those that have been kept in popular history, most prominently, the Tudor depiction, through Shakespeare’s play Richard III. To answer my question, I focussed on assessing the role of the early Tudor historians, focussing on the work of Thomas More and Polydore Vergil, in creating the image of Richard III. I then looked at how this image was immortalised by Shakespeare in his historical tragedy Richard III. Finally, I considered more modern revisionists attempts, such as Philippa Langley and the team who led the 2012 dig to find Richard’s remains, and the impacts these efforts have had on revising King Richard III’s image. Jeremy Potter, through his work Good King Richard?1 was the main source which provided insight into the personal context of key historians Sir Thomas More and Polydore Vergil. -
Progressive Reactionary: the Life and Works of John Caius, Md
PROGRESSIVE REACTIONARY: THE LIFE AND WORKS OF JOHN CAIUS, MD by Dannielle Marie Cagliuso Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Bachelor of Philosophy University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Dannielle Marie Cagliuso It was defended on July 20, 2015 and approved by Dr. Peter Distelzweig, Assistant Professor, Department of Philosophy (University of St. Thomas) Dr. Emily Winerock, Visiting Assistant Professor, Department of History Dr. Janelle Greenberg, Professor, Department of History Thesis Director: Dr. James G. Lennox, Professor and Chair, Department of History and Philosophy of Science ii Copyright © by Dannielle Marie Cagliuso 2015 iii PROGRESSIVE REACTIONARY: THE LIFE AND WORKS OF JOHN CAIUS, MD Dannielle Marie Cagliuso, BPhil University of Pittsburgh, 2015 The picture of Dr. John Caius (1510-1573) is fraught with contradictions. Though he had an excellent reputation among his contemporaries, subsequent scholars tend to view him more critically. Caius is frequently condemned as a reactionary and compared unfavorably to his more “progressive” contemporaries, like Conrad Gesner and Andreas Vesalius. This approach to Caius is an example of what I term “progressivist history,” a prevalent but problematic trend in historical scholarship. Progressivist history applies a progressive-reactionary dichotomy to the past, splitting people and events into two discrete camps. By exploring the life and works of John Caius and comparing him to some of his “progressive” contemporaries, I reveal why this dichotomy is problematic. It treats both the progressive “heroes” and reactionary “villains” unfairly in that it fails to appreciate the agency of each individual and the nuanced differences between them. -
Love Thy Neighbor
Love Thy Neighbor An Exhibition Commemorating the Completion of the Episcopal Chapel of St. John the Divine Curated by Christopher D. Cook Urbana The Rare Book & Manuscript Library 2007 Designed and typeset by the curator in eleven-point Garamond Premier Pro using Adobe InDesign CS3 Published online and in print to accompany an exhibition held at The Rare Book & Manuscript Library, University of Illinois at Urbana-Champaign, 16 November 2007 through 12 January 2008 [Print version: ISBN 978-0-9788134-1-3] Copyright © 2007 by the Board of Trustees of the University of Illinois All rights reserved. Published 2007 Manufactured in the United States of America Contents Commendation, The Reverend Timothy J. Hallett 5 Introduction 7 A Brief History of the Book of Common Prayer, Thomas D. Kilton 9 Catalog of the Exhibition Beginnings 11 Embroidered Bindings 19 The Episcopal Church in the United States 21 On Church Buildings 24 Bibliography 27 [blank] Commendation It is perhaps a graceful accident that the Episcopal Chapel of St. John the Divine resides across the street from the University of Illinois Library’s remarkable collection of Anglicana. The Book of Common Prayer and the King James version of the Bible have been at the heart of Anglican liturgies for centuries. Both have also enriched the life and worship of millions of Christians beyond the Anglican Communion. This exhibition makes historic editions of these books accessible to a wide audience. Work on the Chapel has been undertaken not just for Anglicans and Episcopalians, but for the enrichment of the University and of the community, and will make our Church a more accessible resource to all comers.