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Center for Southeast Asian Studies, Kyoto University Southeast Asian Studies, Vol
http://englishkyoto-seas.org/ Ramon Guillermo Blood-Brothers: The Communist Party of the Philippines and the Partai Komunis Indonesia Southeast Asian Studies, Vol. 7, No. 1, April 2018, pp. 13-38. (<Special issue> “Rereading Leftist Writings from Southeast Asia,” edited by Jafar Suryomenggolo) How to Cite: Guillermo, Ramon. Blood-Brothers: The Communist Party of the Philippines and the Partai Komunis Indonesia. In “Rereading Leftist Writings from Southeast Asia,” edited by Jafar Suryomenggolo, special issue, Southeast Asian Studies, Vol. 7, No. 1, April 2018, pp. 13-38. Link to this article: https://englishkyoto-seas.org/2018/04/vol-7-no-1-ramon-guillermo/ View the table of contents for this issue: https://englishkyoto-seas.org/2018/04/vol-7-no-1-of-southeast-asian-studies/ Subscriptions: http://englishkyoto-seas.org/mailing-list/ For permissions, please send an e-mail to: [email protected] Center for Southeast Asian Studies, Kyoto University Southeast Asian Studies, Vol. 49, No. 2, September 2011 Blood-Brothers: The Communist Party of the Philippines and the Partai Komunis Indonesia Ramon Guillermo* This paper discusses the significant role of the Indonesian Communist movement in the formation of Jose Maria Sison as a leading Filipino Marxist radical and its possible influence on the founding of the Communist Party of the Philippines (CPP) in 1968. After a study fellowship in Indonesia in 1962, Sison published pioneering translations of Chairil Anwar’s poetry and popularized matters pertaining to Indo- nesia during the Sukarno era through the journal Progressive Review. He also had a memorable and intellectually fruitful friendship with the Indonesian nationalist guerrilla and University of the Philippines graduate student Bakri Ilyas. -
The Communist Party of the Philippines and the Partai Komunis Indonesia
Southeast Asian Studies, Vol. 49, No. 2, September 2011 Blood-Brothers: The Communist Party of the Philippines and the Partai Komunis Indonesia Ramon Guillermo* This paper discusses the significant role of the Indonesian Communist movement in the formation of Jose Maria Sison as a leading Filipino Marxist radical and its possible influence on the founding of the Communist Party of the Philippines (CPP) in 1968. After a study fellowship in Indonesia in 1962, Sison published pioneering translations of Chairil Anwar’s poetry and popularized matters pertaining to Indo- nesia during the Sukarno era through the journal Progressive Review. He also had a memorable and intellectually fruitful friendship with the Indonesian nationalist guerrilla and University of the Philippines graduate student Bakri Ilyas. A small but persistent controversy on the alleged plagiarization by Sison of Indonesian radical sources in the late 1960s and early 1970s will then be addressed through systematic textual analysis. The paper will propose some general theses on authorship, mod- ularity, adaptation, and dissemination of texts and ideas in twentieth-century radical movements. Finally, the article will assess the impact of the 1965–66 massacre in Indonesia on the revolutionary ideas and practice of the CPP. Keywords: Communist Party of the Philippines, Partai Komunis Indonesia, Jose Maria Sison, Dipa Nusantara Aidit, Philippine Society and Revolution, Maphilindo “The thirty-five years history of the CPI is not a tranquil and peaceful one; it is a history which has gone through many turmoils and many dangers, many mistakes, and many sacrifices. But it is also a heroic history, a joyful history, a history with many lessons, a successful history.” — D. -
Death by Garrote Waiting in Line at the Security Checkpoint Before Entering
Death by Garrote Waiting in line at the security checkpoint before entering Malacañang, I joined Metrobank Foundation director Chito Sobrepeña and Retired Justice Rodolfo Palattao of the anti-graft court Sandiganbayan who were discussing how to inspire the faculty of the Unibersidad de Manila (formerly City College of Manila) to become outstanding teachers. Ascending the grand staircase leading to the ceremonial hall, I told Justice Palattao that Manuel Quezon never signed a death sentence sent him by the courts because of a story associated with these historic steps. Quezon heard that in December 1896 Jose Rizal's mother climbed these steps on her knees to see the governor-general and plead for her son's life. Teodora Alonso's appeal was ignored and Rizal was executed in Bagumbayan. At the top of the stairs, Justice Palattao said "Kinilabutan naman ako sa kinuwento mo (I had goosebumps listening to your story)." Thus overwhelmed, he missed Juan Luna's Pacto de Sangre, so I asked "Ilan po ang binitay ninyo? (How many people did you sentence to death?)" "Tatlo lang (Only three)", he replied. At that point we were reminded of retired Sandiganbayan Justice Manuel Pamaran who had the fearful reputation as The Hanging Judge. All these morbid thoughts on a cheerful morning came from the morbid historical relics I have been contemplating recently: a piece of black cloth cut from the coat of Rizal wore to his execution, a chipped piece of Rizal's backbone displayed in Fort Santiago that shows where the fatal bullet hit him, a photograph of Ninoy Aquino's bloodstained shirt taken in 1983, the noose used to hand General Yamashita recently found in the bodega of the National Museum. -
'Unfinished Revolution' in Philippine Political Discourse Author(S)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kyoto University Research Information Repository Title The 'Unfinished Revolution' in Philippine Political Discourse Author(s) Ileto, Reynold C. Citation 東南アジア研究 (1993), 31(1): 62-82 Issue Date 1993-06 URL http://hdl.handle.net/2433/56488 Right Type Journal Article Textversion publisher Kyoto University Southeast Asian Studies, Vol. 31, No. I, June 1993 The 'Unfinished Revolution' in Philippine Political Discourse Reynaldo C. ILETo * The February 1986 event that led to Marcos's downfall is usually labelled as the "February Revolution" or the "EDSA Revolution." On the other hand, all sorts of analyses have argued to the effect that the "EDSA Revolution" cannot be called a revolution, that it can best be described as a form of regime-change, a coup d'etat, a restoration, and so forth [see Carino 1986]. Yet to the hundreds of thousands of Filipinos from all social classes who massed on the streets that week there seemed to be no doubt that they were "making revolution" and that they were participating in "people power." For the revolution to be, it sufficed for them to throw caution aside (bahala na), to confront the tanks and guns of the state, to experience a couple of hours of solidarity with the anonymous crowd, and to participate in exorcising the forces of darkness (i. e., the Marcos regime). Should the business of naming the event a "revolution" be understood, then, simply in terms of its political referent? Whatever the reality of the processes enveloping them, the crowds on EDSA seemed to readily interpret or locate their experience within a familiar discourse of revolution and mass action. -
Histories of Racial Capitalism
HISTORIES OF RACIAL CAPITALISM COLUMBIA STUDIES IN THE HISTORY OF U.S. CAPITALISM COLUMBIA STUDIES IN THE HISTORY OF U.S. CAPITALISM Series Editors: Devin Fergus, Louis Hyman, Bethany Moreton, and Julia Ott Capitalism has served as an engine of growth, a source of inequality, and a catalyst for conflict in American history. While remaking our material world, capitalism’s myriad forms have altered—and been shaped by—our most fundamental experiences of race, gender, sexuality, nation, and citizenship. This series takes the full measure of the complexity and significance of capitalism, placing it squarely back at the center of the American experience. By drawing insight and inspiration from a range of disciplines and alloying novel methods of social and cultural analysis with the traditions of labor and business history, our authors take history “from the bottom up” all the way to the top. Capital of Capital: Money, Banking, and Power in New York City, 1784–2012, by Steven H. Jaffe and Jessica Lautin From Head Shops to Whole Foods: The Rise and Fall of Activist Entrepreneurs, by Joshua Clark Davis Creditworthy: A History of Consumer Surveillance and Financial Identity in America, by Josh Lauer American Capitalism: New Histories, edited by Sven Beckert and Christine Desan Buying Gay: How Physique Entrepreneurs Sparked a Movement, by David K. Johnson City of Workers, City of Struggle: How Labor Movements Changed New York, edited by Joshua B. Freeman Banking on Freedom: Black Women in U.S. Finance Before the New Deal, by Shennette Garrett-Scott Threatening Property: Race, Class, and Campaigns to Legislate Jim Crow Neighborhoods, by Elizabeth A. -
Race and Ethnicity in the Era of the Philippine-American War, 1898-1914
Allegiance and Identity: Race and Ethnicity in the Era of the Philippine-American War, 1898-1914 by M. Carmella Cadusale Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the History Program YOUNGSTOWN STATE UNIVERSITY August, 2016 Allegiance and Identity: Race and Ethnicity in the Era of the Philippine-American War, 1898-1914 M. Carmella Cadusale I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: M. Carmella Cadusale, Student Date Approvals: Dr. L. Diane Barnes, Thesis Advisor Date Dr. David Simonelli, Committee Member Date Dr. Helene Sinnreich, Committee Member Date Dr. Salvatore A. Sanders, Dean of Graduate Studies Date ABSTRACT Filipino culture was founded through the amalgamation of many ethnic and cultural influences, such as centuries of Spanish colonization and the immigration of surrounding Asiatic groups as well as the long nineteenth century’s Race of Nations. However, the events of 1898 to 1914 brought a sense of national unity throughout the seven thousand islands that made the Philippine archipelago. The Philippine-American War followed by United States occupation, with the massive domestic support on the ideals of Manifest Destiny, introduced the notion of distinct racial ethnicities and cemented the birth of one national Philippine identity. The exploration on the Philippine American War and United States occupation resulted in distinguishing the three different analyses of identity each influenced by events from 1898 to 1914: 1) The identity of Filipinos through the eyes of U.S., an orientalist study of the “us” versus “them” heavily influenced by U.S. -
Producing Rizal: Negotiating Modernity Among the Filipino Diaspora in Hawaii
PRODUCING RIZAL: NEGOTIATING MODERNITY AMONG THE FILIPINO DIASPORA IN HAWAII A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ASIAN STUDIES AUGUST 2014 By Ai En Isabel Chew Thesis Committee: Patricio Abinales, Chairperson Cathryn Clayton Vina Lanzona Keywords: Filipino Diaspora, Hawaii, Jose Rizal, Modernity, Rizalista Sects, Knights of Rizal 2 TABLE OF CONTENTS Acknowledgements……………………………………………………………………..…5 Chapter 1 Introduction: Rizal as a Site of Contestation………………………………………………………………………………………....6 Methodology ..................................................................................................................18 Rizal in the Filipino Academic Discourse......................................................................21 Chapter 2 Producing Rizal: Interactions on the Trans-Pacific Stage during the American Colonial Era,1898-1943…………………………..………………………………………………………...29 Rizal and the Philippine Revolution...............................................................................33 ‘Official’ Productions of Rizal under American Colonial Rule .....................................39 Rizal the Educated Cosmopolitan ..................................................................................47 Rizal as the Brown Messiah ...........................................................................................56 Conclusion ......................................................................................................................66 -
Jose Rizal : Re-Discovering the Revolutionary Filipino Hero in the Age of Terrorism
JOSE RIZAL : RE-DISCOVERING THE REVOLUTIONARY FILIPINO HERO IN THE AGE OF TERRORISM BY E. SAN JUAN, Jr. Fellow, WEB Du Bois Institute, Harvard University Yo la tengo, y yo espero que ha de brillar un dia en que venza la Idea a la fuerza brutal, que despues de la lucha y la lenta agonia, otra vzx mas sonora, mas feliz que la mi sabra cantar entonces el cantico triunfal. [I have the hope that the day will dawn/when the Idea will conquer brutal force; that after the struggle and the lingering travail,/another voice, more sonorous, happier than mine shall know then how to sing the triumphant hymn.] -- Jose Rizal, “Mi Retiro” (22 October 1895) On June 19, 2011, we are celebrating 150 years of Rizal’s achievement and its enduring significance in this new millennium. It seems fortuitous that Rizal’s date of birth would fall just six days after the celebration of Philippine Independence Day - the proclamation of independence from Spanish rule by General Emilio Aguinaldo in Kawit, Cavite, in 1898. In 1962 then President Diosdado Macapagal decreed the change of date from July 4 to June 12 to reaffirm the primacy of the Filipinos’ right to national self-determination. After more than three generations, we are a people still in quest of the right, instruments, and opportunity to determine ourselves as an autonomous, sovereign and singular nation-state. Either ironical or prescient, Aguinaldo’s proclamation (read in the context of US Special Forces engaged today in fighting Filipino socialists and other progressive elements) contains the kernel of the contradictions that have plagued the ruling elite’s claim to political legitimacy: he invoked the mythical benevolence of the occupying power. -
Gumuhit at Gumunita
G U M U H I T A T G U M U N I T A a p e r s o n a l i z e d i l l u s t r a t e d b o o k o f P h i l i p p i n e h e r o e s k u r i t . m a n o k B A R Y A S E R I E S : R E P R E S E N T A T I O N O F T H E F I L I P I N O H E R O E S O N P H I L I P P I N E C O I N A G E . On the one peso coin is Dr. Jose Rizal, the Philippine National Hero and a known ilustrado (translated as enlightened ones, or the elites that were mostly educated abroad, because they were forced to get out of the country in fear of being targeted by the Spaniards). Born in Calamba, Laguna, Rizal wrote the Noli Me Tangere(Germany in 1887) and El Filibusterismo (Belgium in 1891) During his study and stay at Spain, he became an active member of a newspaper La Solidaridad.And when he went back to Manila, formed his own civic movement, La Liga Filipina. On the five peso coin is Emilio Aguinaldo, first Philippine President, from Kawit, Cavite. He was the one who led the Declaration of Philippine Independence in Malolos, Bulacan, the first republic in Asia. -
La Revolución Filipina in the Age of Empire
The Japanese Journal of American Studies, No. 18 (2007) La Revolución Filipina in the Age of Empire Oscar V. CAMPOMANES* Let us, however, not forget the particular circumstances under which we are writing. We shall speak, not as wrongly so-called “insurrectos,” but as “Americanistas” who have not ceased to be Filipinos. —Apolinario Mabini, “The Message of President McKinley”1 What has happened. is that strong foreign cultures have struck root in a new and fertile soil. The process has not been at all the fancied “assimila- tion” [of foreigners]. Rather has it been a process of their assimilation of us— I speak as an Anglo-Saxon. —Randolph S. Bourne, “Trans-National America”2 THE PHILIPPINE REVOLUTION & US IMPERIAL GEOPOLITICS “Pacific Rim” or “trans-Pacific” discourse and the notion of an American “Pacific Century,” as late twentieth-century expressions of the American transnational, are not recent inventions, at least not in the ways 1990s critical work generally seems to have advened.3 U.S. Treaty of Paris Commission negotiator Whitelaw Reid, to cite just one example among many, strenuously advocated for Philippine annexation after the 1898 Spanish-American War “for American energy to build up such a com- mercial marine on the Pacific Coast as should ultimately convert the Pacific Ocean into an American lake, making it far more our own than the Atlantic Ocean is now Great Britain’s.”4 This kind of geostrategic American politics and discourse that posited the Asia-Pacific as its object of desire quickly began to operate and proliferate after the republic’s Copyright © 2007 Oscar V. -
Against Mediocre Imagetexts, Toward Critical Comedy: Balagtas‟S Fourth Revolt in Dead Balagtas
―Textual Mobilities: Diaspora, Migration, Transnationalism and Multiculturalism‖ | Against Mediocre Imagetexts, toward Critical Comedy: Balagtas‟s Fourth Revolt in Dead Balagtas Arbeen R. Acuna Dept. of Filipino & Philippine Literature, College of Arts & Letters, University of the Philippines Philippines [email protected] Abstract This paper looks into the influence of the poet Francisco Balagtas (1788-1862) to the webcomics Dead Balagtas (2013—present) by Emiliana Kampilan, who acknowledges that her work tries to express the revolts of its namesake. Kampilan is an avatar / character / author created by an anonymous author. In the essay ―Apat na Himagsik ni Balagtas‖ (Four Revolts of Balagtas) (1988), Lope K. Santos enumerated what the poet was rising against: cruel government, religious conflict, bad attitude and mediocre literature. This paper focuses on the last revolt to show how Kampilan leads by example of what an imagetext (according to Mitchell 1994) can be and how the medium operates toward potential ―critical comedy‖ (according to McGowan 2014). As Balagtas utilized the popular form of awit or korido to interrogate colonialism and its consequences, Kampilan maximizes contemporary web komix that references various types of texts to critically analyze neocolonialism, neoliberalism and hegemony. She also mocks, in a humorous manner, the privileged status and sense of entitlement of the elite and the middle class—the ones expected to access, read and understand her works; thus, the avatar-author, being a petty bourgeois herself, seemingly exhibits self- reflexivity and encourages such an attitude of being self- and class-critical among her target readers. By combining elements that shall appeal to consumers of popular entertainment and to sophisticated students and enthusiasts of literature and history, Kampilan proposes a novel way of creating komix, and, in the process, advances a standard that balances complex forms with substantial content. -
For Whom Are Southeast Asian Studies?
72 For Whom Are Southeast Asian Studies? Caroline S. HAU Professor, Center for Southeast Asian Studies Kyoto University Which audiences, publics, and peoples do Southeast Asianists address and serve? The question of “audience(s)”—real and imagined, intended and unintended—is arguably central to (re)conceptualizing the rationale, scope, efficacy, and limits of Southeast Asian Studies. It has an important bearing on what kind of topics are chosen for study, what and how personal and institutional networks and intellectual exchanges are mobilized, which dialogues and collaborations are initiated, in what language(s) one writes in, where one publishes or works, which arenas one intervenes in, and how the region is imagined and realized. After surveying the recent literature on Southeast Asian Studies, I focus on Jose Rizal’s two novels—Noli me tangere (1887)and El filibusterismo (1891)—and Benedict Anderson’s Imagined Communities (1983, 1991, 2006) and examine the ways in which the issue of audience(s) crucially informed the intellectual projects of the two authors, and how the vicissitudes of production, circulation, translation, and reception shaped the intellectual, political, and artistic trajectories and legacies of these three notable Southeast Asian studies texts. I will also discuss the power of these texts to conjure and call forth unexpected and unintended audiences that have the potential to galvanize Southeast Asian studies while stressing the connected histories that link Southeast Asia to other regions and the world. Keywords: Southeast Asia, area studies, nationalism, Benedict Anderson, José Rizal ASIAN STUDIES: Journal 59of Critical Perspectives on Asia For Whom Are Southeast Asian Studies? 7360 Introduction The best career advice I ever received came out of my B exam, the oral defense of my dissertation, twenty-two years ago at Cornell University.