Lewis Carroll - Poems
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Lewis Carroll at Play •}'Y It, -Pjf55 Dhhl )')~, I
CQS€.; RS 3b Lewis Carroll at Play •}'Y It, -PJf55 dhhl )')~, I A Thesis Presented to the Chancellor's Scholars Council of The University ofNorth Carolina at Pembroke In Partial Fulfillment Ofthe Requirements for Completion of The Chancellor's Scholars Program By James Nichols December 4,2001 Faculty Advisor's Approval ~ Faculty Advisor's Approvaldi: Faculty Advisor's APproi :£ Date ~ 296640 Lewis Carroll at Play Chancellor's Scholars Paper Outline I. Introduction A. Popularity ofthe Alice books B. Lewis Carroll background & summary ofAlice books C. Lewis Carroll put Alice books together for insight D. Lewis Carroll incorporated math, logic and games in Through the Looking Glass and Alice's Adventures in Wonderland, which benefits computer scientists and mathematicians. II. Mathematics in Alice books relates to computer science A. Properties 1. Identity 2. Inverses 3. No solution problems (nonsense) 4. Rules not absolute-always an exception B. Symmetry C. Dimensions D. Meaning ofmathematical phrases E. Null class F. Math puzzles 1. Multiplying 2. Alice's running 3. Line puzzle 4. Time 5. Zero-sum game 6. Transformations G. Mathematical puns m. Logic in the Alice books relates to computer science A. Concepts being broken down B. Humpty Dumpty chooses what words mean C. Need for Order D. Alice as a logician E. Logic ofa child F. Don't assume anything G. Symbols N. Games in the Alice books relates to computer science A. Cards B. Chess C. Acrostics D. Doublets E. Syzgies F. Magic Tricks 1. Fan 2. Apple 3. Magic Number G. Mazes H. Carroll's Games V. What Lewis Carroll offers to Computer Science and Mathematics today A. -
The Return of the Jabber W Ock Graham / Neale
THE RETURN OF THE JABBERWOCK THE RETURN OF A brave little boy sets off on an adventure to find the Jabberwock, just like his great grandfather before him. But what creatures will he encounter in mysterious Tulgey Wood? Illustrated by David Neale Written by Oakley Graham GRAHAM / NEALE RRP £5.99 For more Top That! books visit our website: Published by Top That! Publishing plc www.topthatpublishing.com Tide Mill Way, Woodbridge, Suffolk, IP12 1AP, UK Copyright © 2013 Top That! Publishing plc All rights reserved 0 2 4 6 8 9 7 5 3 1 Printed and bound in China XXX-XXX-XX-XXXX-XX Published by Top That! Publishing plc Tide Mill Way, Woodbridge, Suffolk, IP12 1AP, UK www.topthatpublishing.com Copyright © 2013 Top That! Publishing plc All rights reserved 0 2 4 6 8 9 7 5 3 1 Printed and bound in China Creative Director – Simon Couchman Editorial Director – Daniel Graham Illustrated by David Neale Written by Oakley Graham All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. Neither this book nor any part or any of the illustrations, photographs or reproductions contained in it shall be sold or disposed of otherwise than as a complete book, and any unauthorised sale of such part illustration, photograph or reproduction shall be deemed to be a breach of the publisher’s copyright. ISBN 978-1-78244-171-7 A catalogue record for this book is available from the British Library Printed and bound in China Written by Oakley Graham Illustrated by David Neale For the magnificent seven; Jazz, Amber, Noah, Oakie, Jemima, Isis & Isadora. -
Alice in Wonderland
Rupert Neelands Antiquarian Book and Manuscript Specialist Alice in Wonderland Charles Lutwidge Dodgson (1832-1898), known to all by his pseudonym of Lewis Alice Pleasance Liddell, Carroll, was born into a high-church Anglican family living in Cheshire, the third aged seven, photo- graphed by Charles of eleven children. His father, also named Charles, obtained a double first in Dodgson in 1860 mathematics and classics at Christ Church, Oxford, and taught Mathematics at his college before marrying a cousin, Frances Jane “Fanny” Lutwidge from Hull, in 1827. Perpetual curate at Daresbury, Cheshire, from the year of his marriage, then from 1843, when his son was aged twelve, rector at Croft-on-Tees in Yorkshire, Charles Dodgson was the devout author of twenty-four books on theology and religious subjects. The son was a humourist. He possessed the natural ability to amuse children, and first practised storytelling, versifying, and punning on his own siblings. With this comic ability came the unshakeable gravitas of excelling at mathematics. Like his father, Charles junior read and taught mathematics at Christ Church, taking first class honours in the subject in 1854 and a second in classics. His exceptional talent Charles Lutwidge won him the Christ Church Mathematical Lectureship in 1855, and he remained a Dodgson at Christ mathematical professor until 1881. Church 1856-60 (John Rich Album, NPG) Charles’s jokes were rather literary or donnish in nature. His pseudonym, first used in March 1856 for publication of a poem on “Solitude”, was a piece of linguistic drollery, a translation of his own name into Latin as Carolus Ludovicus. -
Cweb Study Guide
" " " " " Alice in Wonderland " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " STUDY " GUIDE " " Designed and developed" " " by: Lexi Barnett" " : Meet the Author Lewis Carrol Lewis Carroll was the pseudonym of Reverend Charles Lutwidge Dodgson, a lecturer in mathematics at Christ Church, Oxford, who lived from 1832 to 1898. Carroll’s physical deformities, partial deafness, and irrepressible stammer made him an unlikely candidate for producing one of the most popular and enduring children’s fantasies in the English language. Carroll’s unusual appearance caused him to behave awkwardly around other adults, and his students at Oxford saw him as a stuffy and boring teacher. Underneath Carroll’s awkward exterior, however, lay a brilliant and imaginative artist. Carroll’s keen grasp of mathematics and logic inspired the linguistic humor and witty wordplay in his stories. Additionally, his unique understanding of children’s minds allowed him to compose imaginative fiction that appealed to young people. In 1856, Carroll and met the Liddell family. During their frequent afternoon boat trips on the river, Carroll told the Liddells fanciful tales. Alice quickly became Carroll’s favorite of the three girls, and he made her the subject of the stories that would later became Alice’s Adventures in Wonderland and Through the Looking-Glass. Almost ten years after first meeting the Liddells, Carroll compiled the stories and .1 submitted the completed manuscript for publication. pg If you lived all by yourself,Translating what would your housethe lookJabberwocky! like? Draw your ideal house below: There are many poems recited in Alice in Wonderland- one of the most bizarre is the Jabberwocky! What do you think it means? Write your translation of the words to the right of the poem " ’Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe. -
Audition Pack
AUDITION PACK Production details Our production of Alice in Wonderland will take place at Millers Theatre, Seefeldstrasse 225, 8008 Zürich. Production dates Saturday 2nd March 2019 at 2.30pm and 6.30pm Sunday 3rd March 2019 at 2.30pm and 6.30pm Want to audition? If you are aged between 8 and 18 you can book your audition time by signing up at www.simplytheatre.com/productions/audition Audition details Auditions for Alice in Wonderland will take place on the 8th and 9th December 2018 at Gymnos Studios, Gladbachstr. 119, 8044 Zürich. If you are selected for a CALLBACK, you will need to be available on the afternoon of Sunday 9th December. If you want to audition but cannot make these dates please let us know in advance and we may be able to help. Audition times are: Saturday 8th December Sunday 9th December Session 1: 14.45 – 15.45 Session 4: 11.00 – 12.00 Session 2: 15.55 – 16.55 Session 3: 17.00 – 18.00 Recall auditions: 13.00 – 16.00 (by invite only) Please indicate which audition slot you would like when booking your time. 1 What will I be doing in the audition process? As part of your audition, you will be asked to perform a small monologue. These monologues are listed at the end of this pack. This monologue should be memorised. When learning your monologue, remember to consider where you think your character is at the time of this monologue, who (s)he may be talking to, and what they are feeling. How can you get this information over to your audience (audition panel) through your audition? You may feel free to choose any of the monologues for your audition, as no matter what you perform at audition you will still be considered for all parts. -
The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, the Hunting of the Snark, a Tangled Tale, Phantasmagoria, Nonsense from Letters) Online
yaTOs (Download pdf) The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, The Hunting of the Snark, A Tangled Tale, Phantasmagoria, Nonsense from Letters) Online [yaTOs.ebook] The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, The Hunting of the Snark, A Tangled Tale, Phantasmagoria, Nonsense from Letters) Pdf Free Lewis Carroll ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #1419651 in Books 2011-11-07Original language:EnglishPDF # 1 1.70 x 6.50 x 9.30l, 1.70 #File Name: 0890097003440 pages | File size: 46.Mb Lewis Carroll : The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, The Hunting of the Snark, A Tangled Tale, Phantasmagoria, Nonsense from Letters) before purchasing it in order to gage whether or not it would be worth my time, and all praised The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, The Hunting of the Snark, A Tangled Tale, Phantasmagoria, Nonsense from Letters): 1 of 1 people found the following review helpful. Wonderful books for a wonderful priceBy llamapyrLewis Carroll must've been the greatest children's book author of his time. I really admire his writing style and the creativity of his books, having grown up on them since I was 6. I've got a bunch of his novels in hardcover and paperback sitting on my shelves, so it seemed only right to add some digital versions to my library :)Anyway, I came here looking for Alice in Wonderland and Through the Looking Glass and found this set, and for a mere 99 cents it seemed worth a look. -
The Other Side of the Lens-Exhibition Catalogue.Pdf
The Other Side of the Lens: Lewis Carroll and the Art of Photography during the 19th Century is curated by Edward Wakeling, Allan Chapman, Janet McMullin and Cristina Neagu and will be open from 4 July ('Alice's Day') to 30 September 2015. The main purpose of this new exhibition is to show the range and variety of photographs taken by Lewis Carroll (aka Charles Dodgson) from topography to still-life, from portraits of famous Victorians to his own family and wide circle of friends. Carroll spent nearly twenty-five years taking photographs, all using the wet-collodion process, from 1856 to 1880. The main sources of the photographs on display are Christ Church Library, the Metropolitan Museum, New York, National Portrait Gallery, London, Princeton University and the University of Texas at Austin. Visiting hours: Monday: 2:00 pm - 4.30 pm; Tuesday - Thursday: 10.00 am - 1.00 pm; 2:00 pm - 4.30 pm; Friday: 10:00 am - 1.00 pm. Framed photographs on loan from Edward Wakeling Photographic equipment on loan from Allan Chapman Exhibition catalogue and poster by Cristina Neagu 2 The Other Side of the Lens Lewis Carroll and the Art of Photography ‘A Tea Merchant’, 14 July 1873. IN 2155 (Texas). Tom Quad Rooftop Studio, Christ Church. Xie Kitchin dressed in a genuine Chinese costume sitting on tea-chests portraying a Chinese ‘tea merchant’. Dodgson subtitled this as ‘on duty’. In a paired image, she sits with hat off in ‘off duty’ pose. Contents Charles Lutwidge Dodgson and His Camera 5 Exhibition Catalogue Display Cases 17 Framed Photographs 22 Photographic Equipment 26 3 4 Croft Rectory, July 1856. -
Alice Easel Introposter ( PDF )
The Afterlife of Alice in Wonderland Alice Ever After “Well! What are you?” said the Pigeon. “I can see you’re trying to invent something. “T—I’m a little girl,” said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day. “A likely story indeed!” said the Pigeon, in a tone of the deepest contempt. Likely or not, Lewis Carroll’s story of Alice — first told in two volumes, Alice ’s Adventures in Wonderland (1865) and Through the Looking Glass (1871) — has delighted readers across centuries and continents. Lewis Carroll is said to be the most quoted author after Shakespeare, and Alice his best-known creation and indeed one of our most cherished child icons. Only Peter Pan rivals Alice in popularity and cultural diffusion. Like J. M. Barrie’s Peter Pan, Alice in Wonderland (a title never used by Carroll) is known by all, even by — perhaps especially by — those who have never read the original texts. Most people recognize not only Alice but also the larger Wonderland menagerie: the caterpillar, the Cheshire Cat, the Hatter (not titled “Mad” in Carroll), and the Mock Turtle. Characters from Through the Looking Glass are equally famous: the Red Queen, the Jabberwocky, Humpty Dumpty, Tweedle-Dee and Tweedle-Dum. Carroll’s original texts are now encountered more often in the context of university courses on children’s or Victorian literature, while many of us know Alice primarily through picturebook retellings, or the animated Disney film, or other variations or revisitations. As early as 1869, other authors tried their hand at A/ice stories, sometimes challenging Carroll’s themes and attitudes, sometimes confirming them. -
Alice Through the Looking-Glass Is Presented by Special Arrangement with the Estate of James Crerar Reaney
This production was originally produced at the Stratford Festival in association with Canada’s National Arts Centre in 2014. nov dec 26 19 2015 THEATRE FOR YOUNG AUDIENCES GENEROUSLY SUPPORTED BY STUDY GUIDE Adapted from the Stratford Festival 2014 Study Guide by Luisa Appolloni This production was originally produced at the Stratford Festival in association with Canada's National Arts Centre in 2014. Alice Through the Looking-Glass is presented by special arrangement with the Estate of James Crerar Reaney. 1 THEATRE ETIQUETTE “The theater is so endlessly fascinating because it's so accidental. It's so much like life.” – Arthur Miller Arrive Early: Latecomers may not be admitted to a performance. Please ensure you arrive with enough time to find your seat before the performance starts. Cell Phones and Other Electronic Devices: Please TURN OFF your cell phones/iPods/gaming systems/cameras. We have seen an increase in texting, surfing, and gaming during performances, which is very distracting for the performers and other audience members. The use of cameras and recording devices is strictly prohibited. Talking During the Performance: You can be heard (even when whispering!) by the actors onstage and the audience around you. Disruptive patrons will be removed from the theatre. Please wait to share your thoughts and opinions with others until after the performance. Food/Drinks: Food and hot drinks are not allowed in the theatre. Where there is an intermission, concessions may be open for purchase of snacks and drinks. There is complimentary water in the lobby. Dress: There is no dress code at the Royal Manitoba Theatre Centre, but we respectfully reQuest that patrons refrain from wearing hats in the theatre. -
ARTICLE: Jan Susina: Playing Around in Lewis Carroll's Alice Books
Playing Around in Lewis Carroll’s Alice Books • Jan Susina Mathematician Charles Dodgson’s love of play and his need for rules came together in his use of popular games as part of the structure of the two famous children’s books, Alice in Wonderland and Through the Looking-Glass, he wrote under the pseudonym Lewis Carroll. The author of this article looks at the interplay between the playing of such games as croquet and cards and the characters and events of the novels and argues that, when reading Carroll (who took a playful approach even in his academic texts), it is helpful to understand games and game play. Charles Dodgson, more widely known by his pseudonym Lewis Carroll, is perhaps one of the more playful authors of children’s literature. In his career, as a children’s author and as an academic logician and mathematician, and in his personal life, Carroll was obsessed with games and with various forms of play. While some readers are surprised by the seemingly split personality of Charles Dodgson, the serious mathematician, and Lewis Carroll, the imaginative author of children’s books, it was his love of play and games and his need to establish rules and guidelines that effectively govern play that unite these two seemingly disparate facets of Carroll’s personality. Carroll’s two best-known children’s books—Alice’s Adventures in Wonderland (1865) and Through the Looking- Glass and What Alice Found There (1871)—use popular games as part of their structure. In Victoria through the Looking-Glass, Florence Becker Lennon has gone so far as to suggest about Carroll that “his life was a game, even his logic, his mathematics, and his singular ordering of his household and other affairs. -
Concise 4TH PASS FINAL (I-Xviii,1-180).Qxd
THE Concise AACR2 FOURTH EDITION MICHAEL GORMAN THE Concise AACR2 FOURTH EDITION Based on AACR2 2002 Revision 2004 Update Prepared by MICHAEL GORMAN Chicago: American Library Association Ottawa: Canadian Library Association London: Chartered Institute of Library and Information Professionals 2004 Published 2004 by AMERICAN LIBRARY ASSOCIATION 50 East Huron Street, Chicago, Illinois 60611 ISBN 0-8389-3548-6 CANADIAN LIBRARY ASSOCIATION 328 Frank Street, Ottawa, Ontario, Canada K2P 0X8 ISBN 0-88802-311-1 Facet Publishing for the CHARTERED INSTITUTE OF LIBRARY AND INFORMATION PROFESSIONALS 7 Ridgmount Street, London WC1E 7AE ISBN 1-85604-540-4 Library of Congress Cataloging-in-Publication Data Gorman, Michael, 1941- The concise AACR2, 2004 revision / prepared by Michael Gorman. p. cm. Includes index. ISBN 0-8389-3548-6 1. Anglo-American cataloguing rules. 2. Descriptive cataloging—Rules. I. Title: Concise Anglo-American cataloguing rules, 2004 revision. II. Anglo- American cataloguing rules. III. Title. Z694.15.A56G67 2004 025.3'2–dc22 2004016088 Canadian Cataloguing in Publication Data Gorman, Michael, 1941- The concise AACR2 : based on AACR2 2002 revision, 2004 update / prepared by Michael Gorman. — 4th ed. Includes bibliographical references and index. ISBN 0-88802-311-1 1. Descriptive cataloging—Rules. I. Title. II. Title: Anglo-American cataloguing rules. Z694.15.A56G67 2004 025.3'2 C2004-905125-3 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. ISBN 1-85604-540-4 Copyright © 2004, American Library Association, Canadian Library Association, and the Chartered Institute of Library and Information Professionals 0807060504 54321 To the memory of my father PHILIP DENIS GORMAN 1903–1980 my mother ALICIA F. -
Reply to Donald Rackin's Review of in the Shadow of the Dreamchild
Reply to Donald Rackin’s review of In the Shadow of the Dreamchild A number of years ago, the noted Carrollian Donald Rackin wrote a scathing review of In The Shadow Of The Dreamchild IN VICTORIAN STUDIES,(VOL. 43 no. 4). The journal refused me the right to reply, so I did so on the web... Mr Rackin's review is largely (I think he would agree), a sweeping and wholesale condemnation of my work in broad, non-specific strokes. In the Shadow of the Dreamchild is, he says, “difficult to take seriously”. He adds that it is “feebly documented”, “tendentious”, unreliable and inaccurate. He claims that I „misrepresent‟ my material both overtly and „insidiously‟. This is fairly uncompromising. He does, however, offer one opening comment on which we can both agree: If Leach's contentions were valid, our understanding of Dodgson, his particular upper-middle-class milieu, and even his literary and photographic achievements, would require substantial revision I wholly accept this. If – and I stress the „if‟ – I am correct in my contention that biography has seriously misrepresented the documentary reality of Charles Dodgson's life, and if those manifold inaccuracies and „myths‟ (as I have termed them) can be proved to exist and to diverge markedly from the documentary reality, then indeed our understanding of Dodgson would require very „substantial revision‟ indeed. So, the vital question would seem to be – am I correct? Mr Rackin would have his readers believe that the very idea is ridiculous. But in truth, all we need to do is review Carroll's biographical history, and we discover all the numerous errors and flights of fancy that combined to create the present image of Lewis Carroll.