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THE Concise AACR2

FOURTH EDITION

MICHAEL GORMAN THE Concise AACR2

FOURTH EDITION Based on AACR2 2002 Revision 2004 Update

Prepared by MICHAEL GORMAN

Chicago: American Library Association Ottawa: Canadian Library Association London: Chartered Institute of Library and Information Professionals 2004 Published 2004 by AMERICAN LIBRARY ASSOCIATION 50 East Huron Street, Chicago, Illinois 60611 ISBN 0-8389-3548-6 CANADIAN LIBRARY ASSOCIATION 328 Frank Street, Ottawa, Ontario, Canada K2P 0X8 ISBN 0-88802-311-1 Facet Publishing for the CHARTERED INSTITUTE OF LIBRARY AND INFORMATION PROFESSIONALS 7 Ridgmount Street, London WC1E 7AE ISBN 1-85604-540-4

Library of Congress Cataloging-in-Publication Data Gorman, Michael, 1941- The concise AACR2, 2004 revision / prepared by Michael Gorman. p. cm. Includes index. ISBN 0-8389-3548-6 1. Anglo-American cataloguing rules. 2. Descriptive cataloging—Rules. I. Title: Concise Anglo-American cataloguing rules, 2004 revision. II. Anglo- American cataloguing rules. III. Title. Z694.15.A56G67 2004 025.3'2–dc22 2004016088

Canadian Cataloguing in Publication Data Gorman, Michael, 1941- The concise AACR2 : based on AACR2 2002 revision, 2004 update / prepared by Michael Gorman. — 4th ed. Includes bibliographical references and index. ISBN 0-88802-311-1 1. Descriptive cataloging—Rules. I. Title. II. Title: Anglo-American cataloguing rules. Z694.15.A56G67 2004 025.3'2 C2004-905125-3

British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. ISBN 1-85604-540-4

0807060504 54321 To the memory of my father PHILIP DENIS GORMAN 1903–1980 my mother ALICIA F. GORMAN 1918–1998 and of my friend HUGH CRAIG ATKINSON 1933–1986

Contents

Joint Steering Committee for Revision of AACR vii Foreword ix Acknowledgements xi, xiii, xv, xvii General introduction 1

PART 1 Description

Introduction 5 Rules 0–11 The description of library materials 7

PART 2 Headings, Uniform Titles, and References

Introduction 60 Rules 21–29 Choice of access points 61 Rules 30–44 Headings for persons 95 Rules 45–47 Geographic names 115 Rules 48–56 Headings for corporate bodies 119 Rules 57–61 Uniform titles 133 Rules 62–65 References 140

Appendices I Capitalization 149 II Glossary 152 III Comparative table of rule numbers 160

Index 163

Joint Steering Committee for Revision of AACR

Chair Peter R. Lewis (1974–1980) Frances Hinton (1981–1983) Jean Weihs (1984–1989) Ben R. Tucker (1989–1992) Pat Oddy (1992–1996) Ralph Manning (1996–1999) Ann Huthwaite (1999–2003) Matthew Beacom (2003–2004) Sally Strutt (2004– )

American Library Association John D. Byrum (1974-1978) Janet Swan Hill (1989–1995) Frances Hinton (1979–1983) Brian Schottlaender (1995–2001) Helen Schmierer (1984-1989) Matthew Beacom (2001– )

Australian Committee on Cataloguing Jan Fullerton (1981–1983) Ann Huthwaite (1994–2003) Elaine Hall (1984–1989) Deirdre Kiorgaard (2003– ) Diana Dack (1989–1994)

British Library Peter R. Lewis (1974–1978) John Byford (1986–1989) J. C. Downing (1978–1980) Pat Oddy (1989–1996) Joyce Butcher (1981–1985) Sally Strutt (1996– )

Canadian Committee on Cataloguing Jean Lunn (1974–1975) Jean Weihs (1981–1986) Edwin Buchinski (1975–1978) Ralph Manning (1986–1999) Ronald Hagler (1979–1980) Margaret Stewart (1999– )

CILIP: Chartered Institute of Library and Information Professionals P. K. Escreet (1974–1978) Rodney Brunt (1989–1995) Peter R. Lewis (1978–1979) Susan Brown (1996–2002) Eric Hunter (1980–1985) Robert Atkinson (2002– ) Alan Jeffreys (1986–1989)

vii viii JOINT STEERING COMMITTEE

Library of Congress C. Sumner Spalding (1974) Sarah E. Thomas (1992–1994) Elizabeth Tate (1974–1976) Barbara B. Tillett (1994– ) Ben R. Tucker (1976–1992)

Editors of AACR2 Michael Gorman (1974–1988) Paul W. Winkler (1974–1988) Foreword to 1981 Edition

The idea of a concise text of the Anglo-American Cataloguing Rules is older than the idea of a second edition of the Rules (AACR2) itself. Michael Gorman first began work on what was then thought of as an “abridged edition” of the British Text of AACR 1967 almost two years before the Joint Steering Committee for Revision of AACR (of which I had the privilege to be the first chairperson) was set up to carry out the task of producing AACR2. The principal stimulus to that first project was the need expressed by librarians in third-world countries for a set of basic rules, stated in simple English, that could be used by relatively untrained personnel for relatively small and uncomplicated catalogues; and that would be compatible with a progress to the use of the full Anglo-American Cataloguing Rules as staff grew in training and experience and as the catalogues grew in size and complexity. Accordingly, Michael Gorman set to work with a small steering group consisting of Philip K. Escreet and Geoffrey E. Hamilton (both of whom also served later on the Joint Steering Committee for Revision of AACR). Indeed, the project was within sight of completion when he laid it aside to take on a larger task, as one of the two editors of AACR2. One of the main objectives of AACR2, attained by its publication in 1978, was to bring together the separate North American and British texts of 1967; and another was to reorganize and express the rules in a simpler and more direct way. So most of the earlier work on the abridgement was nugatory—or, rather, it was used in other ways than originally planned, in AACR2 itself. However, the Joint Steering Committee soon perceived that the potential was even greater than had previously been estimated for a version of AACR2 that would meet the needs of the many practitioners and students in our own countries, as well as elsewhere in the world, to whom the full and comprehensive text of AACR2 tells more than they need to know, or wish to hear, about standards and procedures for catalogue making and the organization of bibliographic records at a particular time in the development of their own libraries, of their own bibliographic services, or of their own studies. ix x FOREWORD

Our main concern was that the quest for simplicity and conciseness in the smaller or less complex library and bibliographic environments should not be impeded by the full text’s need to provide in some detail for the whole range of conditions and complexities in the largest or most fully developed libraries and services. We were convinced, too, that the principles and practice set out in AACR2 were, in general terms, equally valid at both ends of the spectrum of development of library services, and, to change the metaphor, that a clearance of the least familiar trees from the thickly planted wood we call AACR would enable everyone who has a need to enter it to see the wood more easily as a whole and to find his or her way through it safely and surely. These were the aims that led the Joint Steering Committee to seek and obtain approval from its parent bodies, the authors of AACR2, for the creation and publication of a concise text, making use of Michael Gorman’s dual experience in preparing the earlier abridgement and editing AACR2, and of the reconstituted Joint Steering Committee as the authoritative advisory group to ensure the most effective relationship between the concise and the full texts. These are what the authors now have every confidence and belief has been accomplished in the CONCISE AACR2. It is a high quality working tool of practical value in all kinds of libraries and in many countries, and it embodies the essence of the Anglo-American Cata- loguing Rules in their most up-to-date form, with all the benefits that signifies in the wide world of national standards and international har- monization. PETER R. LEWIS Director General Bibliographic Services Division The British Library Acknowledgements (1981)

Acknowledgements are due, in the first instance, members of the cataloguing rules committee of the Library Association from 1968 on- wards. This shorter edition of the Anglo-American Cataloguing Rules has been twelve years in the making. In encouraging me to attempt to produce a standard, though abridged, set of rules, the British cataloguing rules committee is responsible for the present publication in ways which its then members may not be aware. More recently, the Joint Steering Committee for Revision of AACR (JSC) has given me complete support and encouragement. In particular, I wish to thank Peter Lewis (the chair of JSC from 1976 to 1980), Ronald Hagler, Fran Hinton, and Ben Tucker for their interest, comments, and unfailingly helpful suggestions. Many members of the American Library Associ- ation’s Catalog Code Revision Committee and, subsequently, Catalog- ing Committee—Description and Access, have provided me with advice and information. The following individuals have helped me with comments, criti- cism, examples, and suggestions: Liz Bishoff, John Byrum, Karen Lunde Christensen, Neal Edgar, Anne Gorman, Eric Hunter, Arnold Wajenberg, Jean Riddle Weihs. My thanks are due my graduate assistants at the University of Illinois (1978–80), Elvira Chavaria and Anne Reuland. Wendy Darre, who typed the many drafts of these rules with her inimitable competence and dispatch, was of invaluable assistance. I am grateful to Helen Cline (managing editor, ALA) for the expertise, care, and hard work that she brought to the task of editing this work for publication. Last, I wish to recognize my daughters, Emma and Alice, without whose unfailing help and encouragement this whole enterprise would have been completed sooner.

MICHAEL GORMAN

Acknowledgements (1989)

I wish to reiterate my gratitude to all those named in the acknowledgements in the first edition of the CONCISE AACR2. In particular, I am grateful for the continuing help and encouragement of Helen Cline, Ronald Hagler, and Jean Weihs. I would also like to thank my assistants at the University of Illinois (Lisa Boise and Anne Phillips) and my assistant at CSU–Fresno (Janet Bancroft). I wish to express my appreciation to the many teachers of cataloguing that have used the CONCISE AACR2 in their classes, especially to Ellen Koger who passed on many useful comments. My thanks for many things are due to Karen Schmidt. My special thanks go to Ken Bakewell for all the hard work he has put into compiling the excellent indexes to both editions to this book. My daughters, Emma and Alice, are now grown women of whose accomplishments I am excessively proud. They still think that the editors of cataloguing codes are strange, and who am I to say them nay?

M.G.

xiii

Acknowledgements (1998)

I wish to reiterate my gratitude to those named in the acknowledgements in the first two editions of the CONCISE AACR2. In particular, the continuing interest and friendship of Ronald Hagler has meant much to me for many years. I would like to thank Marlene Chamberlain of ALA Publishing for her advice and assistance during the process of creating this edition. My assistant at California State University– Fresno—Susan Mangini—has been her usual indispensable self. I would be lost without her tactful but relentless reminders of deadlines. I am grateful to Jean Weihs for compiling the index to this edition. The love of my daughters—Emma and Alice—is more important to me than I can say, and Emma’s son, Louis, is a light in my life.

M.G.

Acknowledgements (2004)

I wish to reiterate my gratitude to those named in the acknowledgements in the first three editions of the CONCISE AACR2. I owe all the people named therein a great debt accumulated over the more than three decades of involvement with the making and interpreting of cataloguing rules, a pursuit that still intrigues and involves me. I have been inspired by the work of the late Seymour Lubetzky (1898–2003) and, in all humility, hope that the CONCISE AACR2 embodies the principles he advocated so successfully. I repeat my thanks to Marlene Chamber- lain and add thanks to Mary Huchting, both of ALA Editions. My assistants, Susan Mangini and Bernie Griffith, of the Madden Library, California State University, Fresno, combine to keep me on the straight and narrow path. I owe many things to my wife, Anne Christine Reuland. I am eternally sustained by the love of my daughters, Emma Celeste Gorman and Alice Clara Singer, and the love I have for my grandchil- dren, Louis Dexter Gorman (1996– ), Bess Rosa Gorman (2000– ), and Leo Benjamin Singer (2004– ).

xvii

General Introduction

This book is intended to convey the essence and basic principles of the second edition of the Anglo-American cataloguing rules (AACR2) without many of that comprehensive work’s rules for out-of-the-way and complex materials. Those rules from the full text that have been retained have been rewritten, simplified, and, usually, supplied with new examples. This rewriting is intended to highlight the rules for commonly encountered library materials and to make them even more accessible. Although the method of presentation is different, the end result of the cataloguing process should be the same whether one is using the full or the concise text. In other words, the CONCISE AACR2 prescribes the same cataloguing practice as the full text, but presents only the more generally applicable aspects of that practice and presents them in different terms. The user of the CONCISE AACR2 is referred to the full text for guidance on problems not covered by the concise text and for fuller explanation of rules contained in the concise text. To assist reference between the two texts, a table is given (appendix III) that relates the rules in the concise text to their equivalents in the full text. The CONCISE AACR2 is intended for cataloguing students, cataloguers in a number of different situations, and other librarians. Persons working in small libraries, especially “one-person” libraries, will be able to do standard cataloguing without the necessity of learning all the details of structure and content of the full text. Beginning students of cataloguing, especially those who wish to learn about cataloguing but not to be cataloguers, will find the CONCISE AACR2 a good introduction to the national cataloguing standard. Para- professionals engaged in copy cataloguing by use of catalogue records supplied by national libraries or members of bibliographic networks will find the CONCISE AACR2 an accessible guide to standard cataloguing practice. Public service librarians who wish to understand new developments in descriptive cataloguing practice will find the CONCISE AACR2 a relatively brief summary of that practice. Last, cataloguers

1 2 GENERAL INTRODUCTION working in a non-English-language environment will be able to use the CONCISE AACR2 as a readily comprehensible summary of AACR2 practice. In practical application, the CONCISE AACR2 is likely to be most useful in small general libraries, though it can be used for basic cataloguing in large general libraries and for cataloguing in multimedia resource centres and in nonarchival specialist libraries. The style and spellings used in the CONCISE AACR2 follow those of the full text in that they generally follow the Chicago manual of style1 and Webster’s New international dictionary.2 Where Webster’s permits a British spelling as an alternative, that spelling is followed. As with the full text, care has been taken in the CONCISE AACR2 to avoid sexist language and sexist implications in the rules and examples. The order of rules in the CONCISE AACR2 follows the usual and rec- ommended sequence of cataloguing, in that part 1 deals with the description of the item being catalogued and part 2 deals with the estab- lishment of access points (name headings and uniform titles) to be added to those descriptions, and references to be made to those access points. Separate introductions to part 1 and part 2 begin on pages 5 and 60, respectively. These rules are based on the idea that one main entry is made for each item described and that this is supplemented by added entries. If, in your catalogue, no distinction is made between main and added entries, use rules 21–29 to decide all the access points to be added to a description and ignore the distinction between main access points and other access points. Distinguish the headings and/or uniform titles added to the description by giving them on separate lines above the description. If any entry begins with a title proper (that is, the first element of the description—see rule 1B), give the description alone or repeat the title proper on a line above the description.

1. The Chicago manual of style. — 15th ed. — Chicago : London : University of Chicago Press, 2003. 2. Webster’s third new international dictionary of the English language, unabridged. — Springfield, Mass. : Merriam-Webster ; Harlow, Essex : Distributed by Longman Group, c1986. GENERAL INTRODUCTION 3

Example of entry with heading: Basbanes, Nicholas A. A splendor of letters : the permanence of books in an impermanent world. -– New York : HarperCollins, 2003. –- 444 p. –- ISBN 0-06-008287-9

Example of one style of entry under title proper: Thayer Birding Software’s Birds of North America. -– Cincinnati : Thayer Birding Software, 1996. —- 1 computer optical disc: col., sd. + 1 user’s guide The entries in many online catalogues (OPACs) are in a format in which each area of the entry (heading, title area, publication details, etc.) is presented on a different line and is often labeled. However, even in OPACs, areas should be presented in the order given in these rules and with the prescribed internal punctuation.

Example of one style of entry in an OPAC: Author Jones, Norah, 1979- Title Come away with me Publisher Los Angeles : Blue Note, 2002 Description 1 CD Standard no. 7243-5-32088-2-0 Some rules or parts of rules are designated as optional, or are introduced by the word optionally, or are presented as an either/or choice. Decide which option is to be used and in which circumstances. Base your decision on your judgement of what is best for your catalogue and its users. Make a record of such decisions. Sometimes a cataloguer needs to exercise judgement and decide on an interpretation. The need for these is indicated in the CONCISE AACR2 by words and phrases such as if appropriate, important, and if necessary. Apply judgements and interpretations consistently within one catalogue, and, when possible, record each exercise of judgement. Rules on capitalization and a glossary are given as appendices I and II. 4 GENERAL INTRODUCTION

The examples used throughout the CONCISE AACR2 have been chosen to illustrate commonly encountered cases. Examples drawn from a variety of media and from modern English-language items have been preferred. Remember that examples only illustrate the rules and are not intended to expand on the rules unless a rule specifically says so. PART 1 Description

Introduction A bibliographic resource (often referred to as an “item”) is a manifestation of a work that forms the basis for a bibliographic description. A bibliographic resource can be a book or other printed document; a Website, database, or other electronic resource; a graphic such as a poster or art work; a video or film; a CD or other sound recording; or any other means by which recorded knowledge and information are communicated. This part of the CONCISE AACR2 Contains instructions on how to make a description of such a resource that has been acquired by your library or to which your library gives access (as in the case of remote electronic resources). The description is displayed in a catalogue after having been retrieved by the use of one or more access points established for the item according to the instructions in part 2. The rules are based on those in part I of the full text of AACR2. In the CONCISE AACR2 only the usual case is dealt with. For more diffi- cult materials or for out-of-the-way problems, see the full text. The CONCISE AACR2 deals with all materials in one chapter (as opposed to the analytical structure of part I of AACR2 in which each type of library material is dealt with separately as far as description is concerned). Thus, for example, all the rules on physical description will be found in rule 5 and its subrules. In describing library materials according to these rules, a basic prin- ciple is that you describe the actual bibliographic resource in the format acquired by your library or to which your library gives access. For example, a manuscript reproduced as a book is described as a book; a book reproduced on microfilm is described as a microfilm; a text that has been digitized is described as an electronic resource. Do not describe what something was; describe what something is. The generalizing of the descriptive rules in the CONCISE AACR2 has led to the loss of some nuances of the original text. None of these

5 6 DESCRIPTION details affects access to the descriptions. For example, the rules on sources of information in this text may lead to a diminished use of square brackets in the entry. This small loss of a few refinements will not affect the user of a catalogue in which CONCISE AACR2 entries are found. Not all the elements set out for the description of materials will be needed for a particular item or for a particular catalogue. See rule 0E for a specification of the minimum elements needed. In particular, any detail described as optional need not necessarily be included in a description. Most notes (see rule 7) are optional; a note should only be made if it is necessary to the understanding or identification of the item being described, or if rule 7 indicates that it is required. Some measurements prescribed in rule 5D are not metric. Use metric measurements in their place if they are more suitable for the material or the country in which the cataloguing is being done. If you are cataloguing in a non-English-speaking country or region, substitute your language or your language abbreviations for the English terms or abbreviations specified in these rules. However, do not trans- late data transcribed from the item being catalogued. The Description of Library Materials

Contents

0. GENERAL RULE 0A. Sources of information 0B. Several chief sources of information 0C. The description 0D. Punctuation of the description 0E. Levels of detail in the description 1. TITLE AND STATEMENT OF RESPONSIBILITY AREA 1A. Preliminary rule 1A1. Punctuation 1B. Title proper 1C. General material designation 1D. Parallel titles 1E. Other title information 1F. Statements of responsibility 1G. Items without a collective title 2. EDITION AREA 2A. Preliminary rule 2A1. Punctuation 2B. Edition statement 2C. Statements of responsibility relating to the edition 3. SPECIAL AREA FOR SERIALS, MAPS AND OTHER CARTOGRAPHIC MATERIALS, AND MUSIC 3A. Serials 3A1. Punctuation 3A2. Designation of first issue 3A3. Date 3A4. No designation 3A5. Ceased serials 3A6. Successive designations

7 8 DESCRIPTION

3A7. More than one system of designation 3A8. New serial 3B. Maps and other cartographic materials 3B1. Punctuation 3B2. Scale 3B3. Projection 3C. Music (Scores, etc.) 3C1. Punctuation 3C2. Musical presentation statement 4. PUBLICATION, DISTRIBUTION, ETC., AREA 4A. Preliminary rule 4A1. Punctuation 4B. General rule 4C. Place of publication, distribution, etc. 4D. Name of publisher, distributor, etc. 4E. Date of publication, distribution, etc. 5. PHYSICAL DESCRIPTION AREA 5A. Preliminary rule 5A1. Punctuation 5B. Extent 5C. Other details 5D. Dimensions 5E. Accompanying material 6. SERIES AREA 6A. Preliminary rule 6A1. Punctuation 6A2. Sources of information 6B. Title proper of series 6C. Statements of responsibility relating to series 6D. Numbering within series 6E. Subseries 6F. More than one series 7. NOTE AREA 7A. Preliminary rule 7A2. Punctuation 7A3. Sources of information 7A4. Form of notes DESCRIPTION 9

7B. Notes 7B1. Special notes for serials and electronic resources 7B2. Nature of the item 7B3. Language 7B4. Adaptation 7B5. Titles 7B6. Credits and other statements of responsibility 7B7. Edition and history 7B8. Publication, etc. 7B9. Physical details 7B10. Accompanying material and supplements 7B11. Audience 7B12. Other formats available 7B13. Summary 7B14. Contents 7B15. Copy being described, library’s holdings, and restrictions on use 7B16. “With” notes 7B17. Serials, integrating resources, and multipart resources: basis for the description 8. STANDARD NUMBER 8A. Preliminary rule 8A1. Punctuation 8A2. Sources of information 8B. Standard number 9. SUPPLEMENTARY ITEMS 10. RESOURCES MADE UP OF MORE THAN ONE TYPE OF MATERIAL 11. FACSIMILES, PHOTOCOPIES, AND OTHER REPRODUCTIONS 10 DESCRIPTION

0. GENERAL RULE 0A. Sources of information Most bibliographic resources acquired by a library or to which a library gives access belong to one of the following types of publication. For each type the chief source of information is:

TYPE OF MATERIAL CHIEF SOURCE OF INFORMATION Books, pamphlets, and other Title page printed texts (including atlases) Electronic resources The resource itself Graphic materials (pictures, The item itself posters, wall charts, etc.) Maps and other cartographic The item itself materials (other than atlases) Microforms Title frame Motion pictures and video- The item itself recordings Printed music Title page Sound recordings Discs (CDs) The disc itself and label Discs (LPs, EPs, etc.) The disc itself and label (if two, both taken together) Tapes The tape itself and its label(s) Three-dimensional objects The object itself (models, dioramas, games, etc.) The chief source for a serial is the chief source of the first issue, or in its absence, the earliest available issue.1 The chief source of information for an integrating resource is the current iteration of the resource.

1. The chief source for a printed serial with no title page is (in this order): a) the title page for part of the serial e) the editorial pages b) the cover f) the colophon c) the caption g) other pages d) the masthead DESCRIPTION 11

If the chief source is, in fact, two or more sources, prefer information from the first listed to the others. For example, prefer the tape itself to its label in the case of tapes. Use information found in the chief source in preference to information found elsewhere. If the necessary information cannot be found in the chief source, take it from: 1) any other source that is part of the bibliographic resource itself or 2) any other source that accompanies the bibliographic resource and was issued by the publisher or issuer (for example, online documentation, a container, a printed insert). If all else fails, take the information from any available source (for example, a reference work) or compose it yourself. If you have taken the information from outside the bibliographic resource or have composed it yourself, enclose it in square brackets and indicate the source in a note (see rule 7B5).

0B. Several chief sources of information 0B1. Single part. If a unitary bibliographic resource has more than one chief source of information, choose the chief source according to the following rules. a) Use the chief source of information with the latest date of publication. b) If one chief source treats the resource as a single item and the other as part of a multipart resource, use the source that corre- sponds to the way in which the item is being catalogued (for example, use the multipart source if you are describing all the parts in one description). c) If the resource contains words (written, spoken, or sung) all in one language, use the source in the language of the resource (for example, use an English title page for a book in English). d) If the resource is in a number of languages, use the source in the language occurring first in the following list: English, the first occurring source in any other language using the roman alphabet, the first occurring source in any other language. 12 DESCRIPTION

0B2. Multipart resources (for example, books in two or more volumes). If a resource is in a number of separate parts, use the chief source for the first part. If there is no first part, use the chief source that gives the most information. If the information differs in the chief sources of the other parts, and if the difference is important, make a note (see rule 7B5).

0C. The description The description is divided into the following areas: title and statement of responsibility edition special area (only for serials; maps, etc.; music) publication, etc. physical description series notes (a repeatable area) standard number

0D. Punctuation of the description Separate the areas listed in rule 0C by using one of the following methods. Either introduce each area (except the first) by a full stop, space, dash, space (. — ) as set out here: Title and statement of responsibility. -- Edition. -- Special area. -- Publication, etc. -- Physical description. -- Series. -- Note. -- Note. -- Standard number or begin a new paragraph for certain areas as set out here: Title and statement of responsibility. -- Edition. -- Special area. -- Publication, etc. Physical description. -- Series Notes (each note occupies a separate paragraph, though notes may be combined—see rule 7A1) Standard number or if the description is to appear in an online catalogue in which each area is labeled, use only the punctuation that is internal to each area. DESCRIPTION 13

Within each area, introduce each element (a part of an area), except the first, by special punctuation as set out at the head of the rules in this part for that area (1A1, 2A1, etc.). Omit any area or element that does not apply to the item being catalogued. Omit also its introductory punctuation. Here are examples of simple descriptions (one for a book, one for a sound disc). Each is set out in the ways specified above.

Example 1. First layout The fair garden and the swarm of beasts : the library and the young adult / Margaret A. Edwards. -- Rev. and expanded. -- New York : Hawthorn, c1974. -- 194 p. ; 22 cm. -- Previous ed. 1969

Example 1. Second layout The fair garden and the swarm of beasts : the library and the young adult / Margaret A. Edwards. -- Rev. and expanded. -- New York : Hawthorn, c1974 194 p. ; 22 cm. Previous ed. 1969

Example 1. Online catalogue Title The fair garden and the swarm of beasts : the library and the young adult. Edition Rev. and expanded. Publisher New York : Hawthorn, c1974. Description 194 p. ; 22 cm. Notes Previous ed. 1969.

Example 2. First layout The way I should [sound recording] / Iris DeMent. -- Burbank, Calif. : Warner Bros., c1996. -- 1 sound disc : digital, stereo. ; 4 3/4 in. 14 DESCRIPTION

Example 2. Second layout The way I should [sound recording] / Iris DeMent. -- Burbank, Calif. : Warner Bros., c1996. 1 sound disc : digital, stereo. ; 4 3/4 in.

Example 2. Online catalogue Title The way I should [sound recording] / Iris DeMent. Publisher Burbank, Calif. : Warner Bros., c1996. Description 1 sound disc : digital, stereo. ; 4 3/4 in.

0E. Levels of detail in the description As a basic minimum, include at least the areas and elements (provided that they apply to the bibliographic resource) set out in this illustration: Title proper / first statement of responsibility2. -- Edition statement. -- Special area for serials, maps, music. -- First named publisher, etc., date. -- Extent of item. -- Required note(s). -- Standard number Include further information as set out in rules 1–8 when appropriate for your catalogue or your library.

2. If the person or body named in this statement is recognizably the same as the person or body chosen as the main entry heading (see rules 23–28) and there are no other words or only the word “by” (or its equivalent in another language) in the statement, you may omit the statement. DESCRIPTION 15

1. TITLE AND STATEMENT OF RESPONSIBILITY AREA Contents: 1A. Preliminary rule 1B. Title proper 1C. General material designation 1D. Parallel titles 1E. Other title information 1F. Statements of responsibility 1G. Items without a collective title

1A. Preliminary rule 1A1. Punctuation Precede the title of a separate part, supplement, or section by a full stop, space (. ). Enclose the general material designation in square brackets ([]). Precede a parallel title by a space, equals sign, space ( = ). Precede other title information by a space, colon, space ( : ). Precede the first statement of responsibility by a space, diagonal slash, space ( / ). Precede each other statement of responsibility by a space, semicolon, space ( ; ).

1B. Title proper 1B1. Transcribe the title proper exactly as it is found in the chief source of information except that the punctuation and the capitalization found there need not be followed. See appendix I for rules on capitalization. Gone with the wind The big money White mansions McAuslan in the rough and other stories 16 greatest original bluegrass hits The 4:50 from Paddington The Fresno bee 16 DESCRIPTION

Britannica online WordStar The electronic journal of analytical philosophy Index to the Columbia edition of the works of John Milton Washingtonpost.com Supplement to The journal of physics and chemistry of solids Son of the black stallion Map of Middle Earth Elvis is dead, & I’m not feeling too good myself Les amants However, do not transcribe introductory words that are not intended to be part of the title. Sleeping Beauty not Disney presents Sleeping Beauty NASA quest not Welcome to NASA quest 1B2. If the name of an author, publisher, etc., is an integral part of the title proper, record it as such. Do not repeat the name in a statement of responsibility (see rule 1F1). The Rolling Stones’ greatest hits The most of P.G. Wodehouse The complete Firbank Geographia Al road atlas of London The new Oxford book of English verse CNN interactive DESCRIPTION 17

When hearts are trumps by Tom Hall / Will H. Bradley (a poster by Bradley advertising a play by Hall) Proceedings of the Annual Workshop on School Libraries 1B3. If the title proper consists solely of the name of the person or body responsible for the bibliographic resource or work of which it is a manifestation, give that name as the title proper. Byron (a book of poems) Waylon Jennings (a sound recording of performances by Jennings) Amazon.com (the online company’s Website) International Conference on the Law of the Sea (proceedings of the conference) 1B4. If the bibliographic resource being catalogued is a part of a larger bibliographic entity (for example, a volume of a multivolume set, a disc that is part of a set of discs, a serial that is a continuing part of another larger serial) or is a supplement to another publication and the title proper consists of the title of the larger publication and an indication of the part or supplement and the two parts of the title are not linked grammatically, give the title proper as the title of the larger entity followed by the indication of the part. Faust. Part 1 Stocks & bonds today. Supplement The music of the masters. 1850-1889 1B5. If the title proper of a serial includes a date or numbering that varies from issue to issue, omit this date or numbering. Indicate the 18 DESCRIPTION omission by “ … ” unless the date or numbering occurs at the beginning of the title. Report on the … Conference on AIDS and Alternative Medicine (chief source reads: Report on the Second Conference on AIDS and Alternative Medicine) but Annual report not … annual report (chief source reads: 1987 Annual Report) 1B6. If there is no chief source of information (for example, a book without a title page), supply a title proper (in this order of preference) from the rest of the bibliographic resource, from its accompanying material, or from elsewhere (for example, a reference source). If no title can be found anywhere, make up a brief descriptive title yourself. Give a supplied or made-up title in square brackets and make a note (see rule 7B5). [Map of Australia] [Photograph of Kenneth Williams] [City of Portolina Website] 1B7. If the title appears in two or more languages, use the one that is in the main language of the bibliographic resource as the title proper. If there is more than one main language, use the title that appears first. 1.B8. If the title proper of a multipart resource changes between parts, retain the title proper of the first or earliest part, and give the later title in a note (see also rule 22B). 1B9. If the title proper of a serial changes, make a new description, and give the earlier title in a note (see also rule 22C). Close the earlier description. 1B10. If the title proper of an integrating resource changes, replace the former title proper with the new title proper and give the earlier title in a note (see also rule 22D). DESCRIPTION 19

1C. General material designation. Optional addition 1C1. General rule. If you want to use a general material designation as an “early warning” to the catalogue user, give a term from the following list immediately following the title proper.3 activity card flash card picture art original game realia art reproduction kit slide braille manuscript sound recording cartographic material microform technical drawing chart (not a map) microscope slide toy diorama model transparency electronic resource motion picture videorecording filmstrip music The San Joaquin Valley [diorama] RLG diginews [electronic resource] Exploring the human body [kit] HealthWorld online [electronic resource] The New York times [microform] Black and blue [sound recording] For material for the blind and visually impaired, add “(braille)”, “(large print)”, or “(tactile)” to any of the above terms when appropriate. The banks of green willow [music (braille)] Camden [map (large print)] 1C2. If the bibliographic resource is a reproduction in another form (for example, a book in microform; a map on a slide; an online en- cyclopedia), give the general material designation appropriate to the reproduction (for example, in the case of a map on a slide, give “[slide]”).

3. This list reflects North American and Australian practice as set out in AACR2, rule 1.1C. 20 DESCRIPTION

1C3. Because they are optional, general material designations are not given in the rest of the examples in this part (except as needed to illustrate another issue). Do not take this as implying that they should or should not be used in a particular case.

1D. Parallel titles If the title appears in the chief source of information in two or more languages, choose one of these as the title proper (see rule 1B7). Give one other title (the one appearing first or the one following the title proper) as the parallel title. Dansk-Engelske ordbog = Danish-English dictionary Road map of France = Carte routière de la France

1E. Other title information 1E1. Transcribe other title information (for example, a subtitle) appearing in the chief source of information. Bits of paradise : twenty-one uncollected stories Aspects of Alice : Lewis Carroll’s dreamchild as seen through the critics’ looking-glasses, 1865-1971 Annie Hall : a nervous romance The gate : the Bay Area’s home page The devil’s dictionary : a selection of the bitter definitions of Ambrose Bierce 1E2. If there is more than one subtitle (or unit of other title information) appearing in the chief source of information, give them in the order in which they appear there. Clawhammer banjo : the return of the clawhammer banjo : twenty Irish, English, and American tunes DESCRIPTION 21

1E3. If the other title information is lengthy and does not contain important information, omit it. 1E4. If the title proper needs explanation, make a brief addition as other title information. Shelley : [selections] Conference on Aesthetic Values and the Ideal : [proceedings]

1F. Statements of responsibility 1F1. First statement of responsibility. Always give the statement of responsibility that appears first in the chief source of information, unless the name of the author, publisher, etc., has already appeared as part of the title (see rule 1B2) or other title information. Hangover Square / by Patrick Hamilton Cruising / Jonathan Raban Honky tonk heroes / Waylon Jennings Shoot low, lads, they’re ridin’ Shetland ponies / Lewis Grizzard Proceedings / International Conference on Nematodes The monocled mutineer / William Allison and John Fairley American literature : a representative anthology of American writing from colonial times to the present / selected and introduced by Geoffrey Moore Amazing universe CD-ROM / produced by Hopkins Technology but The portable Oscar Wilde not The portable Oscar Wilde / Oscar Wilde 22 DESCRIPTION

but Lady Windermere’s fan : the film of the Old Vic’s presentation of Oscar Wilde’s play not Lady Windermere’s fan : the film of the Old Vic’s presentation of Oscar Wilde’s play / Oscar Wilde 1F2. Other statements of responsibility. Give other statements of responsibility that appear in the chief source of information in the form and order in which they appear there. If the order is ambiguous, give them in the order that makes the most sense. Snow White and the seven dwarfs : a tale from the Brothers Grimm / translated by Randall Jarrell ; pictures by Nancy Ekholm Burkert A saint in America : John Neumann / Raymond C. Kammerer and Carl R. Steinbecker ; made by Creative Sights & Sounds Plats du jour / Patience Gray and Primrose Boyd ; illustrated by David Gentleman Xmag : screen magnification program / written by Danny Shapiro ; ported to Motif by Philip Schneider Dougal and the blue cat : original soundtrack of the Nat Cohen-EMI film / original story written and directed by Serge Danot ; English version by Eric Thompson ; music by Joss Baselli 1F3. Give the statements of responsibility after the title information even if they appear before the title in the chief source of information. Only the lonely / Roy Orbison (disc label reads: ROY ORBISON Only The Lonely) DESCRIPTION 23

1F4. If no statement of responsibility appears in the chief source of information, do not supply one. If such a statement is necessary to make the description complete, give it in a note (see rule 7B6). 1F5. If a single statement of responsibility names more than three persons or bodies, omit all but the first named. Indicate the omission by “ ... ” and add “et al.” in square brackets. London consequences : a novel / edited by Margaret Drabble and B.S. Johnson ; the work also of Paul Ableman ... [et al.] (second statement names fifteen other persons) 1F6. Omit statements of responsibility relating to persons or bodies with minor responsibility for the item. Such minor responsibility includes: writing an introduction to a book performing in a motion picture (see also rule 7B6) playing a subsidiary role in producing a motion picture (for example, assistant director, make-up artist, editor) being responsible for the physical production of the item.

1F7. Omit titles, qualifications, etc., attached to personal names in statements of responsibility unless omitting them makes the statement un- intelligible or misleading. The larks of Surinam / by Robert Antrobus (name appears as: Dr. Robert Antrobus) Koalas : our friends from Down Under / by S.K. Arline (name appears as: S.K. Arline, F.R.N.Z.S.) but The prisoner of Chillon / Lord Byron Fruitful and responsible love / Pope John Paul II Horton hears a Who! / by Dr. Seuss 24 DESCRIPTION

1F8. Add a word or phrase to the statement of responsibility only if it is necessary to make the statement clear. Denmark : a film / [produced and directed by] Eigil Kongsted The best man / Tomi Ungerer ; [designed by] Bob Cox Strikeout and other simulation games / [collected by] Jim Good but Red headed stranger / Willie Nelson Catalogue / Liverpool Public Library

1G. Items without a collective title 1G1. With predominant part. If a bibliographic resource contains two or more separately titled parts and lacks a collective title, make a single description if one of the parts is predominant. Use the title of that part as the title proper and name the other parts in a note. When appropriate, make added entries for the other parts. Cello concerto in E minor, op. 85 / Elgar Note: In the south: concert overture, op. 50 and Elegy for strings, op. 58 also on CD 1G2. Without predominant part. If no one part predominates: either make a separate entry for each part (see also rule 7B16) or give all the titles in the order in which they appear in the chief source and make added entries for all the parts other than the first named as instructed in rule 29B8. If you are making one entry for the bibliographic resource and all the parts are manifestations of works by the same person(s) or body (bodies), separate the titles by a space, semicolon, space ( ; ). The Brandenburg concertos no. 2 & no. 6 ; The clavier concerto in D minor / Bach DESCRIPTION 25

Grand Teton ; Yellowstone National Park (maps on same sheet) A survey of spending on foreign language teaching ; Foreign language teaching resources / principal investigator J.L. Pianko If you are making one entry for the bibliographic resource and the parts are manifestations of works by different persons or bodies, give the titles and statements of responsibility in the order in which they appear in the chief source. Separate the titles and statements of responsibility of one part from those of another by a full stop followed by two spaces (. ). Rosaceae : twelve hand-coloured etchings / by Fenella Wingift. Liliaceae : twelve hand-coloured etchings / by Pandora Braithwaite

2. EDITION AREA Contents: 2A. Preliminary rule 2B. Edition statement 2C. Statements of responsibility relating to the edition

2A. Preliminary rule 2A1. Punctuation Precede this area by a full stop, space, dash, space (. — ). Precede a statement of responsibility following an edition statement by a space, diagonal slash, space ( / ). 2A2. Take information for this area from the chief source of information (see rule 0A) or from any formal statement made by the publisher or issuer either in the bibliographic resource or in material that accompanies it (for example, a container, a record sleeve, online documentation). Enclose information taken from anywhere else in square brackets. 26 DESCRIPTION

2B. Edition statement Give the edition statement as found except: 1) replace words with standard abbreviations and 2) replace words with numbers where appropriate. New ed. (appears in item as: New Edition) Rev. ed. (appears in item as: Revised edition) Version 3.8 3rd ed. (appears in item as: Third edition) Windows 95 ed. (appears in item as: Windows 95 edition) TryoPoly. -- Chicago ed. (a game with different versions for different cities) The international herald-tribune. -- Airmail ed.

2C. Statements of responsibility relating to the edition 2C1. If a statement of responsibility relates to one or some editions but not to all, give it after the edition statement if there is one. Follow the rules in 1F. A dictionary of modern English usage / by H.W. Fowler. -- 2nd ed. / revised by Ernest Gowers Anglo-American cataloguing rules. -- 2nd ed. / prepared by the American Library Association ... [et al.] ; edited by Michael Gorman and Paul W. Winkler Version 2.4, corr. / with diagrams by Harry Weeks DESCRIPTION 27

2C2. If there is no edition statement, give such a statement of responsibility in the title and statement of responsibility area. Little Dorrit / Charles Dickens ; edited by John Holloway From Atlanta to the sea / William T. Sherman ; edited with an introduction by B.H. Liddell Hart 2C3. If there is doubt about whether a statement of responsibility applies to all editions or only to some, give it in the title and statement of responsibility area.

3. SPECIAL AREA FOR SERIALS, MAPS AND OTHER CARTOGRAPHIC MATERIALS, AND MUSIC 3A. Serials (in all formats) 3A1. Punctuation Precede this area by a full stop, space, dash, space (. — ). Follow the designation and/or date of the first issue by a hyphen. Enclose a date following the designation of the first issue in parentheses (( )). Precede a new series of numbering, etc., by a space, semicolon, space ( ; ). 3A2. Designation of first issue. Give the designation (volume, part, numbering, etc.) of the first issue of a serial. Replace words with standard abbreviations. Replace words with numbers where appropriate. Inside sports. -- Vol. 1, no. 1- Private eye. -- No. 1- 3A3. Date. If the first issue of a serial is designated only by a date, give that date. Replace words with standard abbreviations. Replace words with numbers where appropriate. Master’s theses in education. -- 1951- 28 DESCRIPTION

If the first issue is identified by both numbering, etc., and a date, give the numbering, etc., before the date. ALCTS network news. -- Vol. 1, no. 1 (May 13, 1991)- 3A4. No designation. If the first issue lacks a designation or date, give “[No. 1]- ”. If, however, later issues adopt a numbering, follow that. [Pt. l]- (later issues numbered: Part 2, Part 3, etc.) 3A5. Ceased serials. If the serial has ceased publication, give the designation and/or date of the first issue or part followed by the designation and/or date of the last issue. Quarter horse newsletter. -- No. 1 (May 1973)-no. 17 (Sept. 1974) 3A6. Successive designations. If a serial starts a new system of designation without changing its title, give the designation of the first and last issues under the old system, followed by the designation of the first issue under the new system. Language/art/language. -- Vol. 1, no. 1-vol. 3, no. 7; no. 32- 3A7. More than one system of designation. If a serial has more than one separate system of designation, give each in the order in which it appears in the chief source of information. Separate the designations by an equals sign, space (= ) or, if the serial has ceased, by a space, equals sign, space ( = ). English review. -- Vol. 1, no. 1-= no. 11- Syrian studies. -- Vol. 1, no. 1-vol. 5, no. 3 = Issue 1-issue 19 3A8. New serial. If the title proper of a serial changes (see rule 22C), make a new description and close the old description (see rule 3A5). DESCRIPTION 29

3B. Maps and other cartographic materials 3B1. Punctuation Precede this area by a full stop, space, dash, space (. — ). Precede a projection statement by a space, semicolon, space ( ; ). 3B2. Scale. Give the scale of a cartographic resource if it is found on the resource or if it can be determined easily (for example, from a bar graph). Give the scale as a representative fraction.4 Precede the scale by “Scale”. Scale 1:500,000 Scale 1:63,360 (appears on item as: One inch to a mile) If the scale appears as a representative fraction and in words, give the representative fraction only. Scale 1:253,440 (also appears as: One inch to four miles) If the scale does not appear on the cartographic resource and cannot easily be determined, do not give a scale statement. If the description is of a multipart cartographic resource with two or more scales that are given, give the statement Scales differ. 3B3. Projection. Give the statement of projection if it is found on the cartographic resource. Replace words with standard abbreviations. ; transverse Mercator proj. (scale given) Transverse Mercator proj. (scale not given)

4. 1/2 in. to a mile = 1:126,720 2 in. to a mile = 1:31,680 1 in. to a mile = 1:63,360 4 in. to a mile = 1:15,840 If the scale is given in centimetres (cm.) to kilometres (km.), multiply the km. by 100,000. For example, 1 cm. to 2.5 km. equals 1:250,000 as a representative fraction. 30 DESCRIPTION

3C. Music (Scores, etc.) 3C1. Punctuation Precede this area by a full stop, space, dash, space (. — ). 3C2. Musical presentation statement. If a statement indicating the physical presentation of the music appears separately in the chief source of information, give it here. Typical musical presentation statements include “Miniature score”, “Playing score”, and “Full score”. Symphony in B flat for concert band / Hindemith. -- Miniature score

4. PUBLICATION, DISTRIBUTION, ETC., AREA Contents: 4A. Preliminary rule 4B. General rule 4C. Place of publication, distribution, etc. 4D. Name of publisher, distributor, etc. 4E. Date of publication, distribution, etc.

4A. Preliminary rule 4A1. Punctuation Precede this area by a full stop, space, dash, space (. — ). Precede a second place of publication, etc., by a space, semicolon, space ( ; ). Precede the name of a publisher, etc., by a space, colon, space ( : ). Precede the date of publication, etc., by a comma, space (, ). 4A2. Take information for this area from the chief source of information (see rule 0A) or from any formal statement made by the publisher or issuer either on the bibliographic resource or in material accompanying the resource (for example, container, record sleeve, accompanying documentation). Enclose information taken from anywhere else in square brackets. DESCRIPTION 31

4B. General rule 4B1. In this area, give information relating to the publisher, distributor, etc., and the date of its publication, distribution, etc. 4B2. If a bibliographic resource has two or more places of publication, distribution, etc., and/or two or more publishers, distributors, etc., give the first named place and publisher, distributor, etc. If another place and publisher, distributor, etc., is more prominent in the chief source of information, also give that place and publisher, distributor, etc. If a place and/or publisher, distributor, etc., in your country is named in a secondary position, optionally add that place and publisher, distributor, etc. Oxford ; New York : Oxford University Press (if you are cataloguing in the United States) New York : Dutton ; Toronto : Clarke, Irwin (if you are cataloguing in Canada) Burbank, Calif. : Warner Bros. ; London: Butterfly Records (if you are cataloguing in the United Kingdom)

4C. Place of publication, distribution, etc. 4C1. Give the place of publication as it appears. London Los Angeles Tolworth, England Supply the name of a country, state, province, etc., if it does not appear but is necessary to identify the place. London [Ont.] 4C2. If a publisher, distributor, etc., has offices in more than one place, always give the first named place. Optionally, give any other place that is in your country. Omit all other places. New York ; London (if you are cataloguing in the United Kingdom) 32 DESCRIPTION

London ; Melbourne (if you are cataloguing in Australia) London ; New York (if you are cataloguing in the United States) 4C3. If the place of publication, distribution, etc., is uncertain or unknown, leave out this element.

4D. Name of publisher, distributor, etc. 4D1. Give the name of the publisher, distributor, etc., in the shortest form in which it can be understood and identified. Omit accompanying wording that implies the publishing function. London : MacGibbon & Kee Berkeley : Kicking Mule Records Rochester, N.Y. : Modern Learning Aids London : Cape not London : Jonathan Cape London : Allen & Unwin not London : Published by Allen & Unwin but London : W.H. Allen not London : Allen (avoids confusion with other publishers called Allen) 4D2. If the name of the publisher, etc., is unknown, leave out this element. 4D3. If the person or body named here is a distributor, optionally add “distributor” in square brackets. San Diego Interactive Data Corporation [distributor]

4E. Date of publication, distribution, etc. 4E1. Resources other than serials, integrating resources, and multipart resources. Give the year of publication, distribution, etc., of the edition named in the edition area (see rule 2B). Ignore dates of later DESCRIPTION 33 issues of the same edition. If there is no edition statement, give the year of first publication of the item you are describing. Give the year in arabic numbers. Ottawa : Canadian Library Association, 1985 4E2. Serials, integrating resources, and multipart resources. Give the beginning date of a serial, integrating resource, or multipart resource that is not yet completed. Follow the date by a hyphen. 1999- Give the beginning and ending dates of a serial, integrating resource, or multipart resource that is completed. 2000-2003 If the beginning and ending dates of a serial, integrating resource, or multipart resource are not known, omit them and, optionally, make a note (see 7B8). 4E3. If no date of publication is found on the item, give (in this order of preference): a) the year of publication found on material accompanying the bibliographic resource London : Virgin, 1998 (found on CD container) b) the latest copyright year found on the bibliographic resource, preceded by “c” or, for some sound recordings, “p” New York : Knopf, c1954 New York : Polydor, p1979 c) an approximate year preceded by “ca.” and enclosed in square brackets. Toronto : Scaramouche, [ca. 1950] (no date found but probably around 1950 ) 34 DESCRIPTION

5. PHYSICAL DESCRIPTION AREA Contents: 5A. Preliminary rule 5B. Extent 5C. Other details 5D. Dimensions 5E. Accompanying material

5A. Preliminary rule 5A1. Punctuation Precede this area by a full stop, space, dash, space (. — ) or start a new paragraph (see rule 0D). Precede the other details (i.e., other than extent or dimensions) by a space, colon, space ( : ). Precede the dimensions by a space, semicolon, space ( ; ). Precede the statement of accompanying materials by a space, plus sign, space ( + ). 5A2. Source of information. Take information for this area from any source, but prefer information taken from the item itself.

5B. Extent 5B1. Bibliographic resources other than books and atlases. Record the number of parts of a resource by giving the number of pieces, etc., in arabic numbers and the name of the resource or parts taken from the following list. a) Art pictures. Use “art original”, “art print”, or “art reproduction”, as appropriate. 3 art prints 1 art reproduction b) Charts, etc. Use “chart”, “poster”, “flip chart”, or “wall chart”, as appropriate. 3 charts 2 posters DESCRIPTION 35 c) Electronic resources. If you are cataloguing an electronic resource that is only available remotely, leave this element blank. If you are cataloguing an electronic resource that is available locally in a physical carrier, give the number of physical units and one of the following terms, as appropriate: computer chip cartridge computer disk computer optical disc computer tape cartridge computer tape cassette computer tape reel 1 computer disk 2 computer optical discs 1 computer chip cartridge Optionally, use a term in common usage to name the specific format. 1 CD-ROM 2 DVDs d) Filmstrips and filmslips. Use “filmstrip” or “filmslip”, as appropriate. 1 filmstrip e) Maps, globes. Use “map” or “globe”, as appropriate. 3 maps 1 globe f) Microforms. Use “microfiche”, “microfiche cassette”, or “microfilm”, as appropriate. Add “cartridge”, “cassette”, or “reel”, as appropriate, to “microfilm”. 7 microfiches 1 microfilm reel 36 DESCRIPTION

Optionally, if you have used the general material designation “microform”, omit “micro” from the statement of extent. 7 fiches 1 film reel g) Motion pictures. Use “film cartridge”, “film cassette”, “film loop”, or “film reel”, as appropriate. 4 film reels Optionally, if you have used the general material designation “motion picture”, omit “film” from the statement of extent. 4 reels h) Music. Use “score” and/or “part”, as appropriate. 1 score 2 parts 1 score + 12 parts i) Slides. Use “slide”. 3 slides j) Sound recordings. Use “sound cartridge”, “sound cassette”, “sound disc”, or “sound tape reel”, as appropriate. 2 sound cassettes Optionally, if you have used the general material designation “sound recording”, omit “sound” from the statement of extent. 2 cassettes k) Three-dimensional objects. Use an appropriate term (for example, “diorama”, “game”, “model”, “toy”). 1 diorama 2 jigsaw puzzles 1 paperweight DESCRIPTION 37

l) Videorecordings. Use “videocartridge”, “videocassette”, “videodisc”, or “videoreel”, as appropriate. 1 videodisc Optionally, if you have used the general material designation “videorecording”, omit “video” from the statement of extent. 1 disc m) Graphic materials other than those specified above. Use an appropriate term (for example, “flash card”, “photograph”). 3 photographs 1 technical drawing 1 activity card 2 pictures If the bibliographic resource has a playing time that is stated on it or its container or that can be ascertained easily, add the playing time in parentheses. 1 sound disc (35 min.) 2 videoreels (88 min.) 8 film reels (105 min.) 5 sound cassettes (30 min. each) 5B2. Extent of books, atlases, and other printed items. Single volumes. Record the number of pages in the main numbered sequence. 327 p. If there is more than one main numbered sequence, give the number of pages in each sequence in the order in which the sequences appear in the item. 320, 200 p. Ignore unnumbered sequences and minor sequences. 327 p. not [32], 327 p. 38 DESCRIPTION

119 p. not xii, 119 p. 300 p. not 12, 300 p. If there are no numbered sequences or a great many numbered sequences, give “1 v.”. 5B3. Extent of books, atlases, and other printed resources (including completed printed serials). More than one volume. Record the number of volumes in a multivolume book or in a “dead”5 printed serial. 3 v. 200 v. 19 v. 5B4. Incomplete resources. If a multipart bibliographic resource is incomplete or if it is a “live”6 serial, give one of the terms listed in 5B1 or “v.” (for printed materials). maps film reels v.

5C. Other details Give other details as set out here. 1) Books, pamphlets and other printed text; microforms; music; printed serials. If the bibliographic resource contains illustrations, give “ill.”. If the illustrations are numbered sequentially, give the number in arabic numerals. 320 p. : ill. 320 p. : 37 ill. 1 score : ill. 3 microfiches : ill.

5. A serial that has ceased publication. 6. A serial that is still being issued. DESCRIPTION 39

If all the illustrations are coloured, give “col. ill.”. If some of the illustrations are coloured, give “ill. (some col.)”. 320 p. : col. ill. 320 p. : ill. (some col.) 2) Electronic resources. If you are cataloguing an electronic resource that is only available remotely, leave this element blank. If a local electronic resource is stated to produce sound or is known to produce sound, give “sd.”. 1 computer optical disc : sd. If a local electronic resource displays in two or more colours or is known to produce two or more colours, give “col.”. 1 computer optical disc : col. 3) Graphic resources (two-dimensional). If the resource is coloured, give “col.”. 3 filmstrips : col. 7 posters : col. If a filmstrip or slide set has integral sound, give “sd.”. 3 filmstrips : col., sd. 48 slides : col., sd. If, however, a sound recording merely accompanies the filmstrip or slide set, treat it as accompanying material (see rule 5E) or, if appropriate, as part of a kit (see rule 10C). 4) Maps, globes. If the map or globe is coloured, give “col.”. 1 globe : col. 3 maps : col. 5) Motion pictures and videorecordings. Indicate whether the motion picture or videorecording is sound or silent by giving “sd.” or “si.”. 40 DESCRIPTION

1 videocassette (74 min.) : sd. 1 film reel (30 min.) : si. If the motion picture or videorecording is in colour give “col.”. 14 film reels : sd., col. 6) Sound recordings. For analog discs, give “analog” and the playing speed in revolutions per minute (rpm). 2 sound discs : analog, 33 1/3 rpm For all other sound recordings, give “analog” or “digital”,7 as appropriate. 2 sound discs : digital 2 sound cassettes : analog For all sound recordings, give the number of sound channels if the information is readily available. Use one of the following terms. mono. ( for monaural recordings) stereo. ( for stereophonic recordings) quad. ( for quadraphonic recordings) 2 sound cassettes : analog, stereo. 1 sound disc (30 min.) : analog, 33 1/3 rpm, stereo. 1 sound disc (70 min.) : digital, stereo. 7) Three-dimensional objects. Give the material(s) of which the object is made, unless the materials are numerous or unknown. 2 paperweights : glass 1 diorama : papier mâché 1 game : wood & plastic 1 toy : wool & cotton

7. A digital recording is one in which the sound is digitally encoded on the item (for example, a “compact disc”). DESCRIPTION 41

If the object is black and white, give “b&w”. If the object is in one or two colours, give the name(s) of the colour(s). If it is in three or more colours, give “col.”. 1 box : wood & metal, b&w 1 vase : porcelain, blue & white 1 paperweight : glass, col.

5D. Dimensions Give the dimensions of the bibliographic resource as set out here. 1) Books, pamphlets, and other printed texts; music; printed serials. Give the outside height in centimetres (cm.) to the next centimetre up. 325 p. : ill. ; 27 cm. 3 v. : col. ill. ; 25 cm. 1 score ; 24 cm. 2) Filmstrips and filmslips. Give the gauge (width) in millimetres (mm.). 1 filmstrip : col. ; 35 mm. 3) Globes. Give the diameter of the globe in centimetres. 1 globe : col. ; 12 cm. in diam. 4) Maps and two-dimensional graphic items (except filmstrips, filmslips, and slides). Give the height and width in centimetres to the next centimetre up. 1 map : col. ; 25 × 35 cm. 1 poster : col. ; 30 × 38 cm. 5) Microfiches. Give the height and width in centimetres to the next centimetre up, unless they are the standard dimensions (10.5 cm. × 14.8 cm.). In the latter case, do not give the dimensions. 3 microfiches ; 12 × 17 cm. 42 DESCRIPTION

6) Motion pictures and microfilm reels. Give the gauge (width) in millimetres. 1 film reel (12 min.) : sd. ; 16 mm. 1 microfilm reel ; 16 mm. 7) Slides. Do not give the dimensions if they are 5 × 5 cm. 8) Sound discs and electronic discs/disks. Give the diameter in inches. 1 sound disc : analog, 33 1/3 rpm, stereo. ; 12 in. 1 sound disc (49 min.) : digital, stereo. ; 4 3/4 in. 1 computer disk : 3 1/2 in. 9) Sound cassettes and cartridges. Do not give dimensions. 10) Three-dimensional objects. Give the height, or the height and width, or the height, width, and depth (as appropriate) in centimetres. 1 sculpture : marble ; 110 cm. high 1 quilt : cotton, red & white ; 278 × 200 cm. If the object is in a container, name the container (for example, “in box”) and add the dimensions of the container. 1 diorama ; in box 30 × 20 × 17 cm.

5E. Accompanying material 5E1. Definition. “Accompanying material” is material issued with, and intended to be used with, the bibliographic resource being catalogued. It is often, but not always, in a different physical form. Examples include: a slide set with an accompanying book; a book with an accompanying atlas; a filmstrip with an accompanying sound recording. 5E2. Give the number of physical units and the name of any significant accompanying material. Use the terms listed in rule 5B when possible. DESCRIPTION 43

323 p. : ill. ; 24 cm. + 6 maps 3 v. : ill. (some col.) ; 27 cm. + 1 set of teacher’s notes 1 score ; 26 cm. + 1 sound cassette 1 filmstrip : col. ; 35 cm. + 1 sound disc 1 computer optical disc : sd., col. ; 4 3/4 in. + 1 sound cassette If the accompanying material is minor, either describe it in a note (see rule 7B10) or ignore it.

6. SERIES AREA Contents: 6A. Preliminary rule 6B. Title proper of series 6C. Statements of responsibility relating to series 6D. Numbering within series 6E. Subseries 6F. More than one series

6A. Preliminary rule 6A1. Punctuation Precede this area by a full stop, space, dash, space (. — ). Enclose each series statement in parentheses (( )). Precede a statement of responsibility relating to a series by a space, diagonal slash, space ( / ). Precede the numbering within a series by a space, semicolon, space ( ; ). Precede the title of a subseries by a full stop, space (. ). 6A2. Sources of information. Take information recorded in this area from the bibliographic resource or its container. Do not give series information taken from any other source. 44 DESCRIPTION

6B. Title proper of series 6B1. Transcribe the title proper of the series as found on the bibliographic resource or its container. See rule 1B for instructions on how to record titles proper. (About Britain ...8 (Penguin crime fiction ... (A1 street atlas series ... (Family library of great music ... (Interactive digital computer teaching models ... 6B2. If more than one form of the series title is found on the bibliographic resource and its container, give the form found on the resource itself. If more than one form appears on the resource or if the variant forms appear only on the container, give the form that best identifies the series. (Carrier cookery cards ... (appears on the item as: Cookery cards and as Carrier cookery cards)

6C. Statements of responsibility relating to series Only give statements of responsibility about persons or corporate bodies responsible for the series if they appear on the bibliographic resource or its container and if they are necessary to identify the series. See rule 1F for instructions on how to record statements of responsibility. (Works / Thomas Hardy ... (Sound cassettes / Institute for the New Age ... (Collected software / American University, English Language Institute ...

8. The three dots here and in the other examples in rule 6 indicate that other elements (for example, numbering) may be necessary to complete the series statement. DESCRIPTION 45

Do not record statements relating to editors of series. (Society and the Victorians ... not (Society and the Victorians / general editor John Spiers ...

6D. Numbering within series 6D1. Give the numbering or other designation of the bibliographic resource within the series if that numbering appears on the item or its container. Give the numbering or other designation as it appears. Use standard abbreviations (for example, use “no.” for “number” and “v.” for “volume”). (Collectors pieces ; 14) (VideoClassics ; 312) (Family library of great music ; album 5) (Computer simulation games ; module 5) (Sounds of the seventies ; no. 54) (Polyphony ; v. E) (Art and the modern world ; 1981A)

6E. Subseries If the bibliographic resource is part of a series that is itself part of a larger series and both series are named on the resource or its container, give the details of the larger series before the details of the smaller series. (Science. The world environment) (Music for today. Series 2 ; no. 8)

6F. More than one series If the bibliographic resource belongs to two or more separate series and both are named on the resource or its container, give the details of each series separately. Give the series statements in the order in which they appear. (Video marvels ; no. 33) (Educational progress series ; no. 3) 46 DESCRIPTION

7. NOTE AREA Contents: 7A. Preliminary rule 7B. Notes

7A. Preliminary rule 7A1. Give useful descriptive information that cannot be fitted into the rest of the description in a note. A general outline of types of notes is given in rule 7B. If a note seems to be useful, give it even if it is not in that general outline. When appropriate, combine two or more notes to make one note. 7A2. Punctuation Precede each note by a full stop, space, dash, space (. — ) or give each note as a separate paragraph (see rule 0D). Separate any introductory word(s) of a note (for example, “Con- tents”, “Summary”) from the rest of the note by a colon, space (: ). 7A3. Sources of information. Take notes from any suitable source. 7A4. Form of notes Order. Give notes (if there is more than one note) in the order in which they are given in the general outline (see rule 7B). References to other works. When referring to another work or bibliographic resource, give those of the following elements that are relevant: Title / statement of responsibility. Edition. Place : publisher, date. Give them in that order and with that punctuation. Revision of: Understand the law / J.P. Smith. 3rd ed. Originally published: London : Jampton & Hardwycke, 1888 Facsimile reprint of: New ed., with additions. Oxford : Printed for R. Clements, 1756 DESCRIPTION 47

Formal notes. Use formal notes (those with the same introductory word(s)) if they can be easily understood and if they save space. Informal notes. When writing your own notes, make them as brief and clear as possible.

7B. Notes 7B1. Special notes for serials and electronic resources Frequency. If the resource being described is a serial, give the frequency of issue as the first note unless the frequency is obvious from the title (for example, “Annual report”, “Monthly digest”). Annual Weekly Issued every month except August Six issues yearly Updated daily Irregular Note changes in frequency. Weekly (1968-1981), monthly (1982- ) Local electronic resources. System requirements. Always make a System requirements note when describing an electronic resource that is available locally. Give the make and model of the computer(s) on which it will run and any other system requirements that are important to its use (for example, amount of memory, name of the operating system, peripherals). Precede the note with “System requirements:”. System requirements: Macintosh System requirements: UNIX workstation with Mosaic software System requirements: IBM PC; 64K; colour card; 2 disk drives Remote electronic resources. Mode of access. Always make a mode of access note for a remote electronic resource. Precede the note 48 DESCRIPTION with “Mode of access:”. If the mode of access is the Web, give the address. Mode of access: CSUNet Mode of access: Lexis system. Requires subscription Mode of access: World Wide Web www.ala.org 7B2. Nature of the item. Make a note giving the nature, scope, or artistic form of the bibliographic resource if it is not obvious from the rest of the description. Documentary Comedy in two acts Original recordings from 1921 to 1933 Spreadsheet with word processing and graphics capabilities Interactive adventure game 7B3. Language. Make a note on the language(s) of the bibliographic resource if it is not obvious from the rest of the description. Commentary in English French dialogue, English subtitles 7B4. Adaptation. If the bibliographic resource is a manifestation of a work that is an adaptation of another work, make a note about the other work. Based on short stories by P.G. Wodehouse Spanish version of: Brushing away tooth decay Translation of: Dona Flor e seus dois maridos DESCRIPTION 49

7B5. Titles. Make notes on important titles borne by the bibliographic resource that are different from the title proper. Title on container: Butterflies and moths Disc 3 entitled: This amazing world If the title of a serial or integrating resource varies slightly, say so. Title varies slightly If each issue of a serial has an individual title, say so. Each issue has its own title If you have supplied the title from other than the chief source of information, indicate the source. Title taken from: List of Chicago jazz recordings, 1940-1950 / B. McEnroe Title from script Electronic resources. Always give the source of the title proper of an electronic resource. Title from title screen Title from CD-ROM label Title from title screen (viewed Jan. 20, 2003) Title based on contents viewed August 6, 2004 7B6. Credits and other statements of responsibility Cast. List featured players, performers, narrators, or presenters. Presenter: Wallace Greenslade Cast: Diane Keaton, Woody Allen, Michael Murphy, Mariel Hemingway, Karen Ludwig, Meryl Streep 50 DESCRIPTION

Credits. List persons (other than the cast) who have made an important contribution to the artistic or technical production of a motion picture, sound recording, videorecording, etc., and are not named in the statements of responsibility. Credits: Producer, Peter Rogers; director, Gerald Thomas Credits: Guitar and vocals, Eric Clapton; keyboards, Dick Sims; vocals, Marcy Levy; guitar, Georgy Terry; bass guitar, Carl Radle; drums, Jamie Oldaker Backing by the Amazing Lost Cowboys Piano: Gerald Moore Other statements of responsibility. Give the names of any person(s) or body (bodies) not named in the statement of responsibility with an important connection with the bibliographic resource. Attributed to Aubrey Beardsley Based on music by Fats Waller Programmer, Leslie Larsen; reference manual, Oleg Kanjorski Systems designer, Henry James; sound, J&J Acoustics 7B7. Edition and history. If the bibliographic resource is a revision or reissue, make a note about the earlier item. Formerly available as: Those rockin’ years Reprint of the August 30th 1938 issue Republished on the Internet, 2002 Rev. ed. of: The portable Dorothy Parker DESCRIPTION 51

Electronic version of the print publication, London : Fortune Press, 1956 Serials. Make a note linking the serial being described to another serial if it is continued by or continues another serial or is supplementary to another serial or has any other significant relationship to another serial.

Continued by: The Irish history newsletter Continues: Bird watcher’s gazette Supplement to: The daily collegian Absorbed: New society, 1988 Integrating resources. If the title of an integrating resource changes, give the earlier title(s). Former title: Washington newspapers database 7B8. Publication, etc. Give important details of the publication or distribution of the bibliographic resource that cannot be given in the publication, etc., area. Distributed in Canada by: West Coast Enterprises Journal first issued in the mid 1960s, ceased publication in 1981 or 1982 7B9. Physical details. Give important physical details that cannot be given in the physical description area. Magnetic sound track In two containers Collage of wood, fabric, & paper Unmounted Pattern: Fannie’s fan 52 DESCRIPTION

Distributed as a Zip file Database also on CD-ROM Still image compressed using JPEG 7B10. Accompanying material and supplements. Give important information about accompanying and supplementary material that cannot be given elsewhere in the description. Consists of clear plastic model and accompanying tape/slide set and instructional booklet (16 p.) Set includes booklet: The Dada influence. 32 p. Slides with every 7th issue Sunday issue includes magazine supplement 7B11. Audience. If the intended audience bibliographic resource is not apparent from the rest of the description, state it here. Intended audience: Grades 3-5 For adolescents Intended audience: Post-graduate engineering students 7B12. Other formats available. Give details of other formats in which the content of the bibliographic resource has been issued. Issued also on cassette tape Issued also as cassette (VHS) Online version of the print publication: Icarus Also issued electronically via World Wide Web in PDF format DESCRIPTION 53

7B13. Summary. Give a brief summary of the content of a bibliographic resource if it is required by the policy of your library. Summary: Melissa and her friends discover a hidden treasure and defeat a gang that wants to steal it Summary: Episodes from the novel about a corrupt library administrator, read by the author Summary: A brief historical account of the discovery of antibiotics Summary: A reading exercise presenting some aspects of Native American culture Summary: An interactive multimedia tool for studying the human anatomy 7B14. Contents. If the bibliographic resource consists of a number of named parts, list those parts in the order in which they occur if the policy of the library requires such listings. Separate the names of the parts by a space, dash, space ( — ). Contents: Polonaise in F sharp minor, op. 44 -- Polonaise in A flat, op. 53 -- Polonaise in A, op. 40, no. 1 -- Nocturne, op. 27, no. 1 -- Etude, op. 10, no. 3 -- Mazurka in B flat, op. 7, no. 1 Contents: Queen Lucia -- The male impersonator -- Lucia in London Contents: Trent’s last case -- Trent’s own case / with H. Warner Allan -- Trent intervenes Contents: CD-ROM data (1:29) -- The young person’s guide to the orchestra (16:27) -- Extra audio examples (55:43) 54 DESCRIPTION

If the bibliographic resource contains an important part that is not evident from the rest of the description, note that here. Includes some poems (title is: Collected prose works) Includes three études and two mazurkas (title is: Chopin’s polonaises) Includes bibliographical references 7B15. Copy being described, library’s holdings, and restrictions on use. Make notes on: a) important descriptive details of the copy being described Library’s set lacks slides 7, 8, and 9 Library’s copy signed by the author b) your library’s holdings of an incomplete multipart resource Library has vol. 1 and vols. 3-8 c) any restrictions on use. Available to faculty and graduate students only Resource closed until March 6th, 2011 7B16. “With” notes. If the bibliographic resource being catalogued lacks a collective title and the title given in the title and statement of responsibility area applies to only part of that resource (see rule 1G) because you are making a separate entry for each of the parts of the item, make a note beginning “With:” and listing the titles of the other parts in the order in which they occur. With: Symphony no. 5 / Beethoven (side B) With: Aimless love / J.M. Morgan -- Headwinds / Joe M. Philipson 7B17. Serials, integrating resources, and multipart resources: basis for the description. If the first issue of a serial, first iteration of an integrating resource, or first part of a multipart bibliographic DESCRIPTION 55 resource is not the basis for the description, give details of the issue, iteration, or part that is. For remote access resources, always give the date on which the resource was viewed. Description based on: Vol. 5, no. 1 (March/April 1997) Description based on printout of screen display of: Vol. 17, no. 1 (Mar. 1994) Description based on home page dated August 9, 1998 Description based on source viewed September 2, 2003

8. STANDARD NUMBER Contents: 8A. Preliminary rule 8B. Standard number

8A. Preliminary rule 8A1. Punctuation Precede this area by a full stop, space, dash, space (. — ) or start a new paragraph (see rule 0D). 8A2. Sources of information. Take standard numbers from any suitable source.

8B. Standard number 8B1. Give the International Standard Book Number (ISBN), or Inter- national Standard Serial Number (ISSN), or any other internationally agreed standard number of the bibliographic resource being described. Precede that number with the standard abbreviation (ISBN, ISSN, etc.) and use standard hyphenation. ISBN 0-8389-3346-7 ISSN 0002-9869 56 DESCRIPTION

8B2. If the resource has more than one such number, give the one that applies specifically to the entity being described. ISBN 0-379-00550-6 (this is the ISBN for the set being described; volume 1 also carries an ISBN for that volume; do not record it)

9. SUPPLEMENTARY ITEMS 9A. Supplementary bibliographic resources described independently If a supplementary bibliographic resource has its own title and can be used independently, make a separate description. Link it to the bibliographic resource to which it is supplementary by making a note (see rule 7B7). Hye sharzhoom : the newspaper of the California State University, Fresno Armenian Students Organization and Armenian Studies Program. -- Vol. 2, no. 1 (Nov. 1979)-. -- Fresno : Armenian Studies Program, CSUF, 1978- v. : ill. ; 44 cm. Quarterly Title also appears in Armenian script Vol. 1 consisted of unnumbered “special issues” Supplement to: The daily collegian

9B. Supplementary bibliographic resources described dependently If a supplementary bibliographic resource has no independent title or cannot be used independently: either record it as accompanying material (see rule 5E) 5 v. : ill. ; 32 cm. + 1 v. or make a note (see rule 7B10). Note: Accompanied by supplement (37 p.) issued in 1969 DESCRIPTION 57

10. RESOURCES MADE UP OF MORE THAN ONE TYPE OF MATERIAL 10A. Apply this rule to bibliographic resources that are made up of two or more parts, two or more of which belong to separate material types (for example, a book and a sound recording).

10B. If the resource has a main component, make a description based on that main component and give details of the secondary component(s): either as accompanying material (see rule 5E) 47 slides : col. + 1 sound tape reel or in a note (see rule 7B10). 3 v. : ill. ; 30 cm. Note: Sound disc (12 min. : digital, stereo. ; 4 3/4 in.) in pocket at end of v. 3

10C. If the resource has no one main component, follow the rules below as well as the other rules in this part. 10C1. General material designation. If you are using general material designations (see rule 1C), and the bibliographic resource has a collective title, give “[kit]”. Multisensory experience for the preschooler [kit] If the resource has no collective title, give the appropriate designation after each title. Telling the time [filmstrip]. The story of time [sound recording] 10C2. Physical description. Either give separate physical descriptions for each part or group of parts belonging to each distinct class of material, starting a new paragraph with each physical description Tomato growing [kit] : a multimedia presentation / concept, Dion Garber ; 58 DESCRIPTION

programmer, Trev Baxter. -- Dallas : Thraxton Multimedia, 1997 46 slides : col. 1 sound disc (15 min.) : digital, stereo. ; 4 3/4 in. 1 electronic disk : col. ; 3 1/2 in. (AgriMedia ; A32) or give a general term as the statement of extent for bibliographic resources with a large number of different materials. Add the number of pieces if that number can be ascertained easily. various pieces 36 pieces 10C3. Notes. Make notes on each of the particular parts as the first note(s). Tape cassette also available as disc. -- Slides photographed in Death Valley, Calif.

11. FACSIMILES, PHOTOCOPIES, AND OTHER REPRODUCTIONS In describing a facsimile, photocopy, or other reproduction in eye- readable or microform, describe the facsimile, etc., and not the original. Give data relating to the original in a single note. Demos : a story of English socialism / George Gissing ; edited with an introduction by Pierre Coustillas. -- Brighton, Sussex : Harvester Press, 1972. 477 p. ; 23 cm. -- (Society and the Victorians) Facsimile reprint of: New ed. London : Smith Elder, 1897 DESCRIPTION 59

Alice’s adventures under ground / by Lewis Carroll. -- New York : Dover, 1965. 91 p. : ill. ; 22 cm. Complete facsimile of the British Museum manuscript of: Alice’s adventures under ground PART 2 Headings, Uniform Titles, and References

Introduction When you have made a standard description according to rules 0-11, add access points (name headings and/or titles) in accordance with the rules in this part to that description to create a catalogue entry. The rules that follow deal with the choice of access points (21–29), with their form (30–61), and with the making of references (62–65). General rules precede specific rules. If you cannot find an appropriate specific rule, use the preceding general rule. The rules in this part apply to all forms of library materials (printed, audiovisual, electronic, etc.) and to monographic, serial, and integrating resources. Rules 40–43, 46B, and 51 deal with additions to access points. Always make these additions (if possible) if they are necessary to differentiate between otherwise identical access points in the same catalogue. For example: Robertson, John, 1903-1971 Robertson, John, 1918- If you wish, make such additions even if they are not needed now, so that future conflicts can be avoided. As in rules 0–11, the examples in the following rules are supposed only to illustrate the rule, not to add to it. In cases of doubt, always prefer the rule as guidance rather than the examples. The presentation of examples is intended to help you to understand the rules. It is not intended to imply a certain form of presentation in your catalogue. The transcriptions from the source of information are set out in ISBD style (see part 1). In a few instances (see, for example, rule 25C2), more information than is required for a standard description is included to demonstrate the rule fully.

60 Choice of Access Points

Contents 21. INTRODUCTION 21A. Main and added entries 21B. Sources for determining access points 21C. Form of examples 22. CHANGES IN TITLES PROPER 22A. Definition 22B. Monographs 22C. Serials 22D. Integrating resources 23. GENERAL RULE 23A. Works of personal authorship 23B. Entry under corporate body 23C. Entry under title 24. WORKS FOR WHICH ONE PERSON OR CORPORATE BODY IS RESPONSIBLE 24A. Works by one person 24B. Works for which one corporate body is responsible 25. WORKS FOR WHICH TWO OR MORE PERSONS OR CORPORATE BODIES ARE RESPONSIBLE 25A. Scope 25B. Principal responsibility indicated 25C. Principal responsibility not indicated 26. COLLECTIONS OF WORKS BY DIFFERENT PERSONS OR BODIES 26A. Scope 26B. With collective title 26C. Without collective title 27. WORKS OF MIXED RESPONSIBILITY 27A. Scope

61 62 ACCESS POINTS

27B. Modifications of existing works 27C. New works 28. RELATED WORKS 28A. Scope 29. ADDED ENTRIES 29A. General rule 29B. Specific applications 29B1. Two or more persons or corporate bodies involved 29B2. Examples of added entries 29B3. Other related persons or bodies 29B4. Related works 29B5. Titles 29B6. Special rules for translators and illustrators 29B7. Series 29B8. Analytical added entries

21. INTRODUCTION 21A. Main and added entries Use rules 23–29 to decide the access points (name headings and/or titles) that are to be added to the bibliographic description (see rules 0–11) so that the description can be added to, and retrieved from, a catalogue. Use rules 23–28 to decide which access point is the heading for the main entry (other access points being headings for added entries). If, however, your library does not distinguish between main entries and added entries, treat all access points as equal and use rules 23–29 to tell you which and how many access points to make. Generally, each rule and its example(s) only cover certain added- entry access points. Additional added-entry access points (for example, series and title headings) may be required by the general rule on added entries (see rule 29).

21B. Sources for determining access points Prefer the chief source of information (see rule 0A) to other sources, but also take into account any relevant information found elsewhere on ACCESS POINTS 63 the bibliographic resource and, when necessary, in accompanying material and reference sources.

21C. Form of examples The examples in rules 24–29 indicate only the access points to be made without showing their complete form. Use rules 30–61 to establish the complete form. When an example is followed by “Main entry under title” or “Added entry under title”, it usually means the title proper (see rule 1B). In a few cases it may mean the uniform title (see rules 57–61).

22. CHANGES IN TITLES PROPER 22A. Definition Except for multipart resources (see rule 22B) and integrating resources (see rule 22D), make a new catalogue entry for a work if its title changes (see rule 22C). A title proper has changed if: 1) any word other than an article (for example, “the,” “a,” “le”), a preposition (for example, “to,” “de,” “of ”), or a conjunction (for example, “and,” “but,” “aber”) is added, deleted, or changed or 2) there is a change in the order of the first five words (six if the title begins with an article). However, do not make a new catalogue entry if the change is: 1) in the representation of a word or words (for example, ignore a change from “Trout and salmon news” to “Trout & salmon news”) 2) after the first five words (six if the first is an article) and does not change the meaning of the title (for example, ignore a change from “The journal of the antiquities of Bootle and sur- roundings” to “The journal of the antiquities of Bootle and its environs”) 3) the addition or deletion of the name of the issuing body at the end of the title (for example, ignore a change from “The 64 ACCESS POINTS

journal of the cuisine of provincial Indiana of the League of Hoosier Gourmets” to “The journal of the cuisine of provincial Indiana”) or 4) the addition, deletion, or change of punctuation (for example, ignore a change from “Boot, shoe, sandal news” to “Boot/ shoe/sandal news”.

22B. Monographs If the title proper of a monograph in more than one physical part (for example, a multivolume book) changes from one part to another, use the title proper of the first part as the title proper of the whole monograph. Make a note (see rule 7B5) about the other title(s). The romance of the tomato : a seven part instructional film / devised and presented by Gervase Scudamore. -- London : Hamberger & Pollock, 1987 7 film cassettes (20 min. each) : sd., col. ; standard 8 mm. Cassettes 6 and 7 entitled: The tomato and you

22C. Serials If the title proper of a serial changes, make a separate main entry for each title. Link these entries with notes (see rule 7B7).

22D. Integrating resources If the title proper of an integrating resource changes, replace the former title proper with the new title proper. Give the earlier title in a note (see rule 7B7).

23. GENERAL RULE 23A. Works of personal authorship 23A1. Definition. A personal author is the person who is chiefly responsible for the content of a work. Examples are: ACCESS POINTS 65

writers of texts composers of music artists (sculptors, painters, etc.) photographers compilers of bibliographies cartographers (makers of maps) creators of electronic resources In some cases (see rule 27B1g), treat performers as the authors of sound recordings. 23A2. Enter a work by one person under the heading for that person (see rule 24A). Enter a work by two or more persons under: the principal personal author (see rule 25B1) or the person named first (see rules 25B2, 25C1, and 27) or its title (see rules 25C2 and 26B). Make added entries as instructed in rule 29.

23B. Entry under corporate body 23B1. Definition. A corporate body is an organization or group of persons that has a name. If you are in doubt as to whether words indicating a particular body constitute a name, treat them as a name if they have initial capital letters and/or if they begin with the definite article (for example, “The,” “Le”). For example, “The British Museum” is a name and “a group of concerned citizens” is not; “The Modern Jazz Quartet” is a name and “seven rock superstars” is not. In other cases of doubt, do not regard the phrase as a name. Examples of corporate bodies are: business firms governments (local and national) government agencies (local and national) churches associations (for example, clubs, societies) institutions (for example, museums, libraries, schools) 66 ACCESS POINTS

international agencies conferences exhibitions, expeditions, and festivals performing groups Some corporate bodies are subordinate to (part of) other bodies. For example, the Henry Madden Library is a part of the California State University, Fresno; the Home Office is part of the government of the United Kingdom. 23B2. Enter a work issued by a corporate body or originating from a corporate body under the heading for that body (see rule 24B) if it is one or more of the following: a) an administrative work dealing with: the corporate body itself (for example, an annual report) or its policies, procedures, operations, etc. (for example, a policy statement, a staff manual) or its finances (for example, a budget, a financial report) or its personnel (for example, a staff list) or its resources or possessions (for example, a catalogue, an inventory, a membership directory) b) a law or collection of laws, an administrative regulation, a treaty (for detailed guidance on these materials, see the full AACR2) c) a report of a committee, commission, etc. (provided that the report states the opinion of the committee, etc., and does not merely describe a situation objectively) d) a liturgical text for which a particular church, denomination, etc., is responsible (for detailed guidance on these materials, see the full AACR2) e) a collection of papers given at a conference (provided that the conference is named in the item being catalogued); the report of an expedition (provided that the expedition is named in the item being catalogued) f ) a sound recording, videorecording, or film created and performed by a group g) a map or other cartographic material created by a corporate body. ACCESS POINTS 67

If such a work originates from two or more bodies, see also rules 25–27. If a work does not fall into one of the types listed above, or if you are in doubt about whether it does, enter it under a person’s name or under title as appropriate. In addition, make added entries under the names of prominently named corporate bodies as instructed in rule 29B2e.

23C. Entry under title Enter a work under its title when: 1) the author is unknown and no corporate body is responsible (see rule 23B2) 2) the work has more than three authors and none of them is the principal author (see rule 25C2) and no corporate body is responsible (see rule 23B2) 3) it is a collection and has a collective title (see rule 26B) 4) it is not by a person or persons and is issued by a corporate body but is not one of the types of publication listed in rule 23B2 5) it is a sacred scripture (such as the Bible, the Koran, or the Talmud) or an ancient anonymous work (such as Beowulf or the Arabian nights).

24. WORKS FOR WHICH ONE PERSON OR CORPORATE BODY IS RESPONSIBLE 24A. Works by one person Enter a work by one person under the heading for that person even if he or she is not named in the bibliographic resource being catalogued. The good soldier / by Ford Madox Ford Main entry under the heading for Ford I.F. Stone’s newsletter Main entry under the heading for Stone 68 ACCESS POINTS

Wavelength / Van Morrison (a sound recording composed, produced, and performed by Morrison) Main entry under the heading for Morrison Don Quixote (a print by Picasso) Main entry under the heading for Picasso Collins Italian gem dictionary : Italian-English, English-Italian / Isopel May Main entry under the heading for May Newts in the wild : London ponds / made by Norma McEachern (a filmstrip) Main entry under the heading for McEachern Ecstasy and me : my life as a woman / Hedy Lamarr (the “ghosted” autobiography of a movie star, “ghost-writer” not named ) Main entry under the heading for Lamarr Enter a collection of, or selections from, works by one person under the heading for that person even if she or he is not named in the bibliographic resource being catalogued. The Brandenburg concertos / J.S. Bach Main entry under the heading for Bach The poems of John Keats / edited by Jack Stillinger Main entry under the heading for Keats The sweet singer of Penge (a collection of poems published anonymously but known to be by Eric Lancaster) Main entry under the heading for Lancaster Selected essays / George Orwell Main entry under the heading for Orwell ACCESS POINTS 69

24B. Works for which one corporate body is responsible If a work originating from a single corporate body falls into one or more of the categories listed in rule 23B2, enter it under the heading for the body.

Entry under corporate heading Administrative works Annual report of the Institute for the Furtherance of Psychic Studies Main entry under the heading for the Institute Additions to the Library / H.D. Timpson Library, Branksome Main entry under the heading for the Library Rules and regulations of the Chicago Board of Trade Main entry under the heading for the Board

Laws, etc. The health and safety at work act 1974 (a British law) Main entry under the heading for the United Kingdom Rules, regulations, and by-laws relating to the storage and sale of fish / City of Minneapolis Main entry under the heading for Minneapolis

Committee, etc., reports Report and recommendation to the Governor and the General Assembly / Illinois Commission on the Status of Women (a serial) Main entry under the heading for the Commission 70 ACCESS POINTS

Hartford Civic Center Coliseum roof collapse : final report / Common Council Committee to Investigate the Coliseum Roof Failure Main entry under the heading for the Committee

Liturgical works Rite of marriage. -- Washington : United States Catholic Conference Main entry under the heading for the Catholic Church

Conference, etc., proceedings Abstracts of the annual meeting / Free Thought Society Main entry under the heading for the Society’s meeting Proceedings / Conference on the Mass Media and the Black Community, Cincinnati, 1969 ; sponsored by the Pen and Paper Club of Cincinnati Main entry under the heading for the Conference

Works created and performed by a group Bridges to Babylon / the Rolling Stones (a sound recording composed, produced, and performed by the rock group) Main entry under the heading for the group Free South Africa! : an improvisational video performance / the Children of the Universe Main entry under the heading for the group

Maps created and published by a corporate body Fresno & Fresno County. -- Modesto, Ca. : Compass Maps, 1986 Main entry under the heading for Compass Maps ACCESS POINTS 71

Entry not under corporate heading Italians in America / made and released by the Anti-Defamation League of B’nai B’rith (a filmstrip) Main entry under title Added entry under the heading for the League Symphony no. 8 in B minor (Unfinished) / Schubert (a sound recording by the Philadelphia Orchestra) Main entry under the heading for Schubert Added entry under the heading for the Orchestra Bulletin / Pinner Ornithological Society Main entry under title Added entry under the heading for the Society California library directory : listings for public, academic, special, state agency, and county law libraries / Library Development Services Bureau, California State Library Main entry under title Added entry under the heading for the Bureau Costs and revenue of national newspapers / National Board for Prices and Incomes Main entry under title Added entry under the heading for the Board Near Eastern art in Chicago collections / the Art Institute of Chicago, November 17, 1973-January 20, 1974 (a catalogue of an exhibition) Main entry under title Added entry under the heading for the Institute 72 ACCESS POINTS

The political lighthouse / owned, operated, and maintained by Starlight (an electronic resource) Main entry under title Added entry under the heading for Starlight

25. WORKS FOR WHICH TWO OR MORE PERSONS OR CORPORATE BODIES ARE RESPONSIBLE 25A. Scope Apply this rule to: 1) works produced by two or more persons (joint authors, collaborators, etc.) 2) works for which two or more persons have prepared separate contributions (including the records of debates and discussions) 3) works consisting of letters, etc., exchanged by two or more persons 4) works issued by, or originating from, two or more corporate bodies and that fall into one or more of the categories listed in rule 23B2. For works consisting of collections of, or selections from, already existing works (such as anthologies), see rule 26. For special types of collaboration, see rule 27.

25B. Principal responsibility indicated 25B1. If the layout or wording of the chief source of information of a bibliographic resource that is a manifestation of a work by two or more persons or bodies indicates clearly that one person or body is chiefly responsible, enter under the heading for that person or body. Make added entries under the headings for the other persons or bodies if there are not more than two of them. The Taylor system in Franklin management : application and results / by George D. Babcock in collaboration with Reginald Trautschold Main entry under the heading for Babcock Added entry under the heading for Trautschold ACCESS POINTS 73

Unknown horizons : visions of the distant future : a video experience / Maude LaFarge with the help of Simon, Paul, and Janette Main entry under the heading for LaFarge Technical services in libraries : acquisitions, cataloging, classification, binding, photographic reproduction, and circulation operations / by Maurice F. Tauber and associates (the seven associates are named on the leaf following the title leaf ) Main entry under the heading for Tauber 25B2. If two or three persons or bodies are shown as being principally responsible, enter under the heading for the one named first. Make added entries under the headings for the others. Elementary differential equations with linear algebra / Ross L. Finney, Donald R. Ostberg with the assistance of Robert G. Kuller Main entry under the heading for Finney Added entry under the heading for Ostberg

25C. Principal responsibility not indicated 25C1. If, in the case of a work by two or three persons or bodies, no one person or body is clearly principally responsible (see rule 25B), enter under the heading for the one named first. Make added entries under the headings for the others. Women artists, the twentieth century / authors Karen Petersen, J.J. Wilson (a slide set) Main entry under the heading for Petersen Added entry under the heading for Wilson 74 ACCESS POINTS

The basement tapes / Bob Dylan & the Band (sound recording of songs written and performed by Dylan and the rock group the Band ) Main entry under the heading for Dylan Added entry under the heading for the Band PolicyWonk.com : tools and resources for policy mavens / by Shane Heiser and Ken Zimmerman Main entry under the heading for Heiser Added entry under the heading for Zimmerman General college mathematics / W.L. Ayres, Cleota G. Fry, H.F.S. Jonah Main entry under the heading for Ayres Added entries under the headings for Fry and Jonah 25C2. If, in the case of a work by four or more persons or bodies, none of the persons or bodies is clearly principally responsible (see rule 25B), enter under the title. Make an added entry under the heading for the first person or body named in the chief source of information. Outlaw country / Willie Nelson, Waylon Jennings, David Allan Coe, Hank Williams, Jr. (sound recording; all four performers named on the labels) Main entry under title Added entry under the heading for Nelson The art of Gauguin / Richard Brettell, Françoise Cachin, Claire Fréches-Thory, Charles F. Stuckey (exhibition catalogue; all four authors named on title page) Main entry under title Added entry under the heading for Brettell The modern age / edited by Boris Ford (essays by various people produced under the editorship of Ford ) Main entry under title Added entry under the heading for Ford ACCESS POINTS 75

26. COLLECTIONS OF WORKS BY DIFFERENT PERSONS OR BODIES 26A. Scope Apply this rule to: 1) collections of independent works, or extracts from individual works, by different persons or bodies (for example, anthologies) 2) works consisting partly of independent works and partly of contributions by different persons or bodies. Do not apply this rule to works covered by rule 23B2 (for example, conference proceedings).

26B. With collective title If a bibliographic resource belongs to one of the types listed in rule 26A and has its own collective title, enter it under that title. If the resource has one, two, or three editors or compilers named in the chief source of information, make added entries under the headings for each of them. If there are four or more editors or compilers named in the chief source of information, make an added entry under the heading for the one named first. The new Oxford book of English light verse / chosen by Kingsley Amis Main entry under title Added entry under the heading for Amis The family of man ... / created by Edward Steichen (collection of 503 photographs by various people) Main entry under title Added entry under the heading for Steichen Why a duck? : visual and verbal gems from the Marx Brothers movies / edited by Richard J. Anobile Main entry under title Added entry under the heading for Anobile 76 ACCESS POINTS

26C. Without collective title If a bibliographic resource belongs to one of the types listed in rule 26A and has no collective title, enter it under the heading for the first work named in the chief source of information. If the resource lacks a chief source of information, enter it under the heading for the first work in the item. Make added entries under the headings for editors, compilers, and/or contributors as instructed in rule 26B. Make an analytical added entry (see 29B8) for each of the works in such a resource. A John Field suite / Harty. A dance in the sunshine / Bax. A Shropshire lad, etc. / Butterworth. There is a willow grows aslant a brook / Bridge Main entry under the heading for Harty Added entries (name/title; see rule 29B4) under the headings for Bax, Butterworth, and Bridge

27. WORKS OF MIXED RESPONSIBILITY 27A. Scope A work of mixed responsibility is one that involves the collaboration of two or more persons or bodies (see rule 23B2 for cases in which a corporate body is responsible) and to which the persons and/or bodies make different kinds of contribution. Examples of the different kinds of contribution are: writing, adapting, illustrating, editing, arrang- ing, translating, and performing. Typical instances of mixed responsibility are: a work with text by one person and illustrations by another a work created by one person and adapted by another a work by one person with a commentary by another a work by one person translated by another a law for which a corporate body is responsible with a commentary by a person an electronic resource created by one person with software written by another ACCESS POINTS 77

a musical work by one person arranged by another a musical work by one person performed by another person or by a performing group.

This rule divides all cases of mixed responsibility into two types. These are: 1) modifications of existing works (see rule 27B) 2) new works produced by the collaboration of different persons and/or bodies making different intellectual or artistic contributions (see rule 27C).

27B. Modifications of existing works 27B1. Enter a work that is a modification of an existing work under the heading for the new work and make a name/title added entry (see rule 29B4) for the original work if the nature and content of the original has been changed substantially or if the medium of expression has changed. Examples of such change are: a) paraphrases, rewritings, adaptations for children, and versions in a different literary form of written works Jump! : the adventures of Brer Rabbit / by Joel Chandler Harris ; adapted by Van Dyke Parks and Malcolm Jones (adaptation of Harris’s Adventures of Brer Rabbit) Main entry under the heading for Parks Added entry under the heading for Jones Added entry (name/title) under the heading for Harris Robert Fitzgerald reads from his Iliad (sound recording, read by the poet, of his modern version of Homer’s Iliad) Main entry under the heading for Fitzgerald Added entry (name/title) under the heading for Homer b) revisions of texts when the reviser(s) is named in the chief source and the original author(s) either is no longer named in the title and statement of responsibility area or is named only in the title proper 78 ACCESS POINTS

The law of Ireland / G. Fenn (“a complete revision of Innes and Montgomery’s Irish law”—title page) Main entry under the heading for Fenn Added entry (name/title) under the heading for Innes Roget’s Thesaurus of English words and phrases. -- New ed. / completely revised and modernized by Robert A. Dutch Main entry under the heading for Dutch Added entry (name/title) under the heading for Roget c) commentaries when the bibliographic resource is presented as a commentary The Theaetetus of Plato: a commentary / by Spenser Sayers (contains the Greek text of the Theaetetus) Main entry under the heading for Sayers Added entry (name/title) under the heading for Plato d) adaptations of graphic art works from one medium of the graphic arts to another Courbet’s The painter’s studio / an engraving by M.M.C. Main entry under the heading for M.M.C. Added entry (name/title) under the heading for Courbet e) reproductions of art works with text when the writer of the text is represented as the author of the work in the chief source of information William Morris wallpapers and chintzes / Fiona Clark (reproductions of Morris’s designs with an annotated catalogue by Clark) Main entry under the heading for Clark Added entry under the heading for Morris f ) alterations (free transcriptions, etc.), paraphrases, and variations of musical works ACCESS POINTS 79

Rhapsody on a theme by Paganini : for piano and orchestra / Rachmaninov Main entry under the heading for Rachmaninov Added entry under the heading for Paganini g) sound recordings of works by different persons performed by a principal performer or performers1 Contrary to ordinary / Jerry Jeff Walker (ten songs, each by a different composer, performed by Walker) Main entry under the heading for Walker James Galway plays Song of the seashore and other melodies of Japan (compositions by various Japanese composers, performed by Galway) Main entry under the heading for Galway The fine art of surfacing / the Boomtown Rats (songs, by various members of the band, performed by a rock group) Main entry under the heading for the band h) novels, etc., based on motion pictures, television shows, etc. Star wars: the novel of the smash hit movie / by E.B. Knowles Main entry under the heading for Knowles Added entry under the heading for the motion picture The laugh was on Lazarus: a novel based on the ABC television series The avengers / John Garforth Main entry under the heading for Garforth Added entry under the heading for the television series

1. Consider such a sound recording to have a principal performer or principal performers when the wording, layout, typography, etc., of the chief source of information clearly present the activity of the performer(s) as the major purpose of the recording. 80 ACCESS POINTS

i) motion pictures, television shows, electronic resources, etc., based on novels and other texts. The charmer / by Allan Prior (six-part television play based on Patrick Hamilton’s novel Mr. Stimpson and Mr. Gorse) Main entry under title Added entries (name/title) under the headings for Prior and Hamilton Romeo & Juliet / producer Chris Jennings. -- Version 1.00c (an electronic interactive multimedia resource based on the Shakespeare play) Main entry under title Added entry under the heading for Jennings Added entry (name/title) under the heading for Shakespeare 27B2. Enter any other modification of an existing work under the heading for the original work. Examples of modifications entered under the headings for the original works are: a) musical works by one person performed by another Willie Nelson sings Kris Kristofferson (songs by Kristofferson, performed by Nelson) Main entry under the heading for Kristofferson Added entry under the heading for Nelson b) translations Twenty love poems and a song of despair / Pablo Neruda ; translated by W.S. Merwin Main entry under the heading for Neruda Added entry under the heading for Merwin (see rule 29B6) True history ; and Lucius, or, The ass / Lucian ; translated from the Greek by Paul Turner Main entry under the heading for Lucian ACCESS POINTS 81

Added entry (name/title; see rule 29B8) under the heading for Lucian for Lucius, or, The ass Added entry under the heading for Turner (see rule 29B6) c) arrangements of musical works Original motion picture soundtrack, The sting / featuring the music of Scott Joplin ; adapted and arranged by Marvin Hamlisch Main entry under the heading for Joplin Added entry under the heading for Hamlisch d) texts with commentary when the item is presented as an edition of the text Plato’s Republic : with a commentary / by Roderick Wolfe Main entry under the heading for Plato Added entry under the heading for Wolfe e) abridgements of, and excerpts from, existing works Great scenes from Pickwick (excerpts from Dickens’ Pickwick papers) Main entry under the heading for Dickens My life with Sherlock Holmes : conversations in Baker Street / edited by J.R. Hamilton (selections from Arthur Conan Doyle’s Sherlock Holmes stories) Main entry under the heading for Doyle Added entry under the heading for Hamilton f ) illustrated works. The world of Pooh : the complete Winnie- the-Pooh and The house at Pooh Corner / by A.A. Milne ; with decorations and new illustrations in full colour by E.H. Shepard Main entry under the heading for Milne Added entry under the heading for Shepard (see rule 29B6) 82 ACCESS POINTS

27C. New works produced by persons or bodies making different intellectual or artistic contributions Enter a work produced by two or more persons or bodies making different intellectual or artistic contributions under the heading for the person or body given prominence by the wording or layout of the chief source of information of the bibliographic resource being catalogued. If there are two or three collaborating persons or bodies, make an added entry under the heading(s) for the other(s). If no one person or body is given prominence and there are two or three persons or bodies named, enter under the heading for the person or body named first in the chief source. Make an added entry under the heading(s) for the other(s). If no one person or body is given prominence and there are more than three persons or bodies named, enter under title. Make an added entry under the heading for the person or body named first. Goodbye baby & amen : a saraband for the sixties / David Bailey & Peter Evans (photographs by Bailey, text by Evans) Main entry under the heading for Bailey Added entry under the heading for Evans Duffy and the devil : a Cornish tale / retold by Harve Zemach ; with pictures by Margot Zemach Main entry under the heading for H. Zemach Added entry under the heading for M. Zemach

28. RELATED WORKS 28A. Scope Apply this rule to a separately catalogued work that has a relationship to another separately catalogued work. Typical examples of related works are: continuations and sequels supplements ACCESS POINTS 83

indexes concordances screenplays, scenarios, etc. collections of extracts from serials subseries special numbers of serials For adaptations, revisions, translations, etc., see rule 27. 28B. Enter a related work under its own heading according to the rules on entry (rules 23–27). Make the appropriate added entries according to those rules and rule 29. Make an added entry under the name heading or name/title (see rule 29B4) or title, as appropriate, of the work(s) to which it is related. Colonel Sun / Robert Markham (a sequel to Ian Fleming’s series of James Bond novels) Main entry under the heading for Markham Added entry under the heading for Fleming Index of characters and events in the Pickwick papers / Nigel Appleby (an index to the novel by Dickens) Main entry under the heading for Appleby Added entry (name/title) under the heading for Dickens Blue / writers, Meade Roberts, Ronald M. Cohen (the screenplay of the motion picture Blue) Main entry under the heading for Roberts Added entries under the headings for Cohen and the motion picture English art, 1970: a special number of Eclectic art review Main entry under title Added entry under Eclectic art review 84 ACCESS POINTS

Alice’s wonders / adapted from “Alice in Wonderland” by Wilford Hagers (a computer program based on the Lewis Carroll work) Main entry under the heading for Hagers Added entry (name/title) under the heading for Carroll Writing for love or money : thirty-five essays reprinted from the Saturday review of literature Main entry under title Added entry under Saturday review of literature Carleton journalism review (distributed with Content: Canada’s national news media magazine) Main entry under title Added entry under Content

29. ADDED ENTRIES 29A. General rule 29A1. Scope. Rule 29 gives general guidance on the making of added entries. Use it to supplement the specific instructions in rules 23–28. 29A2. Make an added entry under the heading for a person or corporate body or under a title if some users of the catalogue might look under that heading or title rather than under the main entry heading. If in doubt as to whether to make an added entry, make it. 29A3. Construct a heading for an added entry according to the instructions in rules 30–61. For instructions on name/title added entry headings, see rule 29B4. 29A4. If the reason for an added entry is not apparent from the description (for example, if a person or body used as the basis for an added entry heading is not named in a statement of responsibility or in the publication details), make a note giving the name of the person or body (see rule 7B6) or the title (see rule 7B4). ACCESS POINTS 85

29B. Specific applications 29B1. Two or more persons or corporate bodies involved. If the following subrules and examples refer to only one person or body, and two or three persons or bodies are involved in the work that you are cataloguing, make added entries under the headings for each. If four or more persons or bodies are involved in a particular instance, make an added entry under the heading for the one named first in the chief source of information of the bibliographic resource being catalogued. 29B2. Examples of added entries. Typical examples of name added entries are: a) collaborators The basement tapes / Bob Dylan & the Band (songs written and performed by Dylan and the rock group the Band ) Main entry under the heading for Dylan Added entry under the heading for the Band Captions courageous, or, Comments from the gallery / by Bob Reisner and Hal Kapplow Main entry under the heading for Reisner Added entry under the heading for Kapplow What I think : weekly column / by R.H. Wheatley and/or Lila Hoffman-Thome (an online resource) Main entry under the heading for Wheatley Added entry under the heading for Hoffman-Thome Banned books 287 B.C. to 1978 A.D. ... / by Anne Lyon Haight ; updated and enlarged by Chandler B. Grannis Main entry under the heading for Haight Added entry under the heading for Grannis The Oxford book of wild flowers / illustrations by B.E. Nicholson ; text by S. Ary & M. Gregory Main entry under the heading for Nicholson Added entries under the headings for Ary and Gregory 86 ACCESS POINTS

Roman and pre-Roman glass in the Royal Ontario Museum : a catalogue / John W. Hayes Main entry under the heading for the Museum (see rule 23B2) Added entry under the heading for Hayes b) editors, compilers, revisers, etc. The Penguin book of animal verse / introduced and edited by George MacBeth Main entry under title Added entry under the heading for MacBeth Views of the Solar System / compiled and maintained by Calvin J. Hamilton (an online archive of photographs, data, text, graphics, and videos) Main entry under title Added entry under the heading for Hamilton The novels of Jane Austen / the text based on collation of the early editions by G.W. Chapman Main entry under the heading for Austen Added entry under the heading for Chapman c) original authors Hoyle’s rules of games ... / edited by Albert H. Morehead and Geoffrey Mott-Smith Main entry under the heading for Morehead Added entry (name/title; see rule 29B4) under the heading for Hoyle Added entry under the heading for Mott-Smith The new Roget’s thesaurus of the English language in dictionary form / by Norman Lewis Main entry under the heading for Lewis Added entry (name/title; see rule 29B4) under the heading for Roget ACCESS POINTS 87 d) performers James Galway plays Mozart (accompanied by the London Symphony Orchestra) Main entry under the heading for Mozart Added entries under the headings for Galway and the Orchestra To Lefty from Willie (sound recording of Lefty Frizzell’s songs performed by Willie Nelson) Main entry under the heading for Frizzell Added entry under the heading for Nelson e) corporate bodies with responsibility beyond that of publishing. A field guide to the birds ... / text and illustrations by Roger Tory Peterson. -- 2nd rev. and enl. ed. / sponsored by the National Audubon Society Main entry under the heading for Peterson Added entry under the heading for the Society Desalination: a tape/slide presentation / Creative Media, Inc. for the Desalination Company Main entry under title Added entries under the headings for the two companies Fifty years of modern art, 1916-1966 / Edward B. Henning. -- Cleveland : Cleveland Museum of Art (catalogue of a loan exhibition) Main entry under the heading for Henning Added entry under the heading for the Museum Sex and the Californian / Present Topics, Inc. (a videorecording) Main entry under title Added entry under the heading for Present Topics 88 ACCESS POINTS

The bird web / maintained by Paul Doyle at the Conoco Natural History Centre (an online resource) Main entry under title Added entries under the headings for Doyle and for the Centre The Paris Commune of 1871 / by Frank Jellinek (a “Left Book Club edition” ) Main entry under the heading for Jellinek Added entry under the heading for the Club Closing the catalog: proceedings of the 1978 and 1979 Library and Information Technology Association institutes Main entry under title Added entry under the heading for the Association Hampstead past and present / issued with the approval of the Hampstead Borough Council Main entry under title Added entry under the heading for the Council 29B3. Other related persons or bodies. If the heading will provide an important access point, make an added entry under the heading for any person or body that has a relationship to a work not covered in rules 23–28 or in the preceding parts of rule 29. A short title catalogue of the Warren N. and Suzanne B. Cordell collection of dictionaries (catalogue of a special collection held by the Cunningham Library, Indiana State University) Main entry under the heading for the Library Added entries under the headings for W.N. and S.B. Cordell Currents in anthropology : essays in honor of Sol Tax / edited by Robert Hinshaw Main entry under title Added entries under the headings for Tax and Hinshaw ACCESS POINTS 89

29B4. Related works. Make an added entry under the main entry heading for a work to which the work being catalogued is closely related (see rules 26C, 27, and 28 for guidance in specific cases). Make such entries in the form of the heading for the person or corporate body or title under which the related work is, or would be, entered. If the heading is for a person or corporate body, and the title of the related work differs from the title of the work being catalogued, add the title of the related work to the heading to form a name/title added entry heading. Gore Vidal’s Caligula : a novel based on Gore Vidal’s original screenplay / by William Howard Main entry under the heading for Howard Added entry under the heading for the motion picture Caligula Added entry (name/title) under the heading for Vidal The long riders : original motion picture sound track / music composed and arranged by Ry Cooder Main entry under the heading for Cooder Added entry under the heading for the motion picture The long riders If appropriate, substitute a uniform title (see rules 57–61) for a title proper in a name/title or title added entry heading. Adventures of Tom Sawyer / by Mark Twain ; rewritten for young readers by Felix Sutton Main entry under the heading for Sutton Added entry (name/title) under the heading for Twain followed by the uniform title Tom Sawyer 29B5. Titles. Make an added entry under the title proper of every item entered under a personal heading, a corporate heading, or a uniform title. Make an added entry also for any other title (cover title, caption title, running title, etc.) if it is significantly different from the title proper. Dental model / H.J. Brandon (title on container: Elementary dental work) Main entry under the heading for Brandon Added entries under title proper and Elementary dental work 90 ACCESS POINTS

29B6. Special rules for translators and illustrators a) Translators. If the main entry is under the heading for a corporate body or under a title, make an added entry under the heading for a translator. Proceedings of the 6th Annual Conference of Italian School Administrators / translated by L. Del Vecchio Main entry under the heading for the Conference Added entry under the heading for Del Vecchio The New Testament ... : a translation ... / by Ronald A. Knox Main entry under the heading for the New Testament Added entry under the heading for Knox If the main entry is under the heading for a person, make an added entry under the heading for the translator if: i) the translation is in verse The sonnets of Michelangelo / translated by Elizabeth Jennings Main entry under the heading for Michelangelo Added entry under the heading for Jennings or ii) the work has been translated into the same language more than once The betrothed (I promessi sposi): a Milanese story of the seventeenth century / by Alessandro Manzoni ; translated by Daniel J. O’Connor (one of a number of English translations of I promessi sposi) Main entry under the heading for Manzoni Added entry under the heading for O’Connor or iii) the wording of the chief source of information implies that the translator is the author. Thumbelina / Anne Smythe (a translation of H.C. Andersen’s Tommelise) ACCESS POINTS 91

Main entry under the heading for Andersen Added entry under the heading for Smythe b) Illustrators. Make an added entry under the heading for an illustrator if: i) in the chief source of information, the illustrator’s name is given equal prominence with, or more prominence than, the name of the person or body used in the main entry heading Insects : a guide to familiar American insects / by Herbert S. Zim and Clarence Cottam ; illustrated by James Gordon Irving (all names given on the title page in the same size of type) Main entry under the heading for Zim Added entries under the headings for Cottam and Irving or ii) the illustrations occupy half or more of the bibliographic resource Hans Christian Andersen’s The nightingale / designed and illustrated by Nancy Ekholm Burkert (Burkert’s name not given equal prominence; the illustrations occupy more than half of the volume) Main entry under the heading for Andersen Added entry under the heading for Burkert or iii) the illustrations are considered to be an important part of the work. Handley Cross / by the author of Mr. Sponge’s sporting tour ; with seventeen coloured illustrations and one hundred woodcuts by John Leech (Leech’s name not given equal prominence; most of the book is text; Leech is one of the most famous Victorian book illustrators) Main entry under the heading for the author (Surtees) Added entry under the heading for Leech 92 ACCESS POINTS

29B7. Series. Make an added entry under the heading for a series for each separately catalogued bibliographic resource in the series if the added entry provides a useful grouping of entries. Optionally, add the numeric or other designation of each work in the series. The natural history of Selborne / Gilbert White ... (The world’s classics ; no. 22) Main entry under the heading for White Added entry under: World’s classics or World’s classics ; no. 22 Piano concerto no. 2 in B flat, op. 83 / Brahms ... (Family library of great music ; album 4) Main entry under the heading for Brahms Added entry under: Family library of great music or Family library of great music ; album 4 Kitagawa Utamaro (1753-1806) / text by Ichitaro Kondo ; English adaptation by Charles S. Terry ... (Library of Japanese art ; no. 5) Main entry under the heading for Kondo Added entry under: Library of Japanese art or Library of Japanese art ; no. 5 The golden key / by George MacDonald ; with pictures by Maurice Sendak ... (A yearling book) Main entry under the heading for MacDonald Added entry under: Yearling books International distribution of catalogue cards : present situation and future prospects / R.S. Giljarevskij ... (Unesco manuals for libraries ; 15) Main entry under the heading for Giljarevskij Added entry under: Unesco manuals for libraries or Unesco manuals for libraries ; 15 ACCESS POINTS 93

Books do furnish a room : a novel / Anthony Powell ... (The music of time / Anthony Powell ; 10) Main entry under the heading for Powell Added entry under: Powell, Anthony. Music of time or Powell, Anthony. Music of time ; 10 29B8. Analytical added entries. An analytical entry is an entry for: a separately titled section of a work or a separate work contained in a collection. Make analytical entries as required by your library’s policy. Two methods of making analytical entries are given here. Choose the more appropriate for the item that you are cataloguing. a) Name/title added entry headings. Make an analytical entry by using the name/title or title heading of the part as an added entry heading. Melville, Herman Billy Budd Great short novels : an anthology / by Edward Weeks. -- New York : Literary Guild of America, c1941 999 p. ; 26 cm. Contains twelve short novels by English and American writers b) “In” entries. If you require more detail in the analytical entry, make an “In” entry. Such entries consist of: For the part the name/title or title heading the title proper and statement(s) of responsibility (see rule 1) and, if relevant, the edition statement (see rule 2) the publication, etc., details (see rule 4) 94 ACCESS POINTS

the extent, other physical details, dimensions (see rule 5) notes (see rule 7)

the word In and, for the whole item the name/title or title heading the title proper and statement(s) of responsibility (see rule 1)

and, if relevant, the edition statement (see rule 2) the publication, etc., details (see rule 4). Eliot, George The lifted veil / George Eliot. -- p. 198-246 ; 26 cm. In Eliot, George. Silas Marner ; The lifted veil ; Brother Jacob. -- London : Oxford University Press, 1906 Dickens, Charles A Christmas carol / by Charles Dickens. -- p. 171-234 : ill. (some col.) ; 24 cm. In Once upon a time : the fairy tale world of Arthur Rackham. -- London : Heinemann, 1972 Tolkien, J.R.R. Guide to the names in the Lord of the rings / J.R.R. Tolkien. -- p. 168- 216 ; 20 cm. In A Tolkien compass / edited by Jared Lobdell. -- New York : Ballantine, 1980 Headings for Persons

Contents

30. INTRODUCTION

Choice of Name

31. GENERAL RULE 32. CHOICE BETWEEN DIFFERENT NAMES 32A. Persons using pseudonyms 32A1. One pseudonym 32A2. More than one pseudonym 32B. Persons not using pseudonyms

Entry Element

33. GENERAL RULE 33A. Order of elements 34. ENTRY UNDER SURNAME 34A. General rule 34B. Part of the name treated as a surname 34C. Compound surnames 34D. Surnames with separately written prefixes 35. ENTRY UNDER TITLE OF NOBILITY 35A. Definition 35B. General rule 36. ENTRY UNDER GIVEN NAME, ETC. 37. ENTRY OF ROMAN NAMES 38. ENTRY UNDER INITIALS, LETTERS, OR NUMERALS 39. ENTRY UNDER PHRASE

95 96 HEADINGS FOR PERSONS

Additions to Personal Names

40. TITLES OF NOBILITY 41. ADDITIONS TO NAMES THAT DO NOT APPEAR TO BE NAMES

Additions to Distinguish Identical Names

42. ADDITIONS TO NAMES CONTAINING, OR CONSISTING OF, INITIALS 43. DATES

30. INTRODUCTION In making a heading for a person, take the following three steps. First, choose the name that will be the basis for the heading. Most persons are only known by one name. In some cases, however, a person is identified by two or more names or by two or more forms of the same name. For example, the same woman is known as Jacqueline Kennedy and Jacqueline Onassis, and the same man is known as Herblock and Herbert Block. Second, decide which part of the chosen name should be the first word in the heading (the “filing element”). Again, in the majority of cases this is simply the surname.1 In some cases, however, the choice is not so obvious. For example, should it be Gaulle, Charles de or De Gaulle, Charles? Third, make references from different names for the same person or from different parts of the chosen name. For example, you should refer from Geisel, Theodore to Seuss, Dr.; from Clay, Cassius to Ali, Muhammad; and from Da Vinci, Leonardo and Vinci, Leonardo da to Leonardo, da Vinci. Rules 31–44 deal with the first two steps and with their associated problems. Rule 63 deals with the third.

1. “Surname,” as used in these rules, includes any name used as a family name. HEADINGS FOR PERSONS 97

Choice of Name

31. GENERAL RULE 31A. Choose, as the basis for the heading, the name by which a person is commonly known. It may be the person’s real name, pseudonym, nickname, title, name in religion, initials, or any other type of name. For persons using pseudonyms, see also rule 32A.

31B. Apply the following subrules to decide the form of name by which a person is commonly known. 31B1. Names containing surnames. If a person is identified by a name that contains a surname: a) use the form of name that appears in the chief sources of information (see rule 0A) of manifestations of works by that person in his or her language Clara Jones Willie Nelson Lester Del Rey Elinor M. Brent-Dyer Studs Terkel D.H. Lawrence not David Herbert Lawrence P.G. Wodehouse not Pelham Grenville Wodehouse not Pelham Wodehouse Morris West ( form of name most commonly found in chief sources) not Morris L. West ( form of name found occasionally) Bertrand Russell not Bertrand, third Earl Russell 98 HEADINGS FOR PERSONS

Sebastien Japrisot (pseudonym) not Jean-Baptiste Rossi (real name) George Eliot (pseudonym) not Mary Ann Evans (name before marriage) not Mary Ann Cross (married name) Duke Ellington not Edward Kennedy Ellington b) if the chief sources of information are of little or no help (as, for example, with painters, sculptors, and choreographers), or if the person is not primarily known as a creator of works (as, for example, with politicians and motion picture actors), use the form found in reference sources, other books, and articles issued in the person’s language or country of residence or activity. Ben Nicholson (painter) Aristide Maillol (sculptor) Okumura Masanobu (print maker) Kirk Douglas ( film star) not Issur Danielovitch Demsky (real name) Rita Hayworth ( film star) not Margarita Carmen Cansino (real name) Harry S. Truman HEADINGS FOR PERSONS 99

Jimmy Carter not James Earl Carter 31B2. Names not containing surnames. If a person is identified by a name that does not contain a surname: a) use the name by which he or she is identified in English- language reference sources Pope John XXIII not Joannes Papa XXIII Saint Francis not San Francesco Confucius not K’ung-tzu Horace not Quintus Horatius Flaccus Alexander the Great not Alexandros ho Megas Saint Joan of Arc not Sainte Jeanne d’Arc White Antelope (Cheyenne chief ) Queen Elizabeth II b) if you cannot find the name in English-language reference sources available to you, use the form of name that appears in the chief sources of information (see rule 0A) of manifestations of works by that person in his or her language. A.E. (pseudonym) not George William Russell (real name) Howling Wolf (blues singer) 100 HEADINGS FOR PERSONS

LL Cool J (rapper) Herblock not Herbert Block Ximenes (crossword puzzle creator) not Derek Macnutt (real name) 31C. Include any titles of royalty or nobility (see also rule 40) that usually appear as part of the name. Duchess of Windsor Diana, Princess of Wales Lady Jane Grey 31D. If the name contains a surname, omit terms (other than those of royalty or nobility, see rule 31C) that appear with the name. Karen Schmidt not Doctor Karen Schmidt Jane Lavelle not Lieutenant Jane Lavelle If the name does not contain a surname or if it consists of only a surname and a word or phrase, include any terms that normally appear as part of the name. Sister Mary Hilary Thomas the Rhymer Geoffrey of Monmouth Brother Antoninus Grandma Moses Dr. Seuss HEADINGS FOR PERSONS 101

32. CHOICE BETWEEN DIFFERENT NAMES 32A. Persons using pseudonyms 32A1. One pseudonym. If all the works by a person appear under one pseudonym, choose the pseudonym. Make a reference (see rule 63A) from the real name if you know it. Martin Ross not Violet Frances Martin Henry Green not Henry York Woody Allen not Allen Stewart Konigsberg Bryher not Anne Winifred Ellerman (name before marriage) not Anne Winifred McAlmon (married name) not Anne Winifred Macpherson (married name) If two or more collaborators use a single pseudonym, choose that pseudonym. Make references from the names of the collaborators if they are known. Emma Lathen (pseudonym of Mary J. Latis and Martha Hennisart) 32A2. More than one pseudonym. If a person uses more than one pseudonym or his or her real name and one or more pseudonym(s) and if the person has either established separate bibliographic identities (that is, has published groups of similar works under one name and groups of similar works under one or more other names) or is a contemporary author choose, as the basis for the heading for each work, the name found in the chief sources of information of manifestations of that work. Make references (see rule 63B) to connect the names. 102 HEADINGS FOR PERSONS

Lewis Carroll Charles Lutwidge Dodgson (separate bibliographic identities) Rampling, Anne Rice, Anne Roquelaure, A.M. (pseudonyms used by the same person) Molly Keane (real name used in some works) M.J. Farrell (pseudonym used in some works) Denys Watkins-Pitchford (real name used in some works) BB (pseudonym used in some works) Gore Vidal (real name used in most works) Edgar Box (pseudonym used in some works) If different names for such a person appear in different editions of the same work or if two or more names appear in the same edition, choose (in this order of preference): the name that has most frequently appeared in editions of the work the name appearing in the latest edition of the work.

Terror by day / by John Creasey writing as Gordon Ashe (all previous editions published as: by Gordon Ashe) Choose Gordon Ashe as the basis for the heading for this work Belinda / Anne Rice writing as Anne Rampling (one earlier edition published as: by Anne Rampling) Choose Anne Rice as the basis for the heading for this work HEADINGS FOR PERSONS 103

If a person using more than one pseudonym or his or her real name and one or more pseudonym(s): neither has established separate bibliographic identities nor is a contemporary author choose the name by which that person has come to be identified in later editions of manifestations of his or her works, in critical works, and/or in reference sources. William Thackeray not Michael Angelo Titmarsh not Mr. Yellowplush

32B. Persons not using pseudonyms If a person, other than one using one or more pseudonyms (see rule 32A), is known by more than one name or more than one form of a name, choose the name or form of name (if there is one) by which the person is clearly most commonly known (see rule 31B). Otherwise, choose (in this order of preference): 1) the name that appears most frequently in manifestations of the person’s works 2) the name that appears most frequently in current reference sources 3) the latest name. Gerald R. Ford not Gerald R. Gardner not Leslie King (earlier names) Bob Hope not Leslie Townes Hope Jacqueline Onassis not Jacqueline Bouvier not Jacqueline Kennedy (earlier names) W.H. Auden not Wystan Hugh Auden 104 HEADINGS FOR PERSONS

Tony Benn not Anthony Wedgewood Benn ( fuller form) not Lord Stansgate (disclaimed peerage) Muhammad Ali not Cassius Clay (earlier name) Alicia Markova not Alice Marks (earlier name) Anton Dolin not Patrick Healey-Kay (earlier name)

Entry Element

33. GENERAL RULE If a person’s name (chosen in accordance with rules 31 and 32) consists of more than one part, choose one of the parts as the entry element (the part under which the heading is filed and/or by which it is retrieved). Choose the entry element by following rules 34–39.

33A. Order of elements 33A1. If the entry element is the first part of the name, enter the name in direct order. Ram Gopal Mobutu Sese Seko 33A2. If the entry element is not the first part of the name, transfer the parts that precede it to follow the entry element. Follow the entry element by a comma (,). Ronstadt, Linda (name: Linda Ronstadt) HEADINGS FOR PERSONS 105

Procter, Adelaide Ann (name: Adelaide Ann Procter) Griffith-Joyner, Florence (name: Florence Griffith-Joyner) 33A3. If the entry element is the proper name in a title of nobility, see rule 35. Winchilsea, Anne Finch, Countess of (name: Anne Finch, Countess of Winchilsea)

34. ENTRY UNDER SURNAME 34A. General rule Enter a name containing a surname or consisting of a surname under the surname unless the name is to be entered under a title of nobility (see rule 35). Fonda, Jane Harris, Emmy-Lou Gorman, R.C. Waters, Muddy Mantovani

34B. Part of the name treated as a surname If the name does not contain a surname but contains an element that identifies the person and functions as a surname, enter under that element. X, Laura

34C. Compound surnames 34C1. Preliminary rule. Apply the following subrules to names that contain, or appear to contain, compound surnames (those consisting of two or more proper names). Apply the subrules in the order in which they appear. 106 HEADINGS FOR PERSONS

34C2. Hyphenated surnames. If the parts of the compound surname are usually or sometimes hyphenated, enter under the first element of the compound surname. Williams-Ellis, Amabel Ffrangcon-Davis, Gwen 34C3. Unhyphenated surnames. Some married women. Apply this rule to the names of married women with unhyphenated surnames consisting of the surname before marriage and the husband’s surname. Enter under the first element of the surname if the woman’s language is Czech, French, Hungarian, Italian, or Spanish. Bonacci Brunamonti, Alinda (Italian) Enter under the husband’s surname if the woman’s language is other than those listed above. Wilder, Laura Ingalls (American, English speaker) Larsson, Inger Olson (Swedish) 34C4. Unhyphenated surnames. Others. Enter under the first element of the compound surname unless the person’s language is Portuguese. Johnson Smith, Geoffrey Strauss und Torney, Lulu but Silva, Ovidio Saraiva de Carvalho e (Portuguese) 34C5. Nature of surname uncertain. If the name appears to contain a compound surname but you are not sure: a) enter under the last part of the name if the person’s language is English or one of the Scandinavian languages Robertson, E. Arnot Jenkins, Florence Foster HEADINGS FOR PERSONS 107

b) enter under the first part of the apparent compound surname if the person’s language is neither English nor one of the Scandinavian languages. Gonzalez Valdés, Selene

34D. Surnames with separately written prefixes 34D1. Articles and prepositions. If the surname includes an article (for example, “le”) or a preposition (for example, “van”) or a combination of the two (for example, “de la,” “della”), enter under the part of the surname that is most commonly used as the entry element in listings in the person’s language or country of residence. See the list of languages and language groups below. For languages not included in this list, see the full AACR2. If a person has used two or more languages, enter the name according to (in order of preference): a) the rule for the language of most of his or her works b) the rule for English (if English is one of the languages) c) the rule for the language of the country of his or her residence d) the rule for the language of the name.

Languages and language groups ENGLISH. Enter under the prefix. De Mornay, Rebecca De la Rue, Elaine L’Amour, Louis Le Gallienne, Eva Du Bois, Cora Alice Van Alstyne, Carol Von Braun, Wernher FRENCH. If the prefix consists of an article (for example, “le”) or of a contraction of an article and a preposition (for example, “du”), enter under the prefix. 108 HEADINGS FOR PERSONS

Le Bordays, Christiane Du Guillet, Pernette Des Rosiers, Rachel Otherwise enter under the part of the name following the preposition. Graffigny, Françoise de La Bois, Ghislaine de GERMAN. If the prefix consists of an article or of a contraction of an article and a preposition (for example, “Vom”), enter under the prefix. Am Ende, Eva Zum Wald-Mertens, Wera Otherwise enter under the part of the name following the prefix. Goethe, Johann Wolfgang von Beethoven, Ludwig van ITALIAN. Enter a modern name under the prefix. D’Amato, Nicola Da Caprile, Nello Dell’Arte, Antonietta For mediaeval and early modern names, see the full AACR2. SPANISH. If the prefix consists of an article only, enter under it. Las Heras, Elvira Enter all other names under the part following the prefix. Casas, Bartolomé de las 34D2. Other prefixes. If the prefix is not an article, or preposition, or a combination of the two, enter under the prefix. Abu Jaber, Kamel Ap Rhys, Angharad HEADINGS FOR PERSONS 109

Ben Gurion, David O’Casey, Sean FitzGerald, Mary Ní Chuilleanáin, Eiléan

35. ENTRY UNDER TITLE OF NOBILITY 35A. Definition A person of modern times identified by a title of nobility has a name that consists of: forename(s)—for example: Anne; George Gordon surname—for example: Finch; Byron title—for example: Countess of Winchilsea; Baron Byron

Consider those persons who either use their titles rather than their surnames in manifestations of their works or are listed under their titles in reference sources2 to be commonly identified by their titles.

35B. General rule If a person is commonly identified by a title, enter under the proper name in his or her title of nobility. Follow the proper name by the person’s forename(s) and surname (in that order) and by the term of rank3 in the person’s language. Byron, George Gordon Byron, Baron (name appears in his works as: Lord Byron) Nairne, Carolina Nairne, Baroness (name appears in her works as: Baroness Nairne or Lady Nairne)

2. Disregard reference sources that list members of the nobility either all under title or all under surname. 3. The terms of rank in the United Kingdom peerage are Duke, Duchess, Marquess (Marquis), Marchioness, Earl, Countess, Viscount, Viscountess, Baron, and Baroness. 110 HEADINGS FOR PERSONS

Pompadour, Antoinette Poisson, marquise de (name appears in reference works as: Madame de Pompadour) Russell of Liverpool, Edward Frederick Langley Russell, Baron (name appears in his works as: Lord Russell of Liverpool) Enter a person with a title who is not commonly identified by his or her title under surname (see rules 34 and 40) or given name (see rules 36 and 40) as appropriate. 35C. If a person acquires a title of nobility, gives up such a title, or acquires a new title of nobility, follow the instructions in rule 32B in choosing the name to be used as the basis for the heading. Caradon, Hugh Foot, Baron (previously Hugh Foot) Benn, Tony (previously Viscount Stansgate; title given up)

36. ENTRY UNDER GIVEN NAME, ETC. Enter a person with a name that does not include a surname and who is not commonly identified by a title of nobility under the part of the name under which the person is listed in reference sources. Include in the heading any words or phrases that are usually associated with the name. Precede such words or phrases by a comma (,). Bryher Emma, of Rheims John, the Baptist White Antelope, Cheyenne chief Leonardo, da Vinci Teresa, of Avila, Saint Mary, Queen of Scots HEADINGS FOR PERSONS 111

Mary II, Queen of England and Wales Margaret, Princess, Countess of Snowdon John XXIII, Pope

37. ENTRY OF ROMAN NAMES Enter a Roman of classical times (before 476 of the Common Era) under the part of the name most commonly used as entry element in modern reference sources. Messalina, Valeria Cicero, Marcus Tullius

38. ENTRY UNDER INITIALS, LETTERS, OR NUMERALS Enter in direct order a name consisting of initials, letters, or numerals. BB H.D. 110908

39. ENTRY UNDER PHRASE 39A. Enter in direct order a name that consists of a phrase that does not include a forename (see rule 36). Dr. X Father Time Enter in direct order a name that consists of a forename and a word or phrase that is neither a title (for example, “Lady”) nor a term of address (for example, “Aunt”). Boy George 112 HEADINGS FOR PERSONS

39B. If a name consists of a phrase that contains a surname, enter under the surname. Moses, Grandma If a name consists of a forename and either a title or a term of address, enter under the forename. Pierre, Chef Emma, Aunt

Additions to Personal Names

40. TITLES OF NOBILITY In the case of the name of a nobleman or noblewoman not entered under title (see rule 35), add the title of nobility in the person’s language if the title or part of the title commonly appears with the name in works by the person or in reference sources.4 In case of doubt, omit the title. Orczy, Emmuska, Baroness but Buchan, John (title Baron Tweedsmuir not used in most works)

41. ADDITIONS TO NAMES THAT DO NOT APPEAR TO BE NAMES If the name by which a person is identified does not appear to be the name of a person, add a suitable English designation in parentheses. Taj Mahal (Musician) Madonna (Singer/actress)

4. Disregard reference sources dealing only with the nobility and gentry. HEADINGS FOR PERSONS 113

Additions to Distinguish Identical Names

42. ADDITIONS TO NAMES CONTAINING, OR CONSISTING OF, INITIALS If the name by which a person is identified contains, or consists of, initials and the fuller form is known, add the spelled-out form (in parentheses) if necessary to distinguish between names that are otherwise identical. Smith, Joan E. (Joan Elaine) Smith, Joan E. (Joan Eleanor) K.M. (Kate Maclellan) K.M. (Karen Morgan)

43. DATES Add the years of birth and/or death as the last element of a heading if the heading is otherwise identical to another. Give the dates in the form shown below. Smith, Joan, 1924- (living person) Smith, Joan, 1837-1896 (both dates known) Smith, Joan, 1837?–1896 ( year of birth probably 1837 ) Smith, Joan, b. 1825 ( year of death unknown) Smith, Joan, d. 1859 ( year of birth unknown) Smith, Joan E. (Joan Elaine), 1894-1957 Smith, Joan E. (Joan Elaine), 1941- 114 HEADINGS FOR PERSONS

44. If neither a fuller form of name nor dates are available, do not add anything and interfile the headings. Andrew, Janet Constructing balsa-wood models ... 1956 Andrew, Janet She was only a gentleman’s toy ... 1904 Andrew, Janet A story of the Indian jungles ... 1857 Geographic Names

Contents 45. INTRODUCTION 46. GENERAL RULE 46A. Choice of name 46B. Additions to geographic names 47. CHANGES OF NAME

45. INTRODUCTION The names of places are used: a) to distinguish between corporate bodies with the same name Labour Party (Ireland) Labour Party (New Zealand) b) as additions to other corporate names (for example, conferences) Conference on the Problems of the Rain Forest (1988 : San Francisco, Calif.) c) often, as headings for governments. Denmark California Tyne and Wear Chicago

115 116 GEOGRAPHIC NAMES

46. GENERAL RULE 46A. Choice of name Give the name of a place in the form found in (in this order of preference): 1) current English-language gazetteers and atlases 2) other current English-language reference sources. Denmark not Danmark Vienna not Wien Mexico City not Ciudad de México Switzerland not Helvetia not Schweiz not Suisse not Svizzera Rio de Janeiro Ciudad Juárez Amsterdam Sri Lanka

46B. Additions to geographic names 46B1. No addition. Do not add the name of a larger place to the name of a country Andorra not Andorra (Europe) Peru not Peru (South America) or a state, province, territory, etc., of Australia, Canada, Malaysia, or the U.S. GEOGRAPHIC NAMES 117

British Columbia not British Columbia (Canada) Nevada not Nevada (U.S.) or any of the following parts of the British Isles: England, the Republic of Ireland, Northern Ireland, Scotland, Wales, the Isle of Man, the Channel Islands.

46B2. Addition. Add to the name of a place, other than one of those listed above, the name of the appropriate larger place in which it is located. Use standard abbreviations for the names of the larger places. If the place name is being used as an entry element, make the addition in parentheses. Birmingham (Ala.) Birmingham (England) If the place name is being used as an addition, precede the larger place by a comma. Regents College (London, England) Conference on Knowledge Science (1987 : Chicago, Ill.)

Examples of appropriate additions are: Cities Hyde Park (Chicago, Ill.)

States, territories, provinces, etc. Newcastle (N.S.W.) Vancouver (B.C.) Vancouver (Wash.) Paris (Ill.) Urbana (Ill.) Urbana (Ohio) 118 GEOGRAPHIC NAMES

Parts of the British Isles Dorset (England) Glasgow (Scotland) Bangor (Wales) Bangor (Northern Ireland) Waterville (Ireland)

Countries Formosa (Argentina) Lucca (Italy) Odense (Denmark) Paris (France) Kiev (Ukraine)

47. CHANGES OF NAME If the name of the place changes, use the latest name Namibia not South-West Africa Congo not Zaïre unless you are referring to the place at a time when it used the earlier name. For example, use “Gold Coast” if you are referring to the place before March 6, 1957, and “Ghana” for the place since that date. Headings for Corporate Bodies

Contents

48. INTRODUCTION 49. GENERAL RULE 49A. Form of heading 49B. Direct or indirect entry 49C. Changes of name 50. VARIANT NAMES 50A. Language 50B. Governments 50C. Other variant names 51. ADDITIONS TO CORPORATE NAMES 51A. General rule 51B. Names of countries, states, etc. 52. CONFERENCES, CONGRESSES, MEETINGS, ETC. 52A. General rule 52B. Omissions 52C. Additions to individual conference names 52D. Series of conferences

Subordinate Bodies

53. SUBORDINATE BODIES ENTERED DIRECTLY 54. SUBORDINATE BODIES ENTERED SUBORDINATELY 55. GOVERNMENT AGENCIES ENTERED SUBORDINATELY 55A. General rule 55B. Government officials

119 120 CORPORATE HEADINGS

56. DIRECT OR INDIRECT SUBORDINATE ENTRY 56A. General rule 56B. Armed services

48. INTRODUCTION In making a heading for a corporate body, take as many of the following five steps as are applicable. First, choose the name that will be the basis for the heading. Most bodies are known by only one name. In some cases, however, a body is identified by two or more names (see rules 49–50). Second, decide whether the name needs an addition to distinguish it from other names (see rule 51). Third, if the body is a conference, other meeting, exhibition, fair, etc., make the omissions and additions set out in rule 52. Fourth, if the body is part of another body or is an agency of government, decide whether the body is to be entered directly or subordinately (see rules 53–56). Fifth, make references from different names for the same body or from different parts of the chosen name (see rule 64).

49. GENERAL RULE 49A. Form of heading Decide the form of name of a corporate body (see rule 23B1) from (in this order of preference): 1) bibliographic resources issued by the body in its language 2) reference sources (including books and articles about the body). If the name contains (or consists of ) initials, omit or include full stops according to the predominant usage of the body.

49B. Direct or indirect entry Enter a corporate body directly under its own name unless rule 54 provides for entering it under the name of a higher or related body or rule 55 provides for entering it under the name of a government. CORPORATE HEADINGS 121

A-400 Group American Library Association California State University, Fresno Church of England Cleveland Orchestra Cowboy Junkies (musical group) F.W. Woolworth Company George Fry & Associates International Wildlife Conference ...5 Juilliard Quartet Microsoft Museum of Modern Art Oral Roberts University Royal Automobile Club Scripture Union Twentieth Century-Fox University of Iowa Valley of Peace Lutheran Church

49C. Changes of name If the name of a corporate body has changed, establish a new heading under the new name for works appearing under that name. Refer from the old heading to the new and from the new heading to the old. Ohio College Library Center see also the later heading: OCLC

5. For additions to the names of conferences, see rule 52C. 122 CORPORATE HEADINGS

OCLC see also the earlier heading: Ohio College Library Center

50. VARIANT NAMES 50A. Language If the body’s name appears in different languages, use the form in the official language of the body. Société historique franco-américaine not Franco-American Historical Society If there is no official English form, use: either the form in a language familiar to the users of your catalogue or, if the body’s name is in a language unfamiliar to the users of your catalogue, a documented translation of the name into English.

Japan Productivity Centre not Nihon Seisansei Hombu

50B. Governments Use the conventional English name of a government6 as the heading. The conventional name is the geographic name (see rules 45–47) of the area over which the government has jurisdiction. France not République française

Sweden not Konungariket Sverige

6. “Government,” as used in these rules, means any body (national, federal, regional, or local) that has jurisdiction over a particular area: country, state, province, county, city, municipality, etc. CORPORATE HEADINGS 123

Puerto Rico not Commonwealth of Puerto Rico Dorset not County of Dorset Rhode Island not State of Rhode Island and Providence Plantations

50C. Other variant names 50C1. If, in the same period of time, a body uses different names in bibliographic resources issued by it, use the name that appears in chief sources of information (see rule 0A) rather than forms found elsewhere. 50C2. If different forms appear in the chief sources of information, use (in this order of preference): a) the form not linked to other words in the chief source Champaign County Museum not County Museum (appears as County Museum in book titles, for example, Victorian furniture in the County Museum) b) the predominant form Pierpont Morgan Library (predominant form) not Morgan Library (occasional form) Association of College and Research Libraries (predominant form) not ACRL (occasional form) c) the brief form AFAS not Air Force Aid Society 124 CORPORATE HEADINGS

AFL-CIO not American Federation of Labor and Congress of Industrial Organizations Unesco not United Nations Educational, Scientific, and Cultural Organization d) the later or latest form. Hendon Natural History Association not Hendon Naturalists Association (two items issued; the first under Hendon Naturalists Association, the second under Hendon Natural History Association)

51. ADDITIONS TO CORPORATE NAMES 51A. General rule If two or more bodies have the same name, make additions in parentheses as instructed below. Use standard abbreviations for the names of larger places added to place names.

51B. Names of countries, states, etc. If the body is identified with a country, state, province, etc., rather than with a local place, add the name of that country, state, province, etc. National Portrait Gallery (United Kingdom) National Portrait Gallery (U.S.) Republican Party (Ill.) Republican Party (Mo.) 51C. In the case of all other bodies, add, as appropriate: the name of the local place in which the body is located

Roosevelt Junior High School (Eugene, Ore.) Roosevelt Junior High School (Fresno, Calif.) CORPORATE HEADINGS 125

Royal Hospital (Chelsea, London) Royal Hospital (Victoria, B.C.) United Methodist Church (Urbana, Ill.) United Methodist Church (Urbana, Ohio) or the name of the institution in which the body is located Newman Club (Brooklyn College) Newman Club (University of Maryland) or the year of founding or the years of the body’s existence Scientific Society of San Antonio (1892–1894) Scientific Society of San Antonio (1904– ) or any other appropriate word or phrase in English.

Church of God (Adventist) Church of God (Apostolic) Congo (Democratic Republic) Congo (Brazzaville) St. James’ Church (Manhattan, New York, N.Y. : Catholic) St. James’ Church (Manhattan, New York, N.Y. : Episcopal)

52. CONFERENCES, CONGRESSES, MEETINGS, ETC. 52A. General rule Give the name of a conference as it appears in chief sources of information. If different forms of the name of the same conference appear in chief sources of information, see rule 50. 126 CORPORATE HEADINGS

52B. Omissions Omit words that denote the number, frequency, or year of the conference. Symposium on the Pre-Raphaelites not Annual Symposium on the Pre-Raphaelites Conference on Co-ordination of Galactic Research not Second Conference on Co-ordination of Galactic Research Workshop on Cataloguing Rules and Principles not 1987 Workshop on Cataloguing Rules and Principles

52C. Additions to individual conference names Add to the heading for an individual conference: its number (if there is one) the year in which it was held the location (city or institution) in which it was held.

Conference on the Central Nervous System and Behavior (2nd : 1959 : Princeton University) Conference on Solid Earth Problems (1970 : Buenos Aires, Argentina) Colloquium on Law and Ethics (1987 : University of Chicago) Conference on Third World Debt (2nd : 1988 : Cambridge, Mass.) Clinic on Library Applications of Data Processing (l3th : 1976 : Urbana, Ill.) CORPORATE HEADINGS 127

52D. Series of conferences If the heading is for a number of conferences, do not add the number, date, or location to the heading. Symposia on Old Growth Forests

Subordinate Bodies

53. SUBORDINATE BODIES ENTERED DIRECTLY Enter a subordinate body7 (including a body created or controlled by a government) directly under its own name unless it does not have an individualizing name (see rule 54) or it is a government agency to be entered under the name of the government (see rule 55). Henry Madden Library not California State University, Fresno. Henry Madden Library Harvard Medical School not Harvard University. Medical School Illini Union not University of Illinois at Urbana- Champaign. Illini Union Library and Information Technology Association not American Library Association. Library and Information Technology Association Symposium on Protein Metabolism ... not Nutrition Symposium. Symposium on Protein Metabolism

7. “Subordinate bodies,” as used in these rules, include related bodies. A related body is one that, though not an administrative part of a higher body, is closely related to it. Examples of related bodies are: “friends” groups; staff associations; staff clubs. 128 CORPORATE HEADINGS

Humboldt State University not California State University. Humboldt Campus British Library not United Kingdom. British Library Amtrak not United States. Amtrak Canada Institute for Scientific and Technical Information not Canada. Institute for Scientific and Technical Information Exmoor National Park not United Kingdom. Exmoor National Park University of Montana not Montana. University Dundee Harbour Trust not United Kingdom. Dundee Harbour Trust

54. SUBORDINATE BODIES ENTERED SUBORDINATELY Enter a subordinate body (other than a body created or controlled by a government, see rule 55) as a subheading of the higher body if: the name of the subordinate body includes the whole name of the higher body American Legion. Auxiliary (name: American Legion Auxiliary) Friends of the Earth. Camden Friends of the Earth (name: Camden Friends of the Earth) OCLC. Illinois OCLC Users Group (name: Illinois OCLC Users Group) CORPORATE HEADINGS 129

University of Southampton. Mathematical Society (name: Mathematical Society of the University of Southampton) but BBC Symphony Orchestra not British Broadcasting Corporation. Symphony Orchestra or the subordinate body has a name that is general in nature. California State University, Fresno. College of Arts and Humanities International Council on Social Welfare. Canadian Committee Sondley Reference Library. Friends of the Library Arthur Wondley Corporation. Research Division California Home Economics Association. Orange District Dartmouth College. Class of 1980

In case of doubt, enter the body directly. Human Resources Centre (London, England) not Tavistock Institute of Human Relations. Human Resources Centre

55. GOVERNMENT AGENCIES ENTERED SUBORDINATELY 55A. General rule Enter the name of a body created or controlled by a government under the heading for that government when it belongs to one or more of the following types. 130 CORPORATE HEADINGS

TYPE 1. An agency with a name that is general in nature. Vermont. Department of Water Resources United States. Division of Wildlife Service Canada. Royal Commission on Banking and Finance Fresno County (Calif.). Board of Supervisors In case of doubt, enter the body directly. National Portrait Gallery (United Kingdom) not United Kingdom. National Portrait Gallery

TYPE 2. An agency that has no other agency above it (for example, a ministry). Australia. Ministry of the Interior United Kingdom. Home Office United States. Department of State

TYPE 3. A legislative body (for example, a parliament, city council, or state legislature). United Kingdom. Parliament United States. Congress Virginia. General Assembly San Francisco (Calif.). Board of Supervisors

TYPE 4. A court. United States. Supreme Court United Kingdom. High Court of Justice CORPORATE HEADINGS 131

United States. District Court (Delaware) Queensland. Supreme Court

TYPE 5. A major armed service (see also rule 56B). Australia. Royal Australian Navy United Kingdom. Army United States. Marine Corps

TYPE 6. An embassy, consulate, etc. Canada. Embassy (U.S.) Canada. Embassy (Ireland) Canada. Consulate (Los Angeles, Calif.)

55B. Government officials Enter heads of state and other government officials who are not identified with the name of a particular agency as instructed below. 55B1. Sovereigns, presidents, heads of state, etc. Give the name of the government followed by the name of the office, the dates of incumbency, and the brief name of the person. United Kingdom. Sovereign (1936-1952 : George VI) United States. President (1993-2001 : Clinton) California. Governor (1999-2003: Davis) 55B2. Other government officials. Give the name of the government followed by the name of the office. Canada. Prime Minister New Zealand. Governor-General Philadelphia (Pa.). Mayor 132 CORPORATE HEADINGS

56. DIRECT OR INDIRECT SUBORDINATE ENTRY 56A. General rule If a subordinate body or government agency to be entered subordinately (see rules 54–55) is part of another subordinately entered body or agency, omit the intervening body or bodies unless the heading would not provide adequate identification without them. United States. Office of Human Development Services not United States. Department of Health, Education, and Welfare. Office of Human Development Services but United Kingdom. Home Office. Personnel Division not United Kingdom. Personnel Division

56B. Armed services If a government agency is part of a major armed service, enter it as a subheading of that major armed service. United Kingdom. Army. Middlesex Regiment United States. Army. Corps of Engineers United Kingdom. Army. Infantry Regiment, 57th United States. Navy. Torpedo Squadron 8 Uniform Titles

Contents

57. INTRODUCTION 58. GENERAL RULE 59. INDIVIDUAL TITLES 59D. Sacred scriptures 60. COLLECTIVE TITLES 60A. Complete works 60B. Selections 60C. Works in one form 61. ADDED ENTRIES AND REFERENCES 61A. Works entered under uniform title 61B. Works entered under a name heading

57. INTRODUCTION 57A. A uniform title is a title that brings together entries for two or more manifestations of the same work, when those manifestations have different titles proper. It is also used to identify a work when the title by which it is known is different from the title proper of the manifestation. Use of uniform titles is optional, and the need for them will vary from catalogue to catalogue and from work to work. 57B. If the entry is under a name heading, place the uniform title between the name heading and the title proper, and enclose the uniform title in square brackets. Shakespeare, William [Hamlet] Shakespeare’s Hamlet

133 134 UNIFORM TITLES

Shakespeare, William [Hamlet] The tragedy of Hamlet, Prince of Denmark If there is no name heading, give the uniform title as the heading. Arabian nights The book of a thousand nights and a night Arabian nights Stories from the Arabian nights

57C. Omit an initial article from a uniform title. Dickens, Charles [Pickwick papers] not Dickens, Charles [The Pickwick papers] Hugo, Victor [Misérables] not Hugo, Victor [Les misérables]

58. GENERAL RULE 58A. Use uniform titles when: 1) you have two or more manifestations of the same work in your library and those manifestations have different titles Dickens, Charles [Oliver Twist] The adventures of Oliver Twist Dickens, Charles [Oliver Twist] Oliver Twist, or, The parish boy’s progress UNIFORM TITLES 135

2) the bibliographic resource that you are cataloguing has a title that is unlikely to be looked for by the users of your catalogue Melville, Herman [Moby Dick] The whaling story from Moby Dick Seuss, Dr. [Grinch that stole Christmas] Dr. Seuss’s The grinch that stole Christmas Potter, Beatrix [Story of Mrs. Tiggywinkle] Die Geschichte von Frau Tiggywinkle 3) you are cataloguing an ancient work or a sacred scripture (see rule 59D) Beowulf The story of Beowulf Talmud New edition of the Babylonian Talmud 4) you are cataloguing a collection of, or selections from, the works of a person (see rule 60).

58B. Do not use uniform titles for revisions of works, even when those revisions have different titles. Wodehouse, P.G. Three men and a maid Wodehouse, P.G. The girl on the boat (a revised edition of Three men and a maid)

59. INDIVIDUAL TITLES 59A. If you use a uniform title, choose the title by which the work is best known. Decide this by consulting reference sources (including 136 UNIFORM TITLES other catalogues) and other manifestations of the same work. If you are in doubt as to which title is the best known, use the earliest title.

59B. Choose a title in the original language, unless you are cataloguing an older work originally written in a nonroman alphabet language (see rule 59C). Dickens, Charles [Martin Chuzzlewit] The life and adventures of Martin Chuzzlewit Swift, Jonathan [Gulliver’s travels] The travels of Lemuel Gulliver Mozart, Wolfgang Amadeus [Don Giovanni] Il dissoluto punito Hemingway, Ernest [Sun also rises] Fiesta Wodehouse, P.G. [Right ho, Jeeves] Brinkley Manor (Brinkley Manor is the American title of the earlier British publication Right ho, Jeeves) Malory, Thomas [Morte d’Arthur] King Arthur and the knights of the Round Table Caesar, Julius [De bello Gallico] Caesar’s Gallic wars

59C. If an older work was originally in a language not written in the roman alphabet (Russian, Greek, Arabic, etc.), choose the title by which the work is best known in English-language reference sources. UNIFORM TITLES 137

Arabian nights The book of 1001 nights Homer [Iliad] The sacking of Troy Aristophanes [Frogs] A literal translation of Aristophanes’ The frogs

59D. Sacred scriptures Use the uniform title “Bible” for the Bible. Bible The Holy Bible In cataloguing a part of the Bible, add “N.T.” or “O.T.” and, if appropriate, the name of the part. Bible. N.T. The New Testament of Our Lord and Saviour Jesus Christ Bible. N.T. Gospels The Gospels of Matthew, Mark, Luke, and John Bible. O.T. Genesis The book of Genesis For sacred scriptures other than the Bible, use the form of title found in English-language reference sources. Talmud Avesta Book of Mormon 138 UNIFORM TITLES

60. COLLECTIVE TITLES 60A. Complete works Use the uniform title “Works” for the complete works of a person. Shakespeare, William [Works] The complete works of Shakespeare Shakespeare, William [Works] Shakespeare’s works

60B. Selections Use the uniform title “Selections” for selected works, or extracts from works, in more than one form by the same person. Burns, Robert [Selections] Poems and letters of Robert Burns

60C. Works in one form Use an appropriate uniform title in English for a collection of all the works in one form by one person. Scott, Walter [Novels] The Waverley novels Beethoven, Ludwig van [Symphonies] Beethoven’s symphonies

61. ADDED ENTRIES AND REFERENCES 61A. Works entered under uniform title Make an added entry (see rule 29B5) under the title proper of each bibliographic resource entered under a uniform title. UNIFORM TITLES 139

Arabian nights The thousand and one nights Added entry under: Thousand and one nights

61B. Works entered under a name heading Make a reference from the name heading and the title proper, and make an added entry under the title proper, of each bibliographic resource entered under a name heading and a uniform title. United States [Constitution] Your rugged Constitution Reference from: United States. Your rugged Constitution Added entry under: Your rugged Constitution Twain, Mark [Tom Sawyer] The adventures of Tom Sawyer Reference from: Twain, Mark. Adventures of Tom Sawyer Added entry under: Adventures of Tom Sawyer Scott, Walter [Novels] The Waverley novels Reference from: Scott, Walter. Waverley novels Added entry under: Waverley novels References

Contents

62. GENERAL RULE 62A. “See” references 62B. “See also” references 63. NAMES OF PERSONS 63A. “See” references 63B. “See also” references 64. NAMES OF CORPORATE BODIES 64A. “See” references 64B. “See also” references 65. TITLES 65A. “See” references 65B. “See also” references

62. GENERAL RULE 62A. “See” references Apply this rule to a person or corporate body or work when he, she, or it is known by a name or form of name or title that differs from the one used as the heading for that person or body or as the uniform title for that work. Make a “see” reference from the variant form to the one used. Do not make a reference, however, if that reference would file in your catalogue so close to the heading as to be unnecessary. Make additions to variant names as necessary (see rules 40–43, 51, and 52C).

62B. “See also” references If two headings or titles are closely related, make “see also” references to connect them (see rules 63B, 64B, and 65B).

140 REFERENCES 141

63. NAMES OF PERSONS 63A. “See” references 63A1. Refer from a name or form of name used by a person or found in reference sources, if it differs significantly from that used in the heading for that person. Typical instances are: Pseudonym to real name Yellowplush, Mr. see Thackeray, William Titmarsh, Michael Angelo see Thackeray, William

Real name to pseudonym Montgomery, Bruce see Crispin, Edmund Munro, Hector Hugh see Saki

Secular name to name in religion Kiernan, Bridget see De Lourdes, Sister

Earlier name to later name Barrett, Elizabeth see Browning, Elizabeth Barrett Spencer, Diana see Diana, Princess of Wales Bouvier, Jacqueline see Onassis, Jacqueline Kennedy, Jacqueline see Onassis, Jacqueline 142 REFERENCES

Fuller name to briefer name Mozart, Johann Chrysostom Wolfgang Amadeus see Mozart, Wolfgang Amadeus Davies, William Henry see Davies, W.H. (William Henry) Ciccone, Madonna Louise see Madonna (Singer/actress) Doolittle, Hilda see H.D.

Briefer name to fuller name Embleton, G.A. see Embleton, Gerry 63A2. Refer from elements of a name other than the entry element (see rules 33–39) if a person might be sought under that other element. Typical instances are: Different elements of a compound name West, Vita Sackville- see Sackville-West, Vita

Part of surname following a prefix Maurier, Daphne du see Du Maurier, Daphne

Prefix De Graffigny, Françoise see Graffigny, Françoise de

Part of a name not containing a surname Gopal, Ram see Ram Gopal Muhammad Ali see Ali, Muhammad REFERENCES 143

Inverted form of name consisting of initials A., N.J. see N.J.A.

Direct form of name Dr. Seuss see Seuss, Dr.

63B. “See also” references If the same person is entered under two or more headings, make “see also” references to connect those headings. Stewart, J.I.M. see also Innes, Michael Innes, Michael see also Stewart, J.I.M. Hibbert, Eleanor see also Carr, Philippa Holt, Victoria Kellow, Kathleen Plaidy, Jean (make similar references under each of the other headings)

64. NAMES OF CORPORATE BODIES 64A. “See” references 64A1. Refer from a name or form of name used by a body or found in reference sources if it differs from that used in the heading for the body. Typical instances are: Different name Common Market see European Union 144 REFERENCES

European Community see European Union Quakers see Society of Friends United States. State Department see United States. Department of State

Different language Croix rouge see Red Cross

Briefer form H.M.S.O. see Her Majesty’s Stationery Office American Red Cross see American National Red Cross Gestapo see Germany. Geheime Staatspolizei

Fuller form International Business Machines see IBM Religious Society of Friends see Society of Friends European Atomic Community see Euratom

Different spelling Rumania see Romania

Inverted form of name Woolworth (F.W.) Company see F.W. Woolworth Company REFERENCES 145

Madden (Henry) Library see Henry Madden Library

Initials to acronym U.N.E.S.C.O. see Unesco 64A2. Refer to a name entered directly from the name as a subordinate entry. California State University, Fresno. Henry Madden Library see Henry Madden Library American Library Association. Library and Information Technology Association see Library and Information Technology Association United States. Amtrak see Amtrak United States. Tennessee Valley Authority see Tennessee Valley Authority

64B. “See also” references Make “see also” references between independently entered but related corporate bodies. If necessary, explain the relationship in the reference. Freemasons see also Royal and Select Masters Scottish Rite (Masonic order) (make similar references under each of the other headings) Radio Writers Guild see also the later heading: Writers Guild of America, West 146 REFERENCES

Screen Writers’ Guild see also the later heading: Writers Guild of America, West Writers Guild of America, West see also the earlier headings: Radio Writers Guild Screen Writers’ Guild England see also (for 1536-1706) England and Wales and (for 1707 to 1800) Great Britain and (for 1801 to date) United Kingdom (make similar references under each of the other headings)

65. TITLES 65A. “See” references 65A1. Make a “see” reference from the name heading and the title proper of each item to the name heading and the uniform title of the work (see also rule 61). Dickens, Charles The ersonal history of David Copperfield see Dickens, Charles David Copperfield 65A2. Make a “see” reference from variants of the title (other than titles proper of items being catalogued, see rule 61) to the uniform title or name heading and uniform title. Thousand and one nights see Arabian nights REFERENCES 147

Carroll, Lewis Alice’s adventures in Wonderland see Carroll, Lewis Alice in Wonderland 65A3. Make a “see” reference from the name heading (where applicable) and collective title of a work, the parts of which are catalogued separately, to the heading and title or title of each part. Tolkien, J.R.R. Lord of the rings. 2, Two towers see Tolkien, J.R.R. Two towers Arabian nights. Sindbad the sailor see Sindbad the sailor 65A4. Make a “see” reference from the title of a part of a work to the heading and/or title of the work catalogued as a whole. Old Testament see Bible. O.T. Pentateuch see Bible. O.T. Pentateuch Bible. O.T. Genesis [etc.]

65B. “See also” references Make “see also” references to connect related works (see rule 28). Kerr, Orpheus C. The cloven foot see also Dickens, Charles Edwin Drood (the Kerr work is an adaptation of Edwin Drood) Added entry under Dickens (see rule 28) makes “see also” reference from Dickens unnecessary 148 REFERENCES

Bart, Lionel Oliver! see also Dickens, Charles Oliver Twist (the Bart work is based on the novel by Dickens) Added entry under Dickens (see rule 28) makes “see also” reference from Dickens unnecessary APPENDIX I Capitalization

a. HEADINGS a1. General rule Capitalize personal and corporate names used as headings and corporate names used as subheadings in accordance with normal usage in the language. For example, capitalize all nouns, adjectives, and verbs in English names. Always capitalize the first word in a name. John, the Baptist H.D. De la Mare, Walter Beauvoir, Simone de Physician Third Order Regular of St. Francis Société de chimie physique Ontario. High Court of Justice a2. Additions to headings for persons Capitalize additions to headings for persons (see rules 40–42) in accordance with normal usage in the language. If the addition is given in parentheses, capitalize the first word of the addition and any proper noun or adjective. Moses, Grandma Deidier, abbé Emma, of Rheims

149 150 CAPITALIZATION

Taj Mahal (Musician) Smith, Joan E. (Joan Eleanor) a3. Additions to names of corporate bodies Capitalize the first word of each addition to the name of a corporate body. Bounty (Ship) Knights Templar (Masonic order) Nine Inch Nails (Rock group) Middlesex (England : County) b. TITLE AND STATEMENT OF RESPONSIBILITY AREA b1. Title elements (general rule) Capitalize the first word of a title proper, an alternative title, or a parallel title (including quoted titles). Capitalize other words, including the first word of any other title information element, in accordance with normal usage in the language. In English, capitalize only proper nouns and proper adjectives. The perils of Pauline The 1919/20 Breasted Expedition to the Near East Les enfants du paradis IV informe de gobierno Shakespeare’s The two gentlemen of Verona Time out of mind Journal of bat studies Introduction to the World Wide Web CAPITALIZATION 151

Still life with bottle and grapes The Edinburgh world atlas, or, Advanced atlas of modern geography Strassenkarte der Schweiz = Road map of Switzerland The greenwood tree : newsletter of the Somerset and Dorset Family History Society Quo vadis? : a narrative from the time of Nero King Henry the Eighth ; and, The tempest An interpretation of The ring and the book Selections from Idylls of the king Supplement to The Oxford companion to Canadian history and literature b2. Titles preceded by dashes Do not capitalize the first word of a title if it is preceded by a dash indicating that the beginning of the phrase from which the title was derived has been omitted. -- loved I not honour more b3. Grammatically independent titles of supplements and sections If the title proper of a supplement or section consists of two or more parts not linked grammatically, capitalize the first word of the title of the second and any subsequent part. The Travelling Wilburys. Part one Ecology. Student handbook Journal of biosocial science. Supplement Progress in nuclear energy. Series 2, Reactors APPENDIX II Glossary

This glossary contains definitions of some of the more important cataloguing terms used in these rules. The terms have been defined only within the context of the rules. For definitions of other terms, consult the full AACR2, or standard glossaries of bibliographic and library terms, or technical dictionaries.

Access point. A name, title, word, or phrase under which a bibliographic record may be searched and identified. Also known as Heading. Accompanying material. Material issued with, and intended to be used with, the bibliographic resource being catalogued. Activity card. A card printed with words, numbers, and/or pictures used as the basis for a specific learning activity. Usually issued in sets. See also Game, Kit. Added entry. An entry, other than the main entry, by which a bibliographic resource is represented in a catalogue. See also Main entry. Alternative title. The second part of a title proper that consists of two parts joined by the word or or its equivalent in another language (for example, Crushed violet, or, A servant girl’s tale). Analytical entry. An entry for a part of a bibliographic resource for the whole of which an entry has also been made. Anonymous. Of unknown authorship. Area. A major section of the bibliographic description (see rule 0C). See also Element. Art original. An original work of art. Art print. An engraving, etc., printed from the plate prepared by the artist. Art reproduction. A mechanical, photographic, or computer-produced copy of a work of art, generally as part of a commercial edition. Atlas. A volume of maps, plates, engravings, tables, etc., with or without descriptive text. An atlas may be an independent publication, or it may have been issued to accompany one or more volumes of text.

152 GLOSSARY 153

Author. The person chiefly responsible for the intellectual or artistic content of a work. Author/title added entry. See Name/title added entry. Author/title reference. See Name/title reference. Bibliographic resource. A manifestation of a work that forms the basis for bibliographic description. Sometimes referred to as an “item,” a bibliographic resource could be a book or other printed document, an electronic resource, a graphic such as a poster or art work, a video or film, a sound recording, or any other means by which recorded knowledge and information are communicated. Cartographic material. Any material representing the whole or part of the Earth or any other celestial body. A map, globe, atlas, cartographic chart, etc. Catalogue. A list of library materials contained in part of a library’s collection, a whole library collection, or the collections of a group of libraries, arranged according to some definite plan. Chart. An opaque sheet containing graphic or tabular data (for example, a wall chart). Chart (cartographic). A map designed for navigation. Chief source of information. The source in a bibliographic resource preferred as the source from which data given in the bibliographic description are taken. Collaborator. A person who works with one or more associates to produce a work. For collaborators who make the same kind of contribution, see rule 25. For collaborators who make different kinds of contribution, as in the case of collaboration between an artist and a writer, see rule 27. See also Joint author, Mixed responsibility, Shared responsibility. Collective title. A title proper for a bibliographic resource containing two or more works. Coloured illustration. An illustration in two or more colours. Compiler. A person who produces a collection by putting together material from the works of two or more persons or bodies. See also Editor. Compound surname. A surname consisting of two or more proper names, sometimes connected by a hyphen. Computer file. See Electronic resource. 154 GLOSSARY

Conference. 1. A meeting for the purpose of discussing and/or acting upon a topic. 2. A legislative or governing meeting of the represen- tatives of a corporate body. Container. A box, record sleeve, folder, etc., in which a bibliographic resource is issued. Corporate body. An organization or group of persons that is identified by a particular name (for example, an association, government, government agency, religious body, local church, conference). Cross-reference. See Reference. Diorama. A three-dimensional representation of a scene created by plac- ing objects, figures, etc., in front of a two-dimensional background. Distributor. An agent or agency (other than a publisher) that markets an item. Edition: Books, etc. All copies of a printed resource produced from essentially the same type image and issued by the same entity. Edition: Other materials. All copies of a bibliographic resource containing essentially the same content and issued by the same entity. Edition: Unpublished items. All copies made from the same production (for example, the original and carbon copies of a typescript; the copies of a homemade videotape). Editor. A person who prepares other people’s work for publication. See also Compiler. Electronic resource. Material (data and/or program(s)) encoded for manipulation by a computer. This material may require the use of a peripheral directly connected to a computer (e.g., CD-ROM drive) or a connection to a computer network (e.g., the Internet). Element. A word, phrase, or group of characters representing a distinct unit of bibliographic information and forming part of an area of the description. See also Area. Entry. A record of a bibliographic resource in a catalogue. See also Heading. Filing title. See Uniform title. Filmstrip. A length of film containing a succession of images intended for projection one at a time. Flash card. A card or other opaque material printed with words, numerals, or pictures and designed for rapid display. GLOSSARY 155

Game. A set of materials designed for play according to rules. See also Activity card, Kit. General material designation. A term indicating the broad class of material to which a bibliographic resource belongs (for example, “sound recording,” “electronic resource”). See also Specific material designation. Globe. A model of the Earth or another celestial body depicted on the surface of a sphere. Heading. A name, word, or phrase placed at the head of a catalogue entry to provide an access point. Also known as Access point. Impression. All copies of an edition of a book or other printed material printed at one time. See also Reprint. Integrating resource. A bibliographic resource that is added to or changed by updates that are integrated into the whole. Loose-leaf publications and Websites are examples of integrating resources. See also Serial. International Standard Book Number (ISBN). See Standard number. International Standard Serial Number (ISSN). See Standard number. Item. See Bibliographic resource. Joint author. A person with shared responsibility for a work. See also Shared responsibility. Kit. 1. A bibliographic resource containing two or more categories of material, no one of which is identifiable as being predominant; also called “multimedia item.” 2. A bibliographic resource consisting of a package of textual materials (for example, a “lab kit”). See also Activity card, Game. Main entry. A catalogue entry for which the access point is the main entry heading (see rules 21–28). See also Added entry. Manuscript. A text, musical score, map, etc., that is inscribed, hand- written, typewritten, or, in some cases, printed from a computer. Masthead. The statement of title, ownership, editors, etc., of a newspaper or periodical. In the case of newspapers it is often found on the editorial page or at the top of page 1. In the case of periodicals, it is often found on the contents page. Microform. Any medium, transparent or opaque, bearing microimages. Microforms include microfilms, microfiches, micro-opaques, etc. 156 GLOSSARY

Microscope slide. A slide holding a minute object to be viewed through a microscope or by a microprojector. Mixed authorship. See Mixed responsibility. Mixed responsibility. A work of mixed responsibility is one in which different persons or bodies contribute to the intellectual or artistic content by performing different kinds of activities (for example, adapting or illustrating a work written by another person). See also Shared responsibility. Model. A three-dimensional representation. Monograph. A bibliographic resource that is (1) complete (in one or more parts), or (2) intended to be completed in a stated number of separate parts. Multimedia item. 1. A kit. See Kit, first definition. 2. A bibliographic resource made up of two or more media of communication (e.g., a textual, video, and sound electronic resource). Multipart item. A monograph consisting of two or more physical pieces. See also Monograph. Name/title added entry. An added entry with an access point consisting of the name of a person or corporate body and a title. Name/title reference. A reference in which one or both parts consist of the name of a person or a corporate body and a title. Numbering. The identification of each of the successive items of a bibliographic resource. It can include a numeral, a letter, any other character, or the combination of these with or without an accompanying word (volume, number, etc.) and/or a chronological designation. Other title information. Any title borne by a bibliographic resource other than the title proper, alternative title, or parallel title (for example, a subtitle). Other title information does not include variations on the title (for example, spine titles, sleeve titles). Parallel title. The title proper in another language and/or script. Part. One of the units into which a bibliographic resource has been divided by the author, publisher, or manufacturer. Personal author. See Author. Picture. A two-dimensional visual representation accessible to the naked eye. Use as a specific material designation (see rule 5B) when a more spe- cificterm(forexample,“art original,” “photograph”) is not appropriate. GLOSSARY 157

Predominant name: Corporate bodies. The name or form of name of a body that appears most frequently in (1) bibliographic resources that are issued by the body or with which the body is connected or (2) reference sources. Prefer the name or form of name that appears in the first to those in the second. Predominant name: Persons. The name or form of name of a person that appears most frequently in (1) bibliographic resources that are manifestations of the person’s works or to which the person has con- tributed or (2) reference sources. Prefer the name or form of name that appears in the first to those in the second. Pseudonym. A name assumed by an author. Realia. The general material designation (see rule 1C) for actual objects (artefacts or specimens) as opposed to replicas. Reference. 1. A “See” reference is a direction from one form of a name or title to another. 2. A “See also” reference is a direction from one access point to another. See also Name/title reference. Reference sources. Publications (not just reference works) from which authoritative information may be obtained. Related body. A corporate body that has a relation to another body other than that of subordination. Related bodies include those that are founded but not controlled by other bodies; those that provide financial and/or other types of assistance to other bodies, such as “friends” groups; those whose members are also members of other bodies, such as employees’ associations and alumni associations. Reprint. 1. A new printing of a book or other printed material made from the original type image. 2. A new issue of a book or other printed material with substantially unchanged text. Romanization. Conversion of words not written in the roman alphabet to roman-alphabet form. Section (serials). A separately published part of a serial with its own designation. Serial. A bibliographic resource in any format that is issued in successive parts (usually bearing numerical or chronological designations) and intended to be continued indefinitely. Examples are periodicals; electronic journals; newspapers; annuals (reports, yearbooks, etc.); the journals, memoirs, proceedings, transactions, etc., of societies; and monographic series. See also Integrating resource. 158 GLOSSARY

Series. A group of separate bibliographic resources related to one another by the fact that each bears, in addition to its own title proper, a collective title applying to the group as a whole. Shared responsibility. Collaboration between two or more persons or bodies performing the same kind of activity in the creation of the intellectual or artistic content of a work. See also Collaborator, Joint author. Slide. Transparent material, usually held in a mount, on which there is a two-dimensional image and that is designed for use in a projector or viewer. Specific material designation. A term indicating the special class of material to which a bibliographic resource belongs (for example, “sound disc,” “computer optical disc”). See also General material designation. Spine title. The title that appears on the spine of a book. Standard number. The International Standard Number (ISN) (for example, International Standard Book Number or ISBN, International Standard Serial Number or ISSN, or any other internationally agreed upon number that identifies a bibliographic resource uniquely). Statement of responsibility. A statement, transcribed from the item being described, relating to authors or to corporate bodies issuing the bibliographic resource or to persons or corporate bodies responsible for the performance of the content of the bibliographic resource. Subordinate body. A corporate body that is an administrative part of a larger body. Subseries. A series within a series. Subtitle. See Other title information. Supplement. A separately issued bibliographic resource that brings up- to-date or otherwise continues an already published bibliographic resource. Supplied title. The title provided by the cataloguer for a bibliographic resource that lacks a title proper. Surname. A family name or name used as a family name. Technical drawing. A drawing made for use in a technical context (for example, engineering). Title. A word, phrase, character, or group of characters naming a bibliographic resource or the work of which it is a manifestation. GLOSSARY 159

Title page. A page at or near the beginning of a book, atlas, musical score, etc., bearing the title proper. The title page does not include the page on the back of the title leaf (sometimes called the title page verso). Title proper. The chief name of a bibliographic resource, including any alternative title but excluding parallel titles and other title information. Title screen. The first or one of the first screens seen when using an electronic resource. It bears the fullest statement of the title of the resource and may bear statements of responsibility, etc. Toy. An object designed for imaginative play or amusement. Transparency. A sheet of transparent material bearing an image and designed for use with an overhead projector or a light box. It may be mounted in a frame. Uniform title. 1. The title by which a work that has appeared under varying titles is to be identified for cataloguing purposes. 2. A conventional collective title (for example, “Works”). APPENDIX III Comparative Table of Rule Numbers

This table lists the rules in AACR2 that correspond, or correspond most nearly, to the rules in the Concise AACR2. In Part 1, also consult any correspondingly numbered rules in AACR2 chapters 2–12 if you need detailed guidance. For example, if the reference is to AACR2 rule 1.1A1, you may wish to consult 2.1A1, 3.1A1, etc.

Concise AACR2 AACR2 Concise AACR2 AACR2 PART 1PART I PART 1PART I 0A 1.0A1, 1.0A2, 4D 1.4D 1.1A2, and .0B 4E 1.4F rules in chapters 5 1.5 2–12 5A1 1.5A1 0B 1.0A3 5B 1.5B 0C 1.0B 5B2 2.5B1–2.5B15 0D 1.0C 5B3 2.5B16–2.5B21 0E 1.0D 5B4 1.5B5 1 1.1 5C 1.5C 1A1 1.1A1 5D 1.5D 1B 1.1B 5E 1.5E 1C 1.1C 6 1.6 1D 1.1D 6A1 1.6A1 1E 1.1E 6B 1.6B 1F 1.1F 6C 1.6E 1G 1.1G 6D 1.6G 2 1.2 6E 1.6H 2A1 1.2A1 6F 1.6J 2B 1.2B 7 1.7 2C 1.2C 7A2 1.7A1 3 1.3 7A3 1.7A2 3A 12.3 7A4 1.7A3 3B 3.3 7B1 12.7B1 and 9.7B1 3C 5.3 7B2 1.7B1 4 1.4 7B3 1.7B2 4A1 1.4A1 7B4 1.7B2 4B 1.4B 7B5 1.7B3–1.7B5, and 4C 1.4C 9.7B3

160 COMPARATIVE TABLE 161

Concise AACR2 AACR2 Concise AACR2 AACR2 PART 1PART I PART 2PART II 7B6 1.7B6 27C 21.24–21.27 7B7 1.7B7 28 21.28 7B8 1.7B9 29A 21.29 7B9 1.7B10 29B1 21.30A 7B10 1.7B11 29B2 21.30B–21.30E 7B11 1.7B14 29B3 21.30F 7B12 1.7B16 29B4 21.30G 7B13 1.7B17 29B5 21.30J 7B14 1.7B18 29B6 21.30K 7B15 1.7B20 29B7 21.30L 7B16 1.7B21 29B8 21.30M and 13.1– 8 1.8 13.6 8A 1.8A 31 22.1 8B 1.8B 32A 22.2B and 21.6D 9 1.9 32B 22.2A and 22.2C 10 1.10 33 22.4A 11 1.11 33A 22.4B 34A 22.5A 34B 22.5B 34C 22.5C Concise AACR2 AACR2 34D 22.5D–22.5E PART 2PART II 35 22.6 21A 21.0A 36 22.8 21B 21.0B 37 22.9A 21C 21.0C 38 22.10 22 21.2 39 22.11 22A 21.2C2 40 22.12 22B 21.2A 41 22.11A 22C 21.2C 42 22.18 22D 21.2B 43 22.17 23A 21.1A 44 22.20 23B 21.1B 45 23.1 23C 21.1C 46 23.2 and 23.4– 24A 21.4A 23.5 24B 21.4B 47 23.3 25A 21.6A 49 24.1 25B 21.6B 50A 24.3A–24.3B 25C 21.6C 50B 24.3E 26A 21.7A 50C 24.2 26B 21.7B 51A 24.4A 26C 21.7C 51B 24.4C2 27A 21.8 51C 24.4C1 and 24.4C3– 27B 21.9–21.23 24.4C7 162 COMPARATIVE TABLE

Concise AACR2 AACR2 Concise AACR2 AACR2 PART 2PART II PART 2PART II 52A 24.3F 59B 25.3 52B 24.7A 59C 25.4 52C 24.7B 59D 25.17–25.18 52D 24.7B4 60A 25.8 53 24.12 60B 25.9 54 24.13 60C 25.10 55A 24.18 61 25.2E and 26.4 55B 24.20 62 26.1 56A 24.14 and 24.19 63 26.2 56B 24.24 64 26.3 57 25.1 65 26.4 57B 25.2A Appendix I Appendix A 57C 25.2C Appendix II Appendix D 58 25.1A Index

The index covers the Introduction, rules, and Appendices, but not examples or works cited in any of the rules or appendices. Index entries beginning “Introduction” refer to page numbers. Index entries beginning with numerals refer to rule numbers. Index entries beginning App. refer to the appendices. Footnotes are indicated by n after the rule number. The index is alphabetized word by word, disregarding punctuation.

A Actors and actresses, see AACR2 Performers and performance examples in, 1C3, 21C groups relation of Concise AACR2 to, Adaptations Introduction p. 1, App. III art works, 27B1(d) Abbreviations literary forms, 27B1(a) in edition statement, 2B motion pictures, etc., based on Abridgements of works, entry, novels, 27B1(i) 27B2(e) musical arrangements, 27B2(c) Abridgement of information, see notes on, 7B4 Omissions novels based on motion pictures, Access, mode of (electronic resources), 27B1(h) notes on, 7B1 Added entries, 29, see also Main Access points entries; Name/title added entries definition, App. II, see also analytical added entries, 29B8 Headings; Uniform titles choice of, 21A use of, Introduction p. 2 definition, App. II Accompanying material, see also other related persons or bodies, Related works 29B3 definition, 5E1, App. II two or more responsible persons or described dependently, 1.9B bodies, 29B1 notes on, 7B10 works entered under uniform title, physical description, 5E 61A Acronyms, corporate names, references, Additional title information, see Other 64A1 title information Activity cards Additions to headings, see Corporate definition, App. II bodies, headings; Personal names, general material designation, headings 1C1 Additions to titles, 1E4

163 164 INDEX

Address, terms of, see Terms of address Articles (part of speech) Administrative divisions, see initial, see Initial articles Subordinate bodies in surnames with prefixes, 34D1 Administrative regulations, 23B2(a), Artistic form of item, see Nature of 24B item, notes on Agencies, government, see Govern- Atlases ments and government bodies definition, App. II Air forces, see Armed forces, headings extent, 5B2 Alternative formats, 7B12 Audience, notes on, 7B11 Alternative titles Australian place names, 46B1 capitalization, App. I b1 Author, original definition, App. II added entries, 29B2(c) Ambiguous names, see Names that do and revised texts, 27B1(b) not appear to be names, additions to Author statement, see Statements of Analysis responsibility “in” analytics, 29B8(b) Authors and authorship, see also name/title added entries, 29B8(a) Corporate bodies, entries; Personal Analytical entries, definition, App. II authors, entry; Statements of Anglo-American Cataloguing Rules, see responsibility AACR2 definition, App. II Anonymous works of mixed character, see Mixed definition, App. II responsibility, works of entry, 23C more than three, 23C(2) Area of description, definition, 0C, as part of title proper, 1B2–1B3, 1F1 App. II shared, see Shared responsibility, Armed forces, headings, 55A(type 5), works of 56B unknown, see Anonymous works Arrangements, musical, 27B2(c) Author/title added entries, see Art originals and art works, see also Name/title added entries Graphic resources; Three-dimen- Author/title references, see Name/title sional objects references adaptations, 27B1(d), see also Art reproductions definition, App. II B extent, 5B1(a) b&w, use of with three-dimensional general material designation, 1C1 objects, 5C(7) Art prints Bible, uniform title, 59D definition, App. II Bibliographic citations in notes, 7A4 extent, 5B1(a) Bibliographic identities, separate, Art reproductions, see also Graphic 32A2, see also Pseudonyms resources; Three-dimensional Bibliographic resources, definition, objects App. II definition, App. II Birth, date of, added to distinguish entry, 27B1(e) identical names, 43 extent, 5B1(a) Black and white in three-dimensional general material designation, 1C1 objects, 5C(7) INDEX 165

Books, see also Monographs, definition Charts (graphic resources) illustrations, 5C(1) definition, App. II multivolumed, extent, 5B3, see also extent, 5B1(b) Multipart resources general material designation, 1C1 single volume, extent, 5B2 Chief source of information, see also sources of information, 0A Sources of information “Bound with” notes, see “With” notes choice of, 0A, 0B Braille works, general material designa- definition, App. II tion, 1C1 resource lacking title proper, 1B6 British Isles, place names, 46B1 Chip cartridge, computer, extent, 5B1(c) Christian names, see Forenames (given C names) Canada, place names, 46B1 Cities and towns, see Places, local Capitalization, App. I Civil titles, see Titles of position or in identification of corporate names, office 23B1 Collaborations, see Shared responsi- Caption title as source of information bility, works of for serials, 0An1, see also Variant Collaborators, see also Joint authors, titles definition Cartographic resources, see Maps and added entries, 29B2(a) cartographic resources definition, App. II Cartridges Collections, see also Selections as computer chip, extent, 5B1(c) uniform title; “With” notes computer tape, extent, 5B1(c) analytical added entries, 29B8 film, extent, 5B1(g) with collective title, entry, 26B microfilm, extent, 5B1(f) without collective title, see sound, see Sound cartridges Collective title, items without Cassettes sound recordings, 27B1(g) computer tape, extent, 5B1(c) uniform titles, 58A(4), 60A film, extent, 5B1(g) works by different persons, 26 microfiche, extent, 5B1(f) works by the same person, 24A, microfilm, extent, 5B1(f) 60A sound, see Sound cartridges Collective title, items without, see also Cast (motion pictures, sound record- Collective titles ings), notes on, 7B6 entry, 26C Catalogues (library), definition, App. II general material designations, multi- CD-ROMs, see Optical discs media resources, 10C1 CDs, see Optical discs; Sound discs with no predominant part, 1G2 Ceased serials with predominant part, 1G1 extent of, 5B3 “With” notes, 7B16 numbering area, 3A5 Collective titles, see also Collective Channel Islands, place names, 46B1 title, items without Charts (cartographic resources), defini- collections with, 23C(3), 26B tion, App. II, see also Maps and definition, App. II cartographic resources references, 65A3 166 INDEX

Colophon as source of information, entry, 23B2(e), 24B serials, 0An1 headings for, 52 Colour, see also Coloured illustrations omissions from names, 52B cartographic resources, 5C(4) Conflict resolution, see Identical names, electronic resources, 5C(2) distinguishing graphic resources, 5C(3) Congresses, see Conferences; motion pictures, 5C(5) Legislative bodies, headings three-dimensional objects, 5C(7) Conjectural information, see entries Coloured illustrations beginning Unknown definition, App. II Consulates, headings for, 55A(type 6) in description, 5C(1) Containers Commentaries on texts definition, App. II presented as commentary, 27B1(c) three-dimensional objects, presented as edition of text, 27B2(d) 5D(10) Commissions (corporate body), reports, Content, summary of, 7B13 23B2(c), 24B Contents notes, 7B14 Committee reports, 23B2(c), 24B Continuing resources, see Integrating Compact discs, see Optical discs; resources; Serials Sound discs Conventions, see Conferences Compilations, see Collections Copies, see Reproductions Compilers, see also Editors Copy being described note, 7B15 added entries, 29B2(b) Copyright date, 4E3 collections, 26B, 26C Corporate bodies, entries, 23B2, 24B, definition, App. II see also Authors and authorship; Compound surnames, 34C, see also Corporate bodies, headings Surnames added entries, 29B2(e) definition, App. II definition, 23B1, App. II hyphenated, 34C2 title entry for works from, 23C(4) married women, 34C3 Corporate bodies, headings, 48–56, see nature of surname uncertain, 34C5 also Corporate bodies, entries; references, 63A2 Subordinate bodies unhyphenated names, 34C4 additions to names, 51 Computer chip cartridge, extent, 5B1(c) capitalization, App. I a1, App. I a3 Computer disks changes of name, 49C diameter, 5D(8) construction of, 48 extent, 5B1(c) direct or indirect entry, 49B Computer files, see Electronic geographic names added to, 45(a), resources 45(b) Computer optical discs, see Optical language, 50A discs references, 64 Computer tape cartridges, 5B1(c) Correspondence, see Shared responsi- Computer tape cassettes, 5B1(c) bility, works of Computer tape reels, extent, 5B1(c) Countries, see also Geographic names Conferences corporate names, added to, 51B additions to names, 52C place names, added to, 46B2 definition, App. II Courts, headings, 55A(type 4) INDEX 167

Cover as source of information, serials, Dimensions, 5D 0An1 filmstrips and filmslips, 5D(2) Credits (motion pictures, etc.), notes on, globes, 5D(3) 7B6 graphic resources, 5D(4) Cross-references, see References maps, 5D(4) Czech compound surnames of married microfiches, 5D(5) women, 34C3 motion pictures, 5D(6) printed monographs, 5D(1) slides, 5D(7) D Dioramas Dashes at beginning of titles, capitaliza- definition, App. II tion of words following, App. I b2, general material designation, 1C1 see also Punctuation of description Discs (electronic resources), see Optical Date of birth, death, etc., added to dis- discs tinguish identical names, 43 Discs (sound recordings), see Sound Date of conference in corporate head- discs ings, 52B, 52C, 52D Discs (videorecordings), see Date of founding in corporate names, Videodiscs, extent 51B Disks, computer, see Computer disks Date of publication, 4E Distinction, titles of, see Terms of not found on resource, 4E3 honour and respect serials, integrating resources, and Distributors multipart resources, 4E2 added to publication details, 4D3 Date of viewing (remote access definition, App. II resources), 7B17 Divisions, see Subordinate bodies Dates added to distinguish identical Doubtful information, see entries names, 43 beginning Unknown Dates of incumbency for heads of state, Dramatizations, see Adaptations 55B1 Drawings, technical, see Technical Dates of reign for sovereigns, 55B2 drawings Death, date of, added to distinguish Duration (playing time), 5B1 identical names, 43 DVDs, see Optical discs; Videodiscs, Departments, see Subordinate bodies extent Description of resource, Introduction p. 5–6, see also specific types E of resources Earlier titles (integrating resources), basis of, 0A notes on, 1B10 general rules, 1 Earlier titles (serials), notes on, Diffuse authorship, see Mixed 1B9 responsibility, works of; Shared Edition area, 2 responsibility, works of Edition (books), definition, App. II Digital graphic representation of carto- Edition (other materials), definition, graphic resources, see Maps and App. II cartographic resources: Special Edition (unpublished items), definition, area for scale and projection App. II 168 INDEX

Editions, see also Edition area Filing element in personal names, 30 with commentaries, 27B1(b) Filing titles, see Uniform titles definitions, App. II Film cartridges, extent, 5B1(g) notes on, 7B7 Film cassettes, extent, 5B1(g) Editors, see also Compilers Film loops, extent, 5B1(g) added entries, 29B2(b) Film reels, extent, 5B1(g) collections, 26B, 26C Films, see Motion pictures definition, App. II Filmslips series, 6C dimensions, 5D(2) Electronic resources, see also Remote extent, 5B1(d) access resources Filmstrips definition, App. II definition, App. II extent, 5B1(c) dimensions, 5D(2) general material designation, 1C1 extent, 5B1(d) note area, 7B1 general material designation, 1C1 sound or colour in, 5C(2) sound in, 5C(3) sources of information, 0A Flash cards title, notes on, 7B5 definition, App. II Element, definition, App. II general material designation, 1C1 Embassies, headings for, 55A(type 6) Flip charts, extent, 5B1(b) England, place names, 49B1 Floppy disks, see Computer disks English language Forenames (given names) compound surname uncertain, entry under, 36 34C5(a) with words or phrases, 39A surnames with prefixes, 34D1 Form, artistic, notes on, see Nature Entries, definition, App. II, see also of item, notes on Headings Formal notes, 7A4 Excerpts, see Parts of works; Selections Formats, other available, 7B12 as uniform title Forms of name, see Variant names Expeditions, 23B2(e) French language Explanatory words or phrases, see compound surnames of married Words or phrases women, 34C3 Extent of resource surnames with prefixes, 34D1 general rules, 5B Frequency of serials, notes, 7B1 multimedia resources, 10C2 Fullness of names Extracts, see Collections; Parts of corporate and place names, refer- works; Selections as uniform title ences, 64A1 personal names, choice among, 42 F personal names, references, 63A1 Facsimile reproductions, see Reproductions Family names, see Surnames G Fiches, see Microfiches Games Files, computer, see Electronic definition, App. II resources general material designation, 1C1 INDEX 169

General material designation, 1C, see colour in, 5C(3) also Extent of resource dimensions, 5D(4) definition, App. II extent, 5B1(m) and microforms, extent of, 5B1(f) sources of information, 0A and motion pictures, extent of, Great Britain, place names, see British 5B1(g) Isles, place names multimedia resources, 10C1 Groups and sound recordings, extent of, performance, see Performers and 5B1(j) performance groups and videorecordings, extent of, unnamed, works by, see Anonymous 5B1(l) works Generically named subordinate bodies, government agencies, 55A(type 1) Geographic names, 45–47, see also H entries beginning Place of Headings, see also Access points, defi- additions to, 46B nition; Added entries; Corporate as additions to corporate names, bodies, headings; Geographic 45(a), 45(b) names; Main entries; Personal changes of name, 47 names, headings; Uniform titles choice of name, 46A definition, App. II corporate names, added to, 51B, display of, Introduction p. 2–3, 0D 51C Heads of government, 55B as headings for governments, 45(c), Heads of state, headings, 55B1, see 50B also Royalty, headings German surnames with prefixes, 34D1 Height, see Dimensions Given names, see Forenames (given History of resource, notes on, 7B7 names) Honour, terms of, see Terms of honour Globes and respect definition, App. II Hungarian compound surnames of dimensions, 5D(3) married women, 34C3 extent, 5B1(e) GMD, see General material designation Government officials, headings, 55B I Governments and government bodies Identical names, distinguishing armed forces, see Armed forces, corporate bodies, 45(a), 51 headings no distinguishing characteristics, 44 choice of name, 50B personal names, 42–44 courts, 55A(type 4) if appropriate and if necessary in definition, 50B n6 AACR2, definition, Introduction entered subordinately, 55 p. 3 legislatures, 55A(type 3) Illustrated texts officials, 55B description, 5C(1) Graphic resources, see also Art origi- entry, 27B2(f) nals and art works Illustrators, added entries, 29B6(b) adaptations in another medium, important in AACR2, definition, 27B1(d) Introduction p. 3 170 INDEX

Impressions, definition, App. II K “In” analytics, 29B8(b) Kits, see also Multimedia resources Incomplete multipart resources, extent, definition, App. II 5B4, see also Copy being general material designation, 1C1, described note 10C1 Informal notes, 7A4 Initial articles in identification of corporate names, L 23B1 Lack of title, see Collective title, items omitted from uniform titles, 57C without Initialisms, corporate names, refer- Language ences, 64A1 corporate names, 50A Initials, personal names corporate names, references, 64A1 entry under, 38 notes on, 7B3 and fuller form of name, 42 of personal names, see specific Integrating resources language basis of description note, 7B17 place names, 46A changes in, 22D title proper, 1B7 chief sources of information, 0A uniform titles, 59B dates of publication, 4E2 Large print materials, general material definition, App. II designation, 1C1 title changes, 1B10, 7B8 Laws, 23B2(b), 24B Intellectual level (audience), 7B11 Legislative bodies, headings, International Standard Book Number 55A(type 3) (ISBN), 8B1 Letters (alphabetic) as names, 38 International Standard Serial Number Level of description, 0E (ISSN), 8B1 Library’s holdings, notes on, 7B15 Internet resources, see Remote access Literary form, adaptations of, see resources Adaptations Ireland, place names, 46B1 Liturgical works, 23B2(d), 24B Isle of Man, place names, 46B1 Long titles in other title information, Italian names 1E3 compound surnames of married Loops, film, extent, 5B1(g) women, 34C3 Loose-leaf publications, see Integrating surnames with prefixes, 34D1 resources Item, see Bibliographic resources, definition M Machine-readable data files, see J Electronic resources Joint authors, definition, App. II, see Main entries, see also Access points, also Collaborators; Mixed respon- definition; Added entries sibility, works of; Shared responsi- choice of, 21A bility, works of concept of, Introduction p. 2 Journals (periodicals), see Serials definition, App. II Judicial bodies, see Courts, headings Malaysia, place names, 46B1 INDEX 171

Manuscripts Microforms definition, App. II definition, App. II general material designation, 1C1 extent, 5B1(f ) Maps and cartographic resources, see general material designation, 1C1 also Charts (cartographic illustrated, 5C(1) resources), definition sources of information, 0A from corporate bodies, 23B2(g), Microscope slides 24B definition, App. II dimensions, 5D(4) general material designation, 1C1 extent, 5B1(e) Military forces, see Armed forces, general material designation, 1C1 headings physical description area, colour in, Military titles and offices, see Titles of 5C(4) position or office sources of information, 0A Ministries, government, 55A(type 2), special area for scale and projection, see also Subordinate bodies 3B Mixed authorship, see Mixed responsi- Marines, see Armed forces, headings bility, works of Married women with compound sur- Mixed material resources, see Kits; names, 34C3 Multimedia resources Masthead Mixed responsibility, works of, see also definition, App. II Joint authors, definition; Shared as source of information, 0An1 responsibility, works of Material designations, see Extent corporate entries for, 23B2 of resource; General material definition, 27A, App. II designation entry, 27 Material of object, 5C(7) modifications of existing works, Material specific details area 27B maps, see Maps and cartographic new collaborations, 27C resources: special area for scale Mode of access of electronic resources, and projection notes on, 7B1 music, see Music: musical presenta- Models (three-dimensional objects), see tion statement also Toys serials, see Serials: numbering area definition, App. II Mathematical data area (cartographic general material designation, 1C1 resources), see Maps and carto- Modifications of works of mixed graphic resources: special area for responsibility, 27B scale and projection adaptations, see Adaptations Measurements, units of, Introduction art works, see Art reproductions p. 6 with commentary, 27B1(c) Metric measurements, Introduction dramatic presentations, 27B1(h) p. 6 graphic resources, 27B1(d) Microfiches music, 27B1(f) dimensions, 5D(5) novels, 27B1(i) extent, 5B1(f) revisions of texts, see Revisions Microfilms, extent, 5B1(f) sound recordings, 27B1(g) 172 INDEX

Monographic series, see Series N Monographs, definition, App. II, see Name, change of, see also Pseudonyms; also Books Variant names Monophonic recordings, 5C(6) personal names, 32B Motion pictures place names, 47 dimensions, 5D(6) references, 63A1 extent, 5B1(g) Names, see Corporate bodies, headings; general material designation, 1C1 Geographic names; Personal by performance group, 23B2(f) names, headings; Statements of sound in, 5C(5) responsibility sources of information, 0A change of, see Name, change of Mrs., see Married women with with particles, see Prefixes, compound surnames; Terms of surnames with address Names that do not appear to be names, Multilingual resources additions to, 41 source of information, 0B1 Name/title added entries Multilingual resources, title proper, analysis, 29B8 1B7, see also Language; Parallel definition, App. II titles related works, 29B4 Multimedia resources, 10, see also Kits Name/title references definition, App. II collective titles, 65A3 with no predominating component, definition, App. II 10C uniform titles, 61B, 65A1 physical description area, 10C2 Nature of item, notes on, 7B2 with predominating component, Navies, see Armed forces, headings 10B New Testament, uniform titles, 59D Multipart resources, see also Series Nobility, titles of, see Titles of nobility basis of description note, 7B17 Nonroman scripts, works in, uniform chief source of information, 0B2 titles, 59C copy described note, 7B15 dates of publication, 4E2 Northern Ireland, place names, 46B1 definition, App. II Note area, 7 extent, 5B3 added entries, justification for, 29A4 title changes in, 1B8, 22B facsimiles, 11 title proper of individual parts, 1B4 multimedia resources, 10C3 uniform titles, see Parts of works optional nature, Introduction p. 6 Multivolume works, see Multipart order of information, 7A4 resources on other editions, 7A4 Music punctuation, see Punctuation of adaptations, 27B1(f) description: note area arrangements, 27B2(c) sources of information for, 7A3 extent, 5B1(h) Novelizations, see Adaptations general material designation, 1C1 Numbering area (serials), see Serials: illustrated, 5C(1) numbering area musical presentation statement, 3C2 Numbering, definition, App. II, see also printed, sources of information, 0A Series area: numbering INDEX 173

Numbers Performers and performance groups in edition statement, 2B added entries, 29B2(d) in headings for conferences, 52C, entries for, 23B2(f ), 24B 52D of musical works by one person, Numerals as personal names, 38 27B2(a) of works by many persons, 27B1(g) Periodicals, see Serials O Personal authors, entry, 23A, see also Objects, see Realia Authors and authorship; Personal Office, title of, see Titles of position or names, headings office definition, 23A1 Old Testament, uniform titles, 59D works by a single person, 24A Omissions works by two or more persons, from names of conferences, 52B 23A2 other title information, 1E3 Personal names, headings, 30–43, see from statements of responsibility, also Compound surnames; 1F5–1F7 Forenames (given names); OPACs Pseudonyms; Surnames display of records in, Introduction capitalization, App. I a1, App. I a2 p. 3 choice of, 30 punctuation in, 0D different names or forms of the Optical discs same name, 32B diameter, 5D(8) entry element, 33 extent, 5B1(c), 5B1(l) identical names, distinguishing, optional rules in AACR2, Introduction 42–44 p. 3, 6 initials, expansion of, 42 Originals, notes on, 11 initials, letters, or numerals as, 38 Other title information order of elements, 33A definition, App. II in other languages, see specific general rule, 1E language pseudonyms, 32A references, 63 P surname, entry under, 34 Pagination, see Extent of resource titles of nobility, 35 Pamphlets, see Books words or phrases as names, 31D Parallel titles, 1D Photocopies, see Reproductions capitalization, App. I b1 Phrases, see Words or phrases definition, App. II Physical description area, 5 Paraphrases, see Adaptations multimedia resources, 10C2 Part (music), extent, 5B1(h) notes on, 7B9 Particles, names with, see Prefixes, sur- Pictures names with definition, App. II Parts of works extent, 5B1(a) definition, App. II general material designation, 1C1 references, 65A3 Place names, see Geographic names title proper for, 1B4 Place of conferences, 52C, 52D 174 INDEX

Place of publication, distribution, Publishers, distributors, etc., 4D etc., 4C more than one, 4B2 country, state, province, etc., added as part of title proper, 1B2 to, 4C1 unknown, 4D2 multiple, 4B2 Punctuation of description, 0D uncertain or unknown, 4C3 cartographic resources special area Places, local for scale and projection, 3B1 added to corporate names, 51B edition area, 2A1 added to place names, 46B2 musical presentation statement, Playing speed (sound recordings), 3C1 5C(6) note area, 7A1, 7A3 Playing time, 5B1 physical description area, 5A1 Poetry, see Verse, translators of publication, distribution, etc., area, Policy statements, entry, 23B2(a) 4A1 Portuguese compound surnames, 34C3 serials numbering area, 3A1 Position, title of, see Titles of position series area, 6A1 or office standard number area, 8A1 Posters, extent, 5B1(b) title and statement of responsibility Predominant name area, 1A1 definitions, App. II title proper, 1B1 personal names, 32B uniform titles, 57B Prefixes, surnames with headings for, 34D Q references, 63A2 Quadraphonic recordings, 5C(6) Prepositions in surnames with prefixes, Qualifiers to names, see Identical 34D1 names, distinguishing Prescribed sources of information, see Sources of information Presidents, headings, 55B1 R Printed resources, see Books Rank, titles of, see Terms of honour and Prints (art), see Art prints respect; Titles of nobility Proceedings (conferences), see Realia, see also Three-dimensional Conferences objects Projection (cartographic resources), 3B3 definition, App. II Provinces, see States, names of general material designation, 1C1 Pseudonyms, 32A, see also Words or Recordings, sound, see Sound phrases: as names recordings choice among several, 32A2 Records (sound recording), see Sound definition, App. II discs one pseudonym, 32A1 Reels references, 63A1 computer tape, 5B1(c) Publication date, see Date of publication microfilm, extent, 5B1(f) Publication, distribution, etc., area, 4 motion picture, extent, 5B1(g) more than one, 4B2 sound tape, 5B1(j) notes on, 7B8 Reference sources, definition, App. II INDEX 175

References, 62–65, see also Name/title Royalty, headings, 31C, see also Titles references of nobility corporate names, 64 as heads of state, 55B1 definition, App. II Rules, see Administrative regulations personal names, 30, 63 uniform titles, 65A1 and uniform titles, 61A S Related corporate bodies, definition, Sacred scriptures 53n7, App. II, see also entry, 23C(5) Subordinate bodies uniform titles, 58A(3), 59D Related works, 28, see also Scale of cartographic resources, 3B2 Accompanying material; Scandinavian compound surnames, Adaptations; Revisions 34C5(a) added entries for, 28B, 29B4 Scope, notes on, see Nature of item, definition, 28A notes on Religion, names in, references, 63A1 Scores, extent, 5B1(h), see also Remote access resources Music date of viewing note, 7B17 Scotland, place names, 46B1 and extent, 5B1(c) Scriptures, see Sacred scriptures: notes on mode of access, 7B1 uniform titles sound or colour in, 5C(2) Sections (serials), definition, App. II, Reports of corporate bodies, 23B2(e), see also Subseries 24B Sections (subordinate body), see Reprints, definition, App. II Subordinate bodies Reproductions, see also Art reproduc- Secular names, references, 63A1 tions “See also” references, see also description of, 11 References general material designation, 1C2 corporate headings, 64B Republic of Ireland, place names, general rule, 62B 46B1 personal names, 63B Resources made up of several types of related works, 65B material, see Kits; Multimedia “See” references, see also References resources corporate names, 64A Respect, terms of, see Terms of honour personal names, 63A and respect titles, 65A Responsibility, statements of, see Selections as uniform title, 60B Statements of responsibility Serials Restrictions on use note, 7B15 basis of description note, 7B17 Revisions ceased serials, 3A5, 5B3 entry for, 27B1(b) chief sources of information, 0A original author added entry, 29B2(c) dates of publication, 4E2 uniform titles not used for, 58B definition, App. II Roman names, 37 designations for, 3A6–3A7 Romanization, definition, App. II, see first issues, 0A, 3A2–3A4 also Nonroman scripts, works in, frequency notes, 7B1 uniform titles illustrated, 5C(1) 176 INDEX

Serials (cont.) Sound discs notes on related serials, 7B7 diameter, 5D(8) numbering area, 3A extent, 5B1(j) numbering as part of title, 1B5 sources of information, 0A printed, 5B3, 5B4 Sound recordings title changes, 1B9, 3A8, 22C extent, 5B1(j) Series, see also Multipart resources general material designation, 1C1 added entries, 29B7 mixed responsibility, 27B1(g) definitions, App. II other physical description, analog or Series area, 6 digital, 5C(6) multiple series, 6F by performance group, 23B2(f) numbering, 6D source of information, 0A statements of responsibility, 6C Sound tapes, see also Sound cassettes subseries, see Subseries reels, extent, 5B1(j) title proper, 6B sources of information, 0A Shared authorship, see Shared responsi- Sources of information, 0A, 0B bility, works of access points, 21B Shared responsibility, works of, see for choice of name, 31B1 also Joint authors, definition; corporate names, 50C1 Mixed responsibility, works of edition area, 2A2 corporate entries for, 23B2 for form of corporate names, 49A note area, 7A3 definition, App. II publication, distribution, etc., area, entry, 25 4A2 by more than three persons or series area, 6A2 bodies, 25C2 standard number area, 8A2 principal responsibility indicated, Sovereigns, see Royalty, headings 25B Spanish names principal responsibility not compound surnames of married indicated, 25C women, 34C3 Size, see Dimensions surnames with prefixes, 34D1 Slides Special area for serials, maps, and definition, App. II music, see Maps and cartographic dimensions, 5D(7) resources: special area for scale extent, 5B1(i) and projection; Music: musical general material designation, 1C1 presentation statement; Serials: sound in, 5C(3) numbering area Sound Specific material designation, defini- electronic resources, 5C(2) tion, App. II, see also Extent filmstrips or slide sets, 5C(3) of resource; General material motion pictures, 5C(5) designation Sound cartridges Spellings, variant, corporate names and dimensions, 5D(9) place names, 64A1 extent, 5B1(j) Spine title, definition, App. II Sound cassettes Standard number area, 8 dimensions, 5D(9) definition, App. II extent, 5B1(j) multiple, 8B2 INDEX 177

Statements of responsibility, 1F names without, 31B2 absence of, 1F4 nature of surname uncertain, 34C5 additions, explanatory, 1F8 with prefixes, see Prefixes, definition, App. II surnames with edition area vs. title area, 2C2–2C3 with words or phrases, 39B more than one, 1F2 System requirements for electronic with more than three names, 1F5 resources, notes on, 7B1 notes on, 7B6 omissions from, 1F5–1F7 T as part of title proper, 1B2–1B3, 1F1 Tactile materials, general material position of, 1F3 designation, 1C1, see also relating to edition, 2C Braille works, general material relating to series, 6C designation States, names of Tape cartridges added to corporate names, 51B computer, 5B1(c) added to place names, 46B1 sound, 5B1(j) Stereophonic recordings, 5C(6) Tape cassettes, 5B1(c), see also Sound Subordinate bodies cassettes definition, 23B1, 53n7, App. II Tape reels entered directly, 53 computer, 5B1(c) entered subordinately, 54, 55, 56 sound, 5B1(j) government bodies, 55 Tapes, sound, see Sound tapes references, 64A2 Technical drawings Subseries, 6E, see also Series definition, App. II definition, App. II general material designation, 1C1 Terms of address, see also Terms entry, see Related works of honour and respect; Titles Subtitles (texts), see Other title infor- of nobility; Titles of position mation or office Summary of content, notes on, 7B13 with forenames, 39B Supplements, see also Accompanying in personal names, 31D material; Related works Terms of honour and respect, see also definition, App. II Terms of address; Titles of described dependently, 9B nobility; Titles of position or office described independently, 9A in personal names, 31D notes on, 7B10 in statement of responsibility, 1F7 title, capitalization of, App. I b3 Text (printed materials) title proper for, 1B4 with art reproductions, entry, 27B1(d) Supplied titles modifications of, see Adaptations; definition, App. II Revisions as title proper, 1B6 Three-dimensional objects, see also Surnames Realia choice of form of name, 31B1 cartographic resources, see Globes compound, see Compound surnames dimensions, 5D(10) definition, 30n1, App. II extent, 5B1(k) elements functioning as, 34B material or colour of object, 5C(7) entry under, 34 sources of information, 0A 178 INDEX

Title, see also Alternative titles; in names of persons, 31C Caption title as source of informa- in statement of responsibility, 1F7 tion for serials; Collective titles; United Kingdom, 35Bn3 Other title information; Parallel Titles of position or office, see also titles; Supplied titles; Title proper; Terms of address; Terms of honour Uniform titles; Variant titles and respect definition, App. II with forenames, 39B entry under, see Title entry Towns, see Places, local preceded by dashes, capitalization, Toys, see also Models (three-dimensional App. I b2 objects); Realia Title added entries, see Title proper: definition, App. II added entries general material designation, 1C1 Title and statement of responsibility Translation of cataloguing data, Intro- area, 1, see also Collective title, duction p. 6 items without; General material Translations, 27B2(b) designation; Other title informa- Translators, added entries, 29B6(a) tion; Parallel titles; Statements of Transparencies responsibility; Title proper definition, App. II capitalization, App. I b general material designation, 1C1 Title entry Type of publication specific details main entry, 23C area, see Maps and cartographic works of shared responsibility, 25C2 resources: special area for scale Title page, definition, App. II and projection; Music: musical Title proper, 1B presentation statement; Serials: added entries, 29B5 numbering area capitalization, App. I b1 changes in, entries for, 22 definition, App. II explanatory additions, 1E4 U lack of, see Collective title, items Uncertain information, see entries without beginning Unknown notes on, 7B5 Undifferentiated names, headings for, references, 65 44, see also Identical names, dis- series, 6B, see also Series area tinguishing transcription of, 1B1 Uniform titles, 57–61 and uniform titles, 61A in added entries for related works, variations in, see Variant titles 29B4 works entered under, see Title entry choice of, 59A Title screen (electronic resources), complete works, 60A definition, App. II definition, 57A, App. II Titles of nobility, see also Royalty, display of, Introduction p. 2–3, 57B headings general rule, 58 added to names, 40 references, 65A1 changed or not used by person, 35C sacred scriptures, 58A(3), 59D definition, 35A selections, 60B entry under, 35 works in a single form, 60C INDEX 179

United Kingdom Videodiscs, extent, 5B1(l), see also place names, see British Isles, place Optical discs names Videorecordings, see also Motion pictures terms of nobility, 35Bn3 extent, 5B1(l) United States, place names, 46B1 general material designation, 1C1 Unknown authorship, see Anonymous by performance group, entry, 23B2(f ) works Videoreels, extent, 5B1(l) Unknown date of publication, distribu- Visually impaired users, works for, see tion, etc., 4E3 Braille works, general material Unknown publisher, distributor, etc., designation 4D2 Volumes, multiple, see Multipart Unnamed groups, works by, see resources Anonymous works Updating loose-leaf publications, see W Integrating resources Wales, place names, 46B1 Wall charts (graphic resources), extent, V 5B1(b) Variant forms of title, see Variant titles Web sites, see Integrating resources; Variant names, see also Name, change of Remote access resources corporate bodies, 50 Width, see Dimensions corporate bodies and places, “With” notes, 7B16 reference, 64A1 Wives, see Married women with persons, references, 63A1 compound surnames “see” references, 62A Words or phrases Variant spellings, references, corporate added to titles, 1E4 names and place names, 64A1 in entry under given name, 36 Variant titles, see also Uniform titles as names, 39, see also Pseudonyms added entries, 29B5 in personal names, 31D references, 65A2 with statements of responsibility, 1F8 series, 6B2 Works as uniform title, 60A Verse, translators of, 29B6(a) World Wide Web sites, see Remote Videocartridges, extent, 5B1(l) access resources Videocassettes, extent, 5B1(l) Writers, see Personal authors, entry