Traditions Redirecting Contemporary Indonesian Cultural Productions
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Surrealist Painting in Yogyakarta Martinus Dwi Marianto University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1995 Surrealist painting in Yogyakarta Martinus Dwi Marianto University of Wollongong Recommended Citation Marianto, Martinus Dwi, Surrealist painting in Yogyakarta, Doctor of Philosophy thesis, Faculty of Creative Arts, University of Wollongong, 1995. http://ro.uow.edu.au/theses/1757 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] SURREALIST PAINTING IN YOGYAKARTA A thesis submitted in fulfilment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by MARTINUS DWI MARIANTO B.F.A (STSRI 'ASRT, Yogyakarta) M.F.A. (Rhode Island School of Design, USA) FACULTY OF CREATIVE ARTS 1995 CERTIFICATION I certify that this work has not been submitted for a degree to any other university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, except where due reference has been made in the text. Martinus Dwi Marianto July 1995 ABSTRACT Surrealist painting flourished in Yogyakarta around the middle of the 1980s to early 1990s. It became popular amongst art students in Yogyakarta, and formed a significant style of painting which generally is characterised by the use of casual juxtapositions of disparate ideas and subjects resulting in absurd, startling, and sometimes disturbing images. In this thesis, Yogyakartan Surrealism is seen as the expression in painting of various social, cultural, and economic developments taking place rapidly and simultaneously in Yogyakarta's urban landscape. -
Pramoedya's Developing Literary Concepts- by Martina Heinschke
Between G elanggang and Lekra: Pramoedya's Developing Literary Concepts- by Martina Heinschke Introduction During the first decade of the New Order, the idea of the autonomy of art was the unchallenged basis for all art production considered legitimate. The term encompasses two significant assumptions. First, it includes the idea that art and/or its individual categories are recognized within society as independent sub-systems that make their own rules, i.e. that art is not subject to influences exerted by other social sub-systems (politics and religion, for example). Secondly, it entails a complex of aesthetic notions that basically tend to exclude all non-artistic considerations from the aesthetic field and to define art as an activity detached from everyday life. An aesthetics of autonomy can create problems for its adherents, as a review of recent occidental art and literary history makes clear. Artists have attempted to overcome these problems by reasserting social ideals (e.g. as in naturalism) or through revolt, as in the avant-garde movements of the twentieth century which challenged the aesthetic norms of the autonomous work of art in order to relocate aesthetic experience at a pivotal point in relation to individual and social life.* 1 * This article is based on parts of my doctoral thesis, Angkatan 45. Literaturkonzeptionen im gesellschafipolitischen Kontext (Berlin: Reimer, 1993). I thank the editors of Indonesia, especially Benedict Anderson, for helpful comments and suggestions. 1 In German studies of literature, the institutionalization of art as an autonomous field and its aesthetic consequences is discussed mainly by Christa Burger and Peter Burger. -
INDO 7 0 1107139648 67 76.Pdf (387.5Kb)
THE THORNY ROSE: THE AVOIDANCE OF PASSION IN MODERN INDONESIAN LITERATURE1 Harry Aveling One of the important shortcomings of modern Indonesian literature is the failure of its authors, on the whole young, well-educated men of the upper and more modernized strata of society, to deal in a convincing manner with the topic of adult heterosexual passion. This problem includes, and partly arises from, an inadequacy in portraying realistic female char acters which verges, at times, on something which might be considered sadism. What is involved here is not merely an inability to come to terms with Western concepts of romantic love, as explicated, for example, by the late C. S. Lewis in his book The Allegory of Love. The failure to depict adult heterosexual passion on the part of modern Indonesian authors also stands in strange contrast to the frankness and gusto with which the writers of the various branches of traditional Indonesian and Malay litera ture dealt with this topic. Indeed it stands in almost as great a contrast with the practice of Peninsular Malay literature today. In Javanese literature, as Pigeaud notes in his history, The Literature of Java, "Poems and tales describing erotic situations are very much in evidence . descriptions of this kind are to be found in almost every important mythic, epic, historical and romantic Javanese text."^ In Sundanese literature, there is not only the open violence of Sang Kuriang's incestuous desires towards his mother (who conceived him through inter course with a dog), and a further wide range of openly sexual, indeed often heavily Oedipal stories, but also the crude direct ness of the trickster Si-Kabajan tales, which so embarrassed one commentator, Dr. -
Phd Thesis Tamara Aberle
Socially-engaged theatre performances in contemporary Indonesia Tamara Alexandra Aberle Royal Holloway, University of London PhD Thesis 1 Declaration of Authorship I, Tamara Alexandra Aberle, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 2 Abstract This thesis argues that performances of contemporary theatre in Indonesia are socially- engaged, actively creating, defining and challenging the socio-political environment, and that theatre practitioners are important members of a vibrant civil society who contribute and feel actively committed to democratic processes. Following an initial chapter about the history of modern theatre from the late 19th century until the fall of President Suharto in 1998, the four core chapters centre on four different aspects of contemporary Indonesian socio-politics: historical memory and trauma, violence and human rights, environmentalism, and social transition. Each of these chapters is preceded by an introduction about the wider historical and socio-political context of its respective discourse and is followed by an analysis of selected plays. Chapter 2 focuses on historical trauma and memory, and relates the work of two theatre artists, Papermoon Puppet Theatre and Agus Nur Amal (a.k.a. PM Toh), to processes seeking truth and reconciliation in Indonesia in the post-Suharto era. Chapter 3, on violence and human rights, discusses the works of Ratna Sarumpaet and B. Verry Handayani, with a specific focus on human trafficking, sexual exploitation, and labour migration. Chapter 4 discusses environmentalism on the contemporary stage. It investigates the nature of environmental art festivals in Indonesia, taking Teater Payung Hitam’s 2008 International Water Festival as an example. -
The Islamic Traditions of Cirebon
the islamic traditions of cirebon Ibadat and adat among javanese muslims A. G. Muhaimin Department of Anthropology Division of Society and Environment Research School of Pacific and Asian Studies July 1995 Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] Web: http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Muhaimin, Abdul Ghoffir. The Islamic traditions of Cirebon : ibadat and adat among Javanese muslims. Bibliography. ISBN 1 920942 30 0 (pbk.) ISBN 1 920942 31 9 (online) 1. Islam - Indonesia - Cirebon - Rituals. 2. Muslims - Indonesia - Cirebon. 3. Rites and ceremonies - Indonesia - Cirebon. I. Title. 297.5095982 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Teresa Prowse Printed by University Printing Services, ANU This edition © 2006 ANU E Press the islamic traditions of cirebon Ibadat and adat among javanese muslims Islam in Southeast Asia Series Theses at The Australian National University are assessed by external examiners and students are expected to take into account the advice of their examiners before they submit to the University Library the final versions of their theses. For this series, this final version of the thesis has been used as the basis for publication, taking into account other changes that the author may have decided to undertake. In some cases, a few minor editorial revisions have made to the work. The acknowledgements in each of these publications provide information on the supervisors of the thesis and those who contributed to its development. -
Translating Modern Ideas Into Postcolonial Mosque Architecture in Indonesia
International Journal of Built Environment and Scientific Research Volume 02 Number 01 | June 2018 p-issn: 2581-1347 | e-issn: 2580-2607 | Pg. 39-46 Translating Modern Ideas into Postcolonial Mosque Architecture in Indonesia Mushab Abdu Asy Syahid1 1 Department of Architecture, Faculty of Engineering Universitas Indonesia, Indonesia [email protected] ABSTRACT This paper tries to narrate the story of translation practices on the ideas and forms of modernity in the history of mosque architecture design development in Indonesia. The allow interactions to produce various approaches wider beyond religious context. The translation theory in postcolonialism field offers an alternate history on how postcolonial subjects define and take a significant role for their own culture in compromising the overcoming globalism and modernities. This attitude will question our historical narratives socio-political postcolonial subjects engage through such essential elements. In that way, a previous common image of mosque design thus ought to be reinvestigated, as well as a notion of “modern” in Indonesia history would be redeveloped while layering mosque architecture periodization. The mosque architecture types which were inspired from both Western—Eastern styles inevitably involved colonial-postcolonial contextuality in how dynamism of interchanges since Independence period interlinked to Dutch-Indies colonial times, Old and New Order regimes, to the Post-reform era interwoven present. Understanding this modernity translation transformation on each period following the spirit of the age may conclude that modern mosque architecture in Indonesia is not in a stagnant or linear but rather a complex flow periodization of its development. This also indicates the notion of “modern” has multiple intentions to culture and socio-political factors that always never solidify to any single universal definition. -
Gerakan Mahasiswa Jakarta 1966: Melawan Rezim
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI GERAKAN MAHASISWA JAKARTA 1966: MELAWAN REZIM PENGUASA SKRIPSI Diajukan untuk Memenuhi Salah Satu Syarat Memperoleh Gelar Sarjana Pendidikan Program Studi Pendidikan Sejarah Disusun Oleh: Benidiktus Fatubun 141314002 PROGRAM STUDI PENDIDIKAN SEJARAH JURUSAN PENDIDIKAN ILMU PENGETAHUAN SOSIAL FAKULTAS KEGURUAN DAN ILMU PENDIDIKAN UNIVERSITAS SANATA DHARMA YOGYAKARTA 2019 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI GERAKAN MAHASISWA JAKARTA 1966: MELAWAN REZIM PENGUASA SKRIPSI Diajukan untuk Memenuhi Salah Satu Syarat Memperoleh Gelar Sarjana Pendidikan Program Studi Pendidikan Sejarah Disusun Oleh: Benidiktus Fatubun 141314002 PROGRAM STUDI PENDIDIKAN SEJARAH JURUSAN PENDIDIKAN ILMU PENGETAHUAN SOSIAL FAKULTAS KEGURUAN DAN ILMU PENDIDIKAN UNIVERSITAS SANATA DHARMA YOGYAKARTA 2019 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI iii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI HALAMAN PERSEMBAHAN Dengan segenap rasa syukur kepada Tuhan Yang Maha Esa, Skripsi ini saya persembahkan kepada: Kedua orang tua saya “ Bapak Yustus Fatubun dan Ibu Rosa Kasihiuw” dan kakak-kakak saya “ Hermina Fatubun, Fransiskus Fatubun” serta adik saya “Tania Fatubun” yang selalu mendukung dan mendoakan saya. iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI MOTTO Selama kamu benar, jangan takut. ( Yustus Fatubun) Hormati siapa saja, walaupun dia anak kecil. (Rosa Kasihiuw) Kewajiban manusia adalah menjadi manusia. ( Multatuli) Bukan di mana anda sekolah, tapi bagaimana anda belajar. (Soesilo Toer) v PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI vi PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRAK GERAKAN MAHASISWA JAKARTA 1966: MELAWAN REZIM PENGUASA Oleh: Benidiktus Fatubun Universitas Sanata Dharma 2019 Penelitian ini bertujuan mendeskripsikan dan menganalisis tiga masalah utama, yaitu: (1) latar belakang lahirnya gerakan mahasiswa 1966, (2) proses gerakan mahasiswa 1966, (3) dampak dari gerakan mahasiswa 1966 dalam bidang ekonomi dan politik. -
East-West Film Journal, Volume 5, No. 1
EAST-WEST FILM JOURNAL VOLUME 5 . NUMBER 1 SPECIAL ISSUE ON MELODRAMA AND CINEMA Editor's Note I Melodrama/Subjectivity/Ideology: The Relevance of Western Melodrama Theories to Recent Chinese Cinema 6 E. ANN KAPLAN Melodrama, Postmodernism, and the Japanese Cinema MITSUHIRO YOSHIMOTO Negotiating the Transition to Capitalism: The Case of Andaz 56 PAUL WILLEMEN The Politics of Melodrama in Indonesian Cinema KRISHNA SEN Melodrama as It (Dis)appears in Australian Film SUSAN DERMODY Filming "New Seoul": Melodramatic Constructions of the Subject in Spinning Wheel and First Son 107 ROB WILSON Psyches, Ideologies, and Melodrama: The United States and Japan 118 MAUREEN TURIM JANUARY 1991 The East-West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Editor's Note UNTIL very recent times, the term melodrama was used pejoratively to typify inferior works of art that subscribed to an aesthetic of hyperbole and that were given to sensationalism and the crude manipulation of the audiences' emotions. However, during the last fifteen years or so, there has been a distinct rehabilitation of the term consequent upon a retheoriz ing of such questions as the nature of representation in cinema, the role of ideology, and female subjectivity in films. -
Pandangan Politik Soekarno Dalam Membangun Masjid Istiqlal
PANDANGAN POLITIK SOEKARNO DALAM MEMBANGUN MASJID ISTIQLAL SKRIPSI Diajukan Untuk Memenuhi Persyaratan Memperoleh Gelar Sarjana Humaniora (S. Hum) Oleh: Achmad Rizki Nugraha NIM: 106022000894 PROGRAM STUDI SEJARAH PERADABAN ISLAM FAKULTAS ADAB DAN HUMANIORA UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 1432 H./ 2011 M. PANDANGAN POLITIK SOEKARNO DALAM MEMBANGUN MASJID ISTIQLAL SKRIPSI Diajukan kepada Fakultas Adab dan Humaniora Untuk Memenuhi Persyaratan Memperoleh Gelar Sarjana Humaniora (S. Hum.) Oleh : Achmad Rizki Nugraha NIM : 106022000894 Pembimbing : Prof. Dr. H. Budi Sulistiono, M.Hum. NIP : 19541010 198803 1 001 PROGRAM STUDI SEJARAH PERADABAN ISLAM FAKULTAS ADAB DAN HUMANIORA UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA TAHUN 2011 M/1432 H PENGESAHAN PANITIA UJIAN Skripsi berjudul PANDANGAN POLITIK SOEKARNO DALAM MEMBANGUN MASJID ISTIQLAL telah diujikan dalam sidang munaqasyah Fakultas Adab dan Humaniora UIN Syarif Hidayatullah Jakarta pada 4 Januari 2011. skripsi ini telah diterima sebagai salah satu syarat memperoleh gelar Sarjana Humaniora (S.Hum) pada Program Studi Sejarah Peradaban Islam. Jakarta, 4 Januari 2011 SIDANG MUNAQASYAH Ketua Merangkap Anggota Sekertaris Merangkap Anggota Drs. H. M. Ma’ruf Misbah, MA. Sholikatus sa’diyah, M.Pd NIP: 19591222 199103 1 003 NIP: 19750417 200501 2 007 Anggota, Penguji Pembimbing Drs. Tarmizy Idris, MA. Prof. Dr. H. Budi Sulistiono, M.Hum. NIP : 19601212 199003 1 003 NIP : 19541010 198803 1 001 LEMBAR PERNYATAAN Dengan saya menyatakan bahwa: 1. Skripsi/tesis/disertasi merupakan hasil karya saya yang telah diajukan untuk memenuhi salah satu persyaratan memperoleh gelar strata1 /strata 2/ strata 3 di UIN Syarif Hidayatullah Jakarta. 2. Semua sumber yang saya gunakan dalam penulisan ini telah saya cantumkan sesuai dengan ketentuan yang berlaku di UIN Syarif Hidayatullah Jakarta. -
The Cultural Traffic of Classic Indonesian Exploitation Cinema
The Cultural Traffic of Classic Indonesian Exploitation Cinema Ekky Imanjaya Thesis submitted for the degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies December 2016 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 1 Abstract Classic Indonesian exploitation films (originally produced, distributed, and exhibited in the New Order’s Indonesia from 1979 to 1995) are commonly negligible in both national and transnational cinema contexts, in the discourses of film criticism, journalism, and studies. Nonetheless, in the 2000s, there has been a global interest in re-circulating and consuming this kind of films. The films are internationally considered as “cult movies” and celebrated by global fans. This thesis will focus on the cultural traffic of the films, from late 1970s to early 2010s, from Indonesia to other countries. By analyzing the global flows of the films I will argue that despite the marginal status of the films, classic Indonesian exploitation films become the center of a taste battle among a variety of interest groups and agencies. The process will include challenging the official history of Indonesian cinema by investigating the framework of cultural traffic as well as politics of taste, and highlighting the significance of exploitation and B-films, paving the way into some findings that recommend accommodating the movies in serious discourses on cinema, nationally and globally. -
Transformasi Pola Hidup Masyarakat Dalam Rangka Meningkatkan Tanggung Jawab Sosial Lingkungan Sebagai Wujud Civic Engagement
TRANSFORMASI POLA HIDUP MASYARAKAT DALAM RANGKA MENINGKATKAN TANGGUNG JAWAB SOSIAL LINGKUNGAN SEBAGAI WUJUD CIVIC ENGAGEMENT (Studi Deskriptif Kualitatif Normalisasi Daerah Aliran Sungai Ciliwung Kampung Pulo, Kelurahan Kampung Melayu, Kecamatan Jatinegara, Jakarta Timur) Tiyas Ayu Karyasih 4115137055 Skripsi Yang Ditulis Untuk Memenuhi Salah Satu Persyaratan Dalam Memperoleh Gelar Sarjana Pendidikan PENDIDIKAN PANCASILA DAN KEWARGANEGARAAN FAKULTAS ILMU SOSIAL UNIVERSITAS NEGERI JAKARTA 2018 ABSTRAK TIYAS AYU KARYASIH, Transformasi Pola Hidup Masyarakat Dalam Rangka Meningkatkan Tanggung Jawab Sosial Lingkungan Sebagai Wujud Civic Engagement. Skripsi. Jakarta: Program Studi Pendidikan Pancasila dan Kewarganegaraan, Fakultas Ilmu Sosial, Universitas Negeri Jakarta, Januari 2018. Penelitian ini dilatar belakangi oleh keresahan akan adanya banjir tahunan di kawasan bantaran kali Ciliwung karena sikap masyarakat yang cenderung negatif terhadap lingkungan. Pemerintah Provinsi DKI Jakarta memberlakukan normalisasi kali Ciliwung, dari kebijakan normalisasi kali Ciliwung ini memberikan dampak- dampak yang menimbulkan perubahan sosial. Tujuan dari penelitian ini untuk mengetahui bagaimana transformasi pola hidup masyarakat dalam rangka meningkatkan tanggung jawab sosial lingkungan sebagai wujud civic engagement di Kampung Pulo. Metode yang diguanakan dalam penelitian ini adalah metode deskriptif dengan pendekatan kualitatif. Temuan penelitian ini adalah: 1) Bantaran kali Ciliwung menjadi sasaran normalisasi karena perilaku masyarakat yang cenderung -
Joseph Conrad
Joseph Conrad Joseph Conrad (born Józef Teodor Konrad Korzeniowski, Joseph Conrad Polish: [ˈjuzɛf tɛˈɔdɔr ˈkɔnrat kɔʐɛˈɲɔfskʲi] ( listen); 3 December 1857 – 3 August 1924) was a Polish-British writer[1][note 1] regarded as one of the greatest novelists to write in the English language.[2] Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature.[note 2] Conrad wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of what he saw as an impassive, inscrutable universe.[note 3] Conrad is considered an early modernist,[note 4] though his works contain elements of 19th-century realism.[3] His narrative style and anti-heroic characters[4] have influenced numerous authors, and many films have been adapted from, or inspired by, his works. Numerous writers and critics have commented that Conrad's fictional works, written largely in the first two decades of the 20th century, seem to have anticipated later world events.[5][6] Conrad in 1904 Writing near the peak of the British Empire, Conrad drew, among by George Charles Beresford other things, on his native Poland's national Born Józef Teodor Konrad [7]:290, 352[note 5] experiences and on his own experiences in the Korzeniowski French and British merchant navies, to create short stories and 3 December 1857 novels that reflect aspects of a European-dominated world— Berdychiv, Russian including imperialism and colonialism—and that profoundly Empire explore