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english Map Information Egyptian MuseumandPapyrus Collection with objectsfrom theCollection ofClassical Antiquities History Early and of Title |Stairway hall©SMB, Photos:Achim Kleuker language architectural the in museum the of body main the anchoring challengesbrilliantly by these met architect The account. into requirements conservation stringent taking time same the at while glory original its to 1999) since Site store the building (listed as a UNESCO World Cultural Heritage construction with work beginning in 2003. The aim was to re- 1997, in building museum the reconstruct was to commissioned Chipperfield David architect British the competition, architectural international charged a of back the On 1980s. the in time first the for undertaken only were structure the safeguard to measures exigency and weather the of effects that followed, years the war ruins were exposed to left the forty harmful the In blasts. bomb massive of series a in War World Second the in damage severe suffered building The October 2009 being onwards, closed after for some 70 years. from public the to open be again once will the It in century. 19th and museum art, of history the in work key a constitutes Museum Neues Stüler,the August drich - Frie by designed and 1855 and 1843 between Constructed Colossal statueof Helius© SMB, Collection ofClassical Antiquities, Photo: Johannes Laurentius Biface |Goldhat© bpk/SMB, Museum ofPrehistory and Early History, Photos:KlausGöken the from divinities of statues colossal two which Room,in the “Pantheon” Dometo South access Chipperfield’s new – has visitor the there, From 202). (Room Provinces” Roman Boy,Xanten the of into statue “The bronzeRoman the from On the first floor, the museum’s piano nobile, the visitor is led way ontheisland. unique a in conflated Cyprus of culture and art the in ences preservation”.The room beyond that reveals how of Trojanlection to the museum antiquities “for eternal their is dedicated to , who bequeathed his col- depicting scenes from Nordic mythology. The following room year old history of the museum, with preserved wall “Odin, Urns, Looted Art” (Room 102), which presents the 180 entitled Visitors bythe room floor ground are on the greeted of Classical Antiquities on three floors of the . pansive collections together with objects from the Collection ex its presents History Early and Prehistory of Museum The Private altar©bpk/SMB, EgyptianMuseumandPapyrus Collection, Photo:Margarete Büsing EgyptianMuseumandPapyrus ©bpk/SMB, Collection, Photo:Jürgen Liepe Egyptology of history life,everydayscholarly and the royalty gods,the and death of cult the as aspects,such cultural key of several chambers of offering. As as illustrating various dom are revealed in a unique way through the reconstruction KingOld the of art relief­Sudan. and architecture tomb The Ancient of history cultural the as well as millennia four over cultureEgyptian Ancient changesof and continuity the into sign of the display collection affords a comprehensive insight de and conception 3600m². The floors, covering three over wing Museum’sNeuesnorthern the in display on exhibits present itself on a scale never shown until now, with over 2500 The Egyptian Museum and Papyrus Collection has a chance to Egyptian Museum and Papyrus Collection Museum of Prehistory and Early History with objects from the Collection of Classical Antiquities

Neues Museum museumsi nsel ber lin ­various influ- - - -

1351–1334 B.C., , Egypt and is without parallel for its depth and richness. richness. and depth parallel its for without is and Scandinavia to Africa North from Atlantic, the to East Near Old World cultures from and prehistory early history, from the of development the traces once, at ning several collections span- sources, written andculture material of testaments the of presentation This content. their of terms in another one to relate also they location, their of terms in Museum Neues the in together brought merely not are various collections The roof. one under collections major National ’s in the of three unites now museum The building intheprocess. memorial the on past the of events the of traces visible the to paid respect with work, restoration the in preserved fully care been have spaces interior and facades The original. historical the of copies mere being without rebuilt, turally The lost rooms and sections of the building have been struc- forms. of language strict own Chipperfield’s with dialogue charming a into brought now is historicism and classicism late Stüler’s of day. resplendent richness present The the of century complementtheexhibition.century finds. The study collection in historical cabinets from the 19th The tour ends in the Ice Age, with its rich Scythian and Celtic actly ex how illustrates symbolism secrethere, fascinationwhose particular a exerts Hat Age.Berlin Bronze The the into man Capelle, from Combe through the Period and modern of and Moustier Le from the of finds Age,Stone famousthe fromthe humankind: with of history earliest the to back visitor the takes floor second sance.The RenaisCarolingian- the to PeriodMigration the from time the into insight an provides 206) (Room Ages” Middle and Period “Migration while between peoples, Germanic tensions the and the Rome to dedicated is 204) (Room bours” awaitpolis visitors. The next room, “Rome’s Northern Neigh- 2nd Dome Room. NefertitiNeues of the in Museum’sbust the of display North the by formed is which of apotheosis viewpoints, various the to according rooms several in arranged of series a like,through looked Egyptians Ancient the what of idea tion concept places special emphasis on giving visitors a good way from down to Late Antiquity. The exhibi- the all stretches that writing of culture the from taken works tion presents a selection of highly significant texts and literary In the ‘Library of Antiquity’ (Room 211), the Papyrus Collec- itself is also presented and outlined in depth for the first time. Nefertiti, century AD originating from the Egyptian city of Lycoof city Egyptian the from originating AD century calendric knowledge was preserved even so long ago.long so even preserved was knowledge ­calendric Biface, around 4500B.C., France Gold hat, 1000–800B.C., SouthGermany 1351–1334 B.C., Amarna, Egypt Private altarwithKing AkhenatenandQueenNefertiti, 2nd half of 2nd century A.D. 2nd halfofcentury Roman Empire, Colossal statueofHelius, - - - Stairway hall Neues Museum

v 302 Old and Middle 3 303 Art of the Ice Age 309 308 304 Younger Stone Age 305 The Golden Hat

307 311 306 308 Iron Age 309 of Berlin 306 301 311 Study Collection

305 302 M 304 303 l . .

l 200 Stairway Hall 2 201 The Xanten Youth 209 202 The Roman Provinces 208 210 212 203 South Dome Room Roman Gods 204 Rome’s Northern Neighbours 207 200 211 205 Fragmentarium 206 Migration Period and Middle Ages 206 201 208 209 Amarna Period 205 202 204 210 North Dome Room Nefertiti l 211 Library of Antiquity 203 212 Egyptian Courtyard Platform . Under Aten’s Rays

l 101 Vestibule 1 102 Odin, Urns and Looted Art 108 109 103–104 Schliemann’s 110 O 112 106 Cyprus, Island of Aphrodite 107 West Foyer 107 I 111 + 108 Eternal Life b u U 109 Thirty Centuries 106 101 U z 110 Pharaoh 111 Prologue 105 104 102 c 112 Egyptian Courtyard Gallery 103 l The Egyptian Temple

. 000 Time and History 0 l 001 Nile Valley Habitat v 002 Everyday Life 009 u 003 Before the Pharaohs 010 004 God and Gods 006 The Ancient Sudan dnZ 012 010 Afterworld snZ 011 000 011 Egypt 006 001 012 Egyptian Courtyard 013 Journey to the Netherworld 013 Greek Courtyard 005 002 004 World Order 003

4 Entrance U Tickets + Audioguide a Toilet c Café I Information n Disabled toilet O Bookshop v Education department Z Changing table u Cloakroom « Media terminal z Barrier-free access b Lockers

Egyptian Courtyard © SMB, Photo: Achim Kleuker

Egyptian Courtyard

Collection of Egyptian Museum and 19th-Century Collection of Classical Antiquities Sculpture Collection Classical Antiquities Papyrus Collection and Sculpture Museum of Islamic of Byzantine Art Museum of Prehistory Museum of the Ancient Near East Works from the Gemäldegalerie and Early History Numismatic Collection with objects from the Collection of Classical Antiquities

Altes Museum Neues Museum Pergamonmuseum Bode-Museum

James Simon-Galerie (under construction) www.polyform-net.de

Altes Museum Neues Museum Alte Nationalgalerie Pergamonmuseum Bode-Museum

Museum Island Berlin With its five institutions (Altes Museum, Neues Museum, main institutions form five distinct clusters, the others being Alte Nationalgalerie, Bode-Museum and Pergamonmuseum) the one at as well as those in Dahlem, Char- situated between the River and Kupfergraben, the Mu- lottenburg and Köpenick. The Alte Nationalgalerie already seum Island forms an incomparable ensemble of museum had its spectacular reopening as part of the and cultural history, gradually developed over time. Officially Masterplan in 2001. This was followed in 2006 by the com- declared a World Cultural Heritage Site by UNESCO in 1999, pletion of renovation work on the Bode-Museum, while the the Museum Island is an impressive illustration of the impor- Neues Museum again went on show to the public in October tance of the National Museums in Berlin in its capacity as a 2009. The Pergamonmuseum and the Altes Museum are also universal museum of culture from its earliest begin- to undergo subsequent restoration. nings to the present day. The National Museums in Berlin’s

Neues Museum Guided tours Additional services Staatliche Museen zu Berlin Guided tours and audio guides available Prams especially for use in the museum Postal address: Bodestraße 1–3, D–10178 Berlin in German and English, with additional offers and wheelchairs available. www.museumsinsel-berlin.de also in French, Italian, Spanish and Japanese. Access for wheelchair users present.

For current opening hours and admission prices see: Groups and external guided tours Photography www.smb.museum/neuesmuseum by notification only Photographs without use of flash

or stand permitted. Date 10/2009 Access by public transport Phone 030–266 42 42 42 Bus Fax 030–266 42 22 90 All information subject to change. Staatsoper TXL E-mail [email protected] 100, 200 Info line Friedrichstraße 147 Phone 030–266 42 42 42 S/U-Bahn Bookshop S-Bhf. S5, S7, S75, S9 Phone 030–42 89 96 S/U-Bhf. Friedrichstraße S1, S2, S25, S5, S7, S9, S75, U6 Café Allegretto Tram Phone 030–280 42 307 Hackescher Markt M2, M4, M5, M6 M1, 12