Berlin Historic Trail ..…
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
An Examination of the Potential Influence of Karl Friedrich Schinkel on the Work of Alexander 'Greek' Thomson
An Examination of the Potential Influence of Karl Friedrich Schinkel on the Work of Alexander 'Greek' Thomson A Thesis submitted by: Andre Weiss B. A. 1998 Supervisor: Dr. Gavin Stamp Submitted in fulfilment of the requirements for the Master of Architecture Mackintosh School of Architecture, The University of Glasgow September 1999 ProQuest N um ber: 13833922 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13833922 Published by ProQuest LLC(2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 Contents List of Illustrations ...................................................................................................... 3 Introduction .................................................................................................................9 1. The Previous Claims of an InfluentialRelationship ............................................18 2. An Exploration of the Individual Backgrounds of Thomson and Schinkel .............................................................................................................38 -
How to Find Us
how to find us A24 Arriving by car from the north (Hamburg): · Take the A24 towards Berlin · At the interchange, “Dreieck Havelland” take the A10 towards “Berlin Zentrum.” A10 A111 · At the interchange “Dreieck Oranienburg” switch to the A111. A114 Again, follow the signs for “Berlin Zentrum” · From the A111 switch to A100 direction Leipzig A10 A100 Berlin · From the A100 take the Kaiserdamm exit (Exit No. 7), turning right onto Knobelsdorffstraße, then right onto B2 Sophie-Charlotten-Straße, and left onto Kaiserdamm A100 · At the Victory Tower roundabout (Siegessäule) take the first exit onto Hofjägerallee A115 · Turn left onto Tiergartenstraße Potsdam A113 · Turn right onto Ben-Gurion-Straße (B1/B96) · Turn left onto Potsdamer Platz A12 Arriving from the west (Hannover/Magdeburg)/ A2 Hannover A10 A13 from south (Munich/Leipzig): · Take the A9/A2 towards Berlin · At the “Dreieck Werder” interchange take the A10 towards “Berlin Zentrum” · At the “Dreieck Nuthetal” interchange take the A115, again following Stra Hauptbahnhof Alexanderplatz signs for “Berlin Zentrum” ß entunnel · Watch for signs and switch to the A100 heading towards Hamburg Tiergarten · From the A100 take the Kaiserdamm exit. e ß Follow directions as described above. ße B.-Gurion-Str. Bellevuestra Arriving from the south (Dresden): Leipziger Tiergartenstra ße Ebert Stra Platz · Take the A13 as far as the Schönefelder interchange Sony Center Potsdamer Leipziger Str. · At the Schönefelder interchange take the A113 Platz ße Ludwig-Beck-Str. U · At the interchange “Dreieck Neukölln” take the A100 Stra S er Voxstra am ß · Follow the A100 to Innsbrucker Platz sd e t Eichhorn- o Fontane P P · Turn right onto the Hauptstraße Platz Stresemannstra Alte Potsdamer Str. -
Hocquet (Centre Max Weber, Université Jean Monnet - Saint-Étienne) [email protected]
Urbanities, Vol. 3 · No 2 · November 2013 © 2013 Urbanities The Exhibition of Communist Objects and Symbols in Berlin’s Urban Landscape as Alternative Narratives of the Communist Past Marie Hocquet (Centre Max Weber, Université Jean Monnet - Saint-Étienne) [email protected] The objective of this article is to investigate the different approaches at play in the material and symbolic production of the urban space through the study of the transformations of the East-Berlin urban landscape since the German reunification. I will show how the official accounts of the ex-GDR have crystallised in the Berlin urban space through the construction of a negative heritage. I will then focus on how the increase in historic tourism in the capital has contributed to the emergence of legible micro-accounts related to the local communist past in the urban space that compete with the official interpretations of this past. Key words: Berlin, symbolism, communism, heritage Introduction Urban space can be considered as a privileged place where one can observe the work of self- definition undertaken by societies. This is because human beings take their place in a physical environment by materialising their being-in-the-world. The urban landscape is defined by Mariusz Czepczyński as a ‘visible and communicative media through which thoughts, ideas and feelings, as well as powers and social constructions are represented in a space’ (Czepczyński 2010: 67). In the process outlined above, the narrativisation of the past and its inscription in the urban space is a phenomenon of primary importance. Our cities’ landscapes are linked to memory in a dynamic process which constantly urges societies to visualise themselves, to imagine the future and to represent themselves in it. -
Wallmaps.Pdf
S Prenzlauer Allee U Volta Straße U Eberswalder Straße 1 S Greifswalder Straße U Bernauer Straße U Schwartzkopff Straße U Senefelderplatz S Nordbanhof Zinnowitzer U Straße U Rosenthaler Plaz U Rosa-Luxembury-Platz Berlin HBF DB Oranienburger U U Weinmeister Straße Tor S Oranienburger S Hauptbahnhof Straße S Alexander Platz Hackescher Markt U 2 S Alexander Plaz Friedrich Straße S U Schilling Straße U Friedrich Straße U Weberwiese U Kloster Straße S Unter den Linden Strausberger Platz U U Jannowitzbrucke U Franzosische Straße Frankfurter U Jannowitzbrucke S Tor 3 4 U Hausvogtei Platz U Markisches Museum Mohren Straße U U Spittelmarkt U Stadtmitte U Heirch-Heine-Straße S Ostbahnhof Potsdamer Platz S U Potsdamer Platz 5 S U Koch Straße Warschauer Straße Anhalter Bahnhof U SS Moritzplatz U Warschauer Mendelssohn- U Straße Bartholdy-Park U Kottbusser Schlesisches Tor U U Mockernbrucke U Gorlitzer U Prinzen Straße Tor U Gleisdreieck U Hallesches Tor Bahnhof U Mehringdamm 400 METRES Berlin wall - - - U Schonlein Straße Download five Eyewitnesses describe Stasi file and discover Maps and video podtours Guardian Berlin Wall what it was like to wake the plans had been films from iTunes to up to a divided city, with made for her life. Many 1. Bernauer Strasse Construction and escapes take with you to the the wall slicing through put their lives at risk city to use as audio- their lives, cutting them trying to oppose the 2. Brandenburg gate visual guides on your off from family and regime. Plus Guardian Life on both sides of the iPod or mp3 player. friends. -
Bankettmappe Konferenz Und Events
Conferences & Events Conferences & Events Discover the “new center of Berlin” - located in the heart of Germany’s capital between “Potsdamer Platz” and “Alexanderplatz”. The Courtyard by Marriott Berlin City Center offers excellent services to its international clientele since the opening in June 2005. Just a short walk away, you find a few of Berlin’s main attractions, such as the famous “Friedrichstrasse” with the legendary Checkpoint Charlie, the “Gendarmenmarkt” and the “Nikolaiviertel”. Experience Berlin’s fascinating and exciting atmosphere and discover an extraordinary hotel concept full with comfort, elegance and a colorful design. Hotel information Room categories Hotel opening: June 2005 Total number: 267 Floors: 6 Deluxe: 118 Twin + 118 King / 26 sqm Non smoking rooms: 1st - 6th floor/ 267 rooms Superior: 21 rooms / 33 sqm (renovated in 2014) Junior Suite: 6 rooms / 44 sqm Conference rooms: 11 Suite: 4 rooms / 53 sqm (renovated in 2016) Handicap-accessible: 19 rooms Wheelchair-accessible: 5 rooms Check in: 03:00 p.m. Check out: 12:00 p.m. Courtyard® by Marriott Berlin City Center Axel-Springer-Strasse 55, 10117 Berlin T +49 30 8009280 | marriott.com/BERMT Room facilities King bed: 1.80 m x 2 m Twin bed: 1.20 m x 2 m All rooms are equipped with an air-conditioning, Pay-TV, ironing station, two telephones, hair dryer, mini-fridge, coffee and tea making facilities, high-speed internet access and safe in laptop size. Children Baby beds are free of charge and are made according to Marriott standards. Internet Wireless internet is available throughout the hotel and free of charge. -
Location and Directions Leonardo Royal Hotel Berlin Alexanderplatz
location and directions Leonardo Royal Hotel Berlin Alexanderplatz By car The Leonardo Royal Hotel Berlin is just two minutes by car from Alexanderplatz and is easily accessible from all directions. From the airport Berlin-Schönefeld (SXF) Take the A113 from Schönefeld Airport, in direction to Dreieck Neukölln and turn left onto the A100 city motorway. Take the Tempelhofer Damm exit and turn right towards the center. After 4,5 km turn right onto Leipziger Straße. After 3,5 km you reach our hotel. Driving time about 25 minutes. From the airport Berlin-Tegel (SXF) From Berlin Tegel Airport take the A111 and after about 1 km leave at exit 12, Heckerdamm. Follow the road in the direction of Wedding / Spandau and take the 3rd exit onto the A100. Follow the Seestraße and after 2 km turn right onto the Müllerstrasse, follow the Chausseestraße and after 1,7 km turn left onto the Torstraße. After 1,6 km you will find Otto-Braun-Strasse on the left, where the Leonardo Royal Hotel Berlin is on the right. Puplic transportation From Berlin-Tegel Airport (TXL) Take the express bus TXL in the direction of »Alexanderplatz« and get off at the terminus »S- and U-Bhf Alexanderplatz / Mem- hardtstraße«. Change to the tram line M4 direction »Hohenschönhausen« or »Falkenberg« and drive to the station »Am Fried- richshain«. The Leonardo Royal Hotel Berlin is just 90 meters from the station on the left-hand side. From Berlin-Schönefeld Airport (SXF) Take the S-Bahn line 9 in the direction of »S-Bahn and U-Bahnhof Pankow« and get off at the station »Greifswalder Straße«. -
Actes Colloque Chasse.Pdf
FONDATION MUSÉE DE LA CHASSE ACTES DE COLLOQUE FRANÇOIS SOMMER ET DE LA NATURE SYMPOSIUM PROCEEDINGS RECONNUE D’UTILITÉ PUBLIQUE 62, RUE DES ARCHIVES DÉCRET DU 30-11-1966 75003 PARIS, FRANCE 19 & 20 MARS 2015 WWW.CHASSENATURE.ORG EXPOSER LA CHASSE ? EXHIBITING HUNTING? SYNTHÈSE DU COLLOQUE À travers le monde, de nombreux musées sont consacrés à la chasse. La nature de leurs collections comme leur agencement muséographique expriment différentes conceptions de la relation de l’homme à l’animal sauvage. Si leurs concepteurs poursuivent des fins artistiques, naturalistes ou ethnographiques, la perception du visiteur est influencée par sa sensibilité et le rapport qu’il entretient lui-même à la chasse. Alors que la chasse est aujourd’hui de moins en moins familière, il peut s’avérer nécessaire d’adapter l’agencement des collections ainsi que les dispositifs d’interprétation afin de pallier la méconnaissance du public. « Exposer la chasse ? » constitue l’un des aboutissements du projet initial de la division Culture du C.I.C. (conseil international de la chasse et de la conservation du gibier - présidée par Alexandre Poniatowski) de réactualiser l’Annuaire des musées de chasse dans le monde édité en 1975. Le colloque, organisé par la Fondation François Sommer pour la chasse et la nature en collaboration avec le C.I.C. est placé sous l’autorité d’un comité scientifique composé de Claude d’Anthenaise (directeur du musée de la Chasse et de la Nature), d’Yves Bergeron (professeur de muséologie et de patrimoine à l’Université du Québec à Montréal), de Sergio Dalla Bernardina (professeur d’ethnologie à l’Université de Bretagne occidentale), de Philippe Descola (anthropologue et professeur au Collège de France) et de Nélia Dias (professeur au département d’anthropologie de l’université de Lisbonne). -
Miller, Schwaag, Warner the New Death Strip Blaster of Architecture № ① 1.MMXI
Miller, Schwaag, Warner The New Death Strip blaster of architecture THE HEURIS GONZO BLURBANISM T IC JOURNAL FOR № ① THE 1.MMXI NEW DEATH StRIP THE NEW DEATH StRIP MIller, Schwaag, Warner SLAB Magazine The Heuristic Journal for Gonzo Blurbanism Imprint Content Published by: Arno Brandlhuber, Silvan Linden akademie c/o Architektur und Stadtforschung, Forward 4 AdBK Nürnberg Method 6 Editors: Oliver Miller, Daniel Schwaag, Ian Warner Re-Coding the Environs 8 All photos: the authors Rewe + Aldi =Rewaldi 18 Layout: Blotto Design, Berlin Europarc.de 20 Typefaces: Vectora, News Gothic, LiSong Kernel Memory Dump 28 Cover photo: Traffic police filming motorists on A Future Squat 30 the A113 in south east Berlin Color Plates 33 Printed by: Druckerei zu Altenburg Distribution: www.vice-versa-vertrieb.de La Dolcé Ignoranza! 49 © Publishers and authors, Hashing out the Grey Zone 56 Nürnberg / Berlin, January 2011 Landscape Rules: The Lessons of A113 60 Free Form 68 Die Deutsche Bibliothek verzeichnet diese Publikation in der National bibliografie; Hyperbolic Seam 69 detaillierte bibliografische Daten sind im Internet Striptonwickburgshirehamwaldetinow 72 abrufbar. Postscript: For Unreal 76 http://dnb.ddb.de List of Projects / Bibliography 78 ISSN 1862-1562 The Authors / Slab Magazine 79 ISBN 978-3-940092-04-5 fied Berlin, land that very quickly became prime real estate once the geopolitical FORWARD map of the Cold War was trashed in ’89. OlIver MIller The concern of this study, however, is to look elsewhere: to the forlorn corners of the death strip in 2010. To be sure, this is not the death strip from ten, twenty or thirty years ago. -
Berliner Mauerweg 2 RR1 Potsdam RR12 Modernisiert Und Ein Zugang Zu Dem Neuen Stand- Dem Mauerbau Änderte Die DDR Die Streckenfüh- Bahn Lag Nördlich Des Königswegs
Griebnitzsee Schönefeld Berliner Forst Wannsee | Düppel Kleinmachnow Teltow Lichterfelde Berliner Mauerweg – 21. Kohlhasenbrück 16. Grenzübergang Drewitz 14. Museumsdorf Düppel 13. Stadt Teltow Berliner Mauerweg – Stadtroute und Umlandrouten Bei Kohlhasenbrück soll der Pferdehändler Hans Der DDR-Grenzübergang Drewitz befand sich Nicht unmittelbar am Mauerweg gelegen, aber Wer heute durch die Straßen der auf dem Teltow Der 160 km lange, durchgängig befahrbare Berliner 160 km historische Grenzwege Kohlhase im 16. Jahrhundert einen königlichen Berliner Mauerweg südlich des Königswegs. In dem erhaltenen Füh- einen Abstecher wert, ist die beeindruckende am Teltowkanal gelegenen Stadt wandert, kann Der Berliner Mauerweg kennzeichnet den Verlauf der ehe- Münztransport überfallen und den Raub unter (Fähre) rungspunkt der ehemaligen DDR-Übergangs- Rekonstruktion eines 800 Jahre alten Dorfes in sich an der 1994 begonnenen Rekonstruktion der Mauerweg nimmt eine Sonderstellung im Berliner einer Brücke versteckt haben. Das Leben und sein stelle hat der Verein Checkpoint Bravo e.V. eine Düppel. In dem Freiluftmuseum können vom Altstadt und Stadtkirche (umgestaltet durch Karl Fahrradroutennetz ein. Er soll an die einstige Trennung maligen DDR-Grenzanlagen zu West-Berlin. Er führt über Ende am Galgen dienten Heinrich von Kleist als Erinnerungsstätte eingerichtet. Der Panzer auf Frühjahr bis zum Herbst mittelalterliche Bräuche Friedrich Schinkel 1810–12) erfreuen. Eine regio- rund 160 km um die einstige Halbstadt herum. In den meis- Vorlage für seine Novelle „Michael Kohlhaas“. dem Sockel an der Autobahn wurde nach der studiert werden. nale Spezialität sind die Teltower Rübchen, das der Stadt erinnern. Auf dem historischen Themenpfad Wende in einer Nacht-und-Nebel-Aktion durch Rübchenfest findet im September statt. können heute die Spuren der ehemaligen Grenzanlagen, ten Abschnitten verläuft die Rad- und Wanderroute auf 2,5 einen rosaroten Schneepflug ersetzt. -
German History Reflected
The Detlev Rohwedder Building German history reflected GFE = 1/2 Formathöhe The Detlev Rohwedder Building German history reflected Contents 3 Introduction 44 Reunification and Change 46 The euphoria of unity 4 The Reich Aviation Ministry 48 A tainted place 50 The Treuhandanstalt 6 Inception 53 The architecture of reunification 10 The nerve centre of power 56 In conversation with 14 Courage to resist: the Rote Kapelle Hans-Michael Meyer-Sebastian 18 Architecture under the Nazis 58 The Federal Ministry of Finance 22 The House of Ministries 60 A living place today 24 The changing face of a colossus 64 Experiencing and creating history 28 The government clashes with the people 66 How do you feel about working in this building? 32 Socialist aspirations meet social reality 69 A stroll along Wilhelmstrasse 34 Isolation and separation 36 Escape from the state 38 New paths and a dead-end 72 Chronicle of the Detlev Rohwedder Building 40 Architecture after the war – 77 Further reading a building is transformed 79 Imprint 42 In conversation with Jürgen Dröse 2 Contents Introduction The Detlev Rohwedder Building, home to Germany’s the House of Ministries, foreshadowing the country- Federal Ministry of Finance since 1999, bears wide uprising on 17 June. Eight years later, the Berlin witness to the upheavals of recent German history Wall began to cast its shadow just a few steps away. like almost no other structure. After reunification, the Treuhandanstalt, the body Constructed as the Reich Aviation Ministry, the charged with the GDR’s financial liquidation, moved vast site was the nerve centre of power under into the building. -
List of Contents
List of Contents Foreword 7 The Architectural History of Berlin 9 The Buildings 25 Gothic St. Nikolaikirche (St. Nicholas Church, Mitte) 16 • St. Marienkirche (St. Mary's Church) 18 • St. Nikolaikirche (St. Nicholas Church, Spandau) 20 • Dorfkirche Dahlem (Dahlem Village Church) 22 Renaissance Jagdschloss Grunewald (Grunewald Hunting Palace) 24 • Zitadelle Spandau (Spandau Citadel) 26 • Ribbeckhaus (Ribbeck House) 28 Baroque Palais Schwerin (Schwerin Palace) 30 • Schloss Köpenick (Köpenick Palace) 32 • Schloss Friedrichsfelde (Friedrichsfelde Palace) 34 • Schloss Charlottenburg (Charlottenburg Palace) 36 • Zeughaus (Armoury) 38 • Parochialkirche (Parochial Church) 40 • Sophienkirche (Queen Sophie Church) 42 • Staatsoper (State Opera) Unter den Linden and Hedwigskathedrale (St. Hedwig's Cathedral) 44 • Humboldt- Universität (Humboldt University) and Alte Bibliothek (Old Library) 46 • Ephraim-Palais (Ephraim Palace) 48 • Deutscher Dom (German Dome Church) and Französischer Dom (French Dome Church) 50 • Die Stadt- palais (Town Palaces) Unter den Linden 52 Classicism Schloss Bellevue (Bellevue Palace) 54 • Brandenburger Tor (Branden- burg Gate) 56 • Pfaueninsel (Peacock Island) 58 • Neue Wache (New Guardhouse) 60 • Schauspielhaus / Konzerthaus (Playhouse/ Concert Hall) 62 • Friedrichswerdersche Kirche (Friedrichswerder Church) 64 • Altes Museum (Old Museum) 66 • Schloss Klein-Glienicke List of Contents 13 Bibliografische Informationen digitalisiert durch http://d-nb.info/1008901288 (Klein-Glienicke Palace) 68- Blockhaus Nikolskoe and St. -
Exploring the Altes Museum the Altes Museum Or Old Museum Was
1 Sara Marcus 12-11-18 From Royalty to Bourgeoisie: Exploring the Altes Museum The Altes Museum or Old Museum was constructed in Berlin between 1824-30 by Karl Friedrich Schinkel (1781-1841). Originally known as the “Königliches Museum,” it was commissioned by King Friedrich Wilhelm III of Prussia for the purpose of being the first public art museum in Prussia as well as the first royal museum. As the relationship in the 19th century changed between art, the observer, and who should be a part of that experience, the Altes Museum was erected to embody the idea of Berlin as a center of learning and culture, and to elevate its citizens in the presence of art. The Berlin Museum emerged from a small group of the ruling class and it was first officially demanded and proclaimed by the Art Academy under Friedrich Wilhelm II. (Das Berliner Museum entsteht aus einer kleinen Gruppe der herrschenden Schicht. Öffntlich wurde es zuerst gefordrt und verkundet… in der Kunstakademie unter Friedrich Wilhelm II.)1 After the Wars of Liberation, his son, King Friedrich Wilhelm III, continued to advocate for the foundation of a public art museum to display the collection of artifacts that Prussia had amassed over the years. During the reign of Napoleon, Prussian art was forcefully taken to be displayed in Paris, which alerted the Prussian people that a permanent home to show off their national heritage was necessary.2 While ideas for a museum were already in the air, it is safe to say that the main reason why construction started when it did was in response to Napoleon’s looting.